Blog Update

Hello, everybody! I hope you are having a very happy new year thus far! I just wanted to give you all a quick update on my plans for 2026 on this blog and what to look forward to in the future!

To be honest, I don’t have much to say that is entirely new that I didn’t mention in my last blog update. But since I deleted that a few days ago to save some space for this year, I figure I would go over again what I want to do for this blog for 2026!

As many who follow me through this blog probably know, 2025 was a very up and down year for me! I couldn’t upload as much as I wanted to because there was just too many personal life distractions for me. Because of that, most of the pieces throughout 2025 involved top 10 lists or rankings of certain franchises or directors. Those are usually very easy for me to do, which is why I was able to crank them out throughout the year.

However, I am looking to turn over a new leaf for next year. By that I mean that I am looking to be much more productive throughout 2026! Not only through my personal life but on here as well! I am looking to be much more active and make more pieces on here per week!

2026 is shaping up to be a MASSIVE year in terms of films, entertainment, and pop culture! I want to capitalize on that as much as I can, being able to keep up to date with the latest news surrounding entertainment and even sports! Because of that, I want to go back to making reviews on the latest movies and video games that I am interested in. I even have a plan to do one on the first movie I plan to see this weekend, We Buy The Dead! I will also have a list of my most anticipated films of 2026 that should be out tomorrow!

And that’s about it! I am very much looking forward to 2026 and what pure chaos awaits me! Thanks to everyone out there in the world that takes the time out of their day to read up on what I have to say on here! I owe you all my life!

Look forward to more content on here and cheers for a merry 2026!

Best Movies of 2025

Another year of entertainment has come and gone so it’s time to look back at some of the very best that it had to offer in terms of films. It’s been a wild and chaotic year and 2026 is looking to be even more wild and chaotic! That’s why it’s now time to share my picks for the top ten best films of 2026 (that I actually saw)!

I did not see EVERY film I wanted to see by the end of the year. These include films that have gotten rave reviews from critics and audiences such as Bugonia, Drop, Good Boy, and The Long Walk. I’ll see them whenever I can but I couldn’t see them on time for this list. Perhaps in the future, I’ll make an updated list of the best films of 2025 and I might include them once I see them. But for now, just know that I couldn’t see every critically darling to come out in 2024.

Before we get started with the list, I decided to bring back something I entirely skipped out on last year but decided to bring it back this year. That being a special mention AND an unqualifiable mention!

The special mention refers to a specific film that I couldn’t find room to put into my best-of lists but I do think it’s at least worth a shoutout. Whether it’s from a personal bias or a film that has been overlooked/undiscovered, this category is reserved specifically for those kind of films.

The unqualifiable mention refers to a specific film that could be destined to be an all-time classic or even a game changer for the genre or medium it’s a part of but it’s quality is strongly dependent on how it will stand the test of time in either the current moment of the franchise it’s a part of or the current moment of pop culture or even just events in general.

Special Mention:

There was a brand new 2D animated Looney Tunes adventure that came out this year and nobody went to see it. The Day The Earth Blew Up felt like being transported back in time, a time to where you would see fresh and exciting 2D animated adventures on the big screen with no reservations whatsoever! This is a loving throwback to the early Looney Tunes animation, it moves at a brisk pace with physical comedy left and right, and it felt nice that films like this are still able to sneak their way into theaters and make for a very enjoyable theatrical experience. If you have been someone that has been STARVING for brand new 2D animated flicks, make sure to check out The Day The Earth Blew Up!

Dishonorable Mention:

I don’t think there has been a film that captures this exact moment we are living it in terms of current events and encapsulates how absolutely f**ked up the 2020s has been to our insanity! I’m not the biggest Paul Thomas Anderson fan but he absolutely brought his A-game here! It’s about as perfectly shot, acted, and directed as a film can get! The main thing on my mind about One Battle After Another is how will history look back upon this picture as the political landscape changes in the next several years, ESPECIALLY in a post-Donald Trump world! Will history look back on it as Democrats making a point about how illegal immigration should be treated with much proper care and that I.C.E. was NEVER the answer to it?! Will history look back on it as Republicans being in the right and shows how insane the left has gotten since 2016?! And the biggest one of them all: will film studios allows more films like this to be made as not just political landscapes changes but also more and more studios start to emerge with one another, with billionaire corporations taken over and jeopardizing the entire idea around creative filmmaking? Regardless, One Battle After Another has developed quite the reputation since it’s release and will continue to do so as the years go boy. As we enter to what many are considered the “post-woke” era of America, I imagine this film could be seen as Hollywood’s one last bold statement about these uncertain and troubling times we are living in!

Now here are a handful of films that just BARELY missed this list

  • The Naked Gun (2025)

  • Ne Zha 2

  • Demon Slayer: Infinite Castle

  • The Housemaid

Now onto the main top ten!

10.) Companion

Remember when these kind of films where mocked and ridiculed because the idea of men wanting to have sex with robots was considered too unrealistic?! (*laughs* 2013’s Her *laughs*) In all seriousness (or at least as serious as I can make it be), this about as tight (and scarily realistic) exploration of humanity engaging with A.I. in more ways than one! It’s certainly pulpy but it knows that and is proudly so. The entire cast is great (with Sophie Thatcher being PURE robot mother), the direction is sublime, and it’s able to have a good sense of humor that doesn’t take you out of the experience! Although this might become a film that will get harder to watch for me as these sexbots could possibly become more common (Finger crossed it doesn’t!), Companion does make for one very engaging sci-fi thriller that should not be missed!

9.) Wake Up Dead Man: A Knives Out Mystery

Rian Johnson and Daniel Craig return once again to deliver a mystery thriller that’s not only just an excuse to show off an expansive cast that Mr. Johnson was able to get during their free time but also has delicious commentary on religion and Christianity. It’s a good showcase as to how one’s religious faith can be corrupted if they refuse to see through any other lenses and how Christian nationalism can turn people away if they go too far in injecting their beliefs onto others. As someone that grew up as a Christian, that message and it’s overall examination of my religion really hit home with me. Throw in perhaps the most compelling mystery in any one of these films to date with an intriguing setting and a cast that always looks like they are having fun in these movies, Wake Up Dead Man shows that the mystery/thriller genre is really where Rian Johnson hits home at. Even though this is the third Knives Out adventure to date, I can see this working to those that either loved or hated the previous two films.

8.) Superman (2025)

James Gunn arrived to save the day with his own take on the man of tomorrow while also aiming to give DC a second leash on live with a rebooted cinematic universe. Superman (2025) presents us with a Clark Kent we can all get behind and root for, acting as the perfect counter-culture hero who values kindness in a world that no longer calls for that. And after over a decade of Superman portrayals that have ranged from him being moody and depressed to being flat out evil, it’s more than refreshing to see Superman here being someone that represents hope, optimism, and has absolutely NO agenda other than wanting to be a good person that saves people. The cast is all near perfect (the main trio of David Corneswet’s Clark Kent, Rachel Brosnahan’s Lois Lane & Nicholas Hoult’s Lex Luthor could not have played off each other better), the tone feels right at home with classic Superman, the spectacle is cool, and it even has those traditional superhero elements from earlier superhero films such as Sam Raimi’s Spider-Man that I have missed in these kinds of movies for so long. I don’t know how the future of Mr. Gunn’s DC Universe will hold after the inevitable WB merger with either Netflix or Paramount but I’m still glad we are able to still get superhero flicks that reminds us all why we love superheroes!

7.) F1

Coming off the highs of the box office juggernaut that was 2022’s Top Gun Maverick, director Joseph Kosinski follows that up with yet another incredibly well made and genuine crowd pleaser that was just made to be seen on the big screen! Brad Pitt proves he still has a bit of star power in him as he enters his 60s and Damson Idris is a young movie star just waiting to burst out onto the scenes (Marvel Studios better have him casted as King T’Challa whenever the timing is right!) The incredible racing sequences and off-the-chart sound designs made the experience worth the extra few dollars for IMAX, there’s a solid pace and momentum throughout despite the 150+ minute long runtime, the character drama works, the themes surrounding tough love, mentorship, teamwork, and redemption are all executed to near perfection, and even the standard cliches you would expect for these kind of racing movies have their special place here. While I’m not entirely sure this is an experience that will be as satisfying to watch at home as opposed to the big screen, F1 are the kind of old-school summer blockbusters films that we need more of now than possibly ever before!

6.) Weapons

After delivering an instant horror classic with 2022’s Barbarian, Zach Cregger is able to deliver a masterful follow-up in Weapons that is better in just about every way! This is like if you take Prisoners, Pulp Fiction, Insidious, Barbarian, and Evil Dead, put them all in a blender, and you get this absolute delightful treat as an result! It’s intense, perfectly paced, engaging as hell, will get under your skin in the best way possible, and will have you put together the pieces in very satisfying ways as soon as the credits roll. Plus, it might just have probably the most satisfying payoff of a climax that I have seen in a movie in 2025! Between this and one other possible mention on this list, it’s nice to know that not only excellent original horror films are still getting made but they are able to be solid crowd pleasers that even the mainstream audience can get behind! I can only hope that this is a sign to come that Hollywood is willing to take more chances with not just horror movies but original films in general.

5.) K-Pop: Demon Hunters

I never would’ve guessed that an animated film made by Sony would end up having the biggest impact among pop culture of all film released in 2025 but nevertheless, the animated Netflix exclusive, K-Pop Demon Hunters is worth all the hype and then some! I don’t think we have seen an animated musical being this hyped up and celebrated since Frozen! We follow a group of young female K-Pop superstars as they must juggle their work/personal life balance of being beloved rockstars while also during their part-time duty with slaying demons. Once they clash with a boy band, who happen to be rockstars but also demons at the same time, the girls are put to the test with trying to accomplish the best versions of themselves as singers and demon slayers. The animation is breathtaking, the characters are endearing, it moves at such a fast clip that it’s hard to not be entertained by anything happening, and the songs will be living rent free in your area for quite some time. K-Pop Demon Hunters represents a miracle for original animation, proving that there might indeed be some creative spark left for original animated properites!

4.) Warfare

Based on the real-life experiences of Ray Mendoza during his service in the Iraq war as a U.S. Navy SEAL, Warfare act as an re-enactment of an encounter he and his platoon experienced on November 19, 2006, in the wake of the Battle of Ramadi. Warfare is a war film that has no goal other than showcasing the life-changing events that shattered the life and mental stability of a group of hard fighting soldiers that were sent to a war that they had ZERO business being part of (Thanks, Mr. Bush and Mr. Cheney (R.I.P. Bozo!)). There’s no traditional Hollywood war tropes, no forms of military or American propaganda, and never tries to waste your time with filler of any kind. It’s 90 minutes of horror, intensity, and filling you in the shoes of being an everyday soldier in the army. The cast shines, every action sequence will have you on the edge of your seat, and it’s so refreshing to see a film where the filmmakers try to be 100% as accurate to the true events it’s based on as possible. If Garland wants to continue making films with real-life and important subject matter, hopefully he takes the rights notes from this film and NOT with say Men (*insert PTSD*) and he might just get even better in the future.

3.) Guillermo Del Toro’s Frankenstein

If you want to talk about a filmmaking match made in heaven, look no further than with Guillermo Del Toro’s Frankenstein! Monster flicks like this are ALWAYS a passion project for Guillermo and man that is absolutely NOT an exception here! It’s beautifully crafted, masterfully directed, perfectly performed by the cast (Oscar Isaac being a main standout as the lead), and it’s able to dig into themes surrounding narcissism, humanity, and identity that are in the novel that the film is based on about as faithfully as it can be. It’s able to take a familiar story but tell it in a new and exciting way that it more than justifies it’s existence. Oh, and big props to Jacob Elordi for making me eat my words and deliver an excellent performance as the Creature! I think everyone knew that Gilluermo Del Toro would always be the perfect fit to helm a modern Frankenstein movie and he’s able to fully deliver on all of those expectations! I only wish I could’ve seen this in theaters!

At least we are supposedly getting a physical media copy for this film! I guess there may still be a God after all!

2.) Marty Supreme

If you thought the Safdies couldn’t get more intense than Uncut Gems, Marty Supreme makes that film look like child’s play in comparison! Here we have a film that is (partially) based on true events of Marty Mauser, a man who had to go through hell and back to become the best table-tennis player on the planet! Once again, Safdie leaves no stone unturned in crafting a film that will make for the most batsh*t crazy experience imaginable but one you can NEVER look away from. I can’t recall a film in recent memory where it just left me GLUED to the seat and left me wondering after every scene, “WTF IS GONNA HAPPEN NEXT?!” It’s sharply directed, moves as about as good as a pace as one can in a film that’s over two hours and it cleverly subverts your expectations from expecting a basic biopic of a typical table tennis player to showing a young man rushing his way into adulthood and facing all kinds of consequences for it. And yes, Timothée Chalamet is an absolute movie star in the making, the kind we absolutely do NOT get anymore! While there will be plenty of people barking at the historical accuracy of this motion picture, that doesn’t change the fact that Marty Supreme will still go down as one of the most exhilarating films of 2025!

1.) Sinners

In a time where Hollywood desperately needs more creative voices than ever, Ryan Coogler comes on in to craft what is perhaps the most original and unique blockbuster in recent memory! Sinners is more than just an expertly well done horror period flick but it’s a genuine glimmer of light of the creatively bankrupted nature in Hollywood. It’s prove that there are still distinct, creative voices in Hollywood and directors that are looking to push boundaries of what filmmaking can be in the year of our lord and savior in 2025! The cast is top tier from top to bottom (especially with Michael B Jordan and Mrs. Josh Allen), it has the right mix of blood, gore, scares, and glorious amounts of sexiness that you don’t get from most films nowadays, the production values are top notch, and nearly every single plot point and thematic arc gets a payoff of some sort by the end. It’s even impressive to have post-credits scenes that don’t just exist to give a tease for the sequel or a cheap gag but to actually expand upon the complete ending of the full complete picture. The fact that this film was able to make more domestically than ANY Marvel Studios film released this year just goes to show that there is indeed a desire for original stories, studios just need to bother putting the effort into it! As the future of the film industry remains dire and uncertain with more studios and corporations taking over and merging with one another, Sinners is a reminder of what modern films can be when you let the titled director cook and take a chance on a new idea! Because of that and more, Sinners is my absolute favorite film of 2025!

2026 Box Office Predictions

We are about to enter 2026 and because of that, I thought it would be fun to make some predictions on how I will think certain movies will do at the box office next year!

As we head into the second half of the 2020s, there is a LOT of uncertainty surrounding movie theaters and the film industry in general. From the emergence of A.I. to yet another massive company merger between Netflix (or Paramount), Hollywood is changing in ways that could dangerously affect filmmaking and entertainment in the immediate future.

However, there have been many analysts that predict that 2026 will be the biggest year at the box office since Covid happened. Because of that, many still believe that there could be a possibility that movie theaters will be seeing a MASSIVE comeback next year, proving to studios that there is still a large audience out there that do love going to movie theaters. While I can certainly understand the optimism, I do think certain people NEED to come back to reality in regards to their box office predictions for next year.

Yes, I do believe that there will be plenty of heavy hitters next year that will find its fair share of box office success but it’s simply not 2019 anymore! A market that consists of six to eight billion dollar grossers is just not sustainable in today’s economy. (And the less said about the inevitable A.I. bubble burst that could affect the already shitty economy in massive ways, the better!) Because of that, I still don’t see the box office in 2026 being on the same level as it was in a pre-covid world and I don’t think we ever will see that ever again!

Keep in mind, I DO hope there are many hits at the box office this year! I DO hope that we get as many billion dollar grossers as possible! I want the theater experience to continue being alive and well! I’ve been going to movie theaters for over the past two decades and I still make very fond memories of the theatrical experience every single year that I go! But since we are now entering the sixth year in a post-covid timeline, I have to be as realistic as possible with my predictions of how the movie will do in theaters for 2026 and for the foreseeable future! And I have to make those predictions based on the box office results that we have gotten for the past four to five years!

I decided I will give my predictions on 20 films that are currently set to be released in 2026! Ten of those movies will be what I believe will be the top 10 highest grossing films of 2026 worldwide! The other ten will be ranked based on release date and will contain films that I think will either surprise people in the best way or absolutely disappoint them in the worst ways at the box office!

And I promise I am NOT making these box office predictions for movies in any personal biased way. I am making the predictions strictly based on how I personally think these movies will do at the box office. So if you get mad at me, I’m sorry but I gotta go with what my gut feeling is on how I think each individual film will do in theaters next year!

Let’s not waste any more time and dive straight into what I believe will be the #1 highest grossing film of 2026!

1.) The Super Mario Galaxy Movie

Release Date: April 3rd

Box Office Prediction: $1.5+ Billion

That’s right! I have Mario winning in 2026! After the past few years and seeing what has ended up being the most successful films of the decade thus far, I think it might be time we stop UNDERESTIMATING animated family films and video game adaptations while stop OVERESTIMATING superhero flicks. The Super Mario Bros. Movie was able to gross over $1.3+ billion worldwide in 2023 and I expect this sequel to gross even more than that.

With the inclusion of fan favorite characters such as Yoshi, Rosalina, and Bowser Jr. to adapting what is widely considered to be two of the best Mario games (if not the best video games) of all time in the Super Mario Galaxy series, I have little doubt that our beloved Italia….I’m sorry BROOKLYN plumbers will be able to make lightning strike twice once again! From what we’ve seen in the trailers, it looks like it will give the audiences what they enjoyed about the first movie and perhaps even more. Some might consider $1.5+ Billion to be a somewhat unrealistic number for a Mario movie sequel but then again, I’m pretty sure the same thing was said for the likes of Inside Out 2 and Zootopia 2.

With how animated family films and video game adaptations have been dominating at the box office in the 2020s just as superhero films dominated the box office in the 2010s, I have very little doubt that The Super Mario Galaxy Movie will take the crown as the highest grossing film of 2026!

2.) Avengers: Doomsday

Release Date: December 18th

Box Office Prediction: $1.4+ Billion

Marvel is not the juggernaut it once was! It’s very unlikely they will ever be able to recapture that same consistent lightning in the bottle they were able to from 2012 to 2019! However, films like Deadpool & Wolverine have proven that audiences will still show up to these movies if it includes characters that they are deeply invested in and/or at least STRONGLY familiar with! And with the return of Robert Downey Jr. as Iron Ma…….I mean Doctor Doom, Chris Evans as Captain America, Chris Hemsworth as Thor, and the original X-Men from the Fox Marvel universe, Marvel will certainly be looking to capitalize on the familiarly and nostalgia of their past to make this the gigantic hit it will need to be!

The main question though is how much longer can they lean into that before audiences are sick and tired of it all together?! Will there be enough easter eggs, callbacks, and fan service cameos to overcome it’s messy and rushed development cycle and make back on what certainly be an INCREDIBLY bloated budget?! Can they end this film in a way that will get audiences excited for Secret Wars in 2027 and whatever comes next for the MCU? The Russo Brothers have had a remarkable level of success with Marvel in the past but they might just have their work cut out for them here!

Still, if it does end up somehow sticking the landing on what has been an uneven as hell multiverse saga, I can see Doomsday doing Age of Ultron-level numbers (Remember when THAT was considered a box office disappointment for Marvel?). If not, then I can see this being another Rise of Skywalker situation, in just BARELY making it past the billion dollar mark and putting this franchise on hold for several years so they could rethink their strategy for the future. While this will still do more than enough to be qualified as one of the highest grossing films of the year, whether or not this will change the “post-Endgame MCU bad” narrative remains to be seen!

3.) Spider-Man: Brand New Day

Release Date: July 31st

Box Office Prediction: $1.2+ Billion

Even in an era where superhero fatigue is at an all-time high, Spider-Man will ALWAYS be a box office draw no matter what! Him and Batman have proven themselves constantly to be perhaps the lone superhero IPs that can still draw box office hits in the most uncertain times of the genre based on their names alone, at least if the success of No Way Home ($1.9+ billion), The Batman ($772+ million), and Across the Spider-Verse ($690+ million) is anything to go by.

And NO, this will NOT be a No Way Home box office juggernaut but that should be expected considering this will (likely) not have the nostalgia of the good old days with William Dafoe and Tobey Maguire to fall back on. A more reasonable comparison should be that of Far From Home, which was able to successfully ride the cocktails of Avengers: Endgame with $1.1+ billion. I expect similar numbers to that, if not a bit more.

Between the additions of fan favorite Marvel characters such as The Punisher, Hulk, and whoever the heck Sadie Sink is suppose to be playing along with there being a decent amount of time since the last Spider-Man movie came out to generate hype, Brand New Day will act like the golden era of Marvel never left and should very easily be a success for Sony and Marvel.

4.) Toy Story 5

Release Date: June 19th

Box Office Prediction: $950+ Million

Toy Story is back…….again! For the supposed final (?) time……again! Yeah, as much as we all love to complain about Disney and Pixar making nonstop sequels, we all know why they get made! Because they are basically the only thing that makes Mickey Mouse and Woody a butt load of money nowadays! Just look at the box office numbers of Inside Out 2 and Zootopia 2 compared to Wish and Elio! However, I do think it will fall short of the billion dollars that Disney and Pixar expect this to make!

To compare the box office numbers of the last two Toy Story movies, Toy Story 4 made $1.073+ billion about nine years after Toy Story 3, which made around $1.066+ billion. That’s less than a seven million dollar increase between these two films despite being nearly a decade apart! Thrown in the negative scrutiny that has hit Toy Story 4 (At least online!) since its release in 2019 and the overall fatigue of this franchise (Remember the spectacular bomb that was Lightyear?!) and I can see this missing the billion dollar mark this time around!

There will still be plenty of kids and families that will go see this film in drones to make it at least flirt with the billion dollar mark but I do expect Toy Story 5 to take a bit of a nosedive from previous films when it comes to box office numbers! It should still do strong but just not the best!

5.) Minions 3

Release Date: July 1st

Box Office Prediction: $850+ Million

I may not understand the appeal of these films but there’s no denying that this is a very consistent franchise at the box office! Since 2010, Illumination Animation has been able to crack the code on how to make crowd pleasing animated flicks for young kids, forcing their parents to take them to the movie theaters every other summer to see the newest Despicable Me and Minions movie that comes out.

In regards to the installments that have come from this franchise post-covid, Minions: The Rise of Guru was able to make $940+ million in 2022 and Despicable Me 4 made $971+ million in 2024! Due to a much more crowded summer than in 2022 and 2024, having to compete with other family flicks such as Toy Story 5 and Moana (2026), I do expect this one to take a tad decline as well, in a similar way to Jurassic World: Rebirth was with Universal’s other money making franchise. Much like the latest installment last summer in the dino-verse, this will do strong but just not as strong as before!

Between Minions 3 and The Super Mario Galaxy Movie, Illumination Animation will definitely be eating GOOD for 2026! Somewhere, Disney must be sweating!

6.) The Odyssey

Release Date: July 17th

Box Office Projection: $800+ Million

I feel like I need to defend myself here when I really shouldn’t! To be sure, a film like this making at least 800 million dollar signs in this day and age should be seen as a MAJOR accomplishment! There is no other filmmaker working today other than Christopher Nolan that could generate this level of excitement with a project such as The Odyssey! When you have people pre-ordering their tickets for a film that won’t even be out in a year, you know you have a big hit on your hand!

However, I don’t see this being on the same level as Oppenheimer (which made $975+ million) as it won’t have the “Barbenheimer” hype attached to it and will have to compete against much stronger films throughout the summer compared to what Nolan had to compete against in 2023. Not to mention, the potential loss of its IMAX screens after it’s first two weeks due to Spider-Man: Brand New Day could greatly affect repeated viewings for its theatrical release!

This will still certainly be in the top 10 highest grossing films of the year! Christopher Nolan is perhaps the one director working today to where his name attached to a film alone will guarantee box office success (Every film that Nolan has directed since 2008 has been able to achieve this mark, even Tenet during the covid year!). However, the road to doing Oppenheimer level numbers will be much tougher for Mr. Nolan this time around!

7.) Michael

Release Date: April 24th

Box Office Prediction: $750+ Million

Now, THIS is one that I can see doing even better than my current prediction. Michael Jackson is no doubt the most popular musician of all time. With the high trailer numbers and the multiple generations of fans that MJ has gained throughout the course of several decades, there should be no reason to doubt his annual biopic will be a huge theatrical success. Except for one thing: his controversial backstory.

And I’m not just talking about the supposed made-up rumors of his past that have been debunked numerous times! I’m talking more of what’s come out recently with his connections to a certain someone that shall not be named because I don’t want to get banned from this website! Although MJ still has yet to be proven guilty of any particular involvement, I do wonder if more info comes out of of that before the film’s release, could that possibly affect the box office numbers for this movie?

If not, then I could easily see Michael sliding up even higher on the list and possibly even topping Bohemian Rhapsody as the highest grossing musical biopic of all time. This seems like the kind of film that will get people who don’t go to theaters anymore off their couch, similar to the likes of Top Gun: Maverick and Oppenheimer. However, just to play it safe, I’m still going with a solid 750+ million. Even though this film will be released in April, this should be seen as the true kick-off to the summer movie season of 2026!

8.) Moana (2026)

Release Date: July 10th

Box Office Prediction: $700+ Million

This is the one that I’m probably gonna get the most hate for but I have my reasons to NOT put this among the potential billion dollar grossers of the year! Moana is undoubtedly one of the most popular Disney brands right now, with the original animated film being the most streamed movie ever on Disney Plus and its sequel making a billion dollars just a year ago! What will likely hold this film back other than the crowded family summer movie season is its lack of nostalgia factor!

Live-action remakes like The Lion King (2019) and Lilo & Stitch (2025) were able to be the billion dollar grossers they did BECAUSE of the nostalgia attached to those films which gave kids enough time to grow up, become nostalgic for the original animated Disney classics, and have raised kids of their own to share the theatrical experience with! Moana (2026) will be coming out at a time where the original animated film won’t even be fully 10 years old yet and just a year and a half after its animated sequel came out! Nostalgia only works when you give the kids enough time to actually grow up and become nostalgic for something.

It will still be a solid success since the Moana brand is still strong and has grown even stronger in recent years but I’m just not sure there will be enough support from kids and families this time around to watch a (likely) inferior live-action version of an original animated film they already love to guarantee a billion dollars!

9.) Dune: Part Three

Release Date: December 18th

Box Office Prediction: $650+ Million

To make some clarifications, this prediction is NOT because I actually think Warner Bros is gonna stick with that December release date alongside Avengers: Doomsday! Despite what it’s been reported, I’m more than confident that the release date will be pushed up to October, switching with one of the other films that WB has planned for the fall, probably with either Tom Cruise’s Digger or M. Night Shyamalan’s Remain. Mr. Villeneuve likely wants to move on from this film ASAP so he can focus on the James Bond film he is currently attached to that’s set for release in 2028. And also NO, this is NOT based on the Netflix and Warner Bros merger because a.) I don’t even think the merger will be 100% complete by then and b.) WB still has films contracted to be in theater screens through 2029, which Netflix MUST respect if they want to avoid lawsuits. This prediction alone is based on the book which this third chapter is based on, Dune Messiah.

Not to give too many spoilers but Messiah was a rather divisive story that has been constantly debated among fans since the book was published back in 1969. It follows up the story of Paul Atreides in rather unexpected and subversive ways, which many people deemed to be very unsatisfying and unfulfilling to his story. And following the negative reactions to a film like Joker Folie A Deux, a whole “pull the rug from underneath” approach to storytelling can be quite alienating to common moviegoers!

I still do trust Denis Villeneuve to find some way to make the conclusion to Paul’s story satisfying in ways that will leave most audiences satisfied! But at its worst, I wouldn’t be surprised for Dune: Part Three to fall short of its predecessor in the same way that Wicked: For Good did (which is currently set to make at least 200 million dollars LESS than it’s predecessor). I guess there can be a price to pay for sticking too closely to the source material! Just ask Edgar Wright!

10.) Jumanji 4

Release Date: December 11th

Box Office Prediction: $625+ Million

Did you know that a new Jumanji movie is coming out next December? You don’t?! Well, there is! After a seven-year absence (that seems to be quite a trend), Sony is bringing back the Jumanji crew once again with a 4th installment that has still yet to be officially titled!

Jumanji: Welcome To The Jungle was able to gross nearly a billion dollars worldwide back in 2017 at a total finish of $962.5 million! The Next Level took a dip in 2019 but still grossed a strong $800+ million! Considering how much time has passed between the last installment and how much the theatrical landscape has changed since then, I do expect the next installment to make less than the last two but (if the budget is in check) it should be considered a modest hit that should satisfy the higher ups at Sony.

The only question is here is whether or not Avengers: Doomsday and (at least at that moment) Dune: Part Three will kill any sort of legs and momentum this film could contain, just like how Barbenheimer was able to successfully bury Mission: Impossible- Dead Reckoning during the summer of 2023! Time will tell but considering how well-received the last two installments were, this should do just fine!

And now here are predictions for ten other films that are currently set to be released in 2026! This is not in order of box office success but by the current release dates.

28 Years Later: The Bone Temple

Release Date: January 16th

Box Office Prediction- $125+ Million

28 Years Later was able to gross $150+ million during the summer but its divisive reception could sink this one a bit down. If The Bone Temple is able to finish what its predecessor started in a satisfying way, it might push a bit higher. If not, then I expected quite a decrease from it.

Scream 7

Release Date: February 27th

Box Office Prediction-$150+ Million

It’s nice to see Neve Campbell return after her brief hiatus in Scream VI along with all the members of the cast from the original Scream but Paramount’s firing of Melissa Barrera and the absence of Jenna Ortega has put quite a rain cloud above this installment. It should still do fine but the controversy surrounding Scream 7 among the fanbase will likely cause it to make less than the previous film.

Hoppers

Release Date: March 6th

Box Office Prediction-$375+ Million

I’m higher on this one than most people as I do think the fact this latest Pixar film will involve a talking furry animal of some sort will attract international markets this time around (Just askZootopia 2!). Plus, it will have the benefit of acting as the sole theatrically released animated kids film until Mario comes out the next month. That being said, original animated films are a TOUGH sell nowadays. Between Hoppers, Disney’s Hexed, DreamWorks’s Forgotten Island, and Sony’s Goat, western animation studios will have to work hard to get their latest original animated films to be a success.

Project Hail Mary

Release Date: March 27th

Box Office Prediction-$575+ Million

I’m surprised more people aren’t talking about this being a modest box office hit! The Martian was able to gross $630+ million in 2015 and I can see this doing similar numbers. It’s got a likable lead in Ryan Gosling, an extremely talented directing duo in Phil Lord & Chris Miller (Their first film they’ve directed since 2014’s22 Jump Street!) and is based off a very popular book from the same author as The Martian. If the cast and crew are able to work their magic, I can see Project Hail Mary fighting for a spot in the top 10 highest grossing films both domestically AND worldwide!

The Devil Wears Prada 2

Release Date: May 1st

Box Office Prediction- $450+ Million

Here’s another box office hit that I think will be a delightful surprise. The original Devil Wears Prada has certainly earned a cult following since its release in 2006 and I truly believe fans of the original will show up to support Meryl Streep and Anne Hathaway once again 20 years later. Between this, Barbie, and Wicked, it seems like Hollywood has finally got the memo that women will show up to movies if you actually make movies that cater to them!

Mortal Kombat II

Release Date: May 15th

Box Office Prediction-$275+ Million

The first Mortal Kombat film was a flop when it came out in 2021 but that was during a time when there was so much uncertainty surrounding covid and Warner Bros were releasing their films on streaming on the same day as theaters. With the sequel getting a more proper theatrical release and the trailers indicating this will deliver the goods that fans wanted from the first film, I can see this doing quite well this time around, at least around on par with the Five Nights At Freddy’s movies.

The Mandalorian & Grogu

Release Date: May 22nd

Box Office Prediction- $400+ Million

Whoever at Lucasfilm thought that the first Star Wars movie released in seven years should be an extension of a Disney Plus show that ended three years ago deserves to be banned from Hollywood! The recognition of Mando & Baby Yoda will (hopefully) get this one to cross the 400 million dollar mark but that’s it! Whatever momentum that Star Wars gained last year with the theatrical re-release of Revenge of the Sith and the second season of Andor will be GREATLY swiped away here!

Supergirl

Release Date: June 26th

Box Office Prediction- $350+ Million

I will definitely get tomatoes thrown at me for this one but there are PLENTY of reasons for concern here. While Superman (2025) did fine overall and just enough to land in the top 10 of the year, its international numbers have shown that audiences overseas are just not into (most) superhero movies the way they were a decade ago. Also, being sandwiched in between Toy Story 5 and Minions 3 along with being followed up by Moana (2026), The Odyssey, and Spider-Man: Brand New Day certainly doesn’t help either. Perhaps good reviews and word-of-mouth might get this over $400+ million but I can’t help but feel like Supergirl will be 2026’s Furiosa/Ballerina, a well-received female-led film in a mostly male dominated genre that general audiences couldn’t be bothered to go see in theaters. Just like what Supergirl said in the trailer, Superman might see the good in everything but I see the truth!

Clayface

Release Date: September 11th

Box Office Prediction- $175+ Million

Just like with Supergirl, positive reviews and good word of mouth MIGHT help push this to $200 million! But, like who is asking for a Clayface movie?!?!

The Hunger Games: Sunrise on the Reaping

Release Date: November 26th

Box Office Prediction- $500+ Million

Here’s a sequel that I can see doing much better than the last film! With a much more expansive cast (including the return of Jennifer Lawrence and Josh Hutcherson) and being based on a critically acclaimed book, there’s little doubt in my mind that this Hunger Games prequel will top the previous film in just about every way! May the odds be forever in MY favor!

Ranking The Billion Dollar Club Movies (Updated w/Avatar: Fire & Ash)

Avatar: Fire & Ash is now out in theaters and it is absolutely CRUSHING it at the box office, just passing over one billion dollars worldwide. With that, there are now a total of 61 movies to have made a billion dollars at the box office. Regardless if inflation or re-releases also helps with that (which they both do), a movie has made a total of over seven bills at least 61 times throughout cinema history. Because of that, I decided to go ahead and do a ranking of every single one of these since I’ve actually seen all of these movies at least one time.

This will make for a rather complicated list, even more so than other lists I make on here. This will be a fine mix between what I believe is the best movie from an objective standpoint, what I believe is the best from a subjective standpoint, and the impact each one has had on pop culture for better and worse. I’ve thought about this for quite awhile now so it’s time for me to rank them.

If you disagree with this list, then by all means disagree but please don’t be a jerk about it. We have enough of those on the internet. I really don’t take much pride in these lists and rankings other than to have some fun. Opinions change everyday and this ranking is just how I feel at the exact moment that I’m publishing this list.

Also, since it’s going to be 61 movies, I’m not gonna go into detail on any one of those and just show the number I have ranked for each movie. I’ll just say which movie is ranked where and show off a trailer for it because why not? I might even update the list once another movie comes around that makes a billion dollars and see how much of my opinion on this list has changed since then.

Let’s not waste anymore time and get right down to it.

61.) Transformers: Age of Extinction

60.) The Lion King (2019)

59.) Jurassic World: Dominion

58.) Star Wars: The Rise of Skywalker

57.) Jurassic World: Fallen Kingdom

56.) Pirates of the Caribbean: On Stranger Tides

55.) Minions

54.) Alice In Wonderland (2010)

53.) Beauty and the Beast (2017)

52.) Despicable Me 3

51.) The Fate of the Furious

50.) Lilo & Stitch (2025)

49.) Moana II

48.) Aladdin (2019)

47.) Star Wars: Episode 1- The Phantom Menace

46.) Transformers: Dark of the Moon

45.) The Hobbit: An Unexpected Journey

44.) Jurassic World

43.) Captain Marvel

42.) Frozen II

41.) Incredibles 2

40.) The Super Mario Bros Movie

39.) Spider-Man: Far From Home

38.) Avatar: Fire & Ash

37.) Avengers: Age of Ultron

36.) Aquaman

35.) Harry Potter and the Sorcerer’s Stone

34.) Finding Dory

33.) Pirates of the Caribbean: Dead’s Man Chest

32.) Toy Story 4

31.) Rogue One: A Star Wars Story

30.) Star Wars: The Force Awakens

29.) Joker

28.) Deadpool & Wolverine

27.) Furious 7

26.) Avatar: The Way of Water

25.) Avatar

24.) Frozen

23.) Zootopia 2

22.) Ne Zha 2

21.) Iron Man 3

20.) Captain America: Civil War

19.) Star Wars: The Last Jedi

18.) Barbie

17.) Harry Potter & The Deadly Hallows Part II

16.) Spider-Man: No Way Home

15.) Avengers: Infinity War

14.) Inside Out 2

13.) Zootopia

12.) Skyfall

11.) The Dark Knight Rises

10.) The Avengers

9.) Black Panther

8.) Titanic

7.) Top Gun: Maverick

6.) The Lion King

5.) Avengers: Endgame

4.) Jurassic Park

3.) The Lord of the Rings: Return of the King

2.) Toy Story 3

1.) The Dark Knight

Ranking The SpongeBob SquarePants Movies (w/Search For SquarePants)

SpongeBob SquarePants has been going on for over 25+ years now. And in that 25+ year long gap, he has started in six different feature movies. While the original SpongeBob SquarePants movie was designed as being the epilogue of the entire television series back in 2004, his popularity for Nickelodeon has been off the charts for the past two decades, leading to the show’s continuation to this very day and five more feature movies that have been released since then. Since Search for SquarePants is now out on in theaters, it’s time to rank the six feature-length SpongeBob movies we have thus far from worst to best.

6.) Saving Bikini Bottom: The Sandy Cheeks Movie

Saving Bikini Bottom: A Sandy Cheeks Movie is one of the worst things to ever happened to SpongeBob SquarePants and is perhaps the worst of all of the SpongeBob moviesIt takes nearly every problem of the very worst of SpongeBob medium and cranks it up to 11. The plot is non-existent, the characters are at their most one-note and nonsensical, there’s not a single joke that isn’t stolen from older SpongeBob material, the direction and special effects for the live-action sequences are jaw droppingly awful, and the main villain is one of the worst, obnoxious, and most cringeworthy villains ever put to film. Not even previous saving graces from other bad SpongeBob movies and episodes such as the animation and voice work are good here. It’s ironic how the main thing going with the villains is that they are a big corporation that is wanting to capture SpongeBob and the rest of Bikini Bottom for the sake of merchandises and branding. When watching the movie, it comes across as Nickelodeon patching itself on the back for letting SpongeBob be what he has become for the past two decades. And especially after the passing of Stephen Hillenburg, that is about the worst possible feeling imaginable.

5.) The SpongeBob Movie: Sponge On The Run

There are plenty of things to talk about with Sponge on the Run that has been talked about in length by hardcore fans. Like how the film acts like snails are incredibly rare now in the ocean despite the show having plenty of different snails in multiple episodes. Or that SpongeBob and Patrick can now go into a casino even though they are technically still kids. Or how SpongeBob literally now has a name for his stove at work. Or how SpongeBob literally says the word, “crappy” in the movie. It all just makes you wonder what Sponge On The Run would have been like if Stephen Hillenburg was still alive throughout the entire production. While there are definitely hints at what the man was trying to accomplish throughout Sponge On The Run, it can never escape that sense of cynicism and studio meddling that I imagine Tim Hill and crew really wanted to break out of from the clutches of the evil corporation of Nickelodeon themselves. Driven forward by a derivative/non-existent plot, contradictions to the SpongeBob lore, and the most forced advertisements for Kamp Koral imaginable, Sponge On The Run feels more like a broken shadow of SpongeBob’s older, peak self than one that feels like a worthy edition to him. At least it’s pretty to look at….I guess.

4.) The SpongeBob Movie: Search for SquarePants

The newest SpongeBob movie is FAR from the worst thing that has ever happened to our beloved yellow sponge! This does offers a nice expansion upon the father/son-like relationship between Mr. Krabs and SpongeBob (even if that is likely because of the fact this was originally suppose to be a spin-off series with Mr. Krabs) and a hilariously over-the-top performance with Mark Hamill as the Flying Dutchman! However, Search for SquarePants still can’t shake the feeling off of just feeling like yet another SpongeBob movie! SpongeBob’s overall arc about wanting to become a “big guy” feels like a water down version of his “wanting to become a man” arc from the first movie, most of the jokes fall flat, and the overall payoffs to each individual subplots are ones that even the youngest of kid will be able to see coming from a mile away. Does it makes for a mildly passable SpongeBob adventure for kids? Sure! Does it makes for a worthy big screen outing that you should absolutely take the whole family to see in theaters instead of waiting for it to come on streaming or television? Nope!

Although, if you do go see this movie in theaters, you get a rock solid Teenage Mutant Ninja Turtles Vs A.I. short! I guess that’s something!

3.) Plankton: The Movie

Never in a million years would I guess that a spin-off movie with Plankton would be among the better of the SpongeBob movies but here we are. On the surface, Plankton: The Movie comes across as yet another example of a pointless spin-off and something that just existed for the sake of having content on a streaming service. While that might be true on the business side of things, when it comes to the artistic side of things, this has more heart and charm than you would expected. You really get to see the relationship between Plankton and Karen get explored more here than ever before in the series, while still keeping the sense of humor and lightheartness that the series has always been known for. Not to mention, most of the female characters such as Sandy, Pearl, and Mrs. Puffs get their moments to shine here. There are certain gags that are quite repetitive and a retcon or two that will likely annoy the most diehard of fans but if you were someone that has been disappointed with the more recent SpongeBob movies, Plankton: The Movie makes for a nice palate cleanser and shows that perhaps SpongeBob spin-offs can indeed work.

2.) The SpongeBob Movie: Sponge Out Of Water

I can totally understand why The SpongeBob Movie: Sponge Out of Water is as divisive as it is among the fanbase. It contains some of the very best, very worst, and very “meh” parts of all of the SpongeBob movies thus far. That is basically what you get when you go with a whole “throw everything but the kitchen sink” approach to a movie. However, I can’t help but respect Sponge Out of Water for going as far and bonkers as it dares to go. It still has most of the characters that I love from the show, some of which got very little to do in the first movie and have more to do here, it’s got some crazy visuals that I thought I would never see in a SpongeBob movie, some of the movie spoofs it provides were quite fun, and there is a moral, while simplistic and predictable, that I think can resonate with kids the way the first film’s “kids rock” message resonated with me. When looking at it through those lenses, I would give Sponge Out of Water a thumbs up and a recommendation to anyone curious. I can’t say for certain it will work for you nor will you find the movie to be necessary but if you are just looking for an excuse to hang with SpongeBob and his friends for an hour and a half with enough visuals and gags to keep you entertained, I think this will fill that SpongeBob hole for you in ways that other SpongeBob sequels and spin-offs have not.

1.) The SpongeBob SquarePants Movie

The SpongeBob SquarePants Movie still remains an all-time classic in my eyes and the very best SpongeBob movie to date! Regardless of whether you view this as an adaption of the show, the epilogue of a beloved franchise, or even just as a simple kids/family film, it all works in every way it possibly can. Even if the clear target audience is for kids, I do think there is something for everyone to get out of no matter how old they are. Beautifully animated, perfectly written, immensely funny, and emotional beats that all feel earned (You are a robot sent from Skyler if you didn’t cry at SpongeBob and Patrick’s “death scene”!), I could not ask for a better SpongeBob movie than what Stephen and company was able to provide to the big screens back in 2004. Even as someone that’s turn 28 years old this year, I can’t help but have a strong attachment to this film as I get older. No matter what age I am, I will always feel proud to call myself a goofy goober! Even though this did not end up being the very last of the series like it was originally intended to, this still works perfectly as a definite end to the franchise. Despite the fact that multiple seasons and films involving SpongeBob have come along over the past two decades, it doesn’t change the fact that the timeless nature of it makes this feel like the main stopping point and everything that came after basically just what came before chronologically. It’s the way that Stephen Hillenburg always intended and quite frankly, it works all the better for it.

Ranking The Films From Walt Disney Animation Studios

There is not a company that has a bigger impact on the entertainment industry or possibly even on the entire human population than Disney. This is a company that has been providing family friendly content for generations now and in recent memory, mostly due to buying other studios and companies, are also now providing content for teenagers to young adults as well. However, one form of entertainment that it has been providing ever since that medium itself was invented, is animation. People tend to have very specific terms they referred to as what each era of Disney animation consists off.

There is the Golden Age where it all began from Disney, the Wartime Era which basically speaks for itself, the Silver Age which was the post-war phase but ended with the brutal passing of Walt Disney himself, the Bronze Age where Disney was as their absolute lowest point, the Renaissance Age which Disney was as their absolute highest point, the Post-Renaissance Era where it was mostly riding the wave of the previous one, and lastly, there’s the age which plenty of people debate whether or not we are currently living in it or it ended years ago, the era referred to by many as the “Revival” era.

The “revival” era mostly consists of the era which saw the tail end of classic 2D Disney animation pictures and it’s full transition into strictly 3D animation pictures. Most would argue that this took place at the start of the late 2000s and carried over to the early 2010s. While not quite the best era of Disney animation in my humble opinion, I think there is an argument to be make that this is the most reliably consistent era of Disney. This era has the kind of films that mostly consistence of solid B/B+ animated movies with an A/A+ animated classic movie thrown in there for good measure. Or at least it was…..until recent memory.

Due to the inconsistency of quality and multiple box office disasters, there has been serious consideration that we are no longer in the “revival” era and are not in a brand new and darker era entirely. While many people will debate when we first began to set foot in what I will call the so-called “post-revival era” or maybe just the “slop era”, I would say this started around 2018 but didn’t become so noticeable to majority of the general public until like 2023. Until someone out there creates a new name for this entirely divisive era of Disney and just global tension in general, that what I will refer to this era has.

Because of that, I want to rank some Disney movies here. Particularly I want to rank the films that has been part of the filmography of Disney since they translated to being known as the Walt Disney Animation Studios, starting with 2007 with the release of Meet The Robinsons and ending with their most recent feature, Zootopia 2.

Let’s not waste anymore time and get straight to ranking!

18.) Wish

There hasn’t been any Disney movie in the modern era that had as much pressure to prove itself as Wish did. Not only having to answer for all the past sins of the company’s mistakes in recent years but it also had to act as a perfect culmination of the past 100 years of all things related to Disney. Unfortunately, no matter what what you look at it, Wish is an absolute misfire that serves as one of the most dull and lifeless animated movies that Disney has ever made!

There has not been a Disney movie in this era that feels as mad libs as they come, constantly following similar plot beats and structure with nothing new added to it or a fresh and distinct vision of it’s own. It feels like if you ask ChatGPT to make a Disney princess movie to celebrate the release of the company’s 100th anniversary and this is exactly what you would get. The “wish” concept is not explored well in the slightest, side characters and tropes are only here just because that’s a stable with every other Disney movie, Asha is every 2010s “adorkable” Disney Princess rolled into one with nothing unique to her, Magnifico is probably the most underwhelming Disney villain ever, the songs range from forgettable to an absolute pain in the ear and it never 100% committees to it’s new animation style that is as inconsistent and half-baked as it comes.

The ingredients are there for Wish to be an instant Disney classic, acting as a perfect bridge between classic Disney 2D and modern Disney 3D motion pictures for a new generation. Unfortunately, the end results are disastrous. Wish doesn’t feel so much like a movie made to celebrate 100 years of Disney but more like a movie that was made just so there’s a Disney movie for it’s 100th anniversary. The fact I could barely remember a single thing about the movie just minutes after the credits roll really says a lot about how underwhelming and disappointing Wish was.

17.) Ralph Breaks The Internet

There were many folks that were claiming for a follow-up to the original Wreck-It Ralph as there were tons of potential for future sequels for it. Too bad no one involved with this sequel even bother to even fully utilized even a tiny bit of that potential. Ralph Breaks The Internet feels like a sequel which the creative team behind it either didn’t watch the first movie or didn’t understand the moral of it (which is baffling considering this was made by the SAME creative team as the first one).

Instead of expanding upon the video game world of Ralph and company, that gets tossed aside in favor of a generic, by-the-numbers story about surfing the web along with adding in all the most painfully cliche and outdated internet tropes imaginable. Ralph and Vanellope’s arcs are back to square one, 99% of the wonderful supporting cast of the original get sideline, nearly half the plot is non-existent and consists of filler, it’s themes, while not necessarily bad on their own, have no place in this universe, and the ending practically breaks the established lore and entire point of Wreck-It Ralph. There’s admittedly a handful of callbacks, references, and easter eggs I did get a chuckle at, particularly Sonic’s cameo and the Disney princess scene, and the animation is reliably great, but if that’s all your movie has to offer, then that will only get you so far.

Ralph Breaks The Internet doesn’t so much feel like a Wreck-It Ralph sequel but something similar to The Emoji Movie and Space Jam 2 (albeit it not nearly as bad as either one of those), a movie that seems to only exist for a company to pat themselves on the back to show off how much stuff they own to everybody and just to advertise it’s own products. That might work well for a PowerPoint presentation of a commercial but not so much for a feature-length movie. While there might still be potential for future adventures with Ralph and friends, you will definitely not get that with Ralph Breaks The Internet.

16.) Strange World

Here’s the 2022 Disney feature that flew under the radar for a lot of people and was one of the worst financial bombs in the company’s history. Even pushing all of that aside and some of the most obvious controversy surrounding it (A.K.A. the one not-straight main character in the movie), it’s easy to see why it didn’t seem to resonate with those that actually saw it.

Strange World is about the most aggressively mediocre modern Disney film ever made. It has characters tropes and plot beats you’ve seen done a million times before and done a million times better in other films, environmental messages that are quite preachy and will make you roll your eyes, and the ending is something that you could see coming from a mile away, which is a problem when the movie itself treats it like a big surprise. At least the world themselves are nice to look it and it is refreshing to see an openly gay character in a Disney movie that isn’t treated as a big deal or anything different to that of a straight character.

While I still stand by my piece I wrote in December 2022 about how it’s a shame that Disney basically left Strange World to die in theaters due to the overall lack of marketing of it, I just wish the overall movie was better and worth defending from all it’s dumb controversy. It’s every family friendly adventure you’ve seen before with not much new added to it and there’s nothing here that will make you want to watch it again anytime soon.

15.) Moana 2

The original Moana was an instant modern Disney classic when it came out back in 2016. After gaining such a cultural phenomenon as the years have gone by and receiving yearly stellar ratings on Disney Plus, an expansion of this beloved character seemed inevitable. What originally started out as a Disney Plus series, the follow-up to Moana and Maui would be reworked into a feature length film. And…….that is quite obvious when watching the end results for Moana 2.

This feels like a throw-back to those direct-to-VHS sequels that Disney would chun out following the success of their originals that play more like unmade Disney tv shows than actual theatrically released motion pictures. You have a “plot of the week” that occurs every 20 minutes, secondary characters that might’ve been interesting if they were given their season-length arcs like they were suppose to, and songs that play like water down versions of the original’s soundtrack (Losing Lin Manuel Miranda for Mafusa certainly didn’t help!). Thanks goodness the animation is still stunning, there’s some cute characters and gags (Moana’s sister is so adorable!), and Auliʻi Cravalho is as good as ever as Moana! And also, that mid-credit scene that was clearly meant to be a tease for the potential future!

There’s nothing inherently awful or offensive in Moana 2 but even that really goes to show just how much Disney has continued to lower the bar with their quality as each new release comes around. With a year that has seen so many great animated movies, we should all except much better for our adventures with our favorite Disney princesses. Is it watchable and even enjoyable at times? Sure! Does it come close to being as good as the original or a successful follow-up? Nope! I sure can’t wait for that Disney Plus documentary about how much of a mess this movie was from behind the scene!

14.) Frozen II

After the original Frozen took the world by storm, a sequel was inevitable. Even when Disney isn’t usually keen on making sequels that didn’t go straight-to-DVD, they just had to make a Part II to what is probably their most financially successful film to date. Just a shame that the people involved couldn’t come up with a more concrete, artistic reason to keep the Frozen brand going. There are certainly areas of improvement here such as the animation, character banter, song placement (Into The Unknown>>Let It Go), and even Olaf himself is quite funny here. However, in terms of script and structure, it’s quite inferior.

It feels the need to answer questions from the original that no one was really demanding answers to (Does anyone actually care about how Elsa got her ice powers?!) and in so doing so creates plot holes of it’s own (How is it that Anna is able to remember about what happened to her parents, her sister’s powers, and the forest when her memory got wiped when she was a little girl?!). It also doesn’t seem to know what to do with Kristoff (despite his solo song behind a standout) other than having him propose to Anna over and over and over again. All of which accumulates to a rather inconsequential third act that doesn’t feel genuine (Even with a dying snowman!) because it’s never clear what the actual stakes are throughout the movie (I honestly had no idea Arendelle was in any real danger until it was pointed out in the last 20 minutes) or even the overall point to it.

Frozen II feels like a sequel that is trying to do too much with too little and at times, feels like it’s being made up as it went along (which the people behind it outright unironically admitted in the behind-the-scene features). There’s still some enjoyment to be had for those that just want to spend more time with the characters and enjoy some good toons, but this sequel walks a fine line between ambition and aimlessness. It’s not that the heart isn’t there, it’s just frozen this time out.

13.) Raya and The Last Dragon

Raya and the Last Dragon is a film that gets so close to being up there with one of Disney’s absolute best! An action-packed spectacle with plenty of world building, colorful characters, and a moral surrounding learning to trust others in a time of crisis. However, despite the best intentions, it never quite gets there and feels like it needed an extra script rewrite or two. Raya‘s biggest strength also happens to be it’s biggest weakness, it’s just too ambitious for it’s own good.

The movie has a ton of characters and worlds they introduce that don’t feel as fully form as they should be because it has to make room for every single one of them, which leaves the whole thing feeling quite unfocused. The overall moral of trust, while well-intended, doesn’t really work because the film never provides a reason as to why the main character herself is wrong for not trusting others. Also, you are lying to yourself if the climax didn’t make you think of Guardians of the Galaxy. Even so, this movie still does provide plenty of entertainment on a surface level with gorgeous animation, enjoyable set pieces, good humor, and introducing the most action-packed Disney princess since Mulan.

Raya and the Last Dragon has a foundation that has potential to be expanded upon with future content such as a sequel, a Disney Plus series, and perhaps even an appearance in a future Kingdom Hearts game. While Raya doesn’t ultimately live up to its ambition, I wouldn’t be against seeing this heroine and her friends returning in the future.

12.) Big Hero 6

I could honestly copy and paste almost the exact same points from Raya and the Last Dragon and apply it to here as well. Big Hero 6, the first fully animated film from Disney based off a Marvel comic, is a movie that on paper sounds really great but the execution of it is just okay. Although, unlike Raya, there has been future content such as a tv show, streaming series, and a Kingdom Hearts III appearance that help expand upon the ideas and worlds even further.

The central relationship between Hiro and Baymax is great stuff and give the film the overall beating heart it needed. The action is well done and once the Big Hero 6 finally come together, it’s awesome and makes for a really fun superhero team. That being said, the journey to getting there can be a bit rough. The other members of the Big Hero 6 are very thinly written and aren’t that interesting on their own merits, none of the voice actors as those members stand out, it takes too long for the team to come together, and the twist reveal with the villain is one you can guess the moment that character first appears on screen.

Even with it’s flaws, Big Hero 6 has plenty of redeemable qualities to make up for it and has a very unique world of it’s own that thankfully got expanded upon further in future Disney content. It also has easily the best Stan Lee cameo of all time hands down! A middle-of-the-road Disney flick but still a solid one overall.

11.) Bolt

Here’s a movie that the majority of the human population and even Disney themselves kinda seem to forgot it exists. And whenever it’s mentioned, people tend to either give it a big shrug or flat out slam it. Quite frankly, I really don’t see why. I’m not gonna act like Bolt is a masterpiece or anything but for what it is, it’s perfectly solid.

Seeing the main character of Bolt having to learn to adapt to the “real” world after finding out the world he thought he was living it was just a big network television show is engaging, the action set pieces are thrilling, the animation was solid for the time, and I find the relationship between Penny and Bolt to be quite engaging, with even some heartfelt moments. Sure, the story is nothing you haven’t seen before and I probably could’ve done with a better voice actor for Bolt (No offense to John Travolta but…….he’s just not a voice actor), but I still dug this one.

Maybe it’s because of my nostalgia goggles and the fact that the animation community seems to want to take a dump on this movie whenever they can but like, I just find Bolt to be a cute doggy movie and that’s that. If you hate this movie, then good for you! But for me, I just like it! Nothing more, nothing less!

10.) The Princess and the Frog

Here seems to be the one Disney princess movie that doesn’t get discussed as much as the others and when it does, most seem to agree it’s pretty good but not their absolute favorite overall. A solid B/B+ entry for a company that is normally expected to crank out A/A+ bangers! That is more or less, how I feel about The Princess and the Frog.

There’s plenty to like about this movie. It’s very charming with it’s own energetic tone to it, they actually manage to make the relationship between the princess and the frog believable, the songs are nice, Tiana herself makes for a welcome addition to the cast of Disney princesses, and it does feel bittersweet to have this be one the very last Disney movies to be strictly 2D and consists of more traditional hand-drawn animation. However, it couldn’t escape criticism for it’s depiction of Louisiana voodoo and historical negationism of the Southern United States during the Jim Crow laws. I could care less about that but if you are serious about any of those, then you might dislike this movie.

The Princess and the Frog is not a Disney movie I go back to a ton but whenever I do, I have a fairly good time with it. It aims to be a solid B/B+ Disney princess movie and it’s able to meet those merits exactly as you would expect. And yes, it is definitely refreshing for Disney to finally have a black woman as one of their princesses. If only they would treat her with more respect and give Tiana her own show or sequel already!

9.) Meet The Robinsons

It’s easy to see why this movie can be considered underrated. This film came out during a time where Disney was in a really big slump, lagging behind their main competition in the animation department, and going through certain transactions and going on a shopping sphere to acquire other studios in order to appeal to more demographics. All of that and more is why no one gave Meet The Robinsons a chance when it came out in 2007. However, now that 18+ years have passed, I think it’s safe to call this an underrated gem that deserves to be looked upon more fondly.

The plot itself is rather paper thin and the time travel logic in this film contains more holes than swish cheese (even for a typical time travel movie). However, the film’s overall beating heart between it’s two main characters in Lewis and Wilbur with their personal journies along with it’s overall message of letting go your mistakes of the past in order to learn from them for you future is masterfully done here. This is also easily one of the funniest Disney movies of the 2000s and contains one of their most underrated and HILARIOUS villains in Bowler Hat Guy (Seriously, he is a laugh RIOT in every single scene he is in!).

Meet The Robinson is definitely a film that is easy to overlook with talking about main canon Disney movies due to it coming out at the wrong place and the wrong time. Since we are now in a different time and place now and the fact that this was basically the first film to come under the name Walt Disney Animation Studios, I think it might be time for everyone else to give this film the fair shot it deserves.

8.) Winnie The Pooh

Perhaps the most overlooked Disney movie in the revival era and (to date) the final movie in the Disney canon to be fully 2D and hand-drawn animated. While this might have to do with the fact that the movie underperformed vastly at the box office at the time it came out in 2011, Winnie the Pooh should not be glossed as it’s actually a really enjoyable and charming movie.

The whole Winnie the Pooh cast is exactly how I remember them as a kid and shows just how timeless of characters they actually are. In an age where franchises are always trying so hard to “modernize” their properties, it’s nice how this movie (along with 2015’s The P.E.A.N.U.T.S. Movie) decides to keep the characters the way they’ve always been and not feel the need to change them to try to fit in the more “modern” times. Sometimes it’s okay to leave things well enough alone. The voices matched the characters perfectly, especially Jim Cummings as Pooh and Tiger along with Tom Kenny as Rabbit, it has an incredibly sweet vibe to it, and has that nostalgic feel that even those who didn’t grow up with Winnie the Pooh will be able to get out of it.

While it’s a very brief and short movie (it’s only 63 minutes long!), this is definitely worth a watch if you have Disney Plus, a great fondness of Winnie the Pooh, or if that live-action Christopher Robin movie left you feeling a bit cold.. If this is truly the last 2D Disney movie we ever seen, at least it went how on a quiet but sweet note. Although, Disney should SERIOUSLY consider doing more traditional 2D style animated movies in the future! I sure PLENTY of folks would appreciate that.

7.) Frozen

The one Disney movie that no one or their mother could escape the impact of. If you ever met someone that claimed they have never heard of this movie or listened to Let It Go at least one time in their lives, they would be lying to you. Even if you can take out the massive impact this movie has had on pop culture (Although, I wouldn’t blame you if you can’t.), there is still much to like and enjoy about the original Frozen.

The central conflict and relationship between Elsa and Anna is really well done and makes for a rather engaging sisterhood bond ship, the songs themselves are catchy and memorable, the voice work is stellar, the twist villain, while quite obvious, does teach a nice lesson to young girls to never blindly trust your prince because they can easily stab you in the back, and the way the film resolves it’s climax with true love between the two sisters is quite refreshing for a Disney movie. It still does suffer from some structure and pacing issues along with a rather half-baked, rushed backstory with Elsa and Anna (Did these two just not talk to each other for the last two decades or so?). It also seems to forget it’s supposed to be a musical towards the last third of the movie (the final song that plays before the credit rolls is the troll song).

Frozen is a movie that is admittedly hard to judge on it’s own and take away it’s insane impact it has had on the entertainment industry and pop culture as a whole. Just like James Cameron’s Avatar, it was a movie that was a tremendous success that everyone eventually got sick and tired of hearing about to the point that everyone just started calling it overrated. However, as we settle in 2024, and look back on the original Frozen 11 years later, it has aged quite nicely and doesn’t deserve to have it’s reputation frozen out due to it’s overexposure.

6.) Zootopia 2

When Disney recently announced their release slate of nonstop sequels, there was only one which I thought made perfect sense for a follow-up, that being Zootopia 2. Not only because how much money the first one made but the world of Zootopia just left PLENTY of room for expansion of future stories. Thankfully, Jared Bush was able to answer the call with a sequel nearly a decade in the waiting that is most certainly a worth follow-up to the original.

Nick and Judy still remaining a very likable duel and still remain INCREDIBLY shippable, the new character and expanded cast are able to blend greatly with the world of Zootopia, the animation and animal puns are still off the charts, and it’s overall message of unity and not judging others from what they look like or came from is one I think the whole world needs right now. Even if I would argue that the first film felt like it had more on it’s mind in terms of it’s social/political commentary, the characters and gags still work like gangbusters that it’s able to more than make up for it. Also, this is literally the first time in FOREVER where a Disney movie actually makes a twist villain work.

While I can’t say that Zootopia 2 is quite as good or fresh as the original, it is most certainly just as fun on the entertainment scale. As much as we complain about Disney’s overreliance on animated sequels, I feel like if the majority of them were as good as Zootopia 2 is, I don’t think we would be complaining about them as much. It just goes to show you that quality matters. If this film is a sneak preview for what’s to come with Disney Animation under the umbrella of Jared Bush, then I think this might be the start of a brand new golden era for Mickey Mouse and friends.

5.) Moana

On the surface, Moana does come across as a “Disney Greatest Hits” kind of a movie with the film hitting the majority of the same beats that most traditional Disney movies do. You got the traditional lead Disney princess, the traditional side character voiced by a well-known celebrity, the traditional animal comic relief, the traditional moral about growing up and finding your place, and of course, the traditional songs. However, there’s just something about Moana that helps it stand out greater than simply just that.

Maybe it has to do with the pitch perfect casting of Auli’i Cravalho as the title character, the engaging conflict Moana goes through, The Rock stealing the show every time he gets as Maui, the inspired songs, and having some of the most beautiful animation I’ve seen in any film. But what I think this movie excels as is having the perfect balance of everything. It has the right amount of characters, right amount of plot, right amount of action, right amount of drama, right amount of laughs, and the right amount of songs. It’s able to find the right balance of everything that one tends to expect in a Disney animated feature film but does it in a way that is almost as if we are seeing these things done for the first time however. Could have done with more of the pig and less the chicken though.

While Moana is far from the most groundbreaking Disney film, I still find it to be one of the more enjoyable and satisfying ones of the revival era. There’s a reason this film has had such recognition since it came out back in 2016. It’s just that good! And please, put Moana in a future Kingdom Hearts game.

4.) Encanto

This is probably the one that has grows on me the most the more I watch it and the more time has gone by. This was the 60th animated feature ever made by Disney and it resulted in the absolute triumph that was Encanto. While this is certainly not the most stake-heavy film on here, this is the one that is arguably the most personal, human, and relatable Disney film in this era.

It’s a movie about embracing your family regardless of their flaws and how deep down inside, everyone is different and special in their own unique way. You don’t have to be defined about what is set in stone for you but can be defined on who you chose to be. Throw in a very likable and charming main character in Mirabel, breathtaking animation, a wonderfully utilized setting, great supporting characters, and songs that only get better for me as time goes by (We Don’t Talk About Bruno FTW!) and you got an absolutely wonderful film.

Encanto is one of the most human and relatable Disney films to date which it’s cultural representation is able to perfectly match it’s quality. I can see this potentially being higher on the list in the future, but for now, it’s a solid #4. It’s sad how despite this not technically being the 100th anniversary film for Disney, it still feels much more worthy of it than Wish.

3.) Zootopia

If you want to see an example of a Disney movie being very mature and adult with it’s subject matter and contains social/political commentary that doesn’t come across as forced or preachy, Zootopia is basically what you get. In so doing so, it makes for a rather excellent film and one of the main top 3 of this current Disney canon.

The world building is brilliant, being able to smartly craft a unique world full of andromorphic animals with obvious changes to the real world that makes sense and fit well in it’s own established universe. The main characters of Judy Hopps and Nick Wilde are immensely likeable and the two play off of each other perfectly. It’s genuinely funny with plenty of fresh and unique humor that doesn’t consist of mindless slapstick comedy. The set pieces themselves are fun, inventive, and incredibly beautifully animated. The biggest accomplishment of all is the way the film’s commentates on modern and timely issues such as diversity, racism, sexism and other forms of prejudice but it never gets bogged down on it and actually does interesting things with it. It doesn’t just come across a simple rant on prejudice but more tries to highlight how that remains a problem and how exactly can be fixed. It actually gives answers and solutions to the things it’s talking about which helps the journey that the characters themselves go through. To be honest, if it wasn’t for the obvious twist villain and the underwhelming resolution to that specific arc, this might be even higher on the list.

Zootopia is one fun, smart, and beautifully made animated movie that shows that you can make a movie with timely and important themes without it bringing down the entire picture. Working as both an entertaining film for kids and a thought-provoking film for adults, this is genuinely terrific. Don’t screw up the sequel!

2.) Wreck-It Ralph

Video game movies tend to be very hit or miss. Whether it’s for straying too far from the source material or even sticking too closely to it, these are the kind of movies that never seems to live up to their full potential. While they have certainly gotten better over the years, I think most agree that the best video games movies are the ones that aren’t just adaption of video games but ones that are ABOUT video games. If you want to see a perfect example of that, look no further than Wreck-It Ralph.

This is a movie that is able to fully utilize it’s premise in every way possible. It has a fully realized world, charming leads, a tremendous supporting cast who all stand out, great humor, wonderful themes and morals, and has video game references that don’t feel obnoxious or pandering. This is also one of the very few times where the whole “the two main characters break up at the end of the second act but get back together during the climax in the third act” actually works because how genuine and heartbreaking it is since you really want the two to stay together. Let’s also not overlook the great vocal performances by John C. Reilly as Ralph, Jane Lynch as Sergeant Calhoun, and even Sarah Silverman (who I normally don’t like) as Vanellope. Sure, the main bad guy is nothing to write home about and I do wish I could have gotten a cameo of Mario but nothing could take away how awesome this movie is.

Wreck-It Ralph is just one of those movies that knows exactly what it wants to be and executes it in the best way it possible can. It shows that movies surrounding video games can work if you are able to come up with a strong central story and have engaging characters to help carry it the whole way through. If for some reason you still haven’t checked it out, I highly recommend you do. Just perhaps skip the sequel.

1.) Tangled

No offense to any other movie on this list but if I had to pick one movie that feels like it truly belongs in the Renaissance Era of Disney and up there with the likes of The Lion King, Beauty and the Beast, The Little Mermaid, Aladdin, Mulan, and any other top-tier Disney animation feature, that would be this one. Not only is Tangled the very best movie of the revival era but it’s one of the best Disney movies ever made period!

Rapunzel is probably the best Disney princess of all time! She has the perfect amount of likability, relatability, charm, and pure feminine energy out of any Disney princess to date. (It also helps I have a thing for blondes and even brunettes.) Flynn Rider makes for one of the best side characters in Disney history and being a perfect counterpart to Rapunzel herself. I love seeing the chemistry between the two blossom and the overall journey they go through together. You also got amazing animation, a really well thought out and heartfelt story, some refreshing spins on the traditional Disney fairytales, superb character development, great voice work from Mandy Moore and Zachary Levi, hilarious animal sidekicks, and songs that are both memorable and extremely catchy. Even some of the minor things I can nitpick at (such as the somewhat obvious villain reveal) can’t bring it down because even then, there’s enough interesting things done with those so it’s hard to complain. Nearly everything about Tangled works and makes for a perfect Disney classic!

Even with how good some of the other movies in the revival era has been, none of them compare to Tangled. It works as a movie for kids, a movie for adults, a movie for the whole family, and even as a movie for anyone of any age. It functions greatly as a drama, a comedy, a musical, an animated movie, and just a a feature length film itself. No matter what way you put it, Tangled simply works in every way. It stands proudly as one of the absolute great works ever to come from Disney and is hands down the best movie of the revival era thus far.

Will Jared Bush Save Disney?

Disney’s next feature film, Zootopia 2, is expected to hit theaters this upcoming week! And if early box office projections are anything to go by, this film is about to become the MASSIVE hit that both Disney and movie theaters desperately need for the Thanksgiving weekend and for the remainder of 2025! In China alone, the hype to the sequel of Disney Animation’s 2016 billion dollar grosser is UNMATCHED, the kind of hype that Hollywood hasn’t seen from them with one of their own movies since before the Covid-19 pandemic happened. It is currently tracking to make at least $200+ million in it’s opening weekend in China ALONE. Combined that with the $150+ million domestically and perhaps another $150+ million in other international areas, Zootopia 2 could make up over half a billion dollars in it’s opening weekend alone, which would make it the best opening weekend for an animated film of all time! If that is true, Disney will most certainly be able to end what has been quite an uneven year for them on the highest note possible with Zootopia 2 and Avatar: The Way of Water later next month, making up for their financial losses this year with films such as Snow White (2025), Thunderbolts*, Elio, and Tron: Ares. Right before we see Zootopia 2 come out in theaters, I want to turn our attention to the main behind the camera for Disney’s highly anticipated animated sequel, that man being Jared Bush.

For those who don’t know, Jared Bush has been a highly respected animator and artist who has worked for the Walt Disney Company since 2014. Since he’s been there, he has been responsible for some of the most beloved Disney films released for over the past decade. He wrote and co-directed the original Zootopia, he wrote the screenplay for the original Moana and it’s sequel, Moana 2, and wrote and directed Encanto. Even those that have been very critically of Disney for the past decade would admit that at least three of the four films I’ve mentioned are among Disney’s very best films in recent memory, some of which that stands proudly among Disney’s all-time best work in animation!

However, he now has a bit more power this time around with the company! Last year, it was confirmed that he was promoted to being the chief creative officer for Walt Disney Animation Studios after the previous CCO Jennifer Lee stepped down in order to put her focus on upcoming Frozen sequels, one of which is currently due for a release date in November 2027. This was a move clearly done to course corrected after the absolute mess that Disney has become since the brief era with former CEO Bob Chapek began.

Outside of the instant modern classic Encanto (which again was written and directed by Jared Bush himself) and the record-breaking smash hit that was Frozen II (which was co-written and co-directed by Jennifer Lee herself), the last five years have not been too kind to Mickey Mouse and friends whatsoever. That’s not to say the likes of Raya and the Last Dragon, Strange World, and even Wish don’t have their fans but those films were either completely forgotten about entirely from the general public by the time they came out or straight up IMPLODED at the box office in laughable fashion, resulting in over hundreds of million dollars lost for the higher ups at Disney! Because of that, they needed to make major chances with their main animation division and that starts with putting the man who has been largely responsible for the company’s most successful work in animated form that did not come for Pixar since 2014, that man again being Jared Bush!

And his tender has gotten off to a pretty good start, at least if box office numbers are anything to go by. While garnering mixed reviews at the time of release, Moana 2 ended up being a smash hit when it came out last November, grossing over a billion dollars in 2024, become the third highest grossing film that year and Disney Animation’s first billion dollar hit since Frozen II. Originally envisioned as a miniseries for Disney Plus, the follow-up to 2016’s Moana was reworked into being a feature length film, as a response to the multiple financial bombs and hundreds of million dollars lost that put a large dent in the company’s stock in 2023, the 100th year anniversary for Walt Disney, an anniversary that I’m sure everyone and their mother would love to forget about!

The next big film we have in Bush’s tenure is Zootopia 2, the film that I imagine he put the majority of the work in while he was the the current CCO for Disney Animation Studios and was given complete control over with little to no interference from the higher ups due to his solid track record. Because of that, I fully trust him to deliver an exceptional sequel that builds upon the original Zootopia in ways that are organic and respectful. Considering Zootopia 2 was always plan to be a feature film from the start, I imagine Jared had a much more creative vision for what he wanted a follow-up to Zootopia to be like, more so than he likely would have for a Moana follow-up before that got turned into a movie.

With both sequels to Moana and Zootopia being potential billion dollar grossers and then some, I don’t think Iger and company could not ask more from Jared Bush to start off his run as the main man in charge of Disney Animation Studios if they tried. He’ll be able to deliver the financial results that the company desperately wants and needs alone with continuing to expand some of the most beloved Disney brands throughout the past decade that will pave ways for future sequels and merchandise. Oh, and also keeping the movie theater going experience alive also helps too!

That really begs the question that I put on the title of this piece: Will Jared Bush save Disney? Is he the man that Disney has been looking for? Is he the creative consultant that the company needs to present themselves much more positively among the general public? Is he the one that can kickstart a brand new golden area for Disney, the era that matches the Renaissance era of the late 1980s to 1990s or even their box office juggernaut era of the previous decade? While I do think personally that Jared Bush is a very talented animator that can help guide the next generation of animators in ways that Disney legend Ron Clements is currently trying to do with the company, I still need to see more consistency and a greater look of his overall vision for me to make such a claim.

While Moana 2 was a big hit and I’m sure Zootopia 2 and future Frozen sequels will follow suit, I need to see more how he will help guide more original Disney projects for the future, being able to successfully launch brand new IPs instead of just banking on what has already worked and milking it until the cow is completely dry. While Bush has been successful in that regard in helping Zootopia and Moana becoming the successful IPs they have been since the 2010s along with making the lone 2020s Disney modern classic in Encanto, I need to see how other folks will fair in that regard under his supervision. While he was able to create new original Disney classics by himself, let’s see how he will fare in guiding others to do the same thing.

For me, the first big test with Mr. Bush will be with Hexed, Disney Animation’s next feature animated film that is expected to arrive for the holiday season in 2026. The premise we have gotten thus far for the film involves an awkward teenage boy and his Type-A mom discovering that what makes him unusual, might just be his magical powers that will turn their lives and a secret world of magic, upside down. This is set to be directed by Josie Trinidad (writer for Zootopia and Ralph Breaks The Internet) and Jason Hand (director of Moana 2). While the premise itself sounds like an interesting departure from recent Disney films, particularly with a strong emphasis on a relationship between a mother and son being the potential driving force, I will need to see more info on that to be fully convinced.

And as much as certain folks claim that original animated films don’t sell anymore and that’s why Disney has to constant rely on animated sequels and live-action remakes to keep themselves afloat, the success of K-Pop Demon Hunters this year proved otherwise. It showed that people will indeed watch original animated films if it’s done exceptionally well. Despite having only a handful of theatrical screenings, that Korean animated flick was able to set the whole on FIRE when it hit streaming during the summer this year, breaking viewings records for Netflix and selling out merchandise left and right in ways that no one saw coming. That animated musical left such an impact on pop culture throughout 2025, with it being beloved by both girls AND boys all around the world, selling out Halloween costumes with boys and girls all around the world dressing up as their favorite member of the Huntrix or the Saja Boys. I can’t recall seeing an original animated film musical that left such a massive impact on pop culture since Frozen in 2013. K-Pop Demon Hunters was the kind of original animated films that Disney used to be able to do in their SLEEP but haven’t been able to wide AWAKE in recent memory.

The reason that films like Strange World, Wish, and Elio were massive bombs had nothing to do with the fact that they were original animated films, it was because they weren’t particularly good original animated films or ones that Disney themselves had any faith in. Those three films put such a stain on the company’s reputation and left such a sour taste in many people’s mouths, making them look at Disney in a completely different way than they have prior. It also didn’t help that the behind the scenes drama for these films were so disastrous and the marketing was so lackluster that you have to wonder if Disney was purposely trying to sabotaged them in order to justify their recent creative and business decisions. Those original animated films failed because Disney had no faith in them, not because they were original animated films.

However, if Disney actually has full faith in Hexed and other future original animated films going forward and Jared Bush is giving full reign to deliver in high quality films and stellar box office results like he’s done so far, then I will be happy to claim that the man did in fact save Disney and should be deserving of the majority of the credit for the company’s resurrection. All they have to do is find the right people for the job and not allow studio executives to butt in and mess their whole film up and they might be successful in launching original animated films and kickstart brand new franchises with fully original IPs.

To answer the question for this piece, while I do think we need to see how Jared Bush does settling into his new role as CCO and seeing how his overall vision for the company plays out in the next few years, I do believe he is the right man to lead the charge to get Disney back on top for the foreseeable future. The man has been solely responsible for the company’s greatest work since he joined them in 2014 and I fully expect him to continue delivering great work as both director and CCO. He may have some stumbles along the way but I think if everything comes together in the next 3-5 years once he’s comfortable in the full driving seat, Jared Bush might just put his name out there as being not just an exceptionally animator but as the man that saved Disney.

Let’s hope he puts just as much focus on creating new stories as much as the company will be demanding him to put focus on upcoming sequels and remakes. Let’s hope that he allows Jennifer Lee to take her time on Frozen III and IV so it doesn’t become a rushed mess like Frozen II was (I already have a whole piece about the history of that film). Let’s hope he’s able to usher in the next generation of animators that he will be able to pass the baton to successfully once he retires. More importantly, let’s just hope he is able to lead Disney to become the animation company that we all remember them being from our childhoods. As much as I can’t guarantee that any of this will happen, given his recent track record, Jared Bush does at least give me some faith that he will be one day be referred to as the man that saved Disney.

Now, if only he could stop that live-action Moana remake from happening (which he is writing btw).

Yeah, Disney is screwed!

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  • (FYI, did you know that the original Moana won’t be even 10 years old by the time this remake comes out?!)

  • (No joke! The live-action remake is coming out in July 2026 next year whereas the original animated film came out in November 2016!)

  • (Not even 10 full years and they are ALREADY making a live-action remake of Moana! Even before they get around to doing a live-action Tangled with Sabrina Carpenter as Rapunzel or a live-action Frozen with Anya-Taylor Joy as Elsa!)

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  • (I guess this is our punishment for not showing up to the theaters for Black Adam!)

  • (Curse you Dwyane Johnson and your “hierarchy of power”!)

  • (Bro actually thought he was cooking there?!?!?!)

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  • (I surely can’t wait until he finally gives up on acting and wrestling and becomes our president in 10 years!)

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  • (That’s actually gonna happen, isn’t it?!)

  • (Just like Sonic predicted!)

  • (And that will be our punishment for not showing up to theaters for The Smashing Machine!)

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  • (We’re all f**ked!)

Every (Mostly) Edgar Wright Film Ranked

Edgar Wright is perhaps one of the more “under the radar” type of directors working in Hollywood today. He’s not really so much well known by mainstream audiences with the likes of Steven Spielberg, Christopher Nolan, James Cameron, Martin Scorsese, and Quentin Tarantino but more of someone that’s mostly beloved by hardcore film buffs. There’s a reason why Baby Driver, a film which made only $227 million at the time of it’s release (which is still good btw), is his most successful film at the box office and the only hit which you can call a genuine crowd pleaser.

Even so, he still has a very dedicated fanbase and cult following and I was say I qualify on both ends. Although some of his recent films haven’t “wowed” me the way his earlier films did, he is still a director that I always await his next big feature film because he’s one of the few directors left that knows how to leave his own personal stamp on a film. Because of that, it’s time for me to rank (most) of his films from worst to best!

And the reason why I say most is because there is two main film exceptions I am leaving off the list: A Fistful of Fingers and The Sparks Brothers. That is strictly because I haven’t seen any one of those films and I have yet to find anywhere which gives me full access to both films. So to anyone that is actually a die hard fan of either one of those movies and actually viewed them as being the absolute best of Edgar Wright, then I deeply apologize for that!

For everyone else, let’s get to rank Edgar Wright’s other seven films, the ones that the majority of the human population acknowledge, from worst to best!

7.) The Running Man (2025)

Wright’s weakest film to date is unfortunately the one that just got released in (mostly) empty theaters. There were plenty of ingredients for a 2025 incarnation of The Running Man to be a success. You got a director that’s skilled with blending action, drama, humor, and chaos in Edgar Wright, you got an up and coming A-list actor in Glen Powell, and updating the 1987 film in a way where we are now basically on the doorstep of living in the kind of future that Stephen King tried to warns us all about nearly 40 years ago seems like this should be an instant classic that’s relevant to our times. While there’s some fun set pieces scattered throughout, Glen Powell is as awesome as he always is, and the first 2/3rds work well enough as a mildly entertaining action flick, The Running Man (2025) gets bogged down by the end of it’s own messaging, not knowing how to properly convey it without shouting it directly to the audience and not knowing which of the three or four endings they wanted to stick with. It’s ironic how the film goes on about how bad monopoly corporations are when they have all the wealth and power in entertainment to manipulate it’s audience when this film is literally made by Paramount of all companies. This also can’t help but feel like the least felt Edgar Wright film to date, with his style and attention to aesthetics feeling distractingly absent here. Is there entertainment to be had in The Running Man (2025)? Sure! But, this 2025 Stephen King adaption is one of the rare cases where a film being too closed to it’s source material can actually be a bad thing!

6.) Last Night In Soho

This is easily Edgar Wright’s most polarizing film to date. Many felt that Wright was too in love with his own style and that let it get in the way of the substance of the story. Last Night in Soho made for a rather unique, mesmerizing, and at times very uneven experience. This psychological thriller sees a young woman out on her own for the first time ever and having to experience the toxic and stressful nature of being out of your own bird’s nest along with the pressure of becoming the person that you are just not. Edgar Wright always brings his A-game behind the camera but he goes all out this time around with his beautiful cinematography, stellar costume designs, chilling score, and haunting imagery and performances that will stick with you even after the credits roll. Thomasin McKenzie and Anya Taylor-Joy are terrific here showing the two sides of the same coin of a woman’s poignant experience of being out on her own in a world full of troubled men. I just wish this film sticked with me on repeat viewings and didn’t have me asking more questions than it answers by the end, especially when all the big reveals come into play. Last Night in Soho is not an experience I guarantee you’ll love but if you are willing to take a chance, it’s worth watching to see if it works for you or not.

5.) The World’s End

While there are people out there that call this the weakest of the Cornetto trilogy, this is still a very satisfying end to these successful trio o films. Maybe it has to do with the fact that this one is looser and more ambitious while not relying as much on the humor as his previous work but I do think The World’s End stands strongly as it’s own unique thing. It’s still constantly funny the whole through, filled with an incredible amount of energy and manages to be as layered as the previous Cornetto films, if not more so here, the action sequences are still great fun to watch, and the cast arguably hit their new level of peak here (Simon Pegg is just a national treasure!) Also, the best cut to black credits of all time period! Maybe it’s because I admire the way that Edgar Wright continues to try and top himself with every single new film that he makes but I just believe The World’s End deserves a tiny bit more credit than it actually gets. It may not be quite the very best of the Cornetto trilogy or Edgar Wright as a whole but man is it ALWAYS bun to watch Edgar Wright try to top himself!

4.) Baby Driver

Yes, I know the casting for this movie has aged worse than sour milk that has lasted for as long as the development of GTA 6 but man, I still can’t help but have an absolute blast with Baby Driver every time that I watch it. Making a heist movie that is based around the concept of a young man motivated by his love for music and being able to one day ride into the sunset with his girlfriend is a concept that fits perfectly in Edgar Wright’s wheelhouse. The action scenes are thrilling, the pacing is breakneck, the cast (their offscreen behavior aside) is a lot of fun, and I don’t think there’s been any recent big movie that’s NOT Guardians of the Galaxy where a director was able to perfectly showcase just how good of taste they have in music. It definitely plays out more conventional than most of Edgar Wrights films and I most CERTAINLY could’ve used some more Jon Bernthal here (Although, his final line is pretty funny!) but even with some minor grips, Baby Driver is an absolute thrill ride that might just be the most “fun” and crowd pleasing film that Edgar Wright has made to date.

3.) Scott Pilgrim vs The World

While it was certainly unfortunate that Edgar Wright was not able to make the Ant-Man movie that he wanted with Marvel Studios, we should all be grateful he was able to make magnum opus of his own within the comic book movie genre with Scott Pilgrim Vs The World. This was quite simply a comic book movie that Edgar Wright was born to make! His directing style and visuals fit masterfully in the world of Scott Pilgrim himself, the whole cast is perfect and fit their roles like a glove, the soundtrack is incredible, the aesthetics are off the charts, it’s perfectly respectful towards the source material it’s based on, and don’t get me started on those kick-ass and creative as hell fight sequences, the kind that you usual don’t get with these kind of movies! Even if we are living in a time of superhero fatigue and the best that the subgenre as had to offer for the past 25 years is easy to forget about now Scott Pilgrim Vs The World is one of the comic book movie standouts that is not Marvel or DC related that is absolutely worth your time!

2.) Hot Fuzz

Edgar Wright was looking to make lightning strike twice following the major success of Shaun of the Dead and he was able to do exactly just that. Wright is somehow able to perfectly translate from the zombie horror genre to the buddy cop genre in a very smooth way here with Hot Fuzz, with Simon Pegg and Nick Frost just having as much good chemistry as a duo that on paper seems unlikely but in reality is a stroke of genius. The plot delivers plenty of twists and turns that will have you thinking even with repeat viewings, this is easily the FUNNIEST film of the trilogy and that Edgar Wright has made, and the ensemble cast all around is able to flawlessly fit in the intriguing world that Edgar Wright has created. The only thing that prevents this from being at #1 is a slightly drawn out climax and there being a couple of moments that feels more forced and only there because it’s what everyone loved about Shaun of the Dead! Aside from those mild nitpicks, Hot Fuzz is still excellent and more than worthy middle chapter to the Cornetto trilogy!

1.) Shaun of the Dead

But yeah, I still don’t think that any Edgar Wright film has been as good as the film that put his name in Hollywood than with Shaun of the Dead! Regardless of what way you look at it, Shaun of the Dead works in every way that it possibly can! It works as a straight-up horror movie, it works as a screw-ball comedy, it works as an incredibly meta and social commentary of the genres it is delighted to be a part off, it works as a family drama, it works as a coming-of-age tale, and it even works as a straight up zombie slasher flick. There is very few films I can think that is able to masterfully combine action, drama, horror, and comedy all at the exact same time but Edgar Wright is able to perfectly control himself behind the camera the whole way through, being able to masterfully execute every single element of the genres that he is paying great respect too. Perfectly paced, perfectly written, perfectly acted, perfectly directed, and having the perfect amount of rewatch value, Shaun of the Dead is simply a masterwork and the best thing to come out of Edgar Wright to this day! Maybe it’s time to bring back Simon Pegg and Nick Frost for the next film!

Ranking The Alien and Predator Franchises Together (w/Predator: Badlands)

So, after I did my ranking of the Alien movies when Romulus came out last year, I’ve seen a lot of people rank those movies combined with the Predator franchise. After all, with two distinct franchises that crossed over for two films, I guess it’s only natural for people to compare and contrast the two sides with distinct rankings. Because of that, why not join in and rank the Alien movies alongside the Predator movies.

I’m still gonna keep the same points I had with all the Alien movies in that rankings but I will take out Alien: Isolation because I just wanting to be ranking the movies themselves side-by-side for this list. Now that Predator: Badlands is out in theaters, let’s continue on with this ranking! Here we go!

16.) Alien vs Predator: Requiem

The second Alien vs Predator showdown is not only the worst thing that ever been related to the now Disney-owned IPs, it’s one of the worst franchise entries in the 21st century thus far. What should be a fun and simple premise of taking two well known monsters and just have them punch one another for an hour and a half is bogged by some of the worst lighting and editing choices ever put in a theatrical released film. It also doesn’t help that it has writing, acting, and directing that wouldn’t even be passable for a Patron funded fan film. Alien vs Predator: Requiem is not only just as bad as franchise movies can get, it’s just as lazy as they come. It literally brings a new definition of unwatchable because well…….you literally can’t watch it because you can’t even see what’s happening on screen. It’s not strictly a film that is infamous for certain story choices it makes or contradicting previously established lore in any way but because of how objectively poor the filmmaking is on display. That in of itself makes this more than worthy of being the worst film that has anything to do with Aliens or Predators! (Planet 51, eat your heart out!)

15.) The Predator

I can’t recall a big franchise film that left me more disappointed in recent memory than 2018’s The Predator. Bringing in Shane Black, the godfather of action comedies and buddy cop flicks (while starting in the original Predator himself), to helm a Predator film seems like a perfect recipe to return the franchise back to it’s traditional roots. Unfortunately, about all of that potential is squandering throughout the entire runtime of The Predator. The plot is a disjointed mess, so many characters and subplots are introduced that go absolutely nowhere, the pacing is too breakneck and non-existent that it can’t make up it’s mind how fast or slow it wants to go, the editing is some of the worst put to any major studio released film in the past decade, and the dialogue and banter, which Mr. Black has constantly nailed in the past, fall flat in every sense of the word here. I don’t know if it’s Shane Black having to deal with studio meddling or him just not being a right fit for the franchise but The Predator is a perfect example of how everything can go wrong for a major blockbuster that’s part of a major franchise. And don’t get me started on the unconvincing gore and the god AWFUL action scenes where you can’t see jacks*it! What an absolute dumpster fire!

14.) Alien: Covenant

After the divisive response that 2012’s Prometheus had on critics and audiences, Ridley Scott decided to take things back to basic for the Alien franchise with Alien: Covenant. Unfortunately, in so doing so, he manages to undermine the ambiguity and intrigue of the beloved Xenomorph while doubling down on all of the main problems that plagued it’s predecessor. The alien action and set pieces are uninspired, most of the characters aren’t interesting and are about as dumb as movie characters can get, the effects for all the monsters look shockingly poor, and finding out that David was the one responsible for the creation of the Xenomorph is about the most out of no where and unneeded explanation for a franchise’s lore since Mini-chlorins. Not even Michael Fassbender’s captivating screen presence and a couple of fun moments sprinkling in can save this mess. Alien: Covenant may not quite be the worst film in the franchise but it was definitely the sign that the franchise had lost his staying power and how the guy who made the marvelous original Alien had lost his touch. When looking at is as a proper Alien movie and a sequel to Prometheus, Covenant just doesn’t work on any level.

13.) Alien vs Predator

On paper, an Alien vs Predator movie should amount for the perfect amount of shlock blockbuster popcorn entertainment anyone would expect. And the moments that it does just that, it makes for a pretty good time that gives you exactly what you want and expect out of this fun premise. Just a shame that way too much time is spent focusing on human characters that become a footnote the moment the two titled monsters jump on the screen and it tries to set up lore and world building that it has little to no interest in actually exploring. Still, the effects and production design is top notch and when the alien and predator actually show up and start fighting, it’s entertaining enough. Back in the day, you would have to slug through Alien vs Predator to get to the good stuff, similar to how folks had to slug through The Phantom Menace to get to anything involving a lightsaber, but because we have the internet now, you can just look up the fight scenes for this movie on YouTube and be satisfied all the same.

12.) Predator 2

Predator 2 has seen it’s fair share of reappraisal over the years and it’s easy to see why. Danny Glover makes for a fine action star that helps carry the picture along with the rest of the cast, it’s got a campy and weirdness vibe to it that’s easy to get into, and it’s able to end on a strong note that makes the bumpy ride worth trip. However, problems lie in the tone being completely all over the map, the new setting not carrying that same weight as the jungle, and the backdrop of the LA heat wave/drug wars being completely unexplained. This is a sequel that seems to want to have it’s cake and eat it too with hitting the same beats as the original while also trying to do it’s own thing at the same time. I can commend the effort but the end results could certainly be much stronger.

11.) Prometheus

Easily the most polarizing entry in the entire franchise, Prometheus sees Ridley Scott returning to the franchise decades later with a distinct prequel, back before any of the aliens were actually a thing. This easily contains some of the strongest visuals and ideas in the entire series, questioning how human being can co-exist against technology and artificial intelligence. You also have a cast, such as Michael Fassbender, Charlize Theron, and Idris Elba, that absolutely give it their all and is able to add the right amount of weight to the material they are giving. Just too bad it gets bogged down by having characters making completely illogical decisions the whole way through, those interesting ideas being barley explored upon, and so many questions that gets handwaved in the hopes that a potential sequel would be able to follow through with it (SPOILER ALERT: IT DOESN’T!). It’s hard to know how Prometheus would be judged in hindsight if Ridley Scott got to continue along with this distinct direction but without it, this is easily among the most frustrating and downright disappointing installments out of any of these films. It’s certainly not lacking in ambition but it does certainly lack in reaching it’s true potential.

10.) Alien: Resurrection

Alien: Resurrection acts as perhaps the oddball of the series. It’s not so much a continuation of it’s controversial predecessor but more acts like a “Elseworlds” addition to the Alien franchise. This is basically when the series began abandoning its thought-provoking themes and immersive storytelling in favor of acting as traditional schlocky B movies. Sigourney Weaver is back once again but she’s not actually the Ellen Ripley from the first three movies and is actually a clone of Ellen Ripley this time around. That in of itself makes the emotional investment non-existent and hard to care about. Still, the shlock-ness that is presented in of itself is just so hard for me to not dig, even if it’s as goofy and over-the-top as it comes. The action is fun, Sigourney Weaver is clearly having fun in playing a clone version of her iconic character, and the effects and ideas of the Xenomorphs is so bizarre that it’s actually amusing to see before your very eyes. When viewing it on the merits of being a silly, wacky sci-fi click, Resurrection works well enough. When viewing it on the merits of the previous Alien films that felt more ambitious and impactful, Resurrection falls quite flat. Even so, it’s still bittersweet watching this now knowing it was Sigourney’s final time playing Ripley on the big screen.

9.) Predators

Predators is a sequel that is clearly trying to recapture the same spark as the original. You have a jungle setting, the mystery of the predators, and the characters who have no motivation other than desperate need for survival. What makes things stand out different here is that the main characters themselves are treated just as antagonistic as the predators they are fighting and have become prey for these hunters. It may not deliver on the bizarre premise of playing the hunting game but on an alien planet but it does have a right sense of tension and dread throughout with it’s own stand out action sequences and intense atmosphere. For as thin as the script and characters can get, the actors are clearly having a good time here and make them standout through their performances, even if the writing can’t match up to the level of their acting. Still no where near up to par with the original but 2010’s Predators does have enough entertainment value to warrant a watch if you are a fan of the franchise.

8.) Alien 3

The most despised standalone Alien movie in the series isn’t nearly as bad as it’s detractors would be. This is the directorial debut for the well-known David Fincher, at least not the parts which Fox didn’t meddled with the third installment. Alien 3 is most infamous in it’s bold narrative choices, such as killing off the supporting cast of the last movie onscreen, along with not being on par with the previous two masterpieces. However, when looking at it’s own term, there’s plenty of interesting ideas and set pieces throughout Alien 3 that work well here, along with having such a bleak and distinct feel to it that you very rarely get in movies nowadays. Not to mention, in a franchise which sees so many people get kill and slaughter by alien monsters left and right, it’s not really a series which I see the main characters have happy and uplifting endings. It’s definitely not as good as Alien or Aliens and it might have reached it’s truest potential if David Fincher was given full control but Alien 3 is definitely better than it’s overall reputation would suggest. If you watch the assembly cut, which adds an extra half an hour where it fleshes out all the new characters, you just get a good notion as to what Fincher was going for and a hint to where his style would go many years down the road. This may have not been the ending that Ripley deserved but it’s perhaps the one she and all of us needed.

7.) Predator: Killer of Killers

After successfully reviving the Predator IP in 2022 with Prey, director Dan Trachtenberg is able to make lighting strike twice in the form of animation with Predator: Killer of Killers! We see three new characters with their unique stories of their own, forced to come together and take on the monstrous predator as swiftly as they can! Each of the three stories carries wonder of their own, the animation is creative and stunning, the action is fast paced and fun, and who knew after so many installments, we are still able to find new and exciting ways to see human characters kill a bunch of predators! Perhaps if the resolution had not been a tad rushed with obvious sequel set up bait and the narrative didn’t at times come off as three episodes of a mini series, this might’ve been even higher! Killer of Killers proves that not only Predator still works in live-action but it can even work in animation too!

6.) Alien: Romulus

After going down a very inconsistent road, Romulus sees Fede Álvarez returning this franchise back to basic. This is able to hit all the beats that you would expect from an Alien film while also providing it’s own unique voice and plenty of memorable scares and thrills of it’s own. It’s able to use fan service in a very organic way (save for one or two corny ass callback lines), feeling like it belongs properly in the world of Alien. The new cast of characters are likable and compelling in their own right, the action, gore, and set pieces are among the very best in the franchise, this is easily the scariest film in the series since the original Alien, and the third act is so bonkers and so out of left field that I can’t help but love it. It’s even able to take plot elements from polarizing installments like Prometheus and have it work rather well here. It does suffer from some imperfections such as a rather slow start, a callback or two that doesn’t really work (You’ll especially know one when you see it), and a reemergence of a certain character that didn’t feel necessary. Even so, this is easily the most consistently good Alien film since Aliens and perhaps the most pure fun installment in the Alien franchise thus far. While it’s far from the most thought provoking and groundbreaking film in the franchise, Alien: Romulus is able to deliver where it counts the most with this franchise in providing it’s own scares, thrills, and tension throughout.

5.) Predator: Badlands

I don’t know how the man keeps doing it but Dan Trachtenberg is now 3 or 3 when it comes to making Predator movies! On paper, Predator: Badlands sounds like the dumbest thing ever and exactly what you would expect with a Predator movie giving the Mickey Mouse treatment! An installment which puts the focus on the Predator as the main character but goes on an adventure where he teams up with a quirky cyborg sidekick and cutesy animals, has to resolve daddy issues, and learn the power of friendship along the way! And yet somehow, someway…..none of that is a negative for the film! In fact, it’s an absolute positive! With a perfectly balanced tone, well crafted action, clever expansion of the Predator lore, and a shockingly well done emotional core throughout, Dan Trachtenberg is able to take the ideas that have bogged down previous Predator installments but manages to makes it work here! I could’ve done with less quips and a few more surprises to the story but there’s nothing big that breaks this movie down! Please go see this one in theaters if you are a fan of the series so we can see a continuation of this story!

4.) Prey

After a handful of inconsistent installments, the Predator franchise was at long last able to find a return true to form with Prey, the first Predator film released under the Disney/Fox umbrella. This is a sequel that understands the appeal of Predator and what made the original stand out for as long as it has. It’s not the contrived lore to the predators themselves nor the need to makes us all feel sympathetic for these monsters (even if Dan Trachtenberg was able to make that all *surprisingly* work three years later). It’s the action, it’s the tension, it’s the suspense, it’s the subversive genre, it’s the haunting atmosphere, and it’s just the plain badassery from the main characters that are likable, fun to watch, and easy to care about. Amber Midthunder is a revelation as Naru and the whole “back-to-basics” approach is exactly what the franchise needed after a handful of sequels that couldn’t quite reach the mark as well as this did. Prey is exactly what you wan out of a Predator movie and was able breath new life into the franchise. My only regret is that this could not get a wide release in theaters.

3.) Predator

For as awesome and badass as Amber Midthunder was in Prey, nothing can top the pure awesome and badassery as Arnold Schwarzenegger in the original Predator itself. This is yet another classic that was able to get it right on it’s first try and able to use it’s simplistic yet effective premise to it’s fullest effect. This is a film about survival, performing break-neck maneuvers at the most crucial time, and the difference between those who thrive on the battleground and those who die. Most important of all, it’s about one of the most famous monsters in cinema history and our main characters during everything in there power to stop it. There might be elements that don’t hold up to modern day standards, but no doubt, for it’s time and even now, no other Predator was able to capture that special lightning in a bottle the way the original with Arnold did. It may not be the best film on this list but it’s no doubt the best Predator film ever made and likely will be for the immediate future.

2.) Alien

The one that started it all remains one of the greatest achievements in both the sci-fi genre and cinematic history in general. Ridley Scott got it perfectly right on his very first try back in 1978. Operating flawlessly as a slow-burn, smaller scaled sci-fi horror flick, Alien is the proper film to be taught in film school on how to build tension and suspense properly. The Xenomorph, chest burster, and face huggers remains some of the most unique and terrifying monsters every put to film, the atmosphere could not be any more somber and claustrophobic if it tried, the production and sound design is some of the very best every put to film, every single important plot element is remembered and gets a satisfying payoff, and nearly every single cast member gets their own moment to shine. Also, best movie cat ever! While I’m sure the film might be way too slow for the likes of Gen Z and Alpha to watch nowadays, Alien is a film that more than awards your patience by finding the proper payoff to every single thing that it builds off of. Even if it’s not quite #1 for me, I don’t think there has been a more important sci-fi film, give or take Star Wars, in cinematic history than Alien. It’s impact is still felt to this very day and it is more than easy to see why.

1.) Aliens

While the original Alien acts as one of the greatest sci-fi movies ever made, Aliens is one of the best sequels ever made. Much like Terminator 2: Judgement Day, it not only takes every time that worked about it’s near perfect original and made them better but it’s able to stand on it’s own two feet by changing the pace into a relatively smart action flick. From the superb lighting to the stellar production design to the convincing make-up effects to the properly raised stakes to the fantastic action to the perfection that is Sigourney Weaver as Ellen Ripley, Aliens is about as perfect as a film of any kind can get. There’s not a single line of dialogue that isn’t memorable, not a single character that feels wasted, and not a single action or dramatic beat that doesn’t work here. This is one of the rare times that a film series was able to properly translate from a smaller scaled indie flick to an action blockbuster that does not diminish or water down the franchise in any way. Also, this film confirms that Ellen Ripley is hands down the most badass action heroine in the history of cinema. That is not opinion, that is FACT. There’s no person the planet that could deliver the line, “GET AWAY FROM HER, YOU BITCH!” better than Sigourney Weaver could. Aliens remains the pitch perfect example on how to do a sequel, sci-fi flick, and a big blockbuster film of any kind. This remains one of the very best films that has ever been made.

Ranking The Predator Franchise (w/Predator Badlands)

Well, here we go! There’s a new Predator movie out and it’s time to refresh this list! Let’s get right into it!

9.) Alien vs Predator: Requiem

The second Alien vs Predator showdown is not only the worst of anything related to the Predator franchise, it’s one of the worst franchise entries in the 21st century thus far. What should be a simple premise of just taking these two well known and iconic monsters and have them punch each other for an hour and a half is bogged down by some of the worst lighting and editing choices ever put in a theatrical released film. It also doesn’t help that it has writing, acting, and directing that wouldn’t even be passable for a Patron funded fan film. Alien vs Predator: Requiem is not only just as bad as franchise movies can get, it’s just as lazy as they come. It literally brings a new definition of unwatchable because well…….you literally can’t watch it because you can’t see jacks*it that’s happening on screen. It’s not strictly a film that is infamous for certain story choices it makes or contradicting previously established lore in any way but because of how objectively poor the filmmaking is on display. That in of itself makes this more than worthy of being the worst Predator related film ever made!

8.) The Predator

I can’t recall a big franchise film that has disappointed me more in recent memory than 2018’s The Predator. Bringing in Shane Black, the godfather of action comedies and buddy cop flicks (while even staring in the original Predator film himself), to helm a Predator director seems like a perfect recipe to return the Predator franchise back to it’s traditional roots. Unfortunately, about all of that potential is squandering from both a directing and writing standpoint here. The plot is a disjointed mess, so many characters and subplots are introduced that go nowhere, the pacing is too breakneck and non-existent, the editing is some of the worst put to any major studio released film in the past decade, and the dialogue and banter, which Mr. Black has constantly nailed in the past, fall flat in every sense of the word here. I don’t know if it’s Shane Black having to deal with studio meddling or him just not being a right fit for the franchise but The Predator is a perfect example of how everything can go wrong for a major blockbuster in a long-running franchise. And don’t get me started on the unconvincing gore and the god AWFUL action scenes that gives you a headache! What an absolute dumpster fire!

7.) Alien vs Predator

On paper, an Alien vs Predator movie should amount for the perfect amount of shlock blockbuster popcorn entertainment anyone would expect. And the moments that it does just that, AVP makes for a pretty good time that gives you exactly what you want and expect out of this fun premise. Just a shame that the film puts way too much focus on the human characters, only for to become a complete footnote the moment the two titled monsters jump on the screen. It also doesn’t help that it tries to set up lore and world building that it has little interest in actually exploring. Still, the effects and production design is top notch and when the alien and predator actually show up and start fighting, it’s entertaining enough. Back in the day, you would have to slug through Alien vs Predator to get to the good stuff, similar to how folks had to slug through The Phantom Menace to get to anything involving a lightsaber, but because we have the internet now, you can just look up the fight scenes for this movie on YouTube and be satisfied all the same.

6.) Predator 2

Predator 2 has seen it’s fair share of reappraisal over the years and it’s easy to see why. Danny Glover makes for a fine action star that helps carry the picture along with the rest of the cast, it’s got a campy and weirdness vibe to it that’s easy to get into, and it’s able to end on a strong note that makes the bumpy ride worth trip. However, problems lie in the tone being completely all over the map, the new setting not carrying that same weight as the jungle from the original, and the backdrop of the LA heat wave/drug wars being completely unexplained and utterly baffling. This is a sequel that seems to want to have it’s cake and eat it too with hitting the same beats as the original while also trying to do it’s own thing at the same time. I can commend the effort but the end results could have certainly been much stronger here.

5.) Predators

Predators is a sequel that is clearly trying to recapture the same spark as the original. You have a jungle setting, the mystery of the predators, and the characters who have no motivation other than desperate need for survival. What makes things stand out different here is that the main characters themselves are treated just as antagonistic as the predators they are fighting and have become prey for these hunters. It may not deliver on the bizarre premise of playing the hunting game but on an alien planet but it does have a right sense of tension and dread throughout with it’s own stand out action sequences and intense atmosphere. For as thin as the script and characters can get, the actors are clearly having a good time here and make them standout through their performances, even if the writing can’t match up to the level of their acting. Still no where near up to par with the original but 2010’s Predators does have enough entertainment value to warrant a watch if you are a fan of the franchise.

4.) Predator: Killer of Killers

After successfully reviving the Predator IP in 2022 with Prey, director Dan Trachtenberg is able to make lighting strike twice in the form of animation with Predator: Killer of Killers! We see three new characters with their unique stories of their own, forced to come together and take on the monstrous predator as swiftly as they can! Each of the three stories carries wonder of their own, the animation is creative and stunning, the action is fast paced and fun, and who knew after so many installments, we are still able to find new and exciting ways to see human characters kill a bunch of predators! Perhaps if the resolution had not been a tad rushed with obvious sequel set up bait and the narrative didn’t at times come off as three episodes of a mini series, this might’ve been even higher! Killer of Killers proves that not only Predator still works in live-action but it can even work in animation too!

3.) Predator: Badlands

I don’t know how the man keeps doing it but Dan Trachtenberg is now 3 or 3 when it comes to making Predator movies! On paper, Predator: Badlands sounds like the dumbest thing ever and exactly what you would expect with a Predator movie giving the Mickey Mouse treatment! An installment which puts the focus on the Predator as the main character but goes on an adventure where he teams up with a quirky cyborg sidekick and cutesy animals, has to resolve daddy issues, and learn the power of friendship along the way! And yet somehow, someway…..none of that is a negative for the film! In fact, it’s an absolute positive! With a perfectly balanced tone, well crafted action, clever expansion of the Predator lore, and a shockingly well done emotional core throughout, Dan Trachtenberg is able to take the ideas that have bogged down previous Predator installments but manages to makes it work here! I could’ve done with less quips and a few more surprises to the story but there’s nothing big that breaks this movie down! Please go see this one in theaters if you are a fan of the series so we can see a continuation of this story!

2.) Prey

After a handful of inconsistent installments, the Predator franchise was at long last able to find a return true to form with Prey, the first Predator film released under the Disney/Fox umbrella. This is a sequel that understands the appeal of Predator and what made the original stand out for as long as it has. It’s not the contrived lore to the predators themselves nor the need to makes us all feel sympathetic for these monsters (even if Dan Trachtenberg was able to make that all *surprisingly* work three years later). It’s the action, it’s the tension, it’s the suspense, it’s the subversive genre, it’s the haunting atmosphere, and it’s just the plain badassery from the main characters that are likable, fun to watch, and easy to care about. Amber Midthunder is a revelation as Naru and the whole “back-to-basics” approach is exactly what the franchise needed after a handful of sequels that couldn’t quite reach the mark as well as this did. Prey is exactly what you wan out of a Predator movie and was able breath new life into the franchise. My only regret is that this could not get a wide release in theaters.

1.) Predator

For as awesome and badass as Amber Midthunder was in Prey, nothing can top the pure awesome and badassery as Arnold Schwarzenegger in the original Predator itself, able to make yet another iconic action role stand apart from playing an evil A.I. cyborg. This is yet another classic that was able to get it right on it’s first try and able to use it’s simplistic yet effective premise to it’s fullest effect. This is a film about survival, performing break-neck maneuvers at the most crucial time, and the difference between those who thrive on the battleground and those who die trying. Most important of all, it’s about one of the most famous monsters in cinema history and our main characters during everything in there power to stop it. There might be some effects that don’t hold up to modern day standards, but no doubt, for it’s time and even now, no other Predator was able to capture that special lightning in a bottle the way the original with Arnold did. Even for how good the last several installments have been, the original is still the best Predator film ever made and likely always will be.