This weekend saw the re-release of Avengers: Endgame, or as it’s referred to in the marketing as Avengers Endgame- Encore. For the first time since 2019, Marvel’s biggest cinematic achievement returned to the big screens, not only for the sole purpose of FINALLY retaking it’s crown from James Cameron for the highest grossing film of all time but also to get fans and audiences ready for Avengers: Doomsday, which is schedule to be released on December 18th later this year. While it’s largely the same film that you remember from seven years ago, there have been a few extra scenes added in for the sole purpose of adding some form of connective tissue between Endgame and Doomsday that recent Marvel films couldn’t because well…….Kevin Feige had to abandon his plans for Kang as the main bad guy and pay RDJ extra bucks to come back as Iron Ma…..I mean Doctor Doom. Marvel Studios are treating this as a trip back in time to the good old days while the Russo Brothers have treated this as required viewing before Doomsday.
For those that don’t have the money or time to go a watch a three-hour long movie you already saw in theaters back in 2019, you might be wondering what exactly is in this Encore version that makes it so urgent to watch before Doomsday? What could possibly the Russo Brothers had possibly added to this version that makes it worth spending 15-20 bucks for a ticket to go see in a movie theater once again? Well, not a whole lot but there are at least four new narrative scenes that were included, plus a promised custom intro.
Encore’s four new scenes includes three new post credit scenes that sets up Dr. Doom AND the current status of the multiverse and a slight tweak to the ending of the film that connects Steve Rogers involvement for Doomsday. So, no this is NOT an extended version releasing in theaters like say Spider-Man: No Way Home had back in 2022 but it’s basically just the exact same movie as the original Avengers: Endgame but a slight rewrite to the original ending along with two new mid credit scenes AND one end credit scene. Because of that, I’ll go over into detail what exactly these four new added scenes are and what I believe it means for the future.
1.) The New Ending
Remember that heartwarming dance sequence that Steve Rogers and Peggy Carter shared at the end of Avengers: Endgame? That ending that saw Cap going back in time and FINALLY given his best girl the dance that she has wanted since The First Avenger. With Steve at peace with himself and getting to spend his new life with the woman he loves the most and then it cuts to credits. Well, this new ending sees a man knocking on the door at Steve and Peggy’s house during their dance, with the man wanting to see Steve Rogers. That man is no other than……Loki!
That’s right! The same Loki that we followed in his own Disney Plus series arrives at Steve’s house. Steve hides at first with Peggy opening the door. Loki asks Peggy if Steve is there. Peggy asks Loki, if she can help him with anything, with Loki replying that it’s HE that can help THEM! Steve steps into view and it cuts to credits.
It’s to anyone’s guess what this will lead to but it makes it all the more apparent that Steve’s journey in the MCU is not done yet. Could this be Steve finally facing the consequences of his actions of staying back in time after Endgame, which lead to the multiverse being out of whack and now having to face Doom head on as a result? Who knows, but hey, it’s a new ending that leaves the door open for what Steve’s role in Doomsday could possibly be.
2.) Mid Credit Scene #1
This one is actually not strictly a mid-credit scene for Avengers: Endgame but more so for Spider-Man: Brand New Day. Hear we see Bruce Banner regaining his own self after losing himself as Hulk once again by Jean Grey in Brand New Day. Now, he’s isolated in a deep underground facility, recording a video diary as he works on a certain experiment. After the events of Brand New Day, Bruce has been working on a gamma-suppression serum, most likely to gain the same control as Hulk he did before and to avoid another incident like he just had from happening ever again. However, the feed glitches, with a weird mix of glowing and green runes in the background.
Bruce is confronted by a man. That man being Doctor Doom. Once Doom arrives at the facility, he tells Bruce, “I’m here to collect you!” Banner turns into Hulk and lets out a roar! Once the picture returns to a full screen, both are gone; with Doom’s fingerprints all over the floor at the facility.
Despite the reports that Bruce Banner would NOT have a big role in Doomsday, this mid credits scene confirms that might indeed be false. Whether this is a set up for Doomsday or for next year’s Secret Wars remains to be seen but it all but confirms that both Bruce Banner AND Hulk WILL return in the future! Well, at least we know Mark Ruffalo hasn’t been totally blacklisted from Hollywood…..yet!
3.) Mid Credit Scene #2
This one sees a connection back to the Loki series, which the first season aired in 2021 and the second/final season aired in 2023. We see the characters from Loki that include Mobius, O.B. (Ouroboros), Casey, and Miss Minutes at the TVA. There’s a sign that calls Loki, the “Employee of all time.” (Gen Z memes, am I right?!?!) They watch an incursion happen right before their very eyes: Earth-10005 (the Fox X-Men Universe) and Earth-1127 (Anyone’s guess?) colliding and firing on each other. They also see more worlds piling into each other and thousands of universes being terminated. As O.B. says, “The multiverse is collapsing!”
I can make a quip about how this might be a metaphor for the multiverse saga itself collapsing under it’s own weight for Marvel Studios , so much so that they now need the beloved heroes from the past to come back and save them. Besides that, this is clearly an insight as to what’s going on now with the multiverse itself within the Marvel Cinematic Universe, that it’s fallen apart and the TVA doesn’t know how to stop it. I sure hope to god this will be made much clearer in the finished film because man, anyone that did NOT watch Loki before seeing Doomsday are going to be COMPLETELY lost.
4.) End Credit Scene
At the very end of the re-release, we see one last tease for Doomsday. It’s at the very end of the credits where the original Iron Man cave-hammer sound-only sting gets replaced. Taking it’s place are quick flashes of Doctor Doom forging and putting on a mask, similar to Tony Stark putting on his Iron Man mask, with the same metal-striking audio playing in the back ground. As RDJ explained during his Doom reveal at Comic Con, new mask, same task….kinda!
I don’t know what this is suppose to add other than including one last little feature for the very end for the heck of it and hint at a potential parallel between Tony Stark and Victor Von Doom for Doomsday but it’s there anyway!
Well, there you have it! Those are the four new added scenes to Avengers: Endgame- Encore. Whether re-releasing the same 2019 film but including an extra two minutes was necessary is up to debate, but when watching it again in theaters, I was thoroughly impressed how swiftly Marvel was able to stick the landing for the Infinity Saga. Coming off in the same year which Game of Thornes and Star Wars badly butchered their endings to their respective series, the fact the Russo Brothers were able to make it all look too easily is extremely commendable. Now, let’s see if they make lightning strike at least two more times now!
Avengers: Endgame- Encore is now out in theaters for Standard, IMAX, and Infinity Vision.
Earlier this year, it was reported that Disney scrapped a Pixar film that had been in development for three years known as Be Fri, a film about two teenage girls whose friendship was on life support and wondering if it could possibly stand the test of time. It was confirmed that the project got canned because the higher-ups of Mickey Mouse felt a female-centered animated film like that wouldn’t appeal to younger boys. Whether or not you believe that was the main reason for that film being axed (considering the amount of female-led content Disney has produced the last few years, I’m gonna go with an absolute NO!), it’s quite fascinating that DreamWorks Animation’s newest release seems to act as the perfect antidote for those that were underwhelmed of Be Fri never seeing the light of day.
Much like the non-existent Pixar film, it’s main premise too surrounds the relationship surrounding two teenage girls whose friendship is put to the test and wondering if it can stand the test of time. Only it’s main setting is on a mysterious and whimsical island! Oh, and these are Filipino girls! Oh, and it’s also directed by the same guys that gave us Puss In Boots: The Last Wish nearly four years ago! All of those ingredients make this film seem like a match made in heaven and I’m happy to reported that it’s exactly that!
Forgotten Island not only makes for another fine animated adventure from DreamWorks Animation but it’s the best animated film of the year so far! This is a beautiful, funny, and emotionally moving film about two young girls learning the importance of friendship and knowing when to let each other go. The hyper style animation that worked tremendous well with The Last Wish works just as well here, the best friend dynamic between the two leads is incredibly engaging, the male driven side characters are giving enough moments and laughs without overstaying their welcome, and the Filipino cultural representation is absolutely off the charts, being able to capture that same lightning in a bottle with representation that Disney used to be able to do in their SLEEP! It does take a minute to get fully going and the 90s references and comedic male sidekicks won’t be for everybody, but Forgotten Island is the real deal and I highly recommend it!
Premise: Best friends Jo (H.E.R.) and Raissa (Liza Soberano) stumble upon a mysterious portal that transports them to Nakali, a fantastical island that’s filled with magical creatures. When they discover that the memories of their entire friendship are the price for returning home, they try to find a way to leave the island before they forget each other forever.
Admittedly, for the first third of the film, Forgotten Island plays out exactly like the film that the trailer depicted it as, a kid friendly mix of The Hangover and After Hours, with 90s references and pretty visuals flying off the screen willy nilly and using it’s cultural representation as a shield to deflect any kind of mainstream criticism. Yes, the grade/high school friendship setup is cute enough but it can only go so far if it all it has to offer is the absolute bare minimum of decent at best chemistry between the two leads. However, once we see Jo and Raissa enter the unknown island that they’ve heard so much stories off, the picture becomes much more than meets the eye (and I am absolutely NOT making that reference based off another recent animated film that too was hurt by weak trailers and marketing!).
It’s then we see Forgotten Island using it’s own original premise based off to it’s finest advantage. Despite offering plenty of the same slapstick, laughs, and eye popping imagery that the initial reel does, there is still a solid central story here to connect with, with two girls using the memories of their distinct friendship and time together to navigating their way through a mysterious island, with the wonder of how long can their friendship last on the island and off of it once Raissa leaves for college. An island which it’s own gimmick is making you forget of all the time you have spent with the ones you love both on and off the island. While there’s a certain uncanny valley vibe here that directors Joel Crawford and Januel Mercado brought with their previous film, The Last Wish, with themes surrounding time and not throwing your lives away, Forgotten Island does exist in it’s own bubble with it’s main characters making actions not strictly through their own sense of selfishness like Puss in Boots does in The Last Wish but also through their own sense of selflessness. That throughline is what makes this newest DreamWorks animated classic the real masterstroke, making for about as good of a spiritual successor to The Last Wish as anyone could hope for.
Once we get to the forgotten island, we are greeted to several male sidekicks and some other female additions to the cast. These are all individuals of the island that Jo and Raissa have interacted with before but can’t remember when. Without going too much into details with each character, they all serve their purpose here without having roles come across as too small or too large. I can’t guarantee you will laugh at every joke that comes from Dave Franco’s mouth as Raww or won’t see the true motives coming with Jenny Slate’s Batiba but that make enough of a unique presence that only adds to the friendship of our two main leads rather than take away from them. Don’t be surprise if you see Raww added in to the next brand new DreamWorks Animation logo.
The film is able to finish off on a strong note, with a third act that is both equally parts funny and tearjerkingly moving (Did I REALLY get misty-eyed during the climax?!). It’s able to tie up it’s messages and central arcs for it’s two main characters in a way that resolves everything in a satisfying bow that never feels manipulative, contradicts the themes of the story, or even breaks it’s own rules of the forgotten island. It even manages takes perhaps the most infamous end of second act/beginning of third act trope that has become a staple with animated films and actually manages to make it work in a way that I haven’t seen done properly since Wreck-It Ralph. Despite all the laughs, gags, and jaw dropping animation to be found here, it never loses it’s heart and soul and the third act proves it.
The animation is as ever bit of gorgeous as you would expect for a brand new 3D animation film released in 2026! The visuals are eye popping and blend perfectly with the colorful art style that the film presents itself with. And much like the other hyper stylized 3D animated films we have gotten in recent memory, it’s able to use it’s animation to create genuine unique set pieces and imagery that you could possibly never do in live-action. Even if you are someone that is getting sick and tired of the Spider-Verse-like animation style, you can’t deny that filmmakers are doing everything to do their advantages to make animation stand out among the best mediums in film.
The directing by Joel Crawford and Januel Mercado is excellent, it moves at a brisk and fast pace that makes every use it can of it’s 109 minute long runtime, it’s constantly funny throughout with plenty of amusing and creative gags throughout, the voice acting is on point, with H.E.R., Liza Soberano, Dave Franco, and Manny Jacintno standing out the best, and it’s Filipino representation is incredibly refreshing for a mainstream animated film, with plenty of love and care put into every single frame here. Also, having an end credits that shows off the photos of the cast and crew with their friends and families is genuinely heartwarming stuff.
I wouldn’t put Forgotten Island on the same level as Puss in Boots: The Last Wish as it does have some imperfections that weight it down a bit. It takes a second to kick into high gear, with the first reel containing all the tropes you expected with the trailer and a slightly rushed montage of Jo and Raissa’s friendship, the humor among the side characters won’t be to everyone’s tastes, and while it’s cool that the film is set in the 90s, I’m not entirely sure what difference it would make if you just set in modern day other than being free to include as many 90s references as possible and….the 1990s were cool I guess.
Forgotten Island makes for another home run to go with the other home runs that DreamWorks Animations has hit throughout the 2020s. Between the excellent The Bad Guys, Puss In Boots: The Last Wish, The Wild Robot, and this to the very good/great Dog Man and The Bad Guys 2, it might be time to start declaring DreamWorks as perhaps the best western animation studio at the moment. Regardless of your opinions on Megamind 2, Kung Fu Panda 4, or the other sequels from their lesser known franchises that no one remembers, there’s not enough animation studio out there that makes hits click as well as they did, making any recent shortcomings seem forgivable in the long run. Now please DreamWorks, just nail it with Shrek 5 next year and I no longer have to keep defending you!
Regardless, Forgotten Island is the best animated film of 2026 thus far and deserves your money and support in theaters!
Last year mark the 30th anniversary of when DreamWorks Pictures and DreamWorks Animation was first founded.
If you were ask me what major studio out there acts as major competition towards Disney, the answer you would likely get more times than not is DreamWorks. When comparing to two, it’s like comparing Marvel to DC. While the former have be more consistent in quality and have a lot more good movies under their belt, the latter on the other hand tends to have both higher highs and lower lows than their competition. However, when they nail a movie, they really, REALLY nail it!
While their inconsistent through their three decade long history is frustrating, there has been PLENTY of greatness to come from DreamWorks Animation throughout their history. And I decided to make a top 20 list to celebrate that greatness.
20.) The Madagascar Trilogy
When it comes to comparing all the successful DreamWorks franchises out there, Madagascar is a series that sits comfortably in the middle-of-the-road for me, and I mean that in a respectful way. It doesn’t reach the highs with the likes of Shrek, Kung Fu Panda, and How To Train Your Dragon but it’s certainly no Shark Tale, The Boss Baby, or Trolls either. It first perfectly as being solid, enjoyable animated flicks about a bunch of misfits animals that are trying to do everything in their power to get back home to New York. They are about to as creative, funny, and energetic as you can possibly expect for these kind of movies. with no deviation from that quality whatsoever. It’s hard to distance themselves as individuals films, which is why I decided to put the entire trilogy together in order to find a spot for them on this list. While far from the greatest from DreamWorks Animation, the Madagascar trilogy does it’s job to be as hilarious and entertaining as they can possibly be.
You might want to also check out The Penguins of Madagascar tv series, that is really great!
19.) Chicken Run
DreamWorks’s first ever stop-motion feature film is known more for it’s reputation as oppose to it’s quality but it’s quality is still quite good regardless. The animation, character, humor, and voice work are all good here if not a bit dated. Maybe it’s because it’s not a movie that I grew up with or have much nostalgia that’s holding it back from being ranked higher on the list but Chicken Run is certainly worth a spot on this list due to it being one of the first memorable works to come from DreamWorks Animation.
18.) Shrek Forever After
The (to-date) final entry of the Shrek series did not get much love when it came out back in 2010 (even I talked down to it a few times on here) but time has certainly been kind to Shrek Forever After. It takes a page from the book of It’s A Wonderful Life to make this a culmination of the entire Shrek franchise up to this point, which we see a universe where Shrek never exists and how it impacted those he has grown attached to. The animation is stellar, Rumpelstiltskin is one of the better antagonists in the series, and it has a handful of pay-off moments that might just satisfy long-time fans who grew up with the series. Unfortunately, it’s held back by Shrek’s overall arc, which is mostly just a repeat of his arc from the last one (Shrek is not satisfied with his current life and wants to go back to the old one) and that infamous outburst scene that set this arc in motion feels WAY too out of character for our beloved ogre. Still, it is at least able to act as a better series capper than say, Shrek the Third.
17.) Dog Man
This is about as fun, chaotic, and scatterbrained as the source material it’s based on, a dog that is literally cosplaying as a cop. How more wacky can you get than that?! There was clearly a lot of love and care put into the colorful animation, creative humor, and translating the charming character of Dog Man properly to the big screen. While not quite on the level of something like Captain Underpants: The First Epic Movie (at least when it comes to familiar source material), Dog Man makes for a perfectly enjoyable film for kids and family that I’m sure fans of the book will fall high over heels for.
16.) The Road To El Dorado
The Road of El Dorado deserved a much better reputation than it got back when it came out in 2000. This is basically Moana meets Uncharted meets The Mummy meets The Emperor’s New Groove. It’s got beautiful animation, fun main characters, plenty of witty humor and catch songs, and a charismatic voice cast to carry the entire picture through. It’s not the very best of the best from DreamWorks and does follow most of the “animated road trip movies” cliches to a T but this is still a very enjoyable animated film that deserves recognition.
15.) The Bad Guys 2
For as all over the place DreamWorks Animation can be in terms of quality, if there is one thing they know how to do consistently, it’s making a darn good sequel, particularly a darn good Part Two. And The Bad Guys 2 is certainly no exception to that. This is able to continue the story of our beloved misfit animals, as they try to take their next step into society to be better people, even if they live in a society that just won’t let them do that. When they see them getting into action when an all-female squad known as The Bad Girls, the crew comes out of retirement to doing what they are good at, just being plain bad. Everything you love about the original from an animated, comedic, and dramatic standpoint is still present throughout The Bad Guys 2, being able to capture the charm of the original while also able to blaze it’s own path from a narrative standpoint, setting the table for an even better Part Three. It may not feel as “fresh” as the original but The Bad Guys 2 is still able to deliver the Part Two goods when it counts the most.
14.) Captain Underpants
That’s right, I got Captain Underpants on here! Sue me! What might just be the most CRIMINALLY underrated/overlooked movie that DreamWorks has ever released, Captain Underpants: The Epic Movie is an absolute gem that is not just a perfect adaption of it’s source material but it’s a great animated film in it’s own right. It’s a bright, colorful, charming, and EXTREMELY silly movie about two troublemakers living out their childhood fantasies and facing the potential consequences for doing so. Kevin Hart and Thomas Middleditch have great chemistry with one another and helps make the film standout as a laugh out loud riot. The film’s toilet and slapstick humor will certainly not appeal to everyone but then again, this is literally a movie called CAPTAIN UNDERPANTS for crying out loud! If you never seen or heard of Captain Underpants: The Epic Movie, check it out as it’s pretty darn great.
13.) Megamind
Yes, the sequel that came out recently was absolutely terrible. That does NOT change the fact that the original Megamind was just awesome. Able to subvert the standards and cliches of most superhero flicks to create something more interesting and layer, this is able to act as a massively entertaining destruction of the sub genre that has dominated Hollywood blockbusters for the majority of the 21st century. Will Ferrell is perfect as the title character and has great chemistry with David Cross’s Minion, Jonah Hill makes for a super fun bad guy as Titan, and Tina Fey is able to make Roxanne Ritchi stand out as one of the better superhero news report ladies out there. We also can’t forget the superb animation, awesome set pieces, and song choices and needle drops that all fit perfectly. Do not let the awful sequel or recent tv series distract you from the fact that the original Megamind is one of the better and most creative DreamWorks animated movies they have ever made.
12.) The Bad Guys
The Bad Guys is the DreamWorks equivalent of Zootopia and Suicide Squad and it could not be better for it. A fun, beautifully animated flick about the joys of being well the bad guys, with exciting and energetic set pieces to boot. The characters are all likable, the animation style is unique and works perfectly with it’s art style, and even for a film technically made for kids, there’s a bunch a fun little nods and gags for adults to enjoy, the kind of ones that kids won’t recognize until they rewatch this movie a decade or two later. It’s not quite as clever or subversive as other DreamWorks properties out there such as Megamind but it definitely makes for one gloriously entertaining watch and has great potential to be DreamWorks’s next big franchise going forward. Also, Diane Foxington! Just…………Diane Foxington!
11.) How To Train Your Dragon 2
Fulfilling it’s role as the dark middle chapter of DreamWorks’s most critically acclaimed film series, How To Train Your Dragon 2 is a strong example as to why DreamWorks themselves can be counted on to deliver strong middle chapters for stories when they count the most. Taking the next level in terms of animation and technical achievements, this sequel is able to exceed for the same reasons that the very best sequels out there are able to do. It takes the characters to the next step of their development by putting them on a journey which makes them challenges who they are and why they do what they do. The voice work is particularly strong here, especially with Cate Blanchett acting as Hiccup’s long lost mother, delivering in the most powerful dramatic moments of the film. Not to mention, the surprising fate with one of the characters stands as one of the most bold moves that any DreamWorks film has every made. While the antagonist himself is a weak line and it lacks the freshness and novelty the first film had, How To Train Your Dragon 2 is still a very impressive animated sequel that is worthy of praise.
10.) Shrek
Enter the iconic character that acts as DreamWorks most popular franchise, the original Shrek still holds up gracefully! Being able to bring together the traditional fairytale characters and tropes while also doing something incredibly fresh, funny, and subversive with them. Mike Myers, Eddie Murphy, and Cameron Diaz all fit their roles like a glove and help make their characters of Shrek, Donkey, and Fiona more iconic than they have any right to be. The song choices are inspired, the pop culture references actually work very well, and it has an overall nice moral of never judging someone solely on their appearance. It’s a shame that certain folks out there only recognize this movie for it’s memes and not for the actual top quality of this motion picture. Even when taking away the memes and self-aware jokes, Shrek is still a genuine classic that has stood the test of time as being one of DreamWorks’s greats.
9.) Wallace & Gromit: The Curse of the Were-Rabbit
The second feature film from both Aardman and Nick Park, coming off the pretty good Chicken Run, Wallace & Gromit: The Curse of the Were-Rabbit is proof that the duo could in fact make lightning strike twice. This is a hilarious stop-motion picture with unique animation, great jokes, and likable characters that are able to pull the hold thing through. Not to mention, Gromit might be the cutest and most wholesome dog in movie history. The villain is quite flat here and I admittedly don’t know how this will appeal to those that aren’t the fondest of stop-motion animated films. However, looking at it objectively and being among the most inventive DreamWorks films throughout it’s history, there’s not much you can pick apart about Wallace and Gromit: The Curse of the Were-Rabbit. This vegetable caper is definitely entertaining and a cracking good film to watch whenever you need a good laugh. And thankfully, the most recent animated sequel (Which was NOT distributed by DreamWorks btw) is able to be no exception to that either.
8.) Forgotten Island
The dynamic directing duo to Puss in Boots: The Last Wish are able to make lightning strike yet again with Forgotten Island. This is a beautiful, funny, and emotionally moving animated adventure with two Filipino female leads about the importance of friendship and learning when to let go. The hyper style animation that worked tremendous well in telling the story of The Last Wish works just as well here, the best friend dynamic between the two leads is incredibly engaging, and the Filipino cultural representation is on complete full display here, being able to capture that lightning in a bottle with representation that Disney used to be able to do masterfully in the past. It does sag a tad bit in the middle and the 90s references and comedic male sidekicks won’t be for everybody but Forgotten Island is yet another superb 2020s winner for DreamWorks Animation, proving that they might just be the best American animation studio at the moment!
7.) Kung Fu Panda
If there is one movie out there that is basically the textbook definition of “Don’t judge a book by it’s cover!”, that would be Kung Fu Panda. On paper, this sounds like the dumbest idea ever. A big fat panda voiced by Jack Black learning Kung Fu?! That feels like an idea that came from the same person that thought The Emoji Movie would be a great hit! However, once the movie came out during the summer of 2008, we all could not have been wrong about Kung Fu Panda. It’s able to use that “Don’t judge a book by it’s cover” mindset that not only acts what most folks thought of Kung Fu Panda when watching it but use that as the central theme throughout the film. And it’s that theme that makes for the perfect way to tell the story of the main character of Po, the titled panda that learns kung fu. We also got terrific animation, superb fight sequences, a wonderful supporting cast of characters, a riveting musical score and amazing character development all the way through. It’s those exact reasons and much more that makes Kung Fu Panda as good as it is. This is a film that doesn’t in spite of it’s delightfully silly premise, it works BECAUSE of it! And it could NOT be any better for it!
6.) The Prince of Egypt
The Prince of Egypt is one of the most beloved animated films ever made and you can certainly understand why. The animation is stellar, the music is great, the tone feels just right, the art style works, it’s religious aspects are interesting and very well explored, and it’s an overall moving story about two brothers that start out being together until the end of time but then later becomes bitter rivals to their last dying breath. Some of the songs aren’t the greatest and don’t fit (especially the Priests song) and it’s something you definitely have to be in the right “mood” to enjoy but for what it’s worth, The Prince of the Egypt is still a very impressive animated film and perhaps the best depiction of the Moses story that’s been seen on film to date, animation or otherwise. Even if you aren’t a religious person or dread having any ties to any known religion, this is one of the few movies of it’s own kind that I could recommend to just about anybody. It’s that darn good!
5.) Shrek 2
If you want to talk about the perfect sequel, look no further than Shrek 2, along with the other sequels on this list of course. The story is more engaging, the characters are more lovable and charming, the animation is more gorgeous, the voice work is more stellar, the set pieces are more creative, the fairytale/pop culture references are even better utilized, and the humor is much more funny this time around. Add in the wonderful presence of Antonino Bandera’s Puss in Boots, the Fairy Godmother as the main villain, and one of the best climaxes arguably in film history with an AMAZING usage of I Need A Hero and you got one beautifully done animated sequel. There are a handful of logic issues (Like how it takes forever for Shrek and company to get to Far Far Away but only takes Gingy, Pinnochio, and others like a couple of hours to get there) but when a sequel is this well-made, heartfelt, and absolutely HILARIOUS (The C.O.P.S. gag gets me EVERY time!), it’s impossible to care. Great comedy sequels are really hard to come by and Shrek 2 stands out as one of the very best in that regard!
4.) How To Train Your Dragon
On paper, How To Train Your Dragon movie seems like every traditional hero journey and human-animal bonding flick you have ever seen. However, not only does it do just about all of those traditions so well, it’s done in an extraordinary way that it feels like you are watching this story on fold for the very first time before your very eyes. Hiccup makes for a very likeable protagonist that’s easy to root for and his relationship between his pet dragon, Toothless, and his soon-to-be lover/partner in Astrid are so engaging, acting as the beating heart of the film. And don’t get me started on it’s stellar animation and flying sequences that blew my mind when seeing it in theaters back in 2010 and still blows my mind to this day. How To Train Your Dragon is prove that just because you are telling a familiar story does NOT mean you have to tell it in a familiar way. If you add enough freshness and novelty to it where it feels like you are seeing this story being told for the first time ever, then you have succeeded entirely and have one big animated classic on your hands. While I may not known how faithfully this is from an adaption standpoint (Yes, this is based off a book), as a film, the original How To Train Your Dragon was pretty much perfect.
3.) Kung Fu Panda 2
Kung Fu Panda 2 is one of the rare sequels that not only is as good as the original Kung Fu Panda, it’s even better. It does EVERYTHING you want a sequel to do. Instead of doing the same old same old, it actually does something new and different. It takes the characters into exciting and new directions, it expands upon it’s story and lore in the most logically way possible, the action and animation are taken to the next level, the villain of Lord Shen is given more focus and is used perfectly, and it’s able to act as the best possible next step for the journey of Po as oppose to do just retreating steps from his first go around. Also, the scene where Po discovers inner peace is the series true definite moment up to this point, as well as just being one of the most beautifully done sequences in animation film history! (You are a robot if you did not cry during that scene!) Kung Fu Panda 2 is not only the best Kung Fu Panda movie thus far but it’s possibly one of the best animated film sequels ever made period. It’s so good that there’s a good argument to be made that this is where the series officially peaked.
2.) Puss In Boots: The Last Wish
Acting as perhaps the most surprising film that DreamWorks Animation has ever done, Puss in Boots: The Last Wish is an exciting, triumphing Part Two to go along with the other great Part Twos that DreamWorks Animation has created with their filmography. The animation is spectacular, the characters are engaging, the set pieces are fun and inventive, the story goes into dark places you wouldn’t think a simple “kids” movie would go, and it teaches a very valuable lesson on how we should live our life to the fullest with the ones we love before it’s too late. This also has perhaps the most entertaining bad guy in DreamWorks with Jack Horner and the most scary and intimating villain in possibly all of DreamWorks with The Killer Wolf, A.K.A. Death. For a 11-year long sequel that no one was really asking for, Puss in Boots: The Last Wish acted as a near perfect animated film, with phenomenal animation, writing, and voice acting to justify it’s own existence completely. Never in a million years would I guess that it would be frigging Puss in Boots of all characters that could be in the conversation of best DreamWorks Animation film ever made but I guess anything is possible.
1.) The Wild Robot
This may be recency bias but I honestly can’t think of a DreamWorks animated picture that is as complex, layered, and impressive as The Wild Robot. It represents the pinnacle of DreamWorks Animation, delivering one last final triumph before they have to rely on tools and resources from other studios for the immediate future. The animation is jaw droppingly gorgeous, the characters are all engaging, endearing, and wonderful to follow, the voice cast is all terrific with everyone being 100% committed to their role, the musical score is mesmerizing and carries the film on it’s own on several occasions, there’s is plenty of funny gags and emotional beats that work greatly, and the way it tackles the themes surrounding survival, parenthood, kindness, purpose, and coexistence is nothing short of marvelous. The amount of plates is able to spend in the air at once and how many hoops it dares to jump through is able to make the film stand out in ways that it had no business of doing so. This is animation and multilayered storytelling at it’s finest and The Wild Robot might just be the next prime example for that. Thank you to all the folks at DreamWorks who worked in-house for the company and I hope the very best awaits you in the future!
With this weekend’s release of Resident Evil (2026), now is a good time to talk about what I consider to be the best video game movies ever made. Despite all the constant negative reputation surrounding films that acts as adaption of well-known gaming franchises, I think most would agree that there has been an enormous quality leap for those in recent years. While I still believe there was always a solid video game movie flick every now and then, it was sometime between the late 2010s and early 2020s which saw much better and more faithful video game adaptions in movie forms. Perhaps it has to do with more cast and crew involved with these projects nowadays that actually have a knowledge and respect towards the property it’s based on but, it’s definitely nice and refreshing to see better video game flicks come out as of late, especially after several years of folks claiming that video game just can’t work in movie form whatsoever.
Now that another video game movie in Resident Evil (2026) is now out in theaters, I’m gonna talk about 15 video game films that I believe range from decent to being worthy of their source material. A friendly reminder that I am only referring to movies that are STRICTLY adaption of video games and not just ones that have video game elements to them. That’s why you won’t see movies such as Wreck-It Ralph and Free Guy on here.
Onwards to the top 15 best video game movies of all time!
15.) Final Fantasy: The Spirits Within
This is one that gets a ton of flack from fans but it’s much better than it’s haters would want you to believe. While this is certainly a departure from the games themselves with a setting that takes place on Earth in the year 2065, it still succeeds on it’s own merits of telling a new and original story. Instead of trying to awkwardly cram an entire plot of a RPG game into a single film with all of the famous fantasy elements of the game shoehorned in, Final Fantasy: The Spirits Within puts more of an emphasis on blending the sci-fi and fantasy genre together with a more straightforward and different plot that can stand on it’s own merits. Yeah, the CGI animation hasn’t aged particularly well (especially with the dead shot eyes of the characters) and those that were expecting a complete “easter egg” fest will be disappointed, but Final Fantasy: The Spirits Within is still a fairly interesting adaption overall from the creator of Final Fantasy himself.
14.) Lara Croft: Tomb Raider
While this got a bad reputation when it came out in 2001, time has been quite kind to the first installment of the two-parted Lara Croft spin with Angelina Jolie. It’s full of camp and cheese but it still does it’s title character justice, seeing her being the beautiful experience badass that she is meant to be on the big screen. No offense to Alicia Vikander and Sophie Turner but Angelina Jolie as Lara Croft is complete and utter perfection, so much so that she can easily slip back into the character again all these years later and she would still be good. It certainly does acquire a certain suspension of disbelief, kinda like with the games, and there are times where there’s a bit too much fan service for it’s own good, but for what’s it worth, Lara Croft: Tomb Raider is still an enjoyable time and I would certainly be open for a sequel with Vikander’s return.
13.) Detective Pikachu
A Pokémon movie had all the potential to work as a feature film, especially since there had already been several straight-to-dvd films that had come before this. However, there had never been a well-known live-action Pokémon movie until 2019’s Detective Pikachu. Thankfully, it is able to deliver a good time that fully embraces the world that Pokémon is established in while maintaining a good sense of humor throughout. Ryan Reynolds works very well as Pikachu and has good chemistry with Justice Smith’s Tim, forming the perfect kind of bond ship I imagine players always saw themselves with their own fellow Pokémon from their favorite installments in the series. It doesn’t break any new ground but Detective Pikachu has plenty of heart, laughs, and amusing set pieces that will likely leave any die hard Pokémon fan with a smile on their face after watching it.
12.) Sonic The Hedgehog
This was a film that everyone and their mother was determined to hate the moment the very first trailer dropped with the fugly Sonic design. But then, the film was delayed to change up the design and things looked more promising. Then we all saw it and it was pretty damn good. Sonic the Hedgehog is one of the very few films to take the whole “cartoon characters in the real world” gimmick and actually make it work. Even if it didn’t film didn’t act as a proper adaption for Sonic, it works very well as a story about a young kid that’s trying to find his place in a new world. Ben Schwartz is great as Sonic and plays off of James Marsden very well but it’s Jim Carrey that steals the show as Robotnik as everyone expected, getting a chance to go full Jim Carrey like never before. It certainly does hit plenty of the notes that these “family movies but for kids” flicks do but for what it’s worth, Sonic the Hedgehog got something for everyone to enjoy.
11.) Rampage
It’s a monster movie with The Rock! What else could you possibly want?! (Or at least back in 2018 anyway!) Rampage acts as an adaptation of a very popular arcade game that was also released on the original Nintendo Entertainment System back in the ’90s. The results is basically a feature film that plays like a straight up monster movie where monsters attack the city and the main character has to attempt to save the city. Does it follow every trope for these kind of movies to a t? Sure, but it’s still a lot of fun for those that have a fondness for these kind of movies and of course, have a fondness for the Rock kicking serious butt. And it might just be even better than every single one of the current Monsterverse films thus far.
10.) Mortal Kombat II
After the muted/lukewarm reception of 2021’s Mortal Kombat, 2026’s Mortal Kombat II is able to deliver the goods that it’s predecessor didn’t for a solid crowd pleaser that works for both fans of Mortal Kombat and mainstream audiences. It’s able to dial up on the ridiculously bloody spirit of it’s source material while making sure to put it’s focus on action, gore, and fan favorite characters over convoluted mythology and confusing lore. The plot itself is about as dumb and over-the-top as you would expect for a MK movie and there are certainly some questionable casting choices (I love Karl Urban but he is NOT Johnny Cage!) but for what it’s worth, Mortal Kombat II does work as a big improvement over it’s predecessors, proving that the filmmakers did their homework and take fan feedback seriously. It’s not quite the best Mortal Kombat movie ever made but it does it’s job just fine.
9.) The Super Mario Bros. Movie
To be honest, if we are going by video games in terms of straight up faithfulness to the games themselves, this would likely be #1 easily. The Super Mario Bros. Movie is the one video game movie that feels like it was 100% ripped straight from the games in terms of it’s animation, style, world building, and amount of fan service throughout. It even works quite well as a simple story of a complete zero turning into a complete hero along with the importance of brotherhood. It’s just so much fun seeing characters such as Mario, Princess Peach, Donkey Kong, and Toad kicking butt together on the big screen for the first time ever. Not even the tropes from Illumination Animation that brought down their prior movies such as an obvious celebrity heavy voice cast and awkwardly inserted song tracks are able to bring this one down. If only Luigi didn’t get done so dirty and Yoshi played any role whatsoever that this could have been ranked higher. And yes, Chris Pratt was just fine as Mario and Jack Black was as perfect as Bowser as you would expected. I’m gonna go listen to Peaches again.
8.) Professor Layton & The Eternal Diva
If you want a video game flick that can provided an intriguing mystery and a puzzle that you won’t be able to solve in a heartbeat, look no further than Professor Layton and the Enteral Diva. For a gaming franchise where puzzles are it’s main point, this adaption is one that has more than enough brain teasers to satisfy longtime fans and even get more newcomers interest in it. You also have some well-done animation, an art style that fits very well with the games it’s based on, a talented voice cast, and a story about memory and mortality that stands well on it’s own. To say any more will be spoiling but there’s plenty to like here from both fans of the series and those that enjoy a good mystery thriller.
7.) Gran Turismo
The newest video game movie directed by Neil Blomkamp is much better than it had any right to be. Gran Turismo follows the (shockingly) true story of an expert gamer turning into a full-time racer. Despite the actual story being something you can see coming a mile away with the inclusions of many of the typical cliches for sport movies, it’s able to overcome all of that thanks to superb directing, incredibly tense and well-done racing sequences, sound design that’s off the charts, and having a surprising amount of heart throughout. At it’s core, it’s basically a story of someone being able to make their dreams come true once they are able to get their one shot at it. And of course, David Harbour is always welcome in anything! Keep your expectations in check and you might be find yourself surprised at how much of a fun and moving ride this is!
6.) Silent Hill
Back then, the best kind of video game movies weren’t so much the ones that felt the most faithful to the games but more of the ones that’s able to fully embrace the subgenre that the games were a part off and build a stand alone story out of that. 2006’s Silent Hill was able to deliver exactly that by going into full horror and thriller mode with the exact kind of mood and atmosphere that the games themselves embraced. The monsters themselves are great, the tension and suspense is felt completely throughout, and it’s somehow able to bring the sleepy town of “Silent Hill” to life. Despite initially getting panned by critics at the time of it’s release, fans of Silent Hill have come to love and appreciate this film adaption. Just skip the sequel entirely (oh, and you can take or leave the OTHER sequel as well)!
5.) Sonic The Hedgehog 2
Sonic the Hedgehog 2 is able to find that perfect balance of being faithful to the source material while also staying strong as it’s own film. It’s able to expand on the themes of the first film very well with Sonic wanting to come into his own as a hero along with learning to accept Tom as a father figure. You also have more elements from the source material thrown in here that work wonderfully here. Tails is cuter than a bag of kittens and a complete fanboy for Sonic, Jim Carrey is back and better than ever as Robotnik, and Knuckles whose played perfectly by Idris Elba, has never been cooler and more badass than he has been here. Not to mention, the final 30 minutes is everything that any Sonic fan could possibly dream off seeing in a Sonic movie. Even if you don’t care for the wedding subplot (which I actually liked and found it pretty funny), there is plenty for anyone to enjoy here. If you are a fan of Sonic, someone who enjoyed the first movie, or just want to have a good and fun time overall, then Sonic the Hedgehog 2 is a video game movie for you!
4.) Resident Evil (2026)
After several attempts at adapting Resident Evil on the big screen, with results ranging from guilty pleasures at best to absolute trainwrecks at worst, Zach Cregger puts his bold and unique stamp on this popular gaming series with very satisfying results. While it doesn’t play out as a straight-up adaption of the games like prior installments, Resident Evil (2026) certainly captures the atmosphere, campiness, and 1st person perspective better than any of the films thus far, with Austin Abrams leading the way as a medical courier trying to survive the ins and outs of Raccoon City, while slowly losing himself and his sanity in the process. It does end quite abruptly (What would you expect from Resident Evil?!) and those that aren’t fond of being exposed to the “cheeseball” nature of the series will certainly be disappointed but of all the ill-fated tries at adapting Resident Evil, Zach Cregger’s 2026 entry is by far the best one thus far. Now if the fanbase would just give off his ass, we MIGHT just get an even better sequel next time!
3.) Mortal Kombat
Despite this being the Mortal Kombat movie with the PG-13 rating with practically no gore to speak off, the 1995 version is still the best Mortal Kombat movie release to date. It’s able to capture all the fun, camp, action, and over-the-top-ness that the game series provided while also having the entire cast of fan favorite characters with their own arcs and personal moments to shine, with a plot that’s surprisingly very functional with no useless filler to speak of and is quite easy to follow, regardless of whether you played the games or not. Even if it does strip itself from the gore and certain elements from the games, it’s still able to work incredibly well as an adaption by fully capturing the spirit of the 90s and the central essence that the franchise has embraced since the beginning. While this has been (slightly) surpassed in recent years as being the best video game movie ever made, it’s still stands comfortably as one of the better ones ever made.
2.) Werewolves Within
Here’s one that very few people know is actually a video game movie or even are aware of it’s existence. That needs to change ASAP because Werewolves Within is an absolute slam dunk of a motion picture and is one of the very best video games films ever made. Despite making significant changes to the source material, it’s able to remaining very true to the entire point of the game, which of course is guessing who is suppose to be the werewolf among a certain group. At the end of the day, all that matters is getting the core appeal of the series you are adapting along with crafting a film that can stand well on it’s own two feet. It’s very well made, the characters are very entertaining, everyone from the cast and crew is clearly having a blast, and the mystery of the werewolf will keep you guessing and on the edge of your seat until the very end. Just like with Professor Layton and the Enteral Diva, it works greatly as a mystery thriller for fans of the source material and for newcomers as well.
1.) Sonic The Hedgehog 3
Just when you thought it couldn’t get better than Sonic 2, Sonic The Hedgehog 3 is able to sweep in and take the crown as not just the best Sonic movie to date but also the very best video game movie to date! This is just about every Sonic’s fans dream come true! The Sonic characters themselves are at the absolute forefront with more focus than ever, the action and set pieces are all exhilarating and fun to watch, the CGI and special effects are a treat for the eyes, there is more fan service and easter eggs than before, it’s able to adapt the storylines from Sonic Adventure 2 and Shadow the Hedgehog near perfectly, and Keanu Reeves predictably kills it as Shadow, as the character gives more depth and development than he arguably has in any other Sonic medium! It’s also nice to see how Sonic himself has grown through out the trilogy and seeing Jim Carrey bounce off well…..himself is an absolute laugh riot! This is just a series of films that keeps getting better with each installment and if the post credit scenes for this one is anything to go by, the next one could be even better! Is it high art? Probably not! But does it understand the assignment? Hell yeah, it does! Whether you are a longtime fan or a newcomer that has recently got into the series or someone that enjoys a good time, Sonic The Hedgehog 3 is an absolute triumph and is my personal favorite video game movie to date!
Just like I did last year when I went over my top 15 favorite films that came out in 2010, I decided to carry that along to this year and share what my top 15 favorite films from that came out in 2011 were. And as I said last year, time sure flies by and it’s BAFFLING to me that it’s already been 15 years since 2011 occurred. It was a year that brought me nothing but good vibes throughout and it simply makes me nostalgic for a more earnest and innocent time throughout our daily lives, particularly when there was a much proper balance between social, television, AND internet.
However, I don’t think 2011 was as strong of a year for film as was 2010. As a matter of fact, I would probably say that among the years for films throughout the 2010s, this might just be the weakest year for film of the decade in my humble opinion. Not to say it was bad overall (Even the weakest years for films ALWAYS has plenty of winners that are worth seeing!), but there’s not a ton of films this year that I believe stands out among the rest of the 2010s. Although 2011 was among the best years of the decade when it came to video games, 2011 wasn’t quite up to par when it came to feature films.
I still do have 15 films that I want to share as being my absolute favorites of 2011 but I only have about five honorable mentions I want to share. Although I did originally have five others films for honorable mentions, those were mostly films that I really liked or throughout were just fun rather than films that were truly great in my eyes if that makes sense.
Honorable Mentions:
50/50
Arthur Christmas
Attack of the Block
Bridesmaids
Rango
Also, FYI, Tinker Tailor Soldier Spy is NOT on this list because…..I didn’t care for it too much. Sorry, not sorry!
Now, onto to the main top 15!
15.) Fast Five
Yep, I just had to save a spot for the very best Fast & Furious movie to date! Every action scene, from the car chases to the hand-to-hand combat to the heist missions, is very well done, the stunt work from every member of the team is so good that they all deserved an Oscar, the supporting cast is at their absolute best and most well utilized here, the family drama and tension has never been more personal, and introduces the most charismatic actor of the series that acted as the perfect “shot in the arm” with Dwayne “The Rock” Johnson. This was the one where it felt like the whole thing came full circle, paying off four movies of ill-conceived plots and delivering a spectacular climax in the heist mission that is easily the most stand out sequence in the entire franchise. It’s gloriously excessive, dumb, and over-the-top but it still feels Fast & Furious! Fast Five is the best that this franchise has gotten and is just as good as these kind of films can possibly get in general.
14.) Rise of the Planet of the Apes
Despite a lackluster marketing campaign and being released during the height of reboots/remakes era in Hollywood, Rise of the Planet of the Apes ended up being one of the more welcome surprises in recent film history. Andy Serkis gives an outstanding motion capture performance as Caesar, by far the most engaging protagonist in this series and seeing how his story begins is equal parts thrilling and emotional. Sure, the human characters are about as thin as they come but that’s okay because there’s more than enough time with the apes to make up for that. If the majority of reboots and remakes were anywhere on the level of Rise of the Planet of the Apes, we would have virtually nothing to complain about.
13.) The Descendants
If you want a perfect example on how to do a good old fashion “dramedy”, look no further than The Descendants. George Clooney is able to take an impressively mournful turn here, playing a man who is forced to deal with the frustration of a loved one’s passing. With a tight script, great cinematography, and terrific performances to boot, this is definitely worth watching if you are in the mood for a “dramedy”! Just make sure you bring yourself a handkerchief if you chose to do so.
12.) Source Code
There is nothing that excites me more than an awesome and uniquely original sci-fi film. Smart, thought-provoking, and with a refreshing premise, Source Code does everything it possible can with what it has to work with, with strong acting, an engaging narrative, and interesting characters to help hold the entire picture without having you think too much about any nagging plot holes or loose ends. Duncan Jones was able to shine quite brightly with First Moon and with Source Code, he was able to make lightning strike twice.
11.) Warrior
I would be lying if I said Warrior wasn’t the most sports heavy movie I’ve ever seen that hits the exact same beats that you would expect for these kinds of movies. However, that still doesn’t hold it back from being a gloriously entertaining and tense experience regardless. Tom Hardy, Joel Edgerton, and Nick Nolte are all great here, the direction from O’Connor is on part every step of the way, and it’s a film that’s able to find satisfying payoffs to everything it builds up too, making for an emotionally rewarding experience by the time the credits roll. Yes, you have seen this story before but that still doesn’t hold back Warrior as being a damn fine way of telling it.
10.) Drive
While director Nicolas Winding Refn can be extremely hit or miss for me, he was able to fit quite well for me here with Drive. This is a hypnotic, character-driven crime thriller about a skilled Hollywood stuntman who moonlights as a gateway driver for criminals. That description right there pretty much tells you that this is one crazy, chaotic ride but in the best way possible. All the performances are great in it (particularly from Ryan Gosling, Carey Mulligan, and Albert Brooks), the score from Cliff Martinez is haunting, the script is well-though out and multilayered, and the cinematography is absolutely breathtaking. Even if you aren’t the biggest fan of Mr. Winding Refn, Drive is still a film I would highly recommend.
9.) The Adventures of Tintin
You wanna talk about the best Indiana Jones movie that is somehow NOT an Indiana Jones movie, look no further than The Adventures of Tintin. It’s got some of the main people that were involved in the Indiana Jones franchise from Spielberg to Kennedy to Williams, there’s an adventure that leads to the main character needing to look for a McGuffin before it falls into the enemy hands, there’s plenty of action set pieces that the main character will have to go throughout their journey, and it even has an unlikely sidekick or two that sounds like the most oddest yet awesome pairing ever. However, the one element that Adventures of Tintin captures just as well with the original Indiana Jones trilogy and arguably does it better than either Indiana Jones movie that has come out in the 21st century thus far, capturing that exact feeling of adventure, excitement, and discovery. The Adventures of Tintin is one of the most overlooked animated movies in recent memory, one of Spielberg’s best films in the 21st century, and is just a terrifically enjoyable ride all around.
8.) X-Men: First Class
After The Last Stand and Origins: Wolverine came out, the X-Men franchise felt about as good as dead. Thankfully, Matthew Vaughn was able to bring the series back to new heights with the excellent (No pun intended!) prequel known as X-Men: First Class. This really felt like a proper origin story about the very first members of the X-Men becoming a team along with the start of the biggest love-hate relationship ever with Charles Xavier and Erik Lensherr. The cast are all excellent and have perfect chemistry with one another (James McAvoy and Michael Fassbender might just even better than their older counterparts!), the action is fun and inventive, the soundtrack is great, and it’s able to fit all the requirements needed for a prequel film without the baggage that tends to weight these kinds of films down. The film’s villains could have been fleshed out more (Even if Kevin Bacon is clearly having a blast in the role!) and yes what they do with Darwin absolutely SUCKS but as a whole, X-Men: First Class is the real deal and one of the best installments in this franchise.
7.) Captain America: The First Avenger
Might be a hot take but Captain America: The First Avenger was my personal favorite of the build-up movies leading up to The Avengers. It had such a warm and nostalgic feel to it that I can’t help but be in the mood to watch it whenever it’s on TV. Even before it became cool to like Captain America, The First Avenger made me respect and admire the character of Steve Rogers in ways I never imagined. He’s a good guy just trying to do good things and do what he believes it’s right for himself and others. Chris Evans is terrific as Steve Rogers along with co-stars Sebastian Stan, Hugo Weaving, and the absolutely beautiful Hayley Atwell. Even the montage scene that is everyone’s biggest complaint didn’t bother me, even if I wouldn’t have mind an extra 15 to 20 minutes. With it’s warm tone and sense of wonder and optimism threw out, this is one of my personal favorite movies not just in 2011 but also in the entire Marvel Cinematic Universe! Also, you are a robot if you don’t tear up at or near the end.
6.) Mission Impossible- Ghost Protocol
Here is where the franchise would be taken things to the very next level. Brad Bird is able to make a stellar first impression in his live-action debut by delivering a Mission: Impossible installment that at the time in 2011 was the biggest and the best the M:I franchise has ever gotten in terms of action, scope, and delivering the most impossible mission imaginable. This is also where you would certainly feel the fantastic chemistry that Cruise would have with his cast members such as Simon Pegg, Ving Rhames, Jeremy Renner, and Paula Patton (who I’m still awaiting her return to the franchise). The main highlights of this installment include the gripping as hell opening sequence in the prison, the “girl boss” fight between Paula Patton and Lea Seydoux, and of course, the intense, breathtaking set piece in Burj Khalifa where Tom Cruise climbs the tallest mountain in the world. The main downside is that this has easily the weakest villain in the franchise, containing conflicts and motives that I constantly keep forgetting about every single time that I watched it. Nevertheless, Ghost Protocol is still excellent and did it’s job at keeping the series fresh four movies in. Brad Bird should certainly consider returning to directing live-action (even if Tomorrowland didn’t work out).
5.) The Muppets
It’s the freaking Muppets! What else needs to be said?!?!
4.) Harry Potter and the Deadly Hallows Part 2
There have been plenty of big grand endings to long-running franchises that has come before AND after this film released in July 2011. Some of hit hard, while others hit too far. Harry Potter and the Deadly Hallows Part 2 was able to hit the exact target without any prior baggage dragging it down. This finale of a long-running film franchise based of a beloved book series was able to save the very best from last, with the direction, acting, cinematography, and score taking to a whole new level and finding some way to bring all eight films to a very fitting and conclusive circle. Yes, author J.K. Rowling is still……J.K. Rowling but if you are to take that knowledge through a rearview mirror, Harry Potter and the Deadly Hallows Part 2 remains one of the most grand and satisfying conclusions in recent cinema history. It’s never easy nailing the final chapter but thankfully, this was able to do just than and then some.
3.) Moneyball
If you have been following me on here since the beginning, you would know that I absolute LOVE baseball and movies. And very few things are as satisfying to me when BOTH of the things I love are brought together. Moneyball is a great inside look to the “analytical” side of not just baseball but all of sports, showing the early days of when the analytics would be the main driving force of decision making from management and showing proof that you don’t need the biggest payroll in the role in order to win. Brad Pitt is perfect as Billy Beane, easily one of his best performances to date, Jonah Hill and Phillip Seymore Hoffman (RIP!) are equally great in supporting roles, the script is tight, witty, and feels appropriately baseball, and the actual baseball scenes, while few and far between, are equally as well-done as the rest of the picture. Maybe it could be my bias with the love of the sports but if you ask me, Moneyball is an absolutely perfect sports and baseball movie that I will continue to rewatch time and time again.
2.) Kung Fu Panda 2
Kung Fu Panda 2 is one of the rare sequels that not only is as good as the original Kung Fu Panda, it’s even better. It does EVERYTHING you want a sequel to do. Instead of doing the same old same old, it actually does something new and different. It takes the characters into exciting and new directions, it expands upon it’s story and lore in the most logically way possible, the action and animation are taken to the next level, the villain of Lord Shen is given more focus and is used perfectly, and it’s able to act as the best possible next step for the journey of Po as oppose to do just retreating steps from his first go around. Also, the scene where Po discovers inner peace is the series true definite moment up to this point, as well as just being one of the most beautifully done sequences in animation film history! (You are a robot if you did not cry during that scene!) Kung Fu Panda 2 is not only the best Kung Fu Panda movie thus far but it’s possibly one of the best animated film sequels ever made period. It’s so good that there’s a good argument to be made that this is where the series officially peaked.
1.) The Tree of Life
Here’s the truth: I have only ever watch this film ONE time and I don’t ever plan on rewatching again anytime soon. However, it’s that one watch of The Tree of Life that made for one of most magical viewing experiences I have ever had watching a film, so much so that I don’t ever want to watch it again because I don’t want my one experience being taking away from me. Terrence Malick delivers a complex, thought-provoking, and incredibly beautiful piece of filmmaking, not only perfectly portraying the perfect traditional family values lifestyle but also one of the most honest to god interpretations of life as a child and losing your innocence. With perfect direction, perfect cinematography, perfect visuals, perfect acting, perfect editing, and perfect imagery, The Tree of Life is a one of a kind cinematic experience that I will think about for the rest of my life. I don’t know if I ever will watch it again but man, sometimes one time is just enough.
Movie theaters are back! Or that’s at least what I’ve been hearing for the past month or two! Ever since that disastrous turn of events that shut down the whole world for a year or two, movie theaters all around the world has seen a significant decline in ticket and concessions sales. That hasn’t stopped Hollywood from doing everything in their power to keep the movie theater going experience alive. Even in the age of streaming, pirating, and Tik Tok, this is a battle that the movie making folks in southern California (and other parts of the world) are willing to fight until they suddenly can’t.
And I don’t think there has been a period of time that has determined just how “well” movie theaters are going throughout the 2020s than this year’s lineup of summer blockbusters, especially since we are entering the latter half of the 2020s. Six years removed of movie theaters being shutdown and two years of infamous strikes, this is probably the most “back to normal” feeling that Hollywood has felt since pre-Covid. If this summer saw yet another underperforming two to three months, then there must come serious questions as to how long movie theaters have before they go extinct.
However, now that summer of 2026 has come and gone, it’s time to see the results of how all the main feature films did in movie theaters everywhere. And the results are…….surprisingly positive. While there are certainly some baffling duds that do raise cause for concerns for certain IPs, there were plenty of notable successes that were so successful that it practically made up for all those duds. Because of that and more, 2026 is looking to be hands down the best year for movie theaters since 2019! And for the first time since Covid, that actually is saying something!
In case you are wondering how I am judging this data, I am gonna look at a chunk of wide releases that came out at the start of May to the near the end of August. I’m gonna list the film’s budget, how much the film made at the box office, what the projected break even point likely was, how much the film gain in profit, and whether or not it should been seen as a success, flop, underperformance, or break even point for the studios.
I’m only gonna use math that most tend to use when judging how a film does at the box office. Mostly by taking the budget, times that by 2.5X to cover the whole budget surrounding production and marketing, and seeing how much money it made or lose as a result.
Again, that is not the case for EVERY single one of these movies and this is NOT a direct result as to how the studios view each film from a financial standpoint. This is just my personal guess and opinion as to how each one of these films should be viewed as.
Plus, it’s also worth mentioning that ever since Covid, the definition of “success” is now quite different in the eyes of many producers in Hollywood. Who’s to say that just because a film didn’t do so great in it’s opening two weeks in theaters that the studios sees it as a failure when it became a big hit on digital and streaming? That alone could make it a “success” in the minds of studios.
It is worth remembering that a film’s overall success isn’t just determined based on how it did in theaters but also how it fared in terms of digital, streaming, and physical media sales. Just because not enough people showed up in theaters to give the film profit doesn’t mean people didn’t show it’s support when said film became accessible to all of our home media.
Regardless, I hope you all enjoy this analysis and gives you a good indication of how films are still thriving/struggling in movie theaters!
The Devil Wears Prada 2
Budget: $100 Million
Box Office: $692.8+ Million
Break Even Point: $250+ Million
Gain/Lose: $442.3+ Million in Profit
Verdict: Hit
While hardcore fans have certainly debated the quality of this 20 years in the making sequel since it’s release, there’s no denying the massive cult following the original film has gained since 2006. And it’s that exact cult following that showed up in drones to support yet another adventure with Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci. Whether it’s because of it’s timely story of AI and digital taking over the fashion industry or just wanting to spend more time with these characters, The Devil Wears Prada 2 was an absolute slam dunk for both Disney and 20th Century Fox. I wouldn’t be shocked if a third film is being discussed right at this very moment.
Mortal Kombat II
Budget: $80 Million
Box Office: $129+ Million
Break Even Point: $200+ Million
Gain/Lose: $71+ Million Loss
Verdict: Flop
Although this was certainly an improvement over the 2021 original (which grossed $80 million when over half of the movie theaters around the world was close), I doubt it’s enough for Mortal Kombat II to be considered a success in the eyes of Warner Bros. Whether it’s because of the multiple delays or divisive reception that the first one got among critics and fans alike, Mortal Kombat II just couldn’t seem to win over folks, despite it being more positively received than the original. Unless digital and streaming can come in to save the day, I would not expect a third film to be released anytime soon.
Obsession
Budget: $750,000
Box Office: $750,000
Box Office: $505.7+ Million
Break Even Point: $1.875+ Million
Gain/Lose: $493+ Million in Profit
Verdict: Hit
The breakout hit of the summer that is still leaving the higher ups at Hollywood shaking their heads, wondering how in the world they did NOT see this coming?! A supernatural horror film that is fully original being made by a YouTuber that hardly anyone in the industry heard about and feature a cast of actors and actresses that hardly anyone in the industry heard about, ending up being one of the most shocking success stories in modern film history! Obsession was able to defy any sort of expectations that might’ve been leveled against it and then some! Throughout the summer, it went toe-to-toe with the likes of Star Wars, He-Man, DC Comics, Disney Live-Action, and the great Steven Spielberg…..and actually WON! Congrats to Curry Baker, Inde Navarrette, and everyone involved with Obsession, enjoy this glorious success, you deserve every bit of it!
The Mandalorian & Grogu
Budget: $165 Million
Box Office: $345.7+ Million
Break Even Point: $412.5+ Million
Gain/Lose: $66.8+ Million Loss
Verdict: Underperformed
I called it at the beginning of this year and I (unfortunately) was completely right! It’s still baffling that Disney and Lucasfilm thought that Star Wars’ triumphant return to cinema should consist of three to four episodes of a Disney Plus series that most people stop caring about over half a decade ago. With the near non-existence marketing and a very vague plot synopsis, The Mandalorian & Grogu was more in-line with the The Clone Wars animated film from 2008 than any of the “official” Star Wars films (And that’s totally NOT because both films where originally meant to be several episodes of their own respective shows and JUST so happens to have Jabba the Hutt’s son in it). I’m sure Disney Plus numbers and merchandise will be enough to save this from being a complete financial disaster in the eyes of stock holders but the fact it’s solely reliant on that is a good indicator just where Star Wars is right now. Let’s hope that Shawn Levy and Ryan Gosling are up to the task of restoring the legacy of Star Wars next year with Starfighter or else the Dave Filoni era of Lucasfilm could be over before it even begins.
Backrooms
Budget: <$10 Million
Box Office: $394.1+ Million
Break Even Point: <$25+ Million
Gain/Loss: $371.5+ Million in Profit
Verdict: Hit
Another surprise “original” hit that no one saw coming. Granted, unlike with Obsession, Backrooms already did have an established fanbase, as it is based on a series of web shorts on YouTube created by director Kane Parsons. However, that still doesn’t change the fact that it was still able to stand strong on it’s own and even surpassed many other established IPs this summer that I’ve already mentioned. Perhaps if the audience’s reception was on the level of Obsession, it might’ve been able to gain enough legs to cross the 400 million dollar mark. Even so, another terrific success story that will surely usher in a new era of filmmaking among social media influencers, for better or worse (most certainly worse)!
Scary Movie (2026)
Budget: $30 Million
Box Office: $231.4+ Million
Break Even Point: $75+ Million
Gain/Loss: $156.4+ Million in Profit
Verdict: Hit
The return to form horror spoof franchise was able to make it’s 13-year long return look pretty easy. Despite the negative reviews and divisive fan reception, it was still able to make it’s money back and then some, becoming the highest grossing Scary Movie sequel to date (inflation aside). Between this, last year’s The Naked Gun, and the upcoming Grown Ups 3, it looks like we are now seeing the doors being open for more raw horror/anti-woke/politically incorrect comedies for the immediate future. And I’m sure it will absolutely NOT get old and tiresome very fast!
Masters of the Universe
Budget: $170+ Million
Box Office: $114+ Million
Break Even Point: $285+ Million
Gain/Loss: $171+ Million Loss
Verdict: Flop….but
In almost ALL circumstances, Masters of the Universe (2026) would be seen as an absolute bomb, barley able to make pass just a $100 million globally despite it’s $175 million budget and being based of the He-Man IP. However, when it comes to Amazon MGM and Mattel, they are clearly looking more at how the film does in terms of streaming and merchandise numbers. And thus far, Masters of the Universe (2026) has been a MASSIVE hit for both Amazon Prime AND for Mattel toys/action figures! Similar to last year’s F1, the purpose of the film’s existence isn’t so much to make all the money in the world at the box office but more to introduce He-Man to a new generation, hoping that the film itself will be remember upon leaving movie theaters everywhere and gain new fans among younger demographics. And if the strong numbers for Amazon Prime and Mattel are any indication, we MIGHT just see Masters of the Universe continue in some way, shape, or form in the future. Again, if we are looking at just box office numbers, it’s an absolute flop! But whether or not Amazon and Mattel both feel that way remains to be seen!
Disclosure Day
Budget: $115 Million
Box Office: $241+ Million
Break Even Point: $287.5+ Million
Gain/Loss: $46.5+ Million Loss
Verdict: Underperformed
Despite the marketing painting this as a glorious return to form for Stephen Spielberg and the OG “disaster” film of the summer, Disclosure Day most certainly didn’t live up to the box office projections that Universal thought they were getting. Although it did get decent legs in the latter half of it’s theater run (most likely due to it being the only main “adult” film released until The Odyssey), it’s polarizing response from audiences clearly didn’t help, with many feeling like the film didn’t live up to it’s title. Even as someone that is a strong defender of the film, I definitely understand those that want a film to be a complete package with no loose ends whatsoever would be disappointed by it. There could be a chance that this film will find it’s audience in terms of digital and streaming but I’m sure Universal and Spielberg themselves thought that THIS would be the breakout original hit of the summer…..and it just wasn’t.
Toy Story 5
Budget: $250 Million
Box Office: $1.136+ Billion
Break Even Point: $625+ Million
Gain/Loss: $545+ Million in Profit
Verdict: Hit
Despite everyone and their mom constantly claiming that this series should have ended after 3 until they are blue in the face, that didn’t stop Toy Story 5 for being yet another $1 billion grosser for Mickey Mouse and crew, performing as the highest grossing Toy Story film to date (Again, inflation aside!). It’s timely plot involving tablets and electronics taking over the lives of modern children most certainly played a benefit to the audience’s glowing response to it, along with seeing our cowgirl Jessie getting more screentime than last time out. And unlike another big animated film released this summer, it had a decent seven-year long wait that kept enough distance from audience to justify another Toy Story adventure that they would want to see. Post-Toy Story 3 naysayers be damned, I’m sure Disney and Pixar will be coming out with a Toy Story 6 with Buzz Lightyear front in center sooner than you would think (Just don’t make it like Lightyear, please!).
Supergirl
Budget: $170-$186 Million
Box Office: $126.4+ Million
Break Even Point: $425-$465+ Million
Gain/Loss: $298.6-$338.6+ Million in Loss
Verdict: Flop
Another big flop that I (unfortunately) saw coming from a mile away. From it’s questionable release date to it’s lackluster trailers to it’s nightmare PR, Supe’s cousin had a hard time finding any sort of audience in the theaters this summer. As I sadly predicted, Supergirl was the most heartbreaking bombs of the summer, falling into the same “female-led movies made for men” wheelhouse with 2024’s Furiosa and last summer’s Ballerina, only not having any fandom goodwill attached to it. Mr. Gunn and company better hope that Man of Tomorrow delivers next summer or else this new DC Universe might just be over before it even got a chance to settle in, (and that’s not even mentioning the GIANT elephant in the room that’s about to swallow Warner Bros Discovery up).
Jackass: Best and Last
Budget: $10 Million
Box Office: $27.8+ Million
Break Even Point: $25+ Million
Gain/Loss: $2.8+ Million in Profit
Verdict: Broke Even
For a movie that had little to no marketing and was basically thrown into movie theaters at the very last second, this is about as good as it could get. I don’t know if this has to do with Paramount realizing the shift away from streaming and shift towards movie theaters or Mr. Ellison proving his point on releasing up to 30 films a year once he acquires you know what, I’m at least glad that Johnny Knoxville and friends were able to get Jackass: Best and Last in the seats for their last hooray! If only they actually bother to market the damn thing and over half of the movie wasn’t just deleted stunts from the previous movie! Only then, this could’ve ended up being among the highest grossing Jackass films of all time.
Minions & Monsters
Budget: $85+ Million
Box Office: $514+ Million
Break Even Point: $212.5+ Million
Gain/Loss: $301.5+ Million in Profit
Verdict: Hit
Yes, this will (likely) be the lowest grossing installment in the Despicable Me franchise by quite a big margin and was clearly affected by circumstances such as the World Cup, America’s 250th birthday, the massive heat wave, and potential audience fatigue of those walking, talking corn puffs. However, thanks to it’s very tight budget and billions of dollars earned in merchandising, Minions & Monsters still made more than enough to be considered a hit. However, considering this is the SEVENTH overall installment with the Minions since 2010 and the THIRD installment that we have gotten with them since 2022, it might be time for Illumination to take a break with their beloved/infamous mascots and revisited some of their other properties. And considering that Universal are dipping their toes back to the wells of Shrek and The Secret Life of Pets, it seems they might be doing just that. This is STILL a success but it might be a little while before we are reunited with Gru and the minions once again.
Moana (2026)
Budget: $250+ Million
Box Office: $315+ Million
Break Even Point: $625+ Million
Gain/Loss: $310+ Million Loss
Verdict: Flop
I don’t know if the motive to do a live-action remake of a Disney animated film that came out just ten years ago had to do with corporate greed or The Rock needing a quick hit after his attempt at jumpstarting DC Comics (Black Adam) and going for an Oscar (The Smashing Machine) fell flat but Moana (2026) could have NOT made the higher ups at Disney particularly happy regardless of which way you look at it. Even in a crowded summer of family friendly blockbusters, I don’t think people expected for this to fail THIS hard! Maybe it was just way too early to do a live-action remake of Moana OR the audience fatigue with these live-actions remakes are settling in with Lilo & Stitch (2025) being just a fluke?! Regardless, Disney might need to start carefully considering which animated classics they chose to do a live-action remake for to avoid big losses like this for the future.
Evil Dead Burn
Budget: $20 Million
Box Office: $72.3+ Million
Break Even Point: $50+ Million
Gain/Loss: $22.3 Million in Profit
Verdict: Broke Even
Releasing a horror film like this in the middle of summer is still a baffling choice in my mind, but that didn’t stop Evil Dead Burn from doing JUST enough to keep it from being a total failure. Even with the lack of marketing or the possible franchise indifference now, I don’t think Warner Bros should be too upset with how this did, especially compared to their other failures in 2026. A Spring or Fall release date might have faired this much better but considering this was released under the worst circumstances, this was still good enough.
The Odyssey
Box Office: $250 Million
Box Office: $1.555+ Billion
Break Even Point: $625+ Million
Gain/Loss: $930+ Million in Profit
Verdict: Hit
Perhaps the profit numbers are a bit exaggerated with extra marketing and budget numbers probably added in there, but make no mistake, The Odyssey is a MASSIVE hit! The haters can point to the inflated numbers and the amount of “ghost” seats in the theaters all they want but you would be lying through your damn teeth if you claim that Universal is NOT happy with the results for The Odyssey. Christopher Nolan sought out to make a definite version of The Odyssey that will go down in history as one of the greatest cinematic achievements of the decade and he did just that. What’s even more crazy is that it is STILL selling out seats over two months later, which can push this to $1.7+ Billion total by the time it finally gets let out of theaters. Between this and the next movie I’m about to talk about, this was the one-two knock out punch that the summer movie season DESPERATELY needed to save any kind of face from it’s overall shortcomings! Rock on, Nolan!
Spider-Man: Brand New Day
Box Office: $225+ Million
Box Office: $2.335+ Billion
Break Even Point: $562.5+ Million
Gain/Loss: $1.772+ Billion
Verdict: Hit
Let’s be honest, NONE of us saw this coming! Sure, we all knew that Spidey was gonna be an easy billion dollar hit but I don’t think anyone expected THIS! Not only managing to outgrossing one of the most successful films of all time in No Way Home (which included THREE Spider-Men and all of their memorable villains) but it’s able to stand up their with the likes of Avatar, Titanic, and Avengers: Endgame, by being one of the ONLY two billion dollar grosses of all time. Spider-Man: Brand New Day was able to deliver the right amount of twists and turns and surprises that are to be found here, all which work as not just fun fan service and crowd pleasing moments but also plays actual, legit importance of a role to the film’s overall themes and messages. You have the Punisher, the Incredible Hulk, *SPOILER ALERT* and Yelena, A.K.A. the new Black Widow, that are present and accounted for here. Yes, I know the buzz killers out there will bring up inflation and the ACTUAL number of ticket prices but come on, regardless if this movie came out in 2026 or 2006, this is still an INCREDIBLY achievement. Tom Holland and Zendaya better put their retirement plans on acting on hold because with the way things are going on, Sony and Marvel are gonna make them do their roles until they are 90! (*whispers* UNTIL YOU ARE 90! *whispers*)
The End of Oak Street
Budget: $80-92 Million
Box Office: $107+ Million
Break Even Point: $200-$230+ Million
Gain/Lose: -$93-$123+ Million
Verdict: Flop
The verdict here is quite a head scratcher. Considering it’s overall positive reviews, it’s superbly talented cast, and tackling a genre sandbox most mainstream moviegoers absolute LOVE in dinosaurs, The End of Oak Street should have been an easy mini-win. Whether it’s because of it’s high budget or controversy surrounding the film’s AI-generated marketing, it seems like dinos don’t sell to the audience unless it’s related to something Jurassic Park or World. Maybe it will gain enough legs down the road and streaming numbers to pump it up to the break even point, but yeah, quite disappointing.
Insidious: Out of the Further
Budget: $18 Million
Box Office: $110.3+ Million
Break Even Point: $45+ Million
Gain/Lose: $65.3+ Million
Verdict: Hit
While it’s too early to claim if this will be up there with among the most highest grossing films of the franchise, Insidious: Out of the Further still manages to continues the series overall consistency in box office numbers. Regardless of it’s release date, Insidious still seems to do just fine no matter when it comes out. It may no longer reinvent the wheel for horror but it’s still able to make the best out of it’s limited budget and can keep the brand going just as long as enough people still show up for it. Bring on Insidious 7!
Paw Patrol: The Dino Movie
Budget: $40 Million
Box Office: $125+ Million
Break Even Point: $100+ Million
Gain/Lose: $25+ Million
Verdict: Hit
This would probably be at the break even verdict had this movie came out a few months ago but since it will likely still be in theaters at least for another month and there’s no major kids movie coming out until Forgotten Island, I’m willing to bet it will make more in profit in terms of theater, digital, and streaming that Paramount will be more than happy with the results of Paw Patrol. Like a handful of successes this summer, just keep the budgets low and deliver on crowd pleasing thrills and you will be surprised how much money you will get back as a result.
When you take all the box office results into account with the ways that most film analysts use to determine if the movie is a success or failure, this summer has had a total of TEN movies that should be considered hits, five movies that should be considered bombs (with one potential exception thanks to streaming), two movies that underperformed, and two other movies that did just enough to break even.
With these results, I am more than happy to say the movie theaters are indeed coming back and for the first time since Covid-19, it seems like it is FINALLY headed towards a positive direction. Yes, it’s a shame that The Mandalorian & Grogu and Disclosure Day underperformed as they did and Supergirl and Moana (2026) were the gigantic bombs that they were, there was just WAY too much success stories to completely right this summer off.
You had Toy Story 5 being another billion dollar animated grosser for Disney, you had The Devil Wears Prada 2 and Scary Movie (2026) being able to ride the legacy-quel wave to become solid hits, you had The Odyssey being the massive theatrical event that it was advertised to be and practically bringing back the good old days of movie theaters, you had Spider-Man: Brand New Day killing all Marvel/superhero fatigue narratives yet again to become only the THIRD two billion dollar juggernaut of all time, and of course, you can NOT forget two of the greatest cinematic success story in recent memory than with Obsession and Backrooms. Even a low grossing franchise installment like Minions & Monsters was STILL able to cross the half billion dollar mark and gain plenty of revenue for Universal and Illumination Animation. Throw early year hits such as Scream 7, Hoppers, Project Hail Mary, The Super Mario Galaxy Movie, and Michael and I would say that movie theaters have been eating quite good for 2026.
While I don’t know movie theaters will EVER be able to capture the same magic they were able to before 2020, 2026 is prove that there is still a massive audience and demographic for the film going experience. This might just be the start of a big shift that we are seeing with how we view our entertainment. With streaming prices going up, more studio mergers happening, and owning digital media no longer having that special ownership feeling as physical media, you can sense there’s a chance of vibes, especially among younger audiences, of the way they go about seeing the newest film releases.
Because of that and more, there is still plenty of hope for movie theaters! There are still plenty of changes that need to be made (lower ticket prices/concessions, longer theatrical windows, longer time waiting for films to come to digital/streaming, more movie subscriptions/clubs….etc.) but if studios keep going with this direction while being able to contain a sustainable budget with most big movies they released, there might still be hope for movie theaters yet!
