Let’s address the broken record out of the gate: Aaron Sorkin can’t direct! Despite being one of our finest screenwriters working today, he can never translated his thought provoking ideas properly on the big screen whenever he is given the full director’s chair. A Few Good Men, The American President, Moneyball, Steve Jobs, and of course, The Social Network all benefitted because Rob Reiner (RIP!), Danny Boyle, Bennett Miller, and of course, David Fincher were behind the camera and NOT him. He has a directorial vision that isn’t so much tryhard or style over substance but having ZERO sense of tryhard or ZERO sense of style or substance to speak off, just constantly delivering motion pictures that are visually flat despite hard hitting material, containing clunky direction with massively talented actors forced to carry their own weight, and constantly going to class at the Joss Whedon school of characters being overly clever and quippy just because. Every time he is given a chance at directing, Sorkin ALWAYS gets exposed butt ass naked off his own personal flaws as an entertainment creative. For all the redeemable qualities that the scripts for Molly’s Game and The Trial of the Chicago 7 contained, both films would have benefitted GREATLY if literally anyone else was behind the camera.
And I don’t think there’s a better place to test that hypothesis of Sorkin’s own limits as a director than with his newest directorial feature The Social Reckoning, the spiritual successor (NOT the OTHER S word!) to 2010’s The Social Network that dramatizes the 2021 Facebook leaks by the whistleblower Frances Haugen and Jeff Horwitz. However, this time around, Mr. Fincher is not directing as he is too busy working with Quentin Tarantino, with his spin-off of his (supposed) second-to-last film he will ever make, The Further Mis-Adventures of Cliff Booth. That leaves only Aaron himself to carry the baton that he helped start but has been left alone to do it all on his own yet again. And even more so than his other directed films, The Social Reckoning displays Aaron Sorkin flaws harder than ever!
Premise: Facebook engineer Frances Haugen (Mikey Madison) and The Wall Street Journal reporter Jeff Horwitz (Jeremy Allen White) blow the whistle on the social network’s most guarded secrets.
It’s easy to see why Sorkin was interested in returning to the world of Facebook and revisiting the legacy of Meta Head/Facebook Creator Mark Zuckerberg given the current political climate and how more critical social media has played a role in our lives now. In 2010, Facebook felt like it was living up to it’s intended goals, creating a social network service designed to bring people together from all walks of life, regardless if you met a person in real life or on the internet, to a create a much bigger and more unifying world that you couldn’t before. While there were negative side effects of it, the pros almost certainly outweigh any major cons.
Fast forward to 16 years later and that special, optimistic nature of Facebook is long gone, replaced by nonstop cynicism, tiresome rage bait and “hate” speech, and the constant spreading of “fake” news left and right. And despite all the complaining and acknowledgement of the obvious elephant in the room over the years, we still find ourselves stuck in a constant loop that is this bleak era of the internet we are currently living in because well….we have no where else to go.
To give credit to Sorkin, he has no desire of repeating the same notes he did back in 2010. In The Social Network, that not only fully explored the origins of how Facebook came to be and the bumpy as hell road to it’s creation but also the massive benefits that would come for it. In The Social Reckoning, it’s all about the massive downsides that have come with Facebook and how exactly it has operated to being the negative cesspool it has become. And with a writer that is known from using his own wits and intelligence to craft multilayered, satisfying scripts, what better person to tackle how bleak Facebook and the internet as a whole has become throughout the past 16 years other than him. While making a follow-up on that angle makes perfect sense in theory, the execution of it leaves plenty to be desired.
The Social Reckoning isn’t so much interested in exploring the effects on the mental health and radicalization of folks who use Facebook on a daily basis but more so of the ins and outs of how it became to be. This main narrative thread is carried by our two leads with Frances Haugen and Jeff Horwitz, played by Mikey Madison and Jeremy Allen White respectively. Frances is interested in getting to bottom as to why Facebook has become so hateful after seeing her friend get radicalized by supposed far-right, white extremist internet groups despite being a very progressive liberal at some point in her life. Jeff takes her under his wing (So much so that he has her wearing incredibly revealing dresses whenever she comes over to his apartment to give the impression they are on a date to his neighbors!). He is a Wall Street Journal reporter that covers the political landscape and believes current day factors have contributed to the rise of constant negativity on Facebook. Oh, and Mark Zuckerberg is in here too (played by the shockingly flat Jeremy Strong) because he attended a senate hearing about fake news and misinformation constantly being spread on Facebook after a certain controversial election, which the meeting also happens to take place on the exact same day as a certain controversial event that took place in our nation’s capital.
The underlining problem here is that the journey to discovering the extremely flawed algorithms of Facebook is not particularly interesting. I don’t really care how Facebook was operated to be the negative cesspool that is now, I’m only interested in seeing the consequences of it from it’s daily users and how it has affected them mentally. The handful scenes we do get of seeing the folks affected by Facebook and the desire for more internet restrictions plays out like comically over-the-top Saturday Night Live sketches and the cinematic equivalent of Boomer parents demanding for the internet to be banned because they can’t do their damn jobs themselves of keeping their kids off of it. Yes, it’s sad that kids get bullied on a daily basis on the internet, maybe the parents should supervise them to keep them away from any kind of cyberbullying.
The whole experience comes crashing down in the final act of the film, where we see the full events of January 6th, 2021 unfold (Yeah, spoiler alert but it’s already been revealed that the film contains it!). Even if you take away the fact that the film commits the cardinal sin of inserting it’s own OC to tie into this horrific day for no reason or how the whole sequence of events is shot like a Sydney Sweeney sports gambling commercial, the film seems to be under the impression that the results of January 6th is in large part because Zuckerberg couldn’t be bothered to censor or fact-check Facebook “enough”. It’s not the algorithms or plain extremism of political ideology that caused these events to happen, it’s because Facebook was allowing too much free speech on it’s platform and the government should have more eyes and ears about what is said on the internet. Aaron, you do know that protests and riots have occurred BEFORE the rise of the internet, right?!?! I get you don’t like Mark (I don’t either!) but come on!
This is suppose to act as the major culmination of the film but it comes off more as Sorkin spinning his narrative wheels all willy nilly, perfectly displaying how this time period of fake news and misinformation is still going on with no end in sight and no solution to present. It’s even more laughable by the time the credits roll and we get notified of the events that transpired after January 6th, only to be reminded that no lessons were learned at all, little to no consequences of Facebook and the rioters occurred, and we are still living through the aftermath of that event five years later. It makes you wonder why Sorkin even bothered to make the film at all if the main points that are brought up constantly throughout the film ends up contradicting itself by the end.
It’s not a totally unwatchable experience. Much like prior written and directed Sorkin films, it does move along at a nice, breezy pace and contains enough zingers that has become a staple of his filmography that helps carry the entire picture. Despite the film constantly jumping from multiple different timeframes throughout, I never felt lost or confused, largely because there is always a reminder after each scene as to what year each new scene takes place, which surprisingly flows much better than you would think.
Mikey Madison and Jeremy Allen White do good work here, having the most engaging banter and material throughout the film. It doesn’t play into traditional couple dynamics or even working relationship tropes but just two determined individuals trying to bring something into light that could cause them both deeply. Bill Burr stands out greatly as Charlie Garrigan, a former Facebook investor and member of Zuckerberg’s legal counsel, even if a majority of the scenes is largely takes place in that exact senate hearing, with the same tiresome “fact check” sequences with Zuckerberg that only work because Burr is so believable in everything he’s in.
Speaking of which, Jeremy Strong does not work as Mark Zuckerberg whatsoever. Removed from the charming sociopath nature that Jessie Eisenberg brought in The Social Network, Strong ends up playing Zuckerberg as the most straightforward tech bro figure you could possibly imagine, with nothing standing out from your usual straightforward tech bro figure. This may not be entirely Strong’s fault as Sorkin was clearly NOT expecting Eisenberg to step down from his game changing role as the world’s three or fourth most infamous billionaire but he doesn’t do himself any wonders here.
The Social Reckoning is certainly a film to admire on the surface, having the balls to address a major cancer that has polluted internet and political discourse throughout the past decade plus is a genius one. But none of the material is put to good use, with it falling into the same trappings that prior directed Sorkin films does (The score by Alexandre Desplat is disturbingly flat btw!) and no unique perspective to fall back on here that makes it worth backing despite it’s subject matter. Much like with Digger, I might agree with what the film has to say but that doesn’t mean I have to like the film because of it.
I suppose if you just want a film that will make you angry at tech bro billionaires for two hours and have you leaving the theater raising your fists, there are certainly worse alternatives than The Social Reckoning. But considering we got a Elon Musk documentary in theaters now and Artificial on it’s way to theaters in a couple of months to give you that exact fall, you might just want to log out for this one.
And NO, I am NOT watching that four-hour long Elon Musk documentary! I have more important things in life to spend four hours of my life on!
Alejandro González Iñárritu and Tom Cruise’s newest film, Digger is now out in theaters…..and playing in completely empty screenings. While I highly doubt anyone thought this would do Spider-Man: Brand New Day numbers, Digger is bombing at the box office in ways that very few films ever has before. With a budget that’s somewhere between $125 to $180 million dollars to a market campaign that did everything except explain what the actual plot of the film was, this is looking to be one of the biggest financial bombs in recent history, only grossing $8 million domestically and $20 million overall in it’s opening weekend. Considering all the other films that have crashed and burn since the 2020s have come around, Digger being among the worst of the worst is saying a LOT!
After seeing the film, it’s easy to see why this has not attract an audience whatsoever. It’s just really, REALLY bad! It’s certainly bad in a FASCINATING way and a bad film in a way that only an unconventional director like Alejandro González Iñárritu could possibly make, but it’s still bad all the same. Similar to what I say about Joker: Folie à Deux just two years ago, I can’t help but feel like this will be among the last “special” bad films we are ever going to get anytime soon. Not only because of how much money has been thrown at this with little to no satisfying box office results and it’s rather divisive critical reception but because of the massive black whale that is Paramount Skydance about to swallow up Warner Bros Discovery.
In case you haven’t heard, Paramount Skydance have been giving the full greenlight to purchase Warner Bros Discovery, anti-trust lawsuits and monopoly laws be damned! It’s believe that after tomorrow October 6th, the merger will be 100% completed and the faith of Warner Bros Discovery will be in the hands of CEO David Ellison, A.K.A. the father of Larry Ellison, A.K.A. the head of Oracle and the SECOND richest man in the world! Now strictly known as Skydance, Ellison is looking to use his recent purchases of Paramount Pictures and Warner Bros Discovery to conquer the movie industry and define how big films will be featured for the foreseeable future in Hollywood!
What once was the peak, is now just the beginning.
Paramount and Warner Bros. shaped over a century of culture. By combining them, we aren't rewriting history — we're equipping these iconic studios with a more powerful engine. Together, we are Skydance: a creative-first home for… pic.twitter.com/uInLRY3IrE
I can go into a million different reasons why this is horrifying beyond measures but put it simply, if you didn’t like it when Disney bought 21st Century Fox back in 2017, well you are almost certainly not gonna like a buyout that is basically the STEROIDS equivalent of that! While Ellison has constantly promised that the combination of Skydance, Paramount, and Warner Bros will help release up to 30 films a year, there is absolutely no guarantee of that happening giving the insane amount of debt that will be attached to the studio come Tuesday morning. And if we are going by the track record of 21st Century Studios since Disney bought them and David Ellison’s Hollywood resume as whole, that will mean far more focus on brand recognition and IP and far less on actual original projects like Digger!
And even though Digger is technically awful, it’s the kind of awful that only happens when a director with a complete vision helms the project without the higher ups at the studio weighing it down. It’s the kind of awful film that almost warrants seeing just to be a part of the conversation and NOT something that isn’t worth paying attention to because it’s the same old corporate slop that Hollywood has been serving for a long time. And best of all, it’s the kind of awful film that a studio head like Ellison wouldn’t greenlight in a million years because it’s ultimately a critique of people like him and why the world is in the dark, cynical place that’s it in right now due to people like him.
To further explain what I’m talking about, it’s time to go into full spoiler territory for Digger! If you haven’t seen the film and/or don’t want any spoilers, you might want to stop now and click off the article! You have been warned!
If anyone was wondering why the trailers didn’t show jacks**t about this entire film other than how Tom Cruise has been Hollywood Jesus for the past 40 years, that’s because in doing so would give away the big spoiler reveal/plot twist that is revealed after the initial reel. That twist being that none of the events happening in the movie is real!
Tom Cruise is NOT the actual titled character of Digger but just an actor named Curtis Markson playing the role of Digger Rockwell, a wealthy oil tycoon whose company causes a potential world-ending disaster in Greenland. The events that is shown throughout the entire film aren’t actually events that’s happening in real life but from a staged play titled Fossil Fools, a satirical Climate Change play about an event that played out that sunk the whole world to a complete and utter abyss and the incompetent clowns that were largely responsible for that. This is all taken place in a dystopian future where global disasters have already happened and AI and government officials have 100% taken over our lives as a result of it!
So, yeah! I think you can understand why they couldn’t show anything in the trailers. Not only because this would’ve given away what the film is actually about in ways that are beyond unsatisfying but this would’ve been the quickest way to turn any sane individual off from spending 15 to 20 dollars on a movie ticket to see in theaters. This ain’t a story where Tom Cruise gets to be Tom Cruise and dig his way through the whole mess that he caused, it’s a story where Tom Cruise imagines a “What If?” of an already happened scenario of him doing just that. (As a matter of fact, I don’t even think we get a single shot of the movie with Digger with an actual shovel outside of when he is in his pajamas!) This ain’t a film where a film where Alejandro González Iñárritu wants to use a black comedy satire to go into the ins and outs about global warming and climate change but wants to use a black comedy satire OF a black comedy satire that goes into the ins and outs about global warming and climate change.
The oddest part of all of this is the way the film continues to just trot along after revealing the big blockbuster after the first half hour of the film. It goes back and forth of Curtis doing rehearsals of Fossil Fools with Cruise doing his awkward accent that you’ve seen in the trailers and Curtis offstage drama with his wife and daughter, with Cruise going back to his normal voice. Even though the cat is out of the bag and the big magic bunny has already been pulled out of the hat, the film kinda acts like it never did that and still continues along with it’s full satire play is being played completely straight, with moments where it feels like Iñárritu has to come on camera and explain the themes of the movie, as if he doesn’t think his audience is smart enough to get it. It’s like Iñárritu watched Vice and Don’t Look Up on loop and thought, “Hold my beer!”
The closest thing we get to a real conflict with our main character Curtis is when we get updates of what’s going on with his daughter, whose plane she’s on disappeared on a radar because of a hurricane that transpires throughout the course of the film. And even then, that gets responded with a complete whole, “OH, SHE’S OKAY NOW, I GUESS!” and that’s it. You don’t even get to see Curtis reuniting with his daughter in person or even on the phone, we’re just told she’s okay at the end and because of that, everything is fine and daddy now…..until we are reveal in the last frame and in the credits that it’s totally not.
On one hand, it is admirable for Alejandro González Iñárritu to make a film that refuses to play by the rules and will almost certainly cause review bombings based on the kind of satire and individuals it is mocking. However, he still forgot to make an engaging film in it’s own right and one that works regardless if you look at it as a self-parody, political commentary, or just a good old piece of art in general. Once you known the big reveal of Digger and the point that Iñárritu is trying to get across, the rest of the film just feels…….pointless. When you nothing that is happening on screen is real and the only engaging conflict is resolved off screen, what exactly is there to invest in here other than Tom Cruise trying to become the first actor in history to win an Oscar AND a Razzie at the exact same time?!
Even if you buy into the factor about the movie being about how sometimes we need a comedic distraction to take our mind off of what’s happening in our world today, I don’t think it’s best to get that message across with a play that is about a big global disaster that occurs and the men that are directly responsible for it. Yes, it’s funny to watch great actors give comedically over-the-top bad performances to get the point across but it’s not so much laughing through tears of laughter but laughing because crying would hurt too much. But at least we get to laugh at all….I guess.
Yet again, I can’t help but feel like I’m gonna be nostalgic when these special kind of bad films don’t get made anymore from Warner Bros, or strictly now known as Skydance. Even taken away Ellison’s personal politics, a spectacular bomb such as Digger will only scare away studios from trying a failed experiment like this again and only resort to making your Days of Thunder 2 and Gremlins 2 for the foreseeable future. And unfortunately, you won’t always be able to count on YouTube filmmakers to pop out Iron Lung, Obsession, and Backrooms to say the day for originality in filmmaking.
With more and more mergers coming into fruition, more independent films such as Digger will become rarer and rarer! After acquisitions such as Disney buying Fox and Skydance buying Paramount and Warner Bros, it’s clear that studios are going to put the majority of their focus on pumping out big blockbusters films and less on smaller and more independent films. There will always be one or two of them that will be able to squeeze through the system (We did get Send Help from 21st Century Studios this year after all!) but for the most part, you are likely to get more Minecraft movies than you would films like Sinners and One Battle After Another. Holes will need to be filled to plug in that gape for fresh and original films to still be able to shine, providing that variety of selected films made for theaters that major studios aren’t bothering to invest in anymore. While I’m sure current independent film studios like A24 and Focus Feature will still keep that bright light glowing, I would not expect a massive studio like Skydance to focus on that anytime soon, especially with the insane amount of debt they will be in.
If Digger really does act as the final film to ever get the full Warner Bros logo and the last hoorah from prior WB co-chair heads Pamela Abdy and Michael De Luca (who were responsible for the terrific 2025 for WB but a terrible 2026 so far), then at least it would be a fitting it to a legendary run from one of the greatest film studios in the history of cinema! Not because it’s a good movie but it’s probably the last good bad movie we will ever get from them. At least David Zaslav gets his half billion dollar retirement!
This weekend saw the re-release of Avengers: Endgame, or as it’s referred to in the marketing as Avengers Endgame- Encore. For the first time since 2019, Marvel’s biggest cinematic achievement returned to the big screens, not only for the sole purpose of FINALLY retaking it’s crown from James Cameron for the highest grossing film of all time but also to get fans and audiences ready for Avengers: Doomsday, which is schedule to be released on December 18th later this year. While it’s largely the same film that you remember from seven years ago, there have been a few extra scenes added in for the sole purpose of adding some form of connective tissue between Endgame and Doomsday that recent Marvel films couldn’t because well…….Kevin Feige had to abandon his plans for Kang as the main bad guy and pay RDJ extra bucks to come back as Iron Ma…..I mean Doctor Doom. Marvel Studios are treating this as a trip back in time to the good old days while the Russo Brothers have treated this as required viewing before Doomsday.
For those that don’t have the money or time to go a watch a three-hour long movie you already saw in theaters back in 2019, you might be wondering what exactly is in this Encore version that makes it so urgent to watch before Doomsday? What could possibly the Russo Brothers had possibly added to this version that makes it worth spending 15-20 bucks for a ticket to go see in a movie theater once again? Well, not a whole lot but there are at least four new narrative scenes that were included, plus a promised custom intro.
Encore’s four new scenes includes three new post credit scenes that sets up Dr. Doom AND the current status of the multiverse and a slight tweak to the ending of the film that connects Steve Rogers involvement for Doomsday. So, no this is NOT an extended version releasing in theaters like say Spider-Man: No Way Home had back in 2022 but it’s basically just the exact same movie as the original Avengers: Endgame but a slight rewrite to the original ending along with two new mid credit scenes AND one end credit scene. Because of that, I’ll go over into detail what exactly these four new added scenes are and what I believe it means for the future.
1.) The New Ending
Remember that heartwarming dance sequence that Steve Rogers and Peggy Carter shared at the end of Avengers: Endgame? That ending that saw Cap going back in time and FINALLY given his best girl the dance that she has wanted since The First Avenger. With Steve at peace with himself and getting to spend his new life with the woman he loves the most and then it cuts to credits. Well, this new ending sees a man knocking on the door at Steve and Peggy’s house during their dance, with the man wanting to see Steve Rogers. That man is no other than……Loki!
That’s right! The same Loki that we followed in his own Disney Plus series arrives at Steve’s house. Steve hides at first with Peggy opening the door. Loki asks Peggy if Steve is there. Peggy asks Loki, if she can help him with anything, with Loki replying that it’s HE that can help THEM! Steve steps into view and it cuts to credits.
It’s to anyone’s guess what this will lead to but it makes it all the more apparent that Steve’s journey in the MCU is not done yet. Could this be Steve finally facing the consequences of his actions of staying back in time after Endgame, which lead to the multiverse being out of whack and now having to face Doom head on as a result? Who knows, but hey, it’s a new ending that leaves the door open for what Steve’s role in Doomsday could possibly be.
2.) Mid Credit Scene #1
This one is actually not strictly a mid-credit scene for Avengers: Endgame but more so for Spider-Man: Brand New Day. Hear we see Bruce Banner regaining his own self after losing himself as Hulk once again by Jean Grey in Brand New Day. Now, he’s isolated in a deep underground facility, recording a video diary as he works on a certain experiment. After the events of Brand New Day, Bruce has been working on a gamma-suppression serum, most likely to gain the same control as Hulk he did before and to avoid another incident like he just had from happening ever again. However, the feed glitches, with a weird mix of glowing and green runes in the background.
Bruce is confronted by a man. That man being Doctor Doom. Once Doom arrives at the facility, he tells Bruce, “I’m here to collect you!” Banner turns into Hulk and lets out a roar! Once the picture returns to a full screen, both are gone; with Doom’s fingerprints all over the floor at the facility.
Despite the reports that Bruce Banner would NOT have a big role in Doomsday, this mid credits scene confirms that might indeed be false. Whether this is a set up for Doomsday or for next year’s Secret Wars remains to be seen but it all but confirms that both Bruce Banner AND Hulk WILL return in the future! Well, at least we know Mark Ruffalo hasn’t been totally blacklisted from Hollywood…..yet!
3.) Mid Credit Scene #2
This one sees a connection back to the Loki series, which the first season aired in 2021 and the second/final season aired in 2023. We see the characters from Loki that include Mobius, O.B. (Ouroboros), Casey, and Miss Minutes at the TVA. There’s a sign that calls Loki, the “Employee of all time.” (Gen Z memes, am I right?!?!) They watch an incursion happen right before their very eyes: Earth-10005 (the Fox X-Men Universe) and Earth-1127 (Anyone’s guess?) colliding and firing on each other. They also see more worlds piling into each other and thousands of universes being terminated. As O.B. says, “The multiverse is collapsing!”
I can make a quip about how this might be a metaphor for the multiverse saga itself collapsing under it’s own weight for Marvel Studios , so much so that they now need the beloved heroes from the past to come back and save them. Besides that, this is clearly an insight as to what’s going on now with the multiverse itself within the Marvel Cinematic Universe, that it’s fallen apart and the TVA doesn’t know how to stop it. I sure hope to god this will be made much clearer in the finished film because man, anyone that did NOT watch Loki before seeing Doomsday are going to be COMPLETELY lost.
4.) End Credit Scene
At the very end of the re-release, we see one last tease for Doomsday. It’s at the very end of the credits where the original Iron Man cave-hammer sound-only sting gets replaced. Taking it’s place are quick flashes of Doctor Doom forging and putting on a mask, similar to Tony Stark putting on his Iron Man mask, with the same metal-striking audio playing in the back ground. As RDJ explained during his Doom reveal at Comic Con, new mask, same task….kinda!
I don’t know what this is suppose to add other than including one last little feature for the very end for the heck of it and hint at a potential parallel between Tony Stark and Victor Von Doom for Doomsday but it’s there anyway!
Well, there you have it! Those are the four new added scenes to Avengers: Endgame- Encore. Whether re-releasing the same 2019 film but including an extra two minutes was necessary is up to debate, but when watching it again in theaters, I was thoroughly impressed how swiftly Marvel was able to stick the landing for the Infinity Saga. Coming off in the same year which Game of Thornes and Star Wars badly butchered their endings to their respective series, the fact the Russo Brothers were able to make it all look too easily is extremely commendable. Now, let’s see if they make lightning strike at least two more times now!
Avengers: Endgame- Encore is now out in theaters for Standard, IMAX, and Infinity Vision.
Earlier this year, it was reported that Disney scrapped a Pixar film that had been in development for three years known as Be Fri, a film about two teenage girls whose friendship was on life support and wondering if it could possibly stand the test of time. It was confirmed that the project got canned because the higher-ups of Mickey Mouse felt a female-centered animated film like that wouldn’t appeal to younger boys. Whether or not you believe that was the main reason for that film being axed (considering the amount of female-led content Disney has produced the last few years, I’m gonna go with an absolute NO!), it’s quite fascinating that DreamWorks Animation’s newest release seems to act as the perfect antidote for those that were underwhelmed of Be Fri never seeing the light of day.
Much like the non-existent Pixar film, it’s main premise too surrounds the relationship surrounding two teenage girls whose friendship is put to the test and wondering if it can stand the test of time. Only it’s main setting is on a mysterious and whimsical island! Oh, and these are Filipino girls! Oh, and it’s also directed by the same guys that gave us Puss In Boots: The Last Wish nearly four years ago! All of those ingredients make this film seem like a match made in heaven and I’m happy to reported that it’s exactly that!
Forgotten Island not only makes for another fine animated adventure from DreamWorks Animation but it’s the best animated film of the year so far! This is a beautiful, funny, and emotionally moving film about two young girls learning the importance of friendship and knowing when to let each other go. The hyper style animation that worked tremendous well with The Last Wish works just as well here, the best friend dynamic between the two leads is incredibly engaging, the male driven side characters are giving enough moments and laughs without overstaying their welcome, and the Filipino cultural representation is absolutely off the charts, being able to capture that same lightning in a bottle with representation that Disney used to be able to do in their SLEEP! It does take a minute to get fully going and the 90s references and comedic male sidekicks won’t be for everybody, but Forgotten Island is the real deal and I highly recommend it!
Premise: Best friends Jo (H.E.R.) and Raissa (Liza Soberano) stumble upon a mysterious portal that transports them to Nakali, a fantastical island that’s filled with magical creatures. When they discover that the memories of their entire friendship are the price for returning home, they try to find a way to leave the island before they forget each other forever.
Admittedly, for the first third of the film, Forgotten Island plays out exactly like the film that the trailer depicted it as, a kid friendly mix of The Hangover and After Hours, with 90s references and pretty visuals flying off the screen willy nilly and using it’s cultural representation as a shield to deflect any kind of mainstream criticism. Yes, the grade/high school friendship setup is cute enough but it can only go so far if it all it has to offer is the absolute bare minimum of decent at best chemistry between the two leads. However, once we see Jo and Raissa enter the unknown island that they’ve heard so much stories off, the picture becomes much more than meets the eye (and I am absolutely NOT making that reference based off another recent animated film that too was hurt by weak trailers and marketing!).
It’s then we see Forgotten Island using it’s own original premise based off to it’s finest advantage. Despite offering plenty of the same slapstick, laughs, and eye popping imagery that the initial reel does, there is still a solid central story here to connect with, with two girls using the memories of their distinct friendship and time together to navigating their way through a mysterious island, with the wonder of how long can their friendship last on the island and off of it once Raissa leaves for college. An island which it’s own gimmick is making you forget of all the time you have spent with the ones you love both on and off the island. While there’s a certain uncanny valley vibe here that directors Joel Crawford and Januel Mercado brought with their previous film, The Last Wish, with themes surrounding time and not throwing your lives away, Forgotten Island does exist in it’s own bubble with it’s main characters making actions not strictly through their own sense of selfishness like Puss in Boots does in The Last Wish but also through their own sense of selflessness. That throughline is what makes this newest DreamWorks animated classic the real masterstroke, making for about as good of a spiritual successor to The Last Wish as anyone could hope for.
Once we get to the forgotten island, we are greeted to several male sidekicks and some other female additions to the cast. These are all individuals of the island that Jo and Raissa have interacted with before but can’t remember when. Without going too much into details with each character, they all serve their purpose here without having roles come across as too small or too large. I can’t guarantee you will laugh at every joke that comes from Dave Franco’s mouth as Raww or won’t see the true motives coming with Jenny Slate’s Batiba but that make enough of a unique presence that only adds to the friendship of our two main leads rather than take away from them. Don’t be surprise if you see Raww added in to the next brand new DreamWorks Animation logo.
The film is able to finish off on a strong note, with a third act that is both equally parts funny and tearjerkingly moving (Did I REALLY get misty-eyed during the climax?!). It’s able to tie up it’s messages and central arcs for it’s two main characters in a way that resolves everything in a satisfying bow that never feels manipulative, contradicts the themes of the story, or even breaks it’s own rules of the forgotten island. It even manages takes perhaps the most infamous end of second act/beginning of third act trope that has become a staple with animated films and actually manages to make it work in a way that I haven’t seen done properly since Wreck-It Ralph. Despite all the laughs, gags, and jaw dropping animation to be found here, it never loses it’s heart and soul and the third act proves it.
The animation is as ever bit of gorgeous as you would expect for a brand new 3D animation film released in 2026! The visuals are eye popping and blend perfectly with the colorful art style that the film presents itself with. And much like the other hyper stylized 3D animated films we have gotten in recent memory, it’s able to use it’s animation to create genuine unique set pieces and imagery that you could possibly never do in live-action. Even if you are someone that is getting sick and tired of the Spider-Verse-like animation style, you can’t deny that filmmakers are doing everything to do their advantages to make animation stand out among the best mediums in film.
The directing by Joel Crawford and Januel Mercado is excellent, it moves at a brisk and fast pace that makes every use it can of it’s 109 minute long runtime, it’s constantly funny throughout with plenty of amusing and creative gags throughout, the voice acting is on point, with H.E.R., Liza Soberano, Dave Franco, and Manny Jacintno standing out the best, and it’s Filipino representation is incredibly refreshing for a mainstream animated film, with plenty of love and care put into every single frame here. Also, having an end credits that shows off the photos of the cast and crew with their friends and families is genuinely heartwarming stuff.
I wouldn’t put Forgotten Island on the same level as Puss in Boots: The Last Wish as it does have some imperfections that weight it down a bit. It takes a second to kick into high gear, with the first reel containing all the tropes you expected with the trailer and a slightly rushed montage of Jo and Raissa’s friendship, the humor among the side characters won’t be to everyone’s tastes, and while it’s cool that the film is set in the 90s, I’m not entirely sure what difference it would make if you just set in modern day other than being free to include as many 90s references as possible and….the 1990s were cool I guess.
Forgotten Island makes for another home run to go with the other home runs that DreamWorks Animations has hit throughout the 2020s. Between the excellent The Bad Guys, Puss In Boots: The Last Wish, The Wild Robot, and this to the very good/great Dog Man and The Bad Guys 2, it might be time to start declaring DreamWorks as perhaps the best western animation studio at the moment. Regardless of your opinions on Megamind 2, Kung Fu Panda 4, or the other sequels from their lesser known franchises that no one remembers, there’s not enough animation studio out there that makes hits click as well as they did, making any recent shortcomings seem forgivable in the long run. Now please DreamWorks, just nail it with Shrek 5 next year and I no longer have to keep defending you!
Regardless, Forgotten Island is the best animated film of 2026 thus far and deserves your money and support in theaters!
Just like I did last year when I went over my top 15 favorite films that came out in 2010, I decided to carry that along to this year and share what my top 15 favorite films from that came out in 2011 were. And as I said last year, time sure flies by and it’s BAFFLING to me that it’s already been 15 years since 2011 occurred. It was a year that brought me nothing but good vibes throughout and it simply makes me nostalgic for a more earnest and innocent time throughout our daily lives, particularly when there was a much proper balance between social, television, AND internet.
However, I don’t think 2011 was as strong of a year for film as was 2010. As a matter of fact, I would probably say that among the years for films throughout the 2010s, this might just be the weakest year for film of the decade in my humble opinion. Not to say it was bad overall (Even the weakest years for films ALWAYS has plenty of winners that are worth seeing!), but there’s not a ton of films this year that I believe stands out among the rest of the 2010s. Although 2011 was among the best years of the decade when it came to video games, 2011 wasn’t quite up to par when it came to feature films.
I still do have 15 films that I want to share as being my absolute favorites of 2011 but I only have about five honorable mentions I want to share. Although I did originally have five others films for honorable mentions, those were mostly films that I really liked or throughout were just fun rather than films that were truly great in my eyes if that makes sense.
Honorable Mentions:
50/50
Arthur Christmas
Attack of the Block
Bridesmaids
Rango
Also, FYI, Tinker Tailor Soldier Spy is NOT on this list because…..I didn’t care for it too much. Sorry, not sorry!
Now, onto to the main top 15!
15.) Fast Five
Yep, I just had to save a spot for the very best Fast & Furious movie to date! Every action scene, from the car chases to the hand-to-hand combat to the heist missions, is very well done, the stunt work from every member of the team is so good that they all deserved an Oscar, the supporting cast is at their absolute best and most well utilized here, the family drama and tension has never been more personal, and introduces the most charismatic actor of the series that acted as the perfect “shot in the arm” with Dwayne “The Rock” Johnson. This was the one where it felt like the whole thing came full circle, paying off four movies of ill-conceived plots and delivering a spectacular climax in the heist mission that is easily the most stand out sequence in the entire franchise. It’s gloriously excessive, dumb, and over-the-top but it still feels Fast & Furious! Fast Five is the best that this franchise has gotten and is just as good as these kind of films can possibly get in general.
14.) Rise of the Planet of the Apes
Despite a lackluster marketing campaign and being released during the height of reboots/remakes era in Hollywood, Rise of the Planet of the Apes ended up being one of the more welcome surprises in recent film history. Andy Serkis gives an outstanding motion capture performance as Caesar, by far the most engaging protagonist in this series and seeing how his story begins is equal parts thrilling and emotional. Sure, the human characters are about as thin as they come but that’s okay because there’s more than enough time with the apes to make up for that. If the majority of reboots and remakes were anywhere on the level of Rise of the Planet of the Apes, we would have virtually nothing to complain about.
13.) The Descendants
If you want a perfect example on how to do a good old fashion “dramedy”, look no further than The Descendants. George Clooney is able to take an impressively mournful turn here, playing a man who is forced to deal with the frustration of a loved one’s passing. With a tight script, great cinematography, and terrific performances to boot, this is definitely worth watching if you are in the mood for a “dramedy”! Just make sure you bring yourself a handkerchief if you chose to do so.
12.) Source Code
There is nothing that excites me more than an awesome and uniquely original sci-fi film. Smart, thought-provoking, and with a refreshing premise, Source Code does everything it possible can with what it has to work with, with strong acting, an engaging narrative, and interesting characters to help hold the entire picture without having you think too much about any nagging plot holes or loose ends. Duncan Jones was able to shine quite brightly with First Moon and with Source Code, he was able to make lightning strike twice.
11.) Warrior
I would be lying if I said Warrior wasn’t the most sports heavy movie I’ve ever seen that hits the exact same beats that you would expect for these kinds of movies. However, that still doesn’t hold it back from being a gloriously entertaining and tense experience regardless. Tom Hardy, Joel Edgerton, and Nick Nolte are all great here, the direction from O’Connor is on part every step of the way, and it’s a film that’s able to find satisfying payoffs to everything it builds up too, making for an emotionally rewarding experience by the time the credits roll. Yes, you have seen this story before but that still doesn’t hold back Warrior as being a damn fine way of telling it.
10.) Drive
While director Nicolas Winding Refn can be extremely hit or miss for me, he was able to fit quite well for me here with Drive. This is a hypnotic, character-driven crime thriller about a skilled Hollywood stuntman who moonlights as a gateway driver for criminals. That description right there pretty much tells you that this is one crazy, chaotic ride but in the best way possible. All the performances are great in it (particularly from Ryan Gosling, Carey Mulligan, and Albert Brooks), the score from Cliff Martinez is haunting, the script is well-though out and multilayered, and the cinematography is absolutely breathtaking. Even if you aren’t the biggest fan of Mr. Winding Refn, Drive is still a film I would highly recommend.
9.) The Adventures of Tintin
You wanna talk about the best Indiana Jones movie that is somehow NOT an Indiana Jones movie, look no further than The Adventures of Tintin. It’s got some of the main people that were involved in the Indiana Jones franchise from Spielberg to Kennedy to Williams, there’s an adventure that leads to the main character needing to look for a McGuffin before it falls into the enemy hands, there’s plenty of action set pieces that the main character will have to go throughout their journey, and it even has an unlikely sidekick or two that sounds like the most oddest yet awesome pairing ever. However, the one element that Adventures of Tintin captures just as well with the original Indiana Jones trilogy and arguably does it better than either Indiana Jones movie that has come out in the 21st century thus far, capturing that exact feeling of adventure, excitement, and discovery. The Adventures of Tintin is one of the most overlooked animated movies in recent memory, one of Spielberg’s best films in the 21st century, and is just a terrifically enjoyable ride all around.
8.) X-Men: First Class
After The Last Stand and Origins: Wolverine came out, the X-Men franchise felt about as good as dead. Thankfully, Matthew Vaughn was able to bring the series back to new heights with the excellent (No pun intended!) prequel known as X-Men: First Class. This really felt like a proper origin story about the very first members of the X-Men becoming a team along with the start of the biggest love-hate relationship ever with Charles Xavier and Erik Lensherr. The cast are all excellent and have perfect chemistry with one another (James McAvoy and Michael Fassbender might just even better than their older counterparts!), the action is fun and inventive, the soundtrack is great, and it’s able to fit all the requirements needed for a prequel film without the baggage that tends to weight these kinds of films down. The film’s villains could have been fleshed out more (Even if Kevin Bacon is clearly having a blast in the role!) and yes what they do with Darwin absolutely SUCKS but as a whole, X-Men: First Class is the real deal and one of the best installments in this franchise.
7.) Captain America: The First Avenger
Might be a hot take but Captain America: The First Avenger was my personal favorite of the build-up movies leading up to The Avengers. It had such a warm and nostalgic feel to it that I can’t help but be in the mood to watch it whenever it’s on TV. Even before it became cool to like Captain America, The First Avenger made me respect and admire the character of Steve Rogers in ways I never imagined. He’s a good guy just trying to do good things and do what he believes it’s right for himself and others. Chris Evans is terrific as Steve Rogers along with co-stars Sebastian Stan, Hugo Weaving, and the absolutely beautiful Hayley Atwell. Even the montage scene that is everyone’s biggest complaint didn’t bother me, even if I wouldn’t have mind an extra 15 to 20 minutes. With it’s warm tone and sense of wonder and optimism threw out, this is one of my personal favorite movies not just in 2011 but also in the entire Marvel Cinematic Universe! Also, you are a robot if you don’t tear up at or near the end.
6.) Mission Impossible- Ghost Protocol
Here is where the franchise would be taken things to the very next level. Brad Bird is able to make a stellar first impression in his live-action debut by delivering a Mission: Impossible installment that at the time in 2011 was the biggest and the best the M:I franchise has ever gotten in terms of action, scope, and delivering the most impossible mission imaginable. This is also where you would certainly feel the fantastic chemistry that Cruise would have with his cast members such as Simon Pegg, Ving Rhames, Jeremy Renner, and Paula Patton (who I’m still awaiting her return to the franchise). The main highlights of this installment include the gripping as hell opening sequence in the prison, the “girl boss” fight between Paula Patton and Lea Seydoux, and of course, the intense, breathtaking set piece in Burj Khalifa where Tom Cruise climbs the tallest mountain in the world. The main downside is that this has easily the weakest villain in the franchise, containing conflicts and motives that I constantly keep forgetting about every single time that I watched it. Nevertheless, Ghost Protocol is still excellent and did it’s job at keeping the series fresh four movies in. Brad Bird should certainly consider returning to directing live-action (even if Tomorrowland didn’t work out).
5.) The Muppets
It’s the freaking Muppets! What else needs to be said?!?!
4.) Harry Potter and the Deadly Hallows Part 2
There have been plenty of big grand endings to long-running franchises that has come before AND after this film released in July 2011. Some of hit hard, while others hit too far. Harry Potter and the Deadly Hallows Part 2 was able to hit the exact target without any prior baggage dragging it down. This finale of a long-running film franchise based of a beloved book series was able to save the very best from last, with the direction, acting, cinematography, and score taking to a whole new level and finding some way to bring all eight films to a very fitting and conclusive circle. Yes, author J.K. Rowling is still……J.K. Rowling but if you are to take that knowledge through a rearview mirror, Harry Potter and the Deadly Hallows Part 2 remains one of the most grand and satisfying conclusions in recent cinema history. It’s never easy nailing the final chapter but thankfully, this was able to do just than and then some.
3.) Moneyball
If you have been following me on here since the beginning, you would know that I absolute LOVE baseball and movies. And very few things are as satisfying to me when BOTH of the things I love are brought together. Moneyball is a great inside look to the “analytical” side of not just baseball but all of sports, showing the early days of when the analytics would be the main driving force of decision making from management and showing proof that you don’t need the biggest payroll in the role in order to win. Brad Pitt is perfect as Billy Beane, easily one of his best performances to date, Jonah Hill and Phillip Seymore Hoffman (RIP!) are equally great in supporting roles, the script is tight, witty, and feels appropriately baseball, and the actual baseball scenes, while few and far between, are equally as well-done as the rest of the picture. Maybe it could be my bias with the love of the sports but if you ask me, Moneyball is an absolutely perfect sports and baseball movie that I will continue to rewatch time and time again.
2.) Kung Fu Panda 2
Kung Fu Panda 2 is one of the rare sequels that not only is as good as the original Kung Fu Panda, it’s even better. It does EVERYTHING you want a sequel to do. Instead of doing the same old same old, it actually does something new and different. It takes the characters into exciting and new directions, it expands upon it’s story and lore in the most logically way possible, the action and animation are taken to the next level, the villain of Lord Shen is given more focus and is used perfectly, and it’s able to act as the best possible next step for the journey of Po as oppose to do just retreating steps from his first go around. Also, the scene where Po discovers inner peace is the series true definite moment up to this point, as well as just being one of the most beautifully done sequences in animation film history! (You are a robot if you did not cry during that scene!) Kung Fu Panda 2 is not only the best Kung Fu Panda movie thus far but it’s possibly one of the best animated film sequels ever made period. It’s so good that there’s a good argument to be made that this is where the series officially peaked.
1.) The Tree of Life
Here’s the truth: I have only ever watch this film ONE time and I don’t ever plan on rewatching again anytime soon. However, it’s that one watch of The Tree of Life that made for one of most magical viewing experiences I have ever had watching a film, so much so that I don’t ever want to watch it again because I don’t want my one experience being taking away from me. Terrence Malick delivers a complex, thought-provoking, and incredibly beautiful piece of filmmaking, not only perfectly portraying the perfect traditional family values lifestyle but also one of the most honest to god interpretations of life as a child and losing your innocence. With perfect direction, perfect cinematography, perfect visuals, perfect acting, perfect editing, and perfect imagery, The Tree of Life is a one of a kind cinematic experience that I will think about for the rest of my life. I don’t know if I ever will watch it again but man, sometimes one time is just enough.
Movie theaters are back! Or that’s at least what I’ve been hearing for the past month or two! Ever since that disastrous turn of events that shut down the whole world for a year or two, movie theaters all around the world has seen a significant decline in ticket and concessions sales. That hasn’t stopped Hollywood from doing everything in their power to keep the movie theater going experience alive. Even in the age of streaming, pirating, and Tik Tok, this is a battle that the movie making folks in southern California (and other parts of the world) are willing to fight until they suddenly can’t.
And I don’t think there has been a period of time that has determined just how “well” movie theaters are going throughout the 2020s than this year’s lineup of summer blockbusters, especially since we are entering the latter half of the 2020s. Six years removed of movie theaters being shutdown and two years of infamous strikes, this is probably the most “back to normal” feeling that Hollywood has felt since pre-Covid. If this summer saw yet another underperforming two to three months, then there must come serious questions as to how long movie theaters have before they go extinct.
However, now that summer of 2026 has come and gone, it’s time to see the results of how all the main feature films did in movie theaters everywhere. And the results are…….surprisingly positive. While there are certainly some baffling duds that do raise cause for concerns for certain IPs, there were plenty of notable successes that were so successful that it practically made up for all those duds. Because of that and more, 2026 is looking to be hands down the best year for movie theaters since 2019! And for the first time since Covid, that actually is saying something!
In case you are wondering how I am judging this data, I am gonna look at a chunk of wide releases that came out at the start of May to the near the end of August. I’m gonna list the film’s budget, how much the film made at the box office, what the projected break even point likely was, how much the film gain in profit, and whether or not it should been seen as a success, flop, underperformance, or break even point for the studios.
I’m only gonna use math that most tend to use when judging how a film does at the box office. Mostly by taking the budget, times that by 2.5X to cover the whole budget surrounding production and marketing, and seeing how much money it made or lose as a result.
Again, that is not the case for EVERY single one of these movies and this is NOT a direct result as to how the studios view each film from a financial standpoint. This is just my personal guess and opinion as to how each one of these films should be viewed as.
Plus, it’s also worth mentioning that ever since Covid, the definition of “success” is now quite different in the eyes of many producers in Hollywood. Who’s to say that just because a film didn’t do so great in it’s opening two weeks in theaters that the studios sees it as a failure when it became a big hit on digital and streaming? That alone could make it a “success” in the minds of studios.
It is worth remembering that a film’s overall success isn’t just determined based on how it did in theaters but also how it fared in terms of digital, streaming, and physical media sales. Just because not enough people showed up in theaters to give the film profit doesn’t mean people didn’t show it’s support when said film became accessible to all of our home media.
Regardless, I hope you all enjoy this analysis and gives you a good indication of how films are still thriving/struggling in movie theaters!
The Devil Wears Prada 2
Budget: $100 Million
Box Office: $692.8+ Million
Break Even Point: $250+ Million
Gain/Lose: $442.3+ Million in Profit
Verdict: Hit
While hardcore fans have certainly debated the quality of this 20 years in the making sequel since it’s release, there’s no denying the massive cult following the original film has gained since 2006. And it’s that exact cult following that showed up in drones to support yet another adventure with Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci. Whether it’s because of it’s timely story of AI and digital taking over the fashion industry or just wanting to spend more time with these characters, The Devil Wears Prada 2 was an absolute slam dunk for both Disney and 20th Century Fox. I wouldn’t be shocked if a third film is being discussed right at this very moment.
Mortal Kombat II
Budget: $80 Million
Box Office: $129+ Million
Break Even Point: $200+ Million
Gain/Lose: $71+ Million Loss
Verdict: Flop
Although this was certainly an improvement over the 2021 original (which grossed $80 million when over half of the movie theaters around the world was close), I doubt it’s enough for Mortal Kombat II to be considered a success in the eyes of Warner Bros. Whether it’s because of the multiple delays or divisive reception that the first one got among critics and fans alike, Mortal Kombat II just couldn’t seem to win over folks, despite it being more positively received than the original. Unless digital and streaming can come in to save the day, I would not expect a third film to be released anytime soon.
Obsession
Budget: $750,000
Box Office: $750,000
Box Office: $505.7+ Million
Break Even Point: $1.875+ Million
Gain/Lose: $493+ Million in Profit
Verdict: Hit
The breakout hit of the summer that is still leaving the higher ups at Hollywood shaking their heads, wondering how in the world they did NOT see this coming?! A supernatural horror film that is fully original being made by a YouTuber that hardly anyone in the industry heard about and feature a cast of actors and actresses that hardly anyone in the industry heard about, ending up being one of the most shocking success stories in modern film history! Obsession was able to defy any sort of expectations that might’ve been leveled against it and then some! Throughout the summer, it went toe-to-toe with the likes of Star Wars, He-Man, DC Comics, Disney Live-Action, and the great Steven Spielberg…..and actually WON! Congrats to Curry Baker, Inde Navarrette, and everyone involved with Obsession, enjoy this glorious success, you deserve every bit of it!
The Mandalorian & Grogu
Budget: $165 Million
Box Office: $345.7+ Million
Break Even Point: $412.5+ Million
Gain/Lose: $66.8+ Million Loss
Verdict: Underperformed
I called it at the beginning of this year and I (unfortunately) was completely right! It’s still baffling that Disney and Lucasfilm thought that Star Wars’ triumphant return to cinema should consist of three to four episodes of a Disney Plus series that most people stop caring about over half a decade ago. With the near non-existence marketing and a very vague plot synopsis, The Mandalorian & Grogu was more in-line with the The Clone Wars animated film from 2008 than any of the “official” Star Wars films (And that’s totally NOT because both films where originally meant to be several episodes of their own respective shows and JUST so happens to have Jabba the Hutt’s son in it). I’m sure Disney Plus numbers and merchandise will be enough to save this from being a complete financial disaster in the eyes of stock holders but the fact it’s solely reliant on that is a good indicator just where Star Wars is right now. Let’s hope that Shawn Levy and Ryan Gosling are up to the task of restoring the legacy of Star Wars next year with Starfighter or else the Dave Filoni era of Lucasfilm could be over before it even begins.
Backrooms
Budget: <$10 Million
Box Office: $394.1+ Million
Break Even Point: <$25+ Million
Gain/Loss: $371.5+ Million in Profit
Verdict: Hit
Another surprise “original” hit that no one saw coming. Granted, unlike with Obsession, Backrooms already did have an established fanbase, as it is based on a series of web shorts on YouTube created by director Kane Parsons. However, that still doesn’t change the fact that it was still able to stand strong on it’s own and even surpassed many other established IPs this summer that I’ve already mentioned. Perhaps if the audience’s reception was on the level of Obsession, it might’ve been able to gain enough legs to cross the 400 million dollar mark. Even so, another terrific success story that will surely usher in a new era of filmmaking among social media influencers, for better or worse (most certainly worse)!
Scary Movie (2026)
Budget: $30 Million
Box Office: $231.4+ Million
Break Even Point: $75+ Million
Gain/Loss: $156.4+ Million in Profit
Verdict: Hit
The return to form horror spoof franchise was able to make it’s 13-year long return look pretty easy. Despite the negative reviews and divisive fan reception, it was still able to make it’s money back and then some, becoming the highest grossing Scary Movie sequel to date (inflation aside). Between this, last year’s The Naked Gun, and the upcoming Grown Ups 3, it looks like we are now seeing the doors being open for more raw horror/anti-woke/politically incorrect comedies for the immediate future. And I’m sure it will absolutely NOT get old and tiresome very fast!
Masters of the Universe
Budget: $170+ Million
Box Office: $114+ Million
Break Even Point: $285+ Million
Gain/Loss: $171+ Million Loss
Verdict: Flop….but
In almost ALL circumstances, Masters of the Universe (2026) would be seen as an absolute bomb, barley able to make pass just a $100 million globally despite it’s $175 million budget and being based of the He-Man IP. However, when it comes to Amazon MGM and Mattel, they are clearly looking more at how the film does in terms of streaming and merchandise numbers. And thus far, Masters of the Universe (2026) has been a MASSIVE hit for both Amazon Prime AND for Mattel toys/action figures! Similar to last year’s F1, the purpose of the film’s existence isn’t so much to make all the money in the world at the box office but more to introduce He-Man to a new generation, hoping that the film itself will be remember upon leaving movie theaters everywhere and gain new fans among younger demographics. And if the strong numbers for Amazon Prime and Mattel are any indication, we MIGHT just see Masters of the Universe continue in some way, shape, or form in the future. Again, if we are looking at just box office numbers, it’s an absolute flop! But whether or not Amazon and Mattel both feel that way remains to be seen!
Disclosure Day
Budget: $115 Million
Box Office: $241+ Million
Break Even Point: $287.5+ Million
Gain/Loss: $46.5+ Million Loss
Verdict: Underperformed
Despite the marketing painting this as a glorious return to form for Stephen Spielberg and the OG “disaster” film of the summer, Disclosure Day most certainly didn’t live up to the box office projections that Universal thought they were getting. Although it did get decent legs in the latter half of it’s theater run (most likely due to it being the only main “adult” film released until The Odyssey), it’s polarizing response from audiences clearly didn’t help, with many feeling like the film didn’t live up to it’s title. Even as someone that is a strong defender of the film, I definitely understand those that want a film to be a complete package with no loose ends whatsoever would be disappointed by it. There could be a chance that this film will find it’s audience in terms of digital and streaming but I’m sure Universal and Spielberg themselves thought that THIS would be the breakout original hit of the summer…..and it just wasn’t.
Toy Story 5
Budget: $250 Million
Box Office: $1.136+ Billion
Break Even Point: $625+ Million
Gain/Loss: $545+ Million in Profit
Verdict: Hit
Despite everyone and their mom constantly claiming that this series should have ended after 3 until they are blue in the face, that didn’t stop Toy Story 5 for being yet another $1 billion grosser for Mickey Mouse and crew, performing as the highest grossing Toy Story film to date (Again, inflation aside!). It’s timely plot involving tablets and electronics taking over the lives of modern children most certainly played a benefit to the audience’s glowing response to it, along with seeing our cowgirl Jessie getting more screentime than last time out. And unlike another big animated film released this summer, it had a decent seven-year long wait that kept enough distance from audience to justify another Toy Story adventure that they would want to see. Post-Toy Story 3 naysayers be damned, I’m sure Disney and Pixar will be coming out with a Toy Story 6 with Buzz Lightyear front in center sooner than you would think (Just don’t make it like Lightyear, please!).
Supergirl
Budget: $170-$186 Million
Box Office: $126.4+ Million
Break Even Point: $425-$465+ Million
Gain/Loss: $298.6-$338.6+ Million in Loss
Verdict: Flop
Another big flop that I (unfortunately) saw coming from a mile away. From it’s questionable release date to it’s lackluster trailers to it’s nightmare PR, Supe’s cousin had a hard time finding any sort of audience in the theaters this summer. As I sadly predicted, Supergirl was the most heartbreaking bombs of the summer, falling into the same “female-led movies made for men” wheelhouse with 2024’s Furiosa and last summer’s Ballerina, only not having any fandom goodwill attached to it. Mr. Gunn and company better hope that Man of Tomorrow delivers next summer or else this new DC Universe might just be over before it even got a chance to settle in, (and that’s not even mentioning the GIANT elephant in the room that’s about to swallow Warner Bros Discovery up).
Jackass: Best and Last
Budget: $10 Million
Box Office: $27.8+ Million
Break Even Point: $25+ Million
Gain/Loss: $2.8+ Million in Profit
Verdict: Broke Even
For a movie that had little to no marketing and was basically thrown into movie theaters at the very last second, this is about as good as it could get. I don’t know if this has to do with Paramount realizing the shift away from streaming and shift towards movie theaters or Mr. Ellison proving his point on releasing up to 30 films a year once he acquires you know what, I’m at least glad that Johnny Knoxville and friends were able to get Jackass: Best and Last in the seats for their last hooray! If only they actually bother to market the damn thing and over half of the movie wasn’t just deleted stunts from the previous movie! Only then, this could’ve ended up being among the highest grossing Jackass films of all time.
Minions & Monsters
Budget: $85+ Million
Box Office: $514+ Million
Break Even Point: $212.5+ Million
Gain/Loss: $301.5+ Million in Profit
Verdict: Hit
Yes, this will (likely) be the lowest grossing installment in the Despicable Me franchise by quite a big margin and was clearly affected by circumstances such as the World Cup, America’s 250th birthday, the massive heat wave, and potential audience fatigue of those walking, talking corn puffs. However, thanks to it’s very tight budget and billions of dollars earned in merchandising, Minions & Monsters still made more than enough to be considered a hit. However, considering this is the SEVENTH overall installment with the Minions since 2010 and the THIRD installment that we have gotten with them since 2022, it might be time for Illumination to take a break with their beloved/infamous mascots and revisited some of their other properties. And considering that Universal are dipping their toes back to the wells of Shrek and The Secret Life of Pets, it seems they might be doing just that. This is STILL a success but it might be a little while before we are reunited with Gru and the minions once again.
Moana (2026)
Budget: $250+ Million
Box Office: $315+ Million
Break Even Point: $625+ Million
Gain/Loss: $310+ Million Loss
Verdict: Flop
I don’t know if the motive to do a live-action remake of a Disney animated film that came out just ten years ago had to do with corporate greed or The Rock needing a quick hit after his attempt at jumpstarting DC Comics (Black Adam) and going for an Oscar (The Smashing Machine) fell flat but Moana (2026) could have NOT made the higher ups at Disney particularly happy regardless of which way you look at it. Even in a crowded summer of family friendly blockbusters, I don’t think people expected for this to fail THIS hard! Maybe it was just way too early to do a live-action remake of Moana OR the audience fatigue with these live-actions remakes are settling in with Lilo & Stitch (2025) being just a fluke?! Regardless, Disney might need to start carefully considering which animated classics they chose to do a live-action remake for to avoid big losses like this for the future.
Evil Dead Burn
Budget: $20 Million
Box Office: $72.3+ Million
Break Even Point: $50+ Million
Gain/Loss: $22.3 Million in Profit
Verdict: Broke Even
Releasing a horror film like this in the middle of summer is still a baffling choice in my mind, but that didn’t stop Evil Dead Burn from doing JUST enough to keep it from being a total failure. Even with the lack of marketing or the possible franchise indifference now, I don’t think Warner Bros should be too upset with how this did, especially compared to their other failures in 2026. A Spring or Fall release date might have faired this much better but considering this was released under the worst circumstances, this was still good enough.
The Odyssey
Box Office: $250 Million
Box Office: $1.555+ Billion
Break Even Point: $625+ Million
Gain/Loss: $930+ Million in Profit
Verdict: Hit
Perhaps the profit numbers are a bit exaggerated with extra marketing and budget numbers probably added in there, but make no mistake, The Odyssey is a MASSIVE hit! The haters can point to the inflated numbers and the amount of “ghost” seats in the theaters all they want but you would be lying through your damn teeth if you claim that Universal is NOT happy with the results for The Odyssey. Christopher Nolan sought out to make a definite version of The Odyssey that will go down in history as one of the greatest cinematic achievements of the decade and he did just that. What’s even more crazy is that it is STILL selling out seats over two months later, which can push this to $1.7+ Billion total by the time it finally gets let out of theaters. Between this and the next movie I’m about to talk about, this was the one-two knock out punch that the summer movie season DESPERATELY needed to save any kind of face from it’s overall shortcomings! Rock on, Nolan!
Spider-Man: Brand New Day
Box Office: $225+ Million
Box Office: $2.335+ Billion
Break Even Point: $562.5+ Million
Gain/Loss: $1.772+ Billion
Verdict: Hit
Let’s be honest, NONE of us saw this coming! Sure, we all knew that Spidey was gonna be an easy billion dollar hit but I don’t think anyone expected THIS! Not only managing to outgrossing one of the most successful films of all time in No Way Home (which included THREE Spider-Men and all of their memorable villains) but it’s able to stand up their with the likes of Avatar, Titanic, and Avengers: Endgame, by being one of the ONLY two billion dollar grosses of all time. Spider-Man: Brand New Day was able to deliver the right amount of twists and turns and surprises that are to be found here, all which work as not just fun fan service and crowd pleasing moments but also plays actual, legit importance of a role to the film’s overall themes and messages. You have the Punisher, the Incredible Hulk, *SPOILER ALERT* and Yelena, A.K.A. the new Black Widow, that are present and accounted for here. Yes, I know the buzz killers out there will bring up inflation and the ACTUAL number of ticket prices but come on, regardless if this movie came out in 2026 or 2006, this is still an INCREDIBLY achievement. Tom Holland and Zendaya better put their retirement plans on acting on hold because with the way things are going on, Sony and Marvel are gonna make them do their roles until they are 90! (*whispers* UNTIL YOU ARE 90! *whispers*)
The End of Oak Street
Budget: $80-92 Million
Box Office: $107+ Million
Break Even Point: $200-$230+ Million
Gain/Lose: -$93-$123+ Million
Verdict: Flop
The verdict here is quite a head scratcher. Considering it’s overall positive reviews, it’s superbly talented cast, and tackling a genre sandbox most mainstream moviegoers absolute LOVE in dinosaurs, The End of Oak Street should have been an easy mini-win. Whether it’s because of it’s high budget or controversy surrounding the film’s AI-generated marketing, it seems like dinos don’t sell to the audience unless it’s related to something Jurassic Park or World. Maybe it will gain enough legs down the road and streaming numbers to pump it up to the break even point, but yeah, quite disappointing.
Insidious: Out of the Further
Budget: $18 Million
Box Office: $110.3+ Million
Break Even Point: $45+ Million
Gain/Lose: $65.3+ Million
Verdict: Hit
While it’s too early to claim if this will be up there with among the most highest grossing films of the franchise, Insidious: Out of the Further still manages to continues the series overall consistency in box office numbers. Regardless of it’s release date, Insidious still seems to do just fine no matter when it comes out. It may no longer reinvent the wheel for horror but it’s still able to make the best out of it’s limited budget and can keep the brand going just as long as enough people still show up for it. Bring on Insidious 7!
Paw Patrol: The Dino Movie
Budget: $40 Million
Box Office: $125+ Million
Break Even Point: $100+ Million
Gain/Lose: $25+ Million
Verdict: Hit
This would probably be at the break even verdict had this movie came out a few months ago but since it will likely still be in theaters at least for another month and there’s no major kids movie coming out until Forgotten Island, I’m willing to bet it will make more in profit in terms of theater, digital, and streaming that Paramount will be more than happy with the results of Paw Patrol. Like a handful of successes this summer, just keep the budgets low and deliver on crowd pleasing thrills and you will be surprised how much money you will get back as a result.
When you take all the box office results into account with the ways that most film analysts use to determine if the movie is a success or failure, this summer has had a total of TEN movies that should be considered hits, five movies that should be considered bombs (with one potential exception thanks to streaming), two movies that underperformed, and two other movies that did just enough to break even.
With these results, I am more than happy to say the movie theaters are indeed coming back and for the first time since Covid-19, it seems like it is FINALLY headed towards a positive direction. Yes, it’s a shame that The Mandalorian & Grogu and Disclosure Day underperformed as they did and Supergirl and Moana (2026) were the gigantic bombs that they were, there was just WAY too much success stories to completely right this summer off.
You had Toy Story 5 being another billion dollar animated grosser for Disney, you had The Devil Wears Prada 2 and Scary Movie (2026) being able to ride the legacy-quel wave to become solid hits, you had The Odyssey being the massive theatrical event that it was advertised to be and practically bringing back the good old days of movie theaters, you had Spider-Man: Brand New Day killing all Marvel/superhero fatigue narratives yet again to become only the THIRD two billion dollar juggernaut of all time, and of course, you can NOT forget two of the greatest cinematic success story in recent memory than with Obsession and Backrooms. Even a low grossing franchise installment like Minions & Monsters was STILL able to cross the half billion dollar mark and gain plenty of revenue for Universal and Illumination Animation. Throw early year hits such as Scream 7, Hoppers, Project Hail Mary, The Super Mario Galaxy Movie, and Michael and I would say that movie theaters have been eating quite good for 2026.
While I don’t know movie theaters will EVER be able to capture the same magic they were able to before 2020, 2026 is prove that there is still a massive audience and demographic for the film going experience. This might just be the start of a big shift that we are seeing with how we view our entertainment. With streaming prices going up, more studio mergers happening, and owning digital media no longer having that special ownership feeling as physical media, you can sense there’s a chance of vibes, especially among younger audiences, of the way they go about seeing the newest film releases.
Because of that and more, there is still plenty of hope for movie theaters! There are still plenty of changes that need to be made (lower ticket prices/concessions, longer theatrical windows, longer time waiting for films to come to digital/streaming, more movie subscriptions/clubs….etc.) but if studios keep going with this direction while being able to contain a sustainable budget with most big movies they released, there might still be hope for movie theaters yet!
Coyote vs Acme is set to hit theaters this weekend. This is the latest film from Warner Bros Animation and Ketchup Entertainment, following last year’s collaboration with The Day The Earth Blew Up, that is based on the 1990 magazine article from The New Worker, titled Coyote V. Acme by Ian Frazier, with elements from Looney Tunes to follow suit. In this latest live-action cartoon incarnation, we see Wile E. Coyote, enlisting a billboard attorney to sue the Acme Corporation for repeatedly selling him alleged faulty products.
When looking underneath the surface, Coyote vs Acme doesn’t seem all that special. It’s being directed by Dave Green, who hasn’t directed a film in a decade, with the last one being the completely disposable TMNT: Out of the Shadows (2016). It’s being co-written by Jeremy Slater, the writer of Godzilla X Kong: The New Empire and Mortal Kombat II, two very fun but VERY dumb films which the plots falls apart when you think about it for a split second. And it’s being co-produced by Christopher DeFaria, whose last film was the complete and utter live-action cartoon dud that was Tom & Jerry (2021) (You forgot that movie existed, didn’t you?!)! Sure, you do have James Gunn (Guardians of the Galaxy, The Suicide Squad, and Superman (2025)) attached to the project (although even he hasn’t had the best track record in recent memory *cough* Supergirl (2026)*cough*), it got some fun members to the cast such as Will Forte and John Cena, and there are a few projects that I haven’t mention that the creative team is attached that MIGHT make it seem worthwhile (Dungeons & Dragons: Honor Among Thieves mafia united!) but as a whole, you may wonder why this film is such a big deal to the movie industry when it seems like it could be yet another forgettable “cartoon in live-action” movie for kids and families.
To answer that question, we have to take look back at the development history of Coyote vs. Acme. Not strictly because of how hard this film was to make from a creative side of things but more so from a business side of things. This is a film which it’s own mere existence is one of the better Hollywood underdog stories in recent memory. A film that only exist because of online reactions and backlash and NOT because the heads at WB actually wanted to release it. A film that nearly disappeared and vanished before our very eyes in the form of a snap from Thanos but was somehow resurrected and is about to be released in theaters worldwide this weekend. Because of all of that and more, Coyote vs Acme‘s own existence is quite simply a miracle.
The development of Coyote vs Acme actually began around this time in 2018. You had Chris McKay (The Lego Batman Movie, The Tomorrow War, and Renfeld) as the film’s producer and Jon and Josh Silberman (It’s Always Sunny In Philadelphia) attached to write the screenplay. In December 2019, Dave Green was hired to direct the film, with the likes of Samy Burch, Jeremy Slater, and James Gunn joining the creative team the following year. The cast got hired in early 2022, with the likes of Will Forte, Lana Condor, and John Cena joining along for the ride, and the live-action filming took place in New Mexico from March to May 2022, with post-production finishing off later on that year.
When looking through those lenses, it sounds like a completely fine production with not much trouble to be found. Sure, it might’ve took a while until the actual filmmaking took place (The film was first greenlight in 2018 after all) but that was likely due to the Covid-19 pandemic that happened in 2020 and 2021, which cause movie theaters all around the world to be shut down and the major studios just beginning to dip their toes into the world of streaming services.
The real question is why did it take so long to release? If the filming was already complete in 2022, that means that this had to have been in the back burner for over FOUR years! What happened from behind the scenes that it took nearly half a decade for the film to get an actual release? To put it simply, studio politics happened!
In 2023, Warner Bros Pictures was in absolute SHAMBLES, with a net lost of millions of dollars and being stuck with so much debt due to the Covid-19 aftermath AND the recent merger with Discovery from the prior year. In order to cut a good chunk of their losses, head CEO of Warner Bros Discovery, David Zaslav began to scrapped finished films that he had absolutely no faith in just for the sake of tax write-offs. This led to the infamous cancellations of the likes of Batgirl and Scoob! Holiday Haunt, both films in which had wrapped up filming/voice recording but never got the chance to be finished in post-production. Despite there being pleas within the entertainment industry to release those films in finished form, they would never get to see the light of day due to the studio deciding to erase all footage of it completely, giving it ZERO chance of getting leaked out or pirated online anytime soon, if ever.
On November 9th, 2023, Warner Bros announced that Coyote vs Acme would be the next film to get axed. Even though the film was already completed and ready for release, the studio heads still felt releasing it in any way, shape, or form was not worth it, preferring to claim it as a tax loss of about $30 million dollars. This move led to so much outrage and controversy on the internet and through communities of film and animation. Several filmmakers left angry phone calls to Warner Bros, expressing their frustration at this latest move from them, leading to others cancelling upcoming meetings with them and going on strike because of it. After the recent tax write-offs of Batgirl and Scooby, it was the write-off of Coyote vs Acme that was the straw that broke the camel’s back for everyone.
However, five days later on November 13, it was reported that the leaders of WBD had changed their mind and would allow the creative team of Coyote vs Acme to shop the film to other distributors. It was reported that Amazon, Apple+, and Netflix were all interested in buying the rights to the film but no hard offers were reported. The film had been screened for more studios, including Paramount and Sony but nobody would still budge. Despite the film’s very positive test screenings take took place before AND after the film’s faith had a giant umbrella hovering over it, no one seemed interested enough to claim it for themselves.
In February 2024, it was reported that Warner Bros Discovery rejected the bids given by Netflix, Amazon, and Paramount. The heads wanted $75-$80 million to sell the film but no one was willing to meet their price. Because of that, WBD was once again considering shelving and deleting the finished film entirely, again claiming it as a tax loss. During a Q4 earnings call on February 23rd, 2024, WBD took a $115 million write-down but didn’t completely confirm the cancellation of the film. Yet again, this led to a rapid response from filmmakers and film lovers all across the globe.
After the film was reported to potentially getting cancelled, this lead to even more online criticism than before. The hashtags #ReleaseCoyoteVsAcme and #SaveCoyoteVsAcme emerged on Twitter, there was improvised exchange between Bugs Bunny and Daffy Duck at the 51st Annie Awards which Daffy said, “I hate to be political, but release Coyote vs Acme!”, and industry figures such as Phil Lord and Christopher Miller, Michael Chaves, and Daniel Scheinert all expressed their support for the film, all giving it high praise after getting access to special screenings of it, believing it was more than worthy of a worldwide release. However, despite all of the noise and support from top to bottom, none of it seemed like it would matter.
In that same month, Will Forte released a public statement addressed to the cast and crew after seeing the final cut of the film: “I know that a lot of you haven’t gotten a chance to see our movie. […] Please know that all the years and years of hard work, dedication and love that you put into this movie shows in every frame.” A year later, Lana Condor confirmed that the film had a “funeral screening”, just like Batgirl did, when the news broke out of the film’s cancellation. Despite the two-year long fight with the top executives at Warner Bros Discovery, it seems like the fate of Coyote vs Acme would be sealed, joining alongside Batgirl and Scoob! Holiday Haunt of being wiped away from existence, almost like it never happened at all. That was until a certain studio decided to come in with the clutch!
On March 19th, 2025, it was reported that Ketchup Entertainment was in talks to acquire all right to the film from Warner Bros for approximately $50 million! Following it’s acquisition of the domestic distribution rights for The Day The Earth Blew Up, Ketchup expressed interested in the project and wanted another partnership with WBD to release the film in it’s entirety. Despite initially wanting $75-$80 million, Warner Bros Discovery accepted the offer and agreed to give the film a full theatrical release. This led to the film getting an early screening at San Diego Comic Con on July 25th, 2026 (likely as a special thanks to film fans for fighting for the film’s release) and getting a full worldwide release on August 28th, 2026.
To say Coyote vs Acme‘s mere existence is a miracle would be an understatement. This was a film that was on the BRINK of being wiped away before our very eyes, all for the sake of tax write-offs and cutting debt due to WBD’s pure incompetence and NOT because of the film itself. Yet, somehow and someway, the entire cast and crew were given a chance to release their film that had already been completed four years ago onto the big screen for the whole world to see. I don’t even need to see the film at all to know that this is a special story in of itself.
Although the early reviews have been very positive and the box office projections seems to track it as being the highest grossing domestic opening for Ketchup Entertainment, Coyote vs. Acme‘s own existence is worthy of being shown on the big screen. Whether the actual finished film is good or not or makes a profit or not is irrelevant (which is why I won’t be giving it a full review), the fact that filmmakers and loves of cinema were able to fight back against the studios and forced them to release the film in of it’s entirety is THE breakout story of Coyote vs Acme. The fact that the actual film is confirmed to be quite good and it might just make it’s money back is the special icing on the cake!
Perhaps miracles are still possible! Than in of itself might just be enough to give one hope in not just entertainment but perhaps the whole world!
Well, things are pretty tense in the world right now. Whether we are talking about wars raging on in the Middle East or two studios who have already merged before are preparing to merge once again, there’s a lot on the minds of people all across the world! Because of that, let’s take a break from doom scrolling through all of this chaos and have some fun by fan casting characters for the Sonic the Hedgehog film franchise from Paramount Skydance, soon (?) to be Paramount Skydance X Warner Bros Discovery.
This is a franchise of films that has been a surprising success since the original film came out in 2020. A large reason for that has to do with some of the pitch perfect castings that have gone around with this franchise, being able to make fan favorite casting feel just right without coming across as forced or desperate. Even though the majority of them are big well-known celebrates, the Sonic franchise has managed to do celebrity castings about as good as it can be. These might not be roles that are gonna win them Oscars but it’s just something they can have fun with it without thinking too much about it.
I mean just look at the casting we have gotten thus far!
Ben Schwartz as Sonic The Hedgehog
Jim Carrey As Dr. Robotnik/Gerald Robotnik
Colleen O’Shaughnessy As Miles “Tails” Prowler
Idris Elba As Knuckles The Echidna
Keanu Reeves As Shadow The Hedgehog
Alyla Browne As Maria Robotnik
Kristen Bell As Amy Rose
As the Sonic franchise continues to expand with live-action movies and shows, there’s no doubt that more characters are going to be translated onto the big screen in theaters or at home. Because of that, I’m gonna give you all my take and what I believe would be the best possible casting choice for each one of these characters in the Sonic the Hedgehog franchise.
Just a reminder, these are all just MY personal choices and fan casting. It’s nothing to write home about or take super seriously. This is all just for fun! Nothing more, nothing less!
Now, let’s dive deep into my castings, shall we?!
Ben Kingsley As Metal Sonic
Now granted, Mr. Kingsley has already been casted in Sonic the Hedgehog 4 AND it is widely spectacled to be a voice acting role. Nobody knows who exactly that will be but could you imagine if it was Metal Sonic?! Kingsley has played multiple kinds of roles throughout his career and he should be able to make voicing Metal Sonic look like a walk in the park! If you’re not convinced, just go back to his role in Iron Man 3 were he was “playing” the Mandarin, that should be more than enough to convince you that he’s more than capable of tackling a menacing villainous role! While there is certainly debates within the Sonic community as to whether or not Metal Sonic himself needs his own voice, Ben Kingsley as Metal Sonic would almost certainly answer that question with a definite “YES!”
Jennifer Lopez As Rouge The Bat
Fun fact: Did you know that the design of Rouge the Bat was inspired by the sexiness of Latin-American women, most notably Jennifer Lopez, who was the definite IT Latino girl of the 2000s. Because of that, who better to cast as Rouge than the woman who was basically an inspiration for her. JLO hasn’t had the greatest track record with voice acting roles with movies like Antz, Home, and a fifth Ice Age movie you probably didn’t even know existed until now. However, JLO feels like the perfect fit for Rouge the Bat, perfectly displaying that 2000s nostalgic vibes era for when Rouge herself originated from AND having that right, seductive voice presence for the character. There are rumors that Paramount is hesitating on introducing Rouge in these movies because they don’t want to “awaken” something in young boys but come on guys! Man up, put Rouge in your movies, and cast the Latino GOAT that is Jennifer Lopez!
Roger Craig Smith As E-102 Gamma/E-123 Omega
Yes, that’s right! I got not just the current voice of Sonic the Hedgehog in the gaming side of things but also the current voice of E-123 Omega himself. If Jeff Fowler and company had no problem casting the current gaming voice for Tails (Colleen O’Shaughnessy) in the movies, then I don’t see why they would have a problem of adding in Roger Craig Smith as well. Plus, it would be incredibly nice if the makers of these films can find any sort of role for Roger to play as in these movies, even if it just a nice little cameo like in the Wreck-It Ralph movies. Just because he can’t play Sonic in these movies doesn’t mean he should miss out on playing E-102 Gamma or E-123 Omega themselves whenever their time comes.
Karen Fukuhara As Cream The Rabbit
While most recognize Karen Fukuhara in live-action as Katana in Suicide Squad (Que the “THIS IS KATANA!” memes) and Kimiko/The Female in The Boys, she has had her fair share of experience in voice acting as well, with the likes of She-Ra and the Princesses of Power, Craig of the Creek, and Kipo and the Age of Wonderbeasts just to name a few. Because of that, Karen should have no problem in voicing an incredibly cutesy character like Cream the Rabbit (and even Cheese if she wants to do that as well).
Michelle Yeoh As Vanilla The Rabbit
Michelle Yeoh is a gifted actress who has played many different kinds of roles throughout her career. However, I always feel like the best kind of roles for her are ones where she plays the nice, caring figure that can give perfect guidance to those around here, just see her as Soothsayer in Kung Fu Panda 2. For a character that’s suppose to be super sweet and loving, what better woman to play here than Michelle Yeoh?! Some might argue she’s too old for this voice role (She is heading towards her mid 60s!) but considering Michelle herself is an award-winning actress, she would certainly find a way to make it work.
Nick Offerman As Big The Cat
Again, just like Ben Kingsley, Mr. Offerman has already been casted in Sonic the Hedgehog 4 and is too widely speculated to be a voice role. If it were up to me, I would have Nick voicing everybody’s “favorite” giant purple (male) cat! The man has had plenty of experience playing comedic relief characters and basically acting as a comedian himself throughout his career. With his delightful voice and sense of humor, I think he could make even the biggest Big the Cat haters like myself change their opinions of the character drastically. He would make Duke Nukem himself proud (Yes, that’s who first voiced Big the Cat in the games btw!)
Lupita Nyong’o As Tikal The Echidna
Here we have the Helen of Troy herself as Tikal the Echidna. While Lupita Nyong’o has had plenty of success on the big screen with The Odyssey and her Academy award winning turn in 12 Years A Slave, she has also had her high points in her career in voice/motion capture roles such as Maz Kanata in the Star Wars sequel trilogy, Raksha in The Jungle Book, and Roz in The Wild Robot. Because of all of that and more, I don’t see any working actress today that would serve as a more perfect parallel to Idris Elba’s Knuckles, the last of their kinds, than Lupita as Tikal.
Simi Liu As Espio The Chameleon
If it were up to me, to voice a character like Epsio, you should cast someone that has had experience with martial arts, his own independent agency, and standing firm on his own two feet. While someone like Jackie Chan might be a tad too far stretched, let’s have Simi Liu, A.K.A. Shang-Chi himself, to be the voice of this popular chameleon. It just seems all the more fitting to cast an actor that’s connect to some foreign ethnicity, as the character has some resemblance with fictional characters who have mastered martial arts.. Mr. Liu is Chinese in real life, which makes this casting for Espio rock solid.
Colleen O’Shaughnessy As Charmy Bee
Since we already have Colleen voicing Tails in this cinematic universe, you might as well keep her on as Charmy the Bee as well. There’s not much more I have to add to it than that.
(FYI, did you know that Colleen actually started voicing Charmy before she started voicing Tails?! She literally voiced Charmy in Sonic Colors DS (Yes, the character did appear in that version?) AND in the original Sonic Generations. The more you know!)
Jack Black As Vector The Crocodile
Oh, come on! You just know that Jack Black had to add SOME sort of role in this franchise! This is a man that has great experience with voice acting roles (Po in Kung Fu Panda) and ESPECIALLY in recent video game adaptions (Bowser in The Super Mario Bros movies, Claptrap in Borderlands, and Steve in The Minecraft Movie). And with it comes to amount of characters that are left in the Sonic series that haven’t been taken, him as Vector the Crocodile could absolutely work! Jack Black is masterful at adding the right mix of silly and resourceful that he has added with many of his voice acting bids and would be the ideal fit among the remaining Sonic characters that have yet to be introduced and/or casted yet. Oh, and PLEASE let him say, “FIND THE COMPUTER ROOM!!!!”
Hayden Christensen As Silver The Hedgehog
I remember when Hayden Christensenwas rumored to be playing Shadow the Hedgehog. While that role ultimately went to Keanu Reeves, Silver the Hedgehog should be completely up for grab for Anakin Skywalker/Darth Vader himself. Much like his iconic character in the Star Wars franchise, Silver is a character that has his own unique force powers, a personality that borderlines between whiny and pure naiveness, and is someone that is willing do everything in their power to complete their mission for those that they care about. I was going back and forth between Hayden and Michael Cara for Silver the Hedgehog but when it comes to what actor would be the absolute GOATED casting that would get fans excited AND be the perfect fit for the character, my vote goes to Hayden Christensen.
Brie Larson As Blaze The Cat
This might be a hot take (No pun intended!) but I legit believe Brie Larson would be a great fit for Blaze the Cat. She has already had recent voice acting experience among video game adaptions, with Rosalina in The Super Mario Galaxy Movie and I strongly think she can apply that same level of commitment and energy to a character like Blaze. And much like her most famous/infamous role in Captain Marvel, Blaze is a character with special powers, struggling to keep her emotions in check, and must learn to work together with others because she can’t do everything on her own regardless of how powerful she is. Because of that, I can’t think of a current actress that would be a better fit for Blaze the Cat than Brie. Sure, many still fancast her as Samus Aran for a potential Metroid movie but I don’t see why she can’t voice Blaze as well.
Keegan-Michael Kay & Jordan Peele As Orbot & Cubot
Here we have everybody’s favorite comedic duo playing the two characters that basically act as the comic relief side duo of the Sonic series. Jordan and Keegan already got their time to shine as the duo they are in animation in Toy Story 4, with the latter already dipping his toes into the world of video game adaptions as Toad in The Super Mario Bros movies. With the star power these two have shared all across the world, they can easily make voicing Orbot and Cubot work by just playing themselves in voice roles once again.
Ryan Bartley As Sage
Just like with Roger as Omega and Colleen as Tails/Charmy, I see no reason to recast Sage and see every reason to just bring back Ryan Bartley as the character. She’s the only voice actress to voice Sage thus far and unless Sega decides to dump the current cast come Sunday morning, they might as well just keep Ryan, who is basically the definite voice for Sage at this point. So, yeah!
Adam Driver As Infinite
Let’s be honest, you all saw PLENTY of Kylo Ren within Infinite when you played Sonic Forces. An immense foe who claims to be all powerful and hot stuff but when you look underneath, he’s basically a whiny manbaby who throws a tantrum whenever something doesn’t go it’s way. (Never forget, “I AM NOT WEAK!!!!!”) So, why not just get Kylo Ren himself in Adam Driver to voice Infinite. Yes, you can argue that Mr. Driver would be basically playing a diet version of his character from Star Wars but the same could be said about the likes of Keanu Reeves as Shadow, who is basically a more kid friendly version of John Wick, and other examples that I’ve mentioned before. Plus, his recent casting as Mr. Sinister in X-Men (2028) proves that Adam is NOT opposed to starting in well-known IPs. So, yeah, Adam Driver as Infinite!
Glen Powell As Jet The Hawk
We got the hottest shot actor currently working in Hollywood playing the hottest shot character in the Sonic the Hedgehog franchise. Talk about a match made in heaven! Glen has already had recent voice work in the realm of video game adaptions by taking on the surprise character in The Super Mario Galaxy Movie, A.K.A. Fox McCloud, and in the realm of animation such as Family Guy, Robot Chicken, Rick and Morty,All Hail King Julien, and Jurassic World Camp Cretaceous. While I’m sure Powell’s schedule is busier than ever at the moment, I’m sure Paramount would find some way to get him in the recording booth for a few days if Universal was able to do so with The Super Mario Galaxy Movie without a problem.
Issa Rae As Wave The Swallow
Here’s another fancast that I have in mind for no other reason than just why not?! Issa Rae has took a handful of voice acting roles in recent memory such as Jessica Drew in Across the Spider-Verse AND the Honey Queen in The Super Mario Galaxy Movie. A brand new voice role in the Sonic franchise should seem like a no-brainer to her. She is already locked in to an exclusive deal with Paramount to do her own work, I imagine they would offer her a role in one of their most successful franchises at the moment if she wants too. Because of that, I have her as Wave the Swallow.
Jason Momoa As Storm The Albatross
I’m gonna say straight up front: THIS is who I originally wanted to voice Knuckles before anyone was casted. There is no other current actor that is perfect at playing a lovable knucklehead (No pun intended!) than Jason Moama and Knuckles just seemed like a perfect fit. However, since Idris Elba now helms the role (perfectly) as Knuckles, that would still make Jason available to play Knuckles’ rival in the Sonic Riders series in Storm the Albatross if Jeff Fowler and crew ever wanted to adopt those games into live-action. Everyone likes Jason Moama and this casting would certainly work wonders as Storm.
Clancy Brown As Zavok
One of the GOATTEST voice actors of all time playing the lead of the most forgettable foes ever in the history of Sonic the Hedgehog! Of what amount to basically Dollar Store Bowser, Clancy is more than a capable actor to find some sort of depth and dimension in a character that is rather shallow in the games. I can only see Jeff Fowler taking on the Deady Six when they are finally running thin on ideas to keep this cinematic incarnation of Sonic going but if he gets around to it, casting Lex Luthor/Mr. Krabs/Savage Opress as the main baddie of the Deadly Six in Zavok would work perfectly.
Ke Huy Quan As Master Zik
As a young child actor, Ke Huy Quan always tend to play the role as the “student” when it came to martial art roles or as a fight choreographer, whether as Short Run in Indiana Jones and the Temple of Doom or as an assistant fight artist in X-Men (2000). However, now that he is older now, it’s time for him to play the role of the teacher. He got a taste of that in his Academy award winning role in Everything Everywhere All At Once (along with Michelle Yeoh herself), and it would be ideal if he got a chance to voice a character that has one main trait as basically discount Mr. Miyagi. Key Huy Quan as Master Zik would be that right role that I imagine he has been waiting for to tackle in voice roles.
Matthew Lillard As Zazz
Is there anyone better that can voice the most crazy and over-the-top character in the Sonic franchise than Shaggy and Stu himself?! I’m pretty sure your answer is No! Because of that, cast the GOAT Matthew Lillard as Zazz!
Danny Devito As Zomon
Anyone that has Danny DeVito fancasted as either Big the Cat or Vector the Crocodile is dead wrong! However, Danny DeVito as Zomon would be dead RIGHT! I just hope age doesn’t play a big factor in his vocal performance (He is now 81 btw!). If he’s still in the mood to do voice roles, this would be the right fit for him within the Sonic franchise.
Keke Palmer As Zeena
I don’t know very many actresses that can make a character whose whole personality basically amounts to, “I’M A GIRLY GIRL IN A GIRLY WORLD!” but man, would Keke Palmer find some entertainment in playing exactly that character. Also, I just like Keke Palmer and want to see her in more stuff.
Pete Davidson As Zor
Everyone’s favorite “emo” actor voicing the most “emo” character in the Sonic franchise. Plus, Pete Davidson’s more fun roles usually are among voice acting, at least if Dog Man and Transformers: Rise of the Beasts is any indication.
Tony Hale As Chip
Tony was able to play the most lovably annoying character in the Toy Story franchise as Forky. It makes all the sense in the world that he would be able to voice the most lovably annoying character in the Sonic franchise as Chip, A.K.A. *SPOILERS FROM SONIC UNLEASHED*! I’m sure there’s plenty other well-known actors out there that can voice Chip easily but just because Toy Story is still on my mind at the moment, I think Tony Hale would work well as Chip.
Bob Odenkirk As Professor Pickle
The GOAT Saul Goodman playing the GOAT Professor Pickle!
I don’t think I need to say anything else other than that!
Mason Thames As Professor Pickle’s Assistant
This was honestly the hardest one to find since there’s not many well-known male actors working today that have plain red hair and has the tendency to be playing comedically awkward characters that are solely designed to be a meme. In this case, let’s just go with Hiccup from the live-action How To Train Your Dragon movies and leave it at that!
Stephen Lang As The G.U.N. Commander
Technically, there’s already several G.U.N. commanders in the Sonic movie franchise thus far but, just in case they decide to put the focus on the OG G.U.N. commander from Shadow the Hedgehog, you gotta go with Stephen Lang. The man proved in the recent Avatar sequels that he’s still in great shape and still capable of playing these action roles despite his older age. If Paramount decides to give him a call to play basically the same character he’s played in the Avatar movies, he will certainly walk away with the easiset paycheck in his life.
Scarlett Johannsson As Topaz
Scarlett Johansson might just be the most popular actress in Hollywood through the past decade. Whether she’s kicking ass as Black Widow or in the Jurassic World franchise, audience are STILL showing up to see her in action whenever she has a new movie coming out. I have no doubt Paramount will want to continue to ride that wave by finding some role for ScarJo in this franchise. While many still fancast her as voicing Rouge the Bat, I think playing a human character in the Sonic franchise feels more fitting for her. You will certainly have to age up Topaz than how she was in Sonic X but Scarlett should be able to make this character work in live-action without a shadow of a doubt.
Kevin Michael Richardson As Black Doom
Ngl, I was REALLY wanting the late great Tony Todd voicing Black Doom, especially after his great performances as Venom in Marvel’s Spider-Man 2 and Locus in Indiana Jones and the Great Circle. Unfortunately, he is no longer with us (RIP King!). However, another actor who would be perfect as Shadow’s biggest arch nemesis would be Kevin Michael Richardson. Richardson is one of the best and most beloved actors in the voice acting community for at least the past 25 years, finding roles into every single one of your favorite cartoons as a child and even in recent animated films such as Minions: The Rise of Guru, Trolls: Band Together, and The Super Mario Bros movies. He may not be a well known Hollywood celebrity but he would damn sure make voicing Black Doom seem like an absolute cakewalk. So much so that I’m shocked that SEGA never hired him to voice the character in the first place.
Stellan Skarsgård As The Duke of Soleanna
Would Jeff Fowler and company DARE to tackle the story of Sonic the Hedgehog (2006)? Well, considering the Knuckles series made our favorite red echidna having the flames of disaster as main canon, then I’m willing to bet Yes! If that ever does happen, Stellan Skarsgård seems like a solid match to play the Duke of Soleanna. I was originally thinking of Anthony Hopkins here but he’s getting too old in age, whereas Skarsgård still has a few more years left in him to be able to take on a role like this.
Mckenna Grace As Princess Elise
There’s probably no young actress that you have seen being inserted into every one of your favorite franchises that is NOT Zendaya or Sydney Sweeney. Whether it’s Marvel, Ghostbusters, Scooby-Doo, Paw Patrol, or anything else, McKenna always has plenty of presence both on screen AND in the voice booth. Much like with other human characters mentions, you would have to aged up Elise a tad bit to make this casting work but Ms. Grace would fit the role as the princess of Soleanna like a glove and make a more than believable friendship bound between her and Sonic. Just PLEASE leave out all of the bestiality stuff from the game, please and thank you!
Josh Brolin As Mephiles
That’s right, I’m going ALL the way here! I have the most diabolical villain in Sonic history being voiced by the most diabolical villain in Marvel history in Thanos himself! Granted Brolin hasn’t had THAT many voice roles outside of Thanos in Marvel Animation and as George Washington in Ken Burn’s The American Revolution miniseries but I’m sure he would have plenty of fun in the voice booth as the character who did the unforgivable sin and actually killed our beloved blue hedgehog. You know you want to see Thanos as Mephiles as much as I do! Dread it, run from it, destiny will ALWAYS arrive!
Fadel Ragheb, The Hype Guy As Sonic Man
I mean………if there has to be a Sonicman in the movies……why not him?! JS!
The Odyssey and Spider-Man: Brand New Day are about to cross the billion dollar mark at the box office. With that, there are now a total of 66 movies to have made it into the one billion dollar club. Regardless if inflation or re-releases also helps with that (which they both do), a movie has made a total of over seven bills at least 66 times throughout cinema history. Because of that, I decided to go ahead and do a ranking of every single one of these since I’ve actually seen all of these movies at least one time.
This will make for a rather complicated list, even more so than other lists I make on here. This will be a fine mix between what I believe is the best movie from an objective standpoint, what I believe is the best from a subjective standpoint, and the impact each one has had on pop culture for better and worse. I’ve thought about this for quite awhile now so it’s time for me to rank them.
If you disagree with this list, then by all means disagree but please don’t be a jerk about it. We have enough of those on the internet. I really don’t take much pride in these lists and rankings other than to have some fun. Opinions change everyday and this ranking is just how I feel at the exact moment that I’m publishing this list.
Also, since it’s going to be 66 movies, I’m not gonna go into detail on any one of those and just show the number I have ranked for each movie. I’ll just say which movie is ranked where and show off a trailer for it because why not? I might even update the list once another movie comes around that makes a billion dollars and see how much of my opinion on this list has changed since then.
Let’s not waste anymore time and get right down to it.
There has been no other franchise that has made as big of an impact on the film industry as the Marvel Cinematic Universe. You can debate whether or not it has impacted the industry for the better or for the worse but no doubt it has made an impact. With Spider-Man: Brand New Day now out in theaters, I want to take the time to share my rankings of all 38 (!) films to be released in the Marvel Cinematic Universe thus far.
First off, a few disclaimers. I am ONLY counting the movies that were released to be a part of this cinematic universe and nothing else. Which is why you won’t see the Venom movies, Morbius, or any of the Spider-Man movies except for the ones with Tom Holland on this list. I’m also NOT including any of the Netflix or Disney Plus series as that would make the rankings on this list even more complicated than it already is. Lastly, this is all MY opinion. Considering there’s now 36 movies in this universe, there’s a good chance my rankings won’t match yours.
When doing this list, I mostly tried to find a good mix between the ones I find to be the best in terms of objective quality, the ones that I enjoy watching the most, and the ones that I believe serves a big purpose to not just the cinematic universe itself but also the superhero subgenre in general.
Anyways, here I go with the biggest ranking I’ve made on this site so far. Let’s rank the Marvel Cinematic Universe films!
38.) Thor: Love and Thunder
On paper, Love & Thunder should be the best Thor movie ever made. By incorporating major comic elements such as Jane Foster as Mighty Thor and have the GOAT Christian Bale playing Gorr the God Butcher, this should have been a slam dunk. Too bad, it doesn’t come anywhere close to living up to it’s potential, with Takia Whatti not being able to get out of it’s own damn way, making a film that feels like a parody of an MCU movie than an actual MCU movie. Nearly every single joke falls flat on it’s face, the tone is inconsistent as hell, the story of Jane dying of cancer could not have been handle in a more disrespectful way, and while Christian Bale tries his heart out as Gorr, he is giving jacks**it to work with, playing a god killer who does very little god killing. Whatever magic trick that Whatti was able to pull in balanced the comedic and dramatic elements of Thor: Ragnarok does NOT pull off here! Love & Thunder is exactly the kind of movie that gives the MCU haters plenty of ammo to support their arguments of Marvel ruining Hollywood!
37.) Ant-Man and the Wasp: Quantumania
Ant-Man and the Wasp: Quantumania isn’t quite the worst movie in the Marvel Cinematic Universe but it’s certainly knocking at that door. Despite the movie’s overall goal is to give everyone a clear direction as to where this next phase of the Marvel Cinematic Universe is going, it still has that feeling of inconsequentiality because of how little that will likely matter in the long run and how it barely progresses the characters and their stories here. It still hits the same beats you would expect from a Marvel movie but whether or not that will be enough to save the picture is entirely up to you. And if the box office results and fan/critical reception is anything to go by, it’s clearly not for most people. Jonathan Majors as Kang stands out well here (at least until Majors had to be an idiot and derail his own career and the MCU along with it) but very little else does, especially the mind numbing CGI. At least this is when Marvel knew something was wrong and had to make changes for the future!
36.) Captain America: Brave New World
If there is one MCU film that is the textbook definition of a nothing burger, look no further than Captain America: Brave New World. Anthony Mackie’s first ever film outing as the man in the stars and stripes could not have been more underwhelming if it tried. Instead of centering around an earnest adventure of Sam Wilson learning to step into the shoes as Captain America, Brave New World instead uses it’s plot for the sake of connecting tissues to prior (not so beloved) MCU installments such as The Incredible Hulk and Eternals. While it’s cool to see the MCU finally reference The Incredible Hulk as a legit thing and remember about the god from Eternals laying down in the ocean, I came to see a Captain America movie and….it doesn’t really deliver that here. Red Hulk is barely in it, the plot itself feels like a mismatch of the better parts of Winter Soldier and Civil War, it aims to be a political thriller without having ANYTHING to say politically that makes sense in the context of the MCU, and the reshoots could not have been more painfully obvious if it tries. When looking at it as a deposable action flick with espionage elements added to it, there’s nothing much here. When looking at through the current lenses of the MCU, there’s nothing much here. Even when talking about the post credits scene, there’s nothing much here! Brave New World is a film you can easily skip in your MCU marathon and you will miss NOTHING!
35.) Black Widow
The original female Avenger FINALLY got her own movie to shine…….about six years too late! When looking at it like that and the timing of it’s release, Black Widow could not have came out at the worst possible place at the worst possible time. Even when looking at the movie as it’s own thing, there’s not much that stands out here aside from some decent family drama and the introduction of the impossible-not-to-adore Florence Pugh of Natasha’s highly energetic sister Yelena. And don’t get me started on what’s done with Taskmaster, the less than stellar CGI in the third act that everyone and their mother has made fun of, and the fact they waited until AFTER Natasha was killed off to give her her own movie. If we have gotten this film much sooner, this could’ve stood out among the MCU’s greatest heroes. But by 2021, that ship had already sailed! Thanks a lot, Ike!
34.) Thor: The Dark World
The entry in this franchise that has aged the worst, especially in the wake of Thor:Ragnarok, remains among the weakest MCU installments to date. It still has it’s moments such as the powerful funeral scene and the moment where Thor and the main villain fights through the portals. However, it can never shake the feeling that it only exist just so Thor has a movie in Phase 2. The main problem is that it feels too inconsequential, complacent, and moves at such a fast clip that it’s hard to get invested into anything happen, even after characters supposedly “die”. The reshoots the movie have are quite obvious as it feels like a mix of multiple visions that never come together as a cohesive whole. Not to mention, the villain flat out sucks here (You can’t even remember his name, can you?)! On the bright, this did get a redemption arc later on down the road in Avengers:Endgame. It’s certainly a movie you can watch and get some entertainment out of, but this is certainly one movie which you can always skip when doing your MCU marathon re-watches.
33.) Iron Man 2
There are plenty of folks that claimed that Marvel Studios couldn’t miss in the Infinity Saga. Those people clearly didn’t watch Iron Man 2 (or Thor: The Dark World). Nearly everything that worked well in the original Iron Man just falls flat here. The cast is still great and the effects are top-notch but the script lets it down with too much Marvel easter eggs, little to no character progression, and action scenes that are over before they even began. You could tell Marvel was still getting their footing in how to make these movies as this feels like it only exist to buy time for the other movies in Phase One. On the bright side, just like with The Dark World, it did at least get a bit of a redemption arc later on down the road, with Captain America: The Winter Soldier being able to paint a much better picture on this ill-fated sequel. I guess that’s something.
32.) Captain Marvel
Marvel finally got around to making a female led superhero movie in 2019 with Brie Larson’s Captain Marvel. If you are able to separate the bizarre controversy that was attached to this film pre-release, it’s just…..painfully mid. The first act is all over the place and some retcons to the universe are plain dumb (Fury losing an eye to a cat!) but it is passable as a buddy cop flick/origin story on the most powerful superhero in the MCU. Brie Larson fits the roll very well and has great chemistry with the rest of the cast, the 90s setting is fun, Samuel Jackson and his CGI is perfection, and seeing Captain Marvel flying through and destroying ships in her super form is quite satisfying. If only this character was introduced a bit sooner and not just before Endgame that I think it would have been easier for others to accept Carol with the other Marvel heroes.
31.) Eternals
If you were to ask me which MCU movie would have worked better as it’s own Disney Plus series than as it’s own individual film, my first answer will always go to Eternals. Despite having a lot of ambition and interesting ideas, this never quite works the way it desperately wants too. There’s just too much characters to focus on with so little time given to develop any one of them to make you care about them. Not to mention, it has themes that (while well intended) end up practically contradicting itself by the end of it. Chloe Zhao does what she can in given the film it’s own unique directing style that distances itself from the rest of the MCU but it’s still too much of an unengaging slog to give it a pass. Eternals may not work but I do hope the negative reception this movie has gotten doesn’t prevent Marvel Studios from trying films like this in the near future.
30.) Doctor Strange
This introduces some of the most interesting ideas and concepts that the Marvel movies have tried out thus far but it’s just a shame not all of it is able to be executed to it’s fullest potential until the near tail end of the picture. Doctor Strange is the one MCU installment where you can really feel the Marvel formula that this franchise has grown accustom too with the way it hits every single origin story beat in the book. Also, the sideling of Mads Mikkelsen and Rachel McAdams doesn’t help here. The third act is still an absolute banger, Benedict Cumberbatch was born to play Stephen Strange, and it does at least give a clear view into the direction that future Marvel movies are going with how much weirder and “out there” it will dare to go with it’s set pieces and visuals. It’s still functional, but it feels like Doctor Strange is at his best when he’s paired up with other characters in this universe.
29.) Ant-Man and the Wasp
Coming straight off of the high heels of the maximum culmination blockbuster of Avengers: Infinity War, Ant-Man and the Wasp made for the right, breezy palate cleanser when it came out in 2018. Looking at it’s own, however, it doesn’t really offer more than the bare minimum of what most were expecting an Ant-Man sequel to consist off. Paul Rudd is still as charming as ever as Scott Lang/Ant-Man, Evangeline Lilly steals the show and kicks major ass as Wasp, and the set pieces are quite fun. Even so, it still can’t help but feel too much like a placeholder film and a real expensive explanation as to what Scott did after Civil War and why he wasn’t in Infinity War. Not to mention, wasting Michelle Pfeiffer like that is a big no-no. It’s harmless fun but not all that memorable.
28.) The Marvels
Talk about a movie that came out at the worst possible time imaginable. Releasing during multiple strikes, franchise/superhero fatigue, and internet trolls being louder than ever, The Marvels is basically the one MCU movie that no one gave a chance to, not even Disney and Marvel themselves. Which sucks because when actually looking the movie on it’s own, it’s actually quite fun with some damn good action sequences, neat looking visuals, and three enjoyable female leads. Iman Vellani is precious as hell as Kamala Khan, Teyonah Parris is cool as Monica, and Brie Larson is able to shine much better her than any other films she’s been in as Captain Marvel, almost as if this is the character that Brie has been wanting to play since signing up for the role. It could have used a stronger villain in Dar-Benn, with more flesh out dynamics between her and the Marvels themselves and it’s certainly a film you can nitpick to death if you want to get technical about it but judging it as a straight up action movie, it’s entertaining with solid chemistry between the three leads. If you skipped this movie in theaters, I’d say give this a chance once it comes out on Disney Plus and you might be surprised with it.
27.) Spider-Man: Far From Home
On one hand, this sequel does have more focus on Peter Parker and his personal relationships and dilemmas than Homecoming along with some incredibly inventive action sequences (That Mysterio illusion scene is masterfully done!). On the other hand, there is still way too much Iron Man tech here (Especially with his literal killer glasses) and it’s ridiculous how we have ANOTHER Spider-Man villain that’s trying to get revenge on Tony Stark (despite the fact he’s actually dead now) instead of Spider-Man himself. Also, having a Spider-Man movie that takes place 95% outside of NYC or the multiverse just doesn’t gel well with the other. It doesn’t come close to being the very best of Spider-Man’s adventures, especially at the time with Into the Spider-Verse and Marvel’s Spider-Man, or top-tier MCU as a whole but acting as a plate cleanser for Avengers: Endgame and an epilogue for the Infinity Saga, Far From Home is passable but the best still have yet to come for the MCU version of Spider-Man.
26.) Avengers: Age of Ultron
In hindsight, this movie has gotten better with aged thanks to the films that came afterwards that were able to justify it’s existence. That being said, I still can’t help but feel there was still some major missed opportunities with Avengers: Age of Ultron (especially with Ultron himself). Too much of the picture feels like a placeholder for future movies instead of the main course, which is not something you should want out of an Avengers movie. Instead of feeling like a proper payoff to the other movies of the current phase like the original Avengers, this just feels like more build up for the likes of Civil War and Infinity War. And don’t get me started on that Hulk and Black Widow romance! Still, there are still plenty of solid character moments and action throughout (everything with Hawkeye is exceptional) and did introduce Scarlet Witch, who would later become one of the best, most developed and multilayered characters in the entire franchise! It’s a glorious imperfect mess but in a way, that’s part of it’s charms and I don’t think the other big MCU movies after this would have worked as well as it did without Age of Ultron.
25.) Thor
There are two main elements that holds the original Thor strongly together, the castings of Chris Hemsworth as Thor and Tom Hiddleston as Loki. The first third and last third of the film are legit great, starting and ending Thor’s coming-to-age arc strongly, but the rest of the movie is a bit of a mixed bag. The scenes on Earth are just no where near as interesting as the ones on Asgard, the special effects look straight out of a cheaply budgeted CW show, and it’s hard to understand why Thor and Jane are that into each other, aside from the fact that both characters are played by two EXTERMELY attractive people. Also, some of the setup with S.H.I.E.L.D. feel like they are only here so audience don’t get confused by their presence in The Avengers. Still, the brilliant casting of Chris Heinsworth as Thor and Tom Hiddleston as Loki work wonders and Thor’s redemption arc works quite well, even if the journey along the way can be quite iffy.
24.) Ant-Man
While it still remain a shame we’ll never to get see Edgar Wright make his own Marvel movie, this still deliver as a perfectly enjoyable heist flick. Paul Feig and Michael Douglas were perfectly casted in their roles as Scott Lang and Hank Pym respectively and that third act remains one the more fun and creative third acts in the whole MCU. It also helps that it softened the landing after Age of Ultron was a mild disappointment being more refreshingly smaller scaled compare to other entries. It still does fall victim to many of the usual MCU tropes, especially with the charismatic but underused turn by Corey Stoll’s Darren Cross, but it’s breezy and entertaining enough that it doesn’t bring it down. Also, that cameo fight with you-know-who was cool too.
23.) Spider-Man: Homecoming
As it’s own movie, Spider-Man: Homecoming is fine and certainly enjoyable. As a Spider-Man movie however, it’s quite underwhelming. Tom Holland is great casting as both Peter Parker and Spider-Man, Michael Keaton’s Vulture is one of the very best baddies in the MCU, and the high school elements were somewhat relatable. However, too much of the movie feels restrained, like the filmmakers were too afraid of this movie being compared to the other Spider-Man movies that they desired to play it as safe as possible. There are changes that feel unnecessary (Why does Betty Brant feel like Gwen Stacy?), things that are removed (Uncle Ben’s importance), and things that are added (Spider-Man being Iron Man Jr.) which prevents Homecoming from being a top-tier Spider-Man experience. However after No Way Home and Brand New Day, this certainly has grown on me overtime and now feels like a film that has earned it’s place within the MCU. I like it but don’t love it!
22.) Doctor Strange in the Multiverse of Madness
Arguably the most divisive MCU installment since Iron Man 3, Multiverse of Madness is a film that uses it’s set pieces and effective imagery to flirt with and mock the kind of fandom that care more about filmmakers making their bizarre fan theories coming true instead of making a genuine work of art. It doesn’t quite reach it’s ambitions with quite a bit of characterization being paper thin and not taking as much advantage of the actual multiverse as much as it should (or at least even a quarter of how it was done in Everything Everywhere All At Once) but Sam Raimi’s unique style is on full display here, the set pieces that work here are some of the best in the entire MCU, and Elizabeth Olsen is an absolute force to be reckoned with as the Scarlet Witch. It’s just a shame that Marvel felt the need to apologize for this film and basically make an anti-equivalent of Multiverse of Madness with #21 and (probably) with Avengers: Doomsday!
21.) Deadpool & Wolverine
The third Deadpool film finally introduces the long-awaited arrival of Ryan Reynolds’s Deadpool and Hugh Jackman’s Wolverine into the Marvel Cinematic Universe. For the longtime fans, there’s a lot of fun and enjoyment to be found here with the insane amount of cameos, action beats, full 4th wall breaking humor, and just seeing Hugh Jackman in that classic yellow X-Men suit for the first time ever. As immensely enjoyable as Deadpool and Wolverine is, I did find myself missing the supporting cast that helped carry the first two films and is quite hostile in being a sequel to Deadpool 2. Also, I really hope Marvel doesn’t take the wrong lesson from this movie’s inevitable box office success and start making every movie going for just “MCU Reddit Fan Theories The Movie”. That will get old and fate very, VERY quickly!
20.) The Incredible Hulk
This is perhaps the most underappreciated film in the MCU, especially since this is the kind of movie that critics of this franchise tend to ask for. A movie that is mature, self-contained, and has it’s own arc for it’s main character that you don’t need to see any other movie to fully understand. Not to mention, the clever opening credits that is able to perfectly showcase Bruce’s origin into become the Hulk in a span of just three minutes along with the final fight between Hulk and Abomination is some of he most stand-out scenes in the MCU. However, Edward Norton doesn’t quite capture the character of Bruce Banner in the same way that Mark Ruffalo does and it’s overall distinct tone makes it feel quite jarring to fit in with the rest of the MCU. It’s nice to know though that The Incredible Hulk is getting recognize more from the universe with returning characters showing up in more MCU projects. Far from the best of the MCU but still pretty damn good in it’s own right and deserves recognition.
19.) Black Panther: Wakanda Forever
Black Panther: Wakanda Forever is about as good and thematically rich of a sequel as it could have been given the circumstances surrounding it. Despite losing a main key piece and a few too many subplots that feel like they’re only here to tease future movie and shows, it is still able to follow the remaining characters and themes from the first one in a way that feels organic and right. It’s beautifully acted and made, the handling of Chadwick Boseman’s death is done to near perfection, and is certainly a film you will want to bring tissues too. If only the runtime had been trimmed down and there wasn’t subplots that put more focus on setting up future Disney Plus shows. As divisive as Phase 4 as a whole as been, I don’t think it could have ended on a more emotional note than Wakanda Forever. Hopefully can bring the majority of fans and moviegoers together and realized what amazing things they had in the past while hoping for amazing things in the future.
18.) Thunderbolts*
Thunderbolts* pits the most unlikely scrappy anti-heroes of Marvel together, in a tale about the power of friendship and the dealings of mental health and depression. It’s easy to mistake this film as being a meta commentary of itself, where it’s about a team of unlikely super folks coming together in a time where superheroes have become a thing of the past and the world has moved on from them. However, what makes this stand out as well as it has is the chemistry and the development of the main cast that is front and center. Florence Pugh’s Yelena remains one of the most engaging leads of post-Endgame, Wyatt Russell still has the charm and charisma as dollar store Captain America, it’s always a treat to see Sebastian Stan as Bucky, and Lewis Pullman as Bob has one of the most compelling arcs in recent MCU history. It’s not quite an instant classic with the narrative being too disjointed at points and some characters giving rather harsh treatment (Don’t expect much from Ghost!), but Thunderbolts* is a solid reminder as to what made the MCU work in the first place, putting the characters first and story, lore, and world building second. It’s also refreshing how for the first time in a long time, it actually seems like the MCU has a proper direction and feels like it’s building towards something exciting.
17.) Guardians of the Galaxy Vol. 2
Guardians of the Galaxy Vol. 2 is the one MCU installment that I’ve come close to loving completely but a few elements keep me back to doing so. James Gunn is able to capture that same charm and heart as the first one along with continuing the themes of family and friendship that the first one introduced as well as expand more on the side characters such as Nebula and Yondu. (Not to mention, Baby Groot is the cutest thing ever!) If only the second act didn’t drag as much and the Guardians had the same spark away from one another as they do when they are together, then this could have been just as good as the first one. Thankfully, Vol. 2 ends on an incredibly emotional high with one of the most fun post credit sequences ever in the MCU and Kurt Russell’s Ego is one of the better MCU villains throughout it’s history. Similar to Age of Ultron, it may have not moved the needle when it came out but as the MCU continues to expand, time has been very kind to this one!
16.) The Fantastic Four: First Steps
It may have taken literally four times but Marvel Studios was FINALLY able to get their first family right on the big screen with their MCU debut in First Steps. What makes this film so unique is how it’s able to exist in it’s own little bubble outside of the main MCU, allowing for a visual style, cosmic-like feel, worldbuilding, and a refreshing sense of optimism we have had yet to see in the rest of this cinematic universe. All four members of the team get their own moments to shine (Even if I would’ve liked a bit more of The Thing) and even the humor gets toned down this time around, allowing for more dramatic and emotional beats to play out better than most recent MCU movies. It does feel a bit too fast paced at times, given the indication that an extra 10-15 minutes might’ve been trimmed down due to possible concerning test screenings, and there are certain characters I would’ve liked to see get more screen time but if your biggest complaint with a movie is that you want more, then that MUST mean it’s a good thing. Overall, The Fantastic Four: First Steps is quite simply (I promise no pun intended!) FANTASTIC and a promising new reset to a possible bright future for Marvel!
15.) Shang-Chi and the Legend of the Ten Rings
Here is proof that Marvel still knows how to take the familiar origin beats that they’ve become accustom to but still deliver something innovative and entertaining in the process! Taking a stamp from traditional martial art movies, Shang-Chi and the Legend of the Ten Rings delivers some of the best and most creative action sequences in the entire Marvel Cinematic Universe to date! Simi Lulu as Shang-Chi is one of the coolest heroes the MCU has ever introduced, Tony Leung Chiu-wai as The Mandarian is one of the most engaging villains the MCU has ever had, Ben Kingsley is still an absolute riot as Trevor Slattery, and all of the female characters introduced such as Awkwafina’s Katy, Fala Chan’s Ying Li, Michelle Yeoh’s Jiang Nan, and especially Meng’er Zhang’s Xialing all stand out in their own unique and sometimes badass way. Sure, the third act is quite iffy and the resolution is shakey at best that doesn’t derail Shang-Chi from being one of the finest, fresh, and most pure fun installments in the post-Endgame MCU.
14.) Thor: Ragnarok
Thor: Ragnarök still remains the best Thor movie to this very day! Waititi is able to offer Thor’s most funniest, interesting, and tragic adventure yet, offering the change of pace, style, and tone that the Thor franchise desperately needed to after the underwhelming The Dark World to stand out with the rest of the MCU. Thrown in a great supporting cast with Tessa Thompson, Cate Blanchett, Jeff Goldblum, and even Taika Waititi himself with the return of Mark Ruffalo’s Hulk and you got a complete package here. At times, it can get bogged down by having to carry too much baggage from the first two Thor movies without much proper payoff (I sure hope you weren’t big fans of Thor’s buddies from the first two movies) and it is perhaps “too funny” for some, but if it wasn’t for the success of this movie, there’s a good chance Marvel would have been as good as done with Thor by now.
13.) Iron Man
The Marvel Cinematic Universe started off with an absolute winner with Jon Favreau, Iron Man delivers an incredibly strong origin story of of Tony Stark, who would end up become the face of this franchise for 11+ years! Robert Downey Jr. is hands down the best casting choice in Marvel history as Iron Man and there is not a single scene in his Iron Man armor that he does not look like a badass. If it wasn’t for the tacked-on climax and an incredibly rushed villain arc in Iron Monger, this might just be one of the best superhero movies of all time. For what it’s worth though, we would not have the Marvel Cinematic Universe in any way, shape, or form if it wasn’t for the success of this movie, so this movie deserves all the credit and respect in the world for what it help start. And who could ever forget that bombshell of a post credit scene with Samuel L. Jackson as Nick Fury coming out and mention the Avengers?!
12.) Captain America: The First Avenger
Might be a hot take but Captain America: The First Avenger was my personal favorite of the build-up movies leading up to The Avengers. It had such a warm and nostalgic feel to it that I can’t help but be in the mood to watch it whenever it’s on TV. Even before it became cool to like Captain America, this made me respect and admire the character of Steve Rogers in ways I never imagined. He’s a good guy just trying to do good things and do what he believes it’s right for himself and others. Chris Evans is terrific as Steve Rogers along with co-stars Sebastian Stan, Hugo Weaving, and the absolutely beautiful Hayley Atwell. Even the montage scene that is everyone’s biggest complaint didn’t bother me, even if I wouldn’t have mind an extra 15 to 20 minutes. With it’s warm tone and sense of wonder and optimism threw out, this is one of my personal favorites. Also, you are a robot if you don’t tear up at or near the end.
11.) Spider-Man: Brand New Day
Brand New Day is the first MCU Spider-Man film that is unafraid in giving us the Spider-Man doing his friendly neighborhood duty of protecting the city he’s sworn to protect and doing what’s best for those that he loves. Yes, we get to see Spider-Man at his absolute HIGH points as being the answer to The Big Apple. Yes, we get to see Spider-Man interacting with plenty of faces old and new in this cinematic universe in ways that feel organic, natural, and welcoming every time they are screen. Yes, the action scenes and web swinging sequences are cranked up to 11 in ways that hasn’t been done before in live-action, including a very impressive comic run-like scroll in the film’s opening 20 minutes. But what makes Brand New Day stand out as well as it does is the overall arc that Peter Parker goes through, with the themes of loneliness, isolation, and the need for reconnecting with others blended together beautifully. There are characters that I would’ve like to have seen more of and there’s one resolution towards the end that does feel like a complete copout but any potential narrative shortcoming here is completely washed away with the film’s overall sense of wonder and awareness. It might’ve taken a film of Tom Holland being sad and lonely to give this genre the potential two billion dollar booster shot it needed but hey, there’s no superhero that does it quite like Spider-Man.
10.) Avengers: Infinity War
The culmination of the past 10+ years of the Marvel Cinematic Universe was an event of a lifetime and Avengers: Infinity War was able to deliver on that hype every step of the way! Seeing every possible Marvel superhero coming together to take on the greatest Marvel villain in Thanos felt like a dream come true for not just comic book fans but movie lovers in general. Not to mention, that ending which traumatize and entire generation of children, giving them the “You gotta be effing s*itting me!” feeling that Gen X got with Star Wars: The Empire Strikes Back in 1980. However, certain elements such as the scattered shot first half and an ending that (while shocking) was clearly not gonna last holds it back for being higher on this list. Still, Infinity War is certainly one of the most exhilarating theater experiences I have ever had and it will always hold a special place in my heart because of that.
9.) Spider-Man: No Way Home
Now, that’s more like it! No Way Home was basically the Spider-Man movie that I have been waiting for from the MCU! It offers Tom Holland as his absolute best as Peter Parker/Spider-Man, giving the character more depth and intrigue than he did in his previous two solo movies, finally utilizing the potential of this version of Spider-Man that had previously shown glimpses of it in his extended cameo in Captain America: Civil War and his side roles in the last two Avengers movies. Unlike the previous two MCU Spidey films before it, No Way Home finally gave you an indication as to what this Spider-Man actually IS rather than what he is NOT! Of course, bring back in Tobey Maguire and Andrew Garfield along with their gallery of baddies and this is about as good of a Spidey adventure as it gets.
8.) Iron Man 3
That’s right! Iron Man 3 is my personal favorite Iron Man movie to date! Having the amount of action, humor, twists, turns, and social/political commentary, this is everything I could have ever want in an Iron Man movie. We see Tony Stark going back to basics here as he discovers that he can in fact be the hero that is Iron Man without even putting on the suit. Robert Downey Jr. is at his absolute best here in his solo movies, seeing Tony outside of his comfort zone is fun, and the action is about a exciting and thrilling as it could get with these movies. Hell, I even love that Mandarin Twist that everyone else and their mothers hate, sue me! It’s a shame that Rebecca Hall is sidelined here though and Bill Maher was given any screen time as well. Other than that, Iron Man 3 is the best Iron Man to date and one MCU experience that gets better and better for me each time I watch it.
7.) Captain America: Civil War
Arguably a better Avengers movie than Age of Ultron, Captain America: Civil War feels more like the darker, mature follow-up that we were hoping for than the installment we got in 2015. This is the one that tore the Avengers apart physiologically, where it took several years later to the team to even be whole again. The action sequences are phenomenal, it does a great job at being the right follow-up to both Winter Soldier and Age of Ultron, both sides of the conflict have clear and understandable motives that don’t just bluntly make them right and/or wrong, and every character, regardless of how important they are to the plot or not, get their own arc or at least moment to themselves. Aside from Zemo’s overall actions to his master plan is too far stretched and definitely requires some suspension of disbelief, Civil War remains a top-tier Marvel experience and makes for one of the most rewatchable installments in the MCU.
6.) Guardians of the Galaxy Vol. 3
Guardians of the Galaxy Vol. 3 is able to successfully hit all the beats it needs to give fans and audiences a very satisfying ending to it’s trilogy of what is perhaps the Marvel Cinematic Universe’s most surprising and consistently great franchise, along with showing how Marvel can still find ways to deliver quality entertainment, even when it might seem like they’ve reached their limits. It’s able to be funny, dark, sad, engaging, and deliver the highest and most personal stakes of all the three Guardians films that helps make it stand out as possibly the very best in trilogy. This also has some of the very best performances and emotional beats in anything Marvel related! All Guardians of the Galaxy Vol. 3 needed to do was deliver a conclusion that felt definite, right and satisfying all the same. And on those terms, it was no doubt able to deliver a famously huge third (Pun entirely intended!) I’m glad James Gunn was able to end his run with Marvel on a high note and leave me awaiting his future with DC. A fitting farewell to these lovable galactic a-holes!
5.) Avengers: Endgame
Despite some time travel inconsistencies and one or two misused characters (*cough* Hulk), Avengers: Endgame still makes for a thrilling and satisfying end to the Infinity Saga. It ends the first few waves of Marvel movies on a high note, it’s well-structured and paced despite it being three hours long, it delivers some of the most unexpected but well earned payoffs in the entire franchise, and that final battle, which the whole series was building too, could not have deliver any better than it did. (FYI, the girl power scene is AWESOME! Don’t @ me!) Even if, like INFINITY WAR, it does feels more like an event than a movie, Endgame still makes for one amazing event nonetheless. I will definitely never forget seeing the entire theater’s reaction to Captain America wielding the Mjolnir, showing that he is in fact worthy, or hearing folks cry when Tony Stark died. Even if the Marvel Cinematic Universe ended here, Endgame would have been more than a fine note to go out on and still remain one of the greatest accomplishments in the history of blockbuster cinema.
4.) Black Panther
Yes the CGI isn’t that great. Yes, it does move a bit slow in the first act and quite fast in the third act. And yes, more time with the bad guys would have helped. Nevertheless, when it come to quality, filmmaking, and it’s overall impact on pop culture, I don’t think there’s been an MCU installment that hits quite as hard as Black Panther. The characters are all iconic, especially with Kilmonger being arguably the bet MCU villain to date, everything that takes place in Wakanda is wonderful, the action is well done, especially that car chase, the aesthetic (minus the CGI) is a treat for the eyes, the music absolutely slaps, and the impactful themes are ones that still resonate with me to this very day. When looking back on it, you can tell the impact that Black Panther had with Marvel Studios and director Ryan Coogler and how it would be quite hard to replicated something with that one center piece now gone. Nevertheless, they can at least look back and witness the amazing achievement they were able to accomplish with the absolutely MARVELOUS (no pun intended) gem that is Black Panther. RIP Chadwick Boseman!
3.) The Avengers
The one crossover flick for the ages! The one that change all superhero and blockbusters in general for better and for worse (mostly worse). With all the comic book flicks that have come out after this, it’s easy to forget how much of a miracle it is that The Avengers worked out as well as it did in the first place. Yes, the plotting and themes are simple and can be read like a book but that’s a necessary evil giving it does everything else incredibly well. Just about all the Avengers get their time to shine, the entire cast has perfect chemistry, it has the perfect blend of action, comedy, and drama, and the final battle is an absolute banger, which helps tie everything together and basically as a firework display with Marvel basically celebrating their own tremendous accomplishment. Who knows where Marvel and Cinema would be today if this movie didn’t work out? That in of itself makes The Avengers an all-time classic and one that I will always revisit whenever I’m in the mood. Joss Whedon can suck it though!
2.) Captain America: The Winter Soldier
If Captain America: The First Avenger was a perfect period piece flick, then Captain America: The Winter Soldier is a perfect Captain America flick for the modern times. Not only a very well done espionage thriller with plenty of thrilling action, character development, and important subject matter, but it managed to make certain characters more interesting and badass than ever before. Captain America became cool to like in this one, Black Widow was more interesting and developed this time around (along with having the best hairstyle here), Nick Fury actually gets to do something here than just try to motivate the Avengers through pep talk, and man does Winter Soldier make for an intense and threatening presence whenever he is one screen. This was the Russo Brothers first film in the MCU and they could not have left a better first impression than they did here. Winter Soldier was the one that change the MCU for the greater good and proved they can in fact work as their own things instead of being sneak previews for the main big events. One of the greatest superhero movies ever made and that is NOT an exaggeration!
1.) Guardians of the Galaxy
While this may not be technically the best directed, acted, or written MCU movie, I don’t think there’s any other MCU movie I would rather rewatch than the original Guardians of the Galaxy. It’s incredible how a movie with this different of concept and characters and play barley over two hours yet it feels like the complete package. Every member of the Guardians of the Galaxy is instantly iconic and lovable, with the big standouts being Chris Pratt as Peter Quill/Star-Lord, Bradley Cooper as Rocket Raccoon, and Dave Bautista as Drax the Destroyer, the story is familiar but also refreshing, the action scenes are well-crafted, it’s funny as hell, the score is kick-ass, and there’s some hard hitting emotions that feel just right. The best part about it is that you can easily watch this movie without having seen any other Marvel movie and you’d be able to follow it just fine. Even the one-note villain of Ronan the Accuser, is actually quite functional in his own way as being the space equivalent of Hitler. There are definitely Marvel movies that are better made and might be better objectively but you’d be hard pressed to find one that’s as fresh, surprising, and flat-out more entertaining than Guardians of the Galaxy!
