Gen Z Is Saving Physical Media

Gen Z gets a lot of flack nowadays. From spending 99.99% of their free time on the internet instead of at malls to inventing corny slangs and memes that everyone IMMEDIATELY becomes addicted to making sure you are held accountable for EVERY single thing you have said in the past 25 years and to NEVER be forgiven for it, they really have changed the way everyone has gone on about their social and cultural lifestyles for quite some time. However, every once in a while, they can be kinda badass. In this case, they are doing everything in their power to bring back proper physical media.

Having getting sick and tired of streaming platforms getting more expensive every year and removing beloved content on their service every now and then for effectively no reason, Gen Z (and pretty much everyone else) are taking matter into their own hands. Instead of waiting for their favorite movie or show to come out on whatever streaming service they use or their favorite singer or musician to release their latest album digitally, they are now seeking out hardcore physical copies of what they want to watch or listen to. They want to actually own their personal favorite media instead of letting other companies own it for them. Gen Z is making a statement and everyone is hearing it loud and clear.

There’s been articles and reports for the last several months of DVDs, Blu-Rays, CDs, and record albums seeing a solid increase in physical media sales and a much less decrease from several years prior. Retro video stores are being resurrected and are immediately having booming business while well known businesses such as Walmart, Target, Best Buy, and Barnes and Noble who had either abandon or drastically reduced their electronic physical media sections in recent memory are looking to bring back or expand these sections, especially if this trend continues.

While this is all great and good, I think the main question everyone has is why is this all happening now? What is it about digital and streaming now that has finally broke the camel’s back among Gen Z and everyone else that it has encouraged them to take a stand and just buy physical copies of their favorite movies, shows, games, and music that they can fully own?

While I previously mentioned inflated streaming prices and favorite movies/shows getting removed left and right each month because companies just love to troll their consumers, I think it’s more because that Gen Z (or at least the older half of it) are looking to recapture that special feeling they had as kids. Just the simple feeling of being able to own your own physical copy of something, have exclusive special access of the item they own, and even be able to add that to a nice collection. Instead of just being able to watch whatever they want on their phone or laptop, they feel like getting a full complete version of their entertainment along with extra bonuses that come along with it that you can fully watch on your own television is how you get your full money’s worth.

While there are always posts every now and then on Twitter/X about Gen Z never being able to experience the same magic that Millennials and Baby boomers did with physical stores and owning physical media, there actually is a good chunk of them that have already done just that. Gen Z literally advocates from those that were born between the years of 1997-2012, with Zillenials (a mix between Gen Z and Millennial, mostly those born in the mid to late 1990s) and Gen Alpha (Born from 2010-2024) being thrown in there for good measure. So for those that were born in the late 1990s to the early or mid 2000s, they basically got to experience that same warm feeling of owning the movie, show, game, or CD that you love literally when they were young children. Heck, even a handful of individuals got a glimpse of that among the last wave of it in the mid 2010s.

It’s only when digital and streaming started to dominate the entertainment landscape in the late 2010s that everyone began to take physical media for granted. You didn’t need to own any physical copies of whatever you watch, play, or listen to when you have a streaming service that will do it for you or you can just purchase it and watch it online on your computer from the comfort of your own homes. Plus, it’s cheaper just to pay 10 bucks a month or 15 bucks for digital to watch your favorite thing multiple times than paying 20 to 25 bucks to own a physical copy.

This cultural shift from the past 10 years really started to take a big hit on big physical media companies such as Walmart, Target, Best Buy, and especially Red Box (RIP!) and the big major entertainment studios began to create their own answers to Netflix, resulting in the likes of streaming services such as Disney Plus, HBO Max (or whatever it’s called now), Hulu, Peacock, Apple TV, Paramount Plus, and several others. Because of that, more focus was put on digital and streaming and less on the likes of physical media and cable/satellite television. However, things are starting to change.

People have become increasingly frustrated with the amount of streaming services they have to keep up with to watch their favorite movie or show. People are sick to death of streaming services taken away content they like watching for no reason and only bringing it back whenever the company feels like it. And of course, people are growing pure annoyance on monthly subscriptions fees going up every single year, with more ads and freeze ups being added in for dreadful measure. Because of that, everyone is just wanting to go back to simpler times, back when you can actually own something and physically own it for all eternity with no one stopping you. Such a novel concept in this day and age, isn’t it?

Granted, we are still a little while away before physical media becomes ANYWHERE near as dominant as it was throughout the 1990s to early 2010s and we probably will never reach THAT level of peak every again. Digital and streaming is always going to have a major presence and will still be a preferred preference for a good chunk of people out there. It also remains to be seen if this physical media shift will go towards the likes of gaming, especially considering how ridiculous expensive video games and consoles has gotten in recent memory. And I don’t even need to mention how your average lazy Joe would much prefer to do their daily shopping online on Amazon than dragging his butt out to Walmart. However, this is a sign that the way we consume our favorite entertainment is changing just as it did around this time ten years ago. The difference is this time, I think this change will be for the greater good for the future.

Between resurrecting physical media and being the main dominant driving force of the movie theater going experience, i seems like Gen Z is just looking to have fun again and enjoy entertainment in the way that the older half of their demographic strongly remembers them doing back in the “good old days”. Whether it’s because of inflated streaming prices or finally wanting to come out of their rooms in a post-covid world and talk to someone other than their AI chatbot buddy, this is strongly encouraging of for the future of not just what we physically own but also potentially the way we socially interacted with one another in the near future. Although the current generation leading the charge can give themselves the bad reputation, it’s always nice to see them do some genuine good.

And I should know because I’m technically apart of that generation (I still lean towards Zillennial, goddamn it!)

Now, if Gen Z can please resurrect cable and satellite television already so I no longer have to own 10 different streaming services to watch my favorite sports teams! Please and thank you!

Project Hail Mary (2026) Early Movie Review- Operation Cinematic Triumph

You know how sometimes whenever a new movie comes out and the studio decides to NOT lift the review embargo until the exact day the movie comes out? That’s usually a sign that the studio has ZERO faith in the film they just poured millions of dollars into and hope they could swipe it underneath the rug from any kind of negative publicity in the hopes of making any sort or profit of said film before it hits digital and streaming. There might always be an exception (*cough* Oppenheimer) but whenever a studio usually does that, NINE times out of ten, they know they got a dud on their hands.

Project Hail Mary has been the exact opposite of that. Amazon has given the film PLENTY of attention and early press releases before it hit theaters everywhere this weekend. Only this time, it’s not just for film critics but for film audiences as well! There has not been one but TWO special screenings that has come from AmazonMGM, a studio which absolutely needs a hit after several underwhelming films (Mercy, Crime 101, and that one documentary that shall not be named) to start off 2026. Regardless if this is an act of faith or desperation, you can’t say anyone involved is afraid to show everyone what they got with this latest motion picture.

However, giving a film too much exposure can easily backfire. It can generate overhype and set the film with completely unrealistic expectations of it’s quality harder than any film that wins Best Picture at the Oscars ever could! Or there can be times where all that hype and buzz is absolutely worth it and the film just ends up being a perfectly executed version of the film that it inspires to be that there’s not much to complain about. And I can said with good pride that the film I’m just about to talk about is exactly the latter of what I’m talking about.

Project Hail Mary is an incredibly well made, extremely well acted, and very well paced sci-fi thriller that works (I imagine) not just as a faithful adaption of the critically acclaimed book from Andy Weir (The Martian) but it also stands strongly as it’s own cinematic experience and a thematically moving think tank surrounding art and science . There is not a single second that is boring or uninteresting, Ryan Gosling is pitch perfect in the lead role as Grace and has great chemistry with his so-called co-star (which I’m not going to spoil in case no one is aware of that character yet), it has a perfectly controlled tone that knows when to be funny, serious, and moving when it’s absolutely required, and even if you can see the inspiration from your favorite sci-fi flick from the 2010s (Gravity, Interstellar, The Martian, Arrival, Mr. Gosling’s own First Man! Take your pick!), it is able to have it’s own unique identity while telling a distinct story about the importance of loyalty, friendship, unity, and sacrifice. While it’s certainly not the most flawless film I’ve ever seen and I’m sure there will be nits to be picked from fans of the book, I can’t imagine Project Hail Mary being a better version of itself than what Mr. Lord and Mr. Miller was able to deliver here.

Premise: Science teacher Ryland Grace (Ryan Gosling) wakes up on a spaceship with no recollection of who he is or how he got there. As his memory slowly returns, he soon discovers he must solve the riddle behind a mysterious substance that’s causing the sun to die out. As details of the mission unravel, he calls on his scientific training and sheer ingenuity — but he may not have to do it alone.

I will say straight off the bat that I have NOT read the book that this film is based on. I’m well aware that Andy Weir’s 2021 spiritually successor to The Martian is one of the more beloved books in recent worry, being a New York Times’ best-seller for 28 weeks in a row. However, I purposedly choose to hold off on reading the book BEFORE seeing the movie in order to not spoil the cinematic experience for myself! Even so, while I’m sure there were some changes had to have been made and plot elements that had to be reworked or cut out in order for it to qualify as a feature film, I really get the feeling that is indeed a very worthy adaption of it’s source material.

The main reason I believe that is because it’s clear how much pure confidence is on display from the cast and crew with the making of this film. You really get the sense that it’s trying to capture a special lightning in a bottle that you don’t get from films these days. They are trying to offer you an experience that you possibly couldn’t get from any other film besides this one, even including the other recent sci-fi flicks that it’s clearly inspired by. It’s trying to engage you in ways that you probably never expected, especially when you discover what the main driving force of the film is suppose to be. And it’s even trying to tell a tale about finding that spark of hope within yourself when it seems like no else can. Even if Grace himself is doubtful that he can complete his mission, the cast and crew have more than enough trust in themselves with Project Hail Mary.

As much as comparisons are going to be made with The Martian (and rightfully so…..in good ways), the main protagonist Ryland Grace is NOT Mark Watney! He’s not someone who has had major experience with space travel or being an astronaut. He’s just a simple teacher who is sent on a mission that can determine the fate of humanity and earth because he simply has nothing left to lose. Project Hail Mary isn’t strictly a story about a man working his way back home, it’s a story about a man working his way so that billions of other earthly live forms (and a very special friend) might have a chance of going back or staying home for the foreseeable future. Even if it’s not a full on direct sequel of The Martian, screenwriter Drew Goddard is able to properly expand the themes of Andy Weir’s work involving sci-fi and space operas once again in ways that will certainly put a smile on the author’s face.

Nothing in Project Hail Mary could have worked as well as it does without Ryan Gosling’s masterful performance as Grace! Much like the tone in the film, he is able to expressive himself exactly the way that the script demands for it whenever he is needed. He has great comedic timing, knows when to transition to being serious and emotional, makes every single dramatic and character beat feel earned, and makes for a overall engaging screen presence that is able to hide any sort of jarring shortcoming that the film might have. And yes, he does have absolutely perfect chemistry with that one special character that I will not mention because it’s a spoiler free review. But, all I will say is this…..Baby Yoda has some SERIOUS competition!

The other MVPs of the film goes to co-directors Phil Lord and Christopher Miller. This film makes for the duels’ first directorial feature credit since 2014’s 22 Jump Street. While it’s certainly crazy that it’s been 12 years since these guys have fully directed a film (It’s a shame that Solo: A Star Wars Story didn’t work out but the Spider-Verse films were co-written and produced by the duo, NOT directed!), they make their cinematic return feel worth it. Just like they did with films like The Lego Movie and Cloudy With A Chance of Meatballs, they are able to take this odd and far-reach concept of a man trying to achieve the literal impossible while including it’s own unique brain in it’s head. They know how to get their universally relatable themes about the need for connection and working together in a time of crisis while not being afraid to be funny and moving along the way.

In terms of other technical and productive achievements, Project Hail Mary is the complete package. While there’s not a direct sequence that is as aspiring as the very best scenes from Gravity or Interstellar, this is a very beautiful looking motion picture, making the extra bucks for IMAX actually feel worth it. Any shot in space is a treat for the eyes and the transition from IMAX ratio to normal ratio is surprisingly never jarring. The cinematography by Greig Fraser is on-point, the score by Daniel Pemberton is able to be as equally mesmerizing as it is moving with some truly inspiring song choices, and even though this is a story which the events are told out of nowhere, the superb job from editor Joel Negron has every scene flow together very well and makes this daring narrative choice from Mr. Lord and Miller feel completely justified.

It may seems like I’m scratching underneath the surface with this review but that’s because there’s so much AURA here that I don’t want to spoil it for anyone that is curious to see Project Hail Mary this weekend. Not necessarily because there’s any game changing spoilers to be found (outside of the obvious elephant in the room) but because I want your experience to be as fresh and surprising as it was for me.

Project Hail Mary is sci-fi, adaptions, and cinema as it’s absolute best! It’s able to find the best of every possible world that it can and is able to stand strong on any merit that you chose to measure it with. I can nitpick about there being one or two many “funny” scenes and the way the film continuously teases what ending pathway it will chose to take by the end of Act Two and leading into Act Three is a tad jarring but when a film is this well put together, entertaining, and filled with so much optimism despite taking place in a literal dying Earth, how can you let ANY kind of flaw distract you from everything else?!

This will likely go down as one of the best films of the year, an early frontrunner for Best Picture at Next Year’s Academy Awards, and proof that cinema in Hollywood can evolve without the need of a Marvel superhero or a remake of an animated film from 30 years ago to carry theaters for the future. It’s become rarer every day to recommend a film that fully justifies the $15 to $20 ticket price but Project Hail Mary is exactly that!

You ever seen that meme that says “Never Kill Yourself”? I like to imagine the person that came up with that meme was describing the experience of watching Project Hail Mary!

Now if you’ll excuse me, I’m gonna pre-order the novel now!