Top 15 Best Movies of 2011

Just like I did last year when I went over my top 15 favorite films that came out in 2010, I decided to carry that along to this year and share what my top 15 favorite films from that came out in 2011 were. And as I said last year, time sure flies by and it’s BAFFLING to me that it’s already been 15 years since 2011 occurred. It was a year that brought me nothing but good vibes throughout and it simply makes me nostalgic for a more earnest and innocent time throughout our daily lives, particularly when there was a much proper balance between social, television, AND internet.

However, I don’t think 2011 was as strong of a year for film as was 2010. As a matter of fact, I would probably say that among the years for films throughout the 2010s, this might just be the weakest year for film of the decade in my humble opinion. Not to say it was bad overall (Even the weakest years for films ALWAYS has plenty of winners that are worth seeing!), but there’s not a ton of films this year that I believe stands out among the rest of the 2010s. Although 2011 was among the best years of the decade when it came to video games, 2011 wasn’t quite up to par when it came to feature films.

I still do have 15 films that I want to share as being my absolute favorites of 2011 but I only have about five honorable mentions I want to share. Although I did originally have five others films for honorable mentions, those were mostly films that I really liked or throughout were just fun rather than films that were truly great in my eyes if that makes sense.

Honorable Mentions:

  • 50/50
  • Arthur Christmas
  • Attack of the Block
  • Bridesmaids
  • Rango

Also, FYI, Tinker Tailor Soldier Spy is NOT on this list because…..I didn’t care for it too much. Sorry, not sorry!

Now, onto to the main top 15!

15.) Fast Five

Yep, I just had to save a spot for the very best Fast & Furious movie to date! Every action scene, from the car chases to the hand-to-hand combat to the heist missions, is very well done, the stunt work from every member of the team is so good that they all deserved an Oscar, the supporting cast is at their absolute best and most well utilized here, the family drama and tension has never been more personal, and introduces the most charismatic actor of the series that acted as the perfect “shot in the arm” with Dwayne “The Rock” Johnson. This was the one where it felt like the whole thing came full circle, paying off four movies of ill-conceived plots and delivering a spectacular climax in the heist mission that is easily the most stand out sequence in the entire franchise. It’s gloriously excessive, dumb, and over-the-top but it still feels Fast & Furious! Fast Five is the best that this franchise has gotten and is just as good as these kind of films can possibly get in general.

14.) Rise of the Planet of the Apes

Despite a lackluster marketing campaign and being released during the height of reboots/remakes era in Hollywood, Rise of the Planet of the Apes ended up being one of the more welcome surprises in recent film history. Andy Serkis gives an outstanding motion capture performance as Caesar, by far the most engaging protagonist in this series and seeing how his story begins is equal parts thrilling and emotional. Sure, the human characters are about as thin as they come but that’s okay because there’s more than enough time with the apes to make up for that. If the majority of reboots and remakes were anywhere on the level of Rise of the Planet of the Apes, we would have virtually nothing to complain about.

13.) The Descendants

If you want a perfect example on how to do a good old fashion “dramedy”, look no further than The Descendants. George Clooney is able to take an impressively mournful turn here, playing a man who is forced to deal with the frustration of a loved one’s passing. With a tight script, great cinematography, and terrific performances to boot, this is definitely worth watching if you are in the mood for a “dramedy”! Just make sure you bring yourself a handkerchief if you chose to do so.

12.) Source Code

There is nothing that excites me more than an awesome and uniquely original sci-fi film. Smart, thought-provoking, and with a refreshing premise, Source Code does everything it possible can with what it has to work with, with strong acting, an engaging narrative, and interesting characters to help hold the entire picture without having you think too much about any nagging plot holes or loose ends. Duncan Jones was able to shine quite brightly with First Moon and with Source Code, he was able to make lightning strike twice.

11.) Warrior

I would be lying if I said Warrior wasn’t the most sports heavy movie I’ve ever seen that hits the exact same beats that you would expect for these kinds of movies. However, that still doesn’t hold it back from being a gloriously entertaining and tense experience regardless. Tom Hardy, Joel Edgerton, and Nick Nolte are all great here, the direction from O’Connor is on part every step of the way, and it’s a film that’s able to find satisfying payoffs to everything it builds up too, making for an emotionally rewarding experience by the time the credits roll. Yes, you have seen this story before but that still doesn’t hold back Warrior as being a damn fine way of telling it.

10.) Drive

While director Nicolas Winding Refn can be extremely hit or miss for me, he was able to fit quite well for me here with Drive. This is a hypnotic, character-driven crime thriller about a skilled Hollywood stuntman who moonlights as a gateway driver for criminals. That description right there pretty much tells you that this is one crazy, chaotic ride but in the best way possible. All the performances are great in it (particularly from Ryan Gosling, Carey Mulligan, and Albert Brooks), the score from Cliff Martinez is haunting, the script is well-though out and multilayered, and the cinematography is absolutely breathtaking. Even if you aren’t the biggest fan of Mr. Winding Refn, Drive is still a film I would highly recommend.

9.) The Adventures of Tintin

You wanna talk about the best Indiana Jones movie that is somehow NOT an Indiana Jones movie, look no further than The Adventures of Tintin. It’s got some of the main people that were involved in the Indiana Jones franchise from Spielberg to Kennedy to Williams, there’s an adventure that leads to the main character needing to look for a McGuffin before it falls into the enemy hands, there’s plenty of action set pieces that the main character will have to go throughout their journey, and it even has an unlikely sidekick or two that sounds like the most oddest yet awesome pairing ever. However, the one element that Adventures of Tintin captures just as well with the original Indiana Jones trilogy and arguably does it better than either Indiana Jones movie that has come out in the 21st century thus far, capturing that exact feeling of adventure, excitement, and discovery. The Adventures of Tintin is one of the most overlooked animated movies in recent memory, one of Spielberg’s best films in the 21st century, and is just a terrifically enjoyable ride all around.

8.) X-Men: First Class

After The Last Stand and Origins: Wolverine came out, the X-Men franchise felt about as good as dead. Thankfully, Matthew Vaughn was able to bring the series back to new heights with the excellent (No pun intended!) prequel known as X-Men: First Class. This really felt like a proper origin story about the very first members of the X-Men becoming a team along with the start of the biggest love-hate relationship ever with Charles Xavier and Erik Lensherr. The cast are all excellent and have perfect chemistry with one another (James McAvoy and Michael Fassbender might just even better than their older counterparts!), the action is fun and inventive, the soundtrack is great, and it’s able to fit all the requirements needed for a prequel film without the baggage that tends to weight these kinds of films down. The film’s villains could have been fleshed out more (Even if Kevin Bacon is clearly having a blast in the role!) and yes what they do with Darwin absolutely SUCKS but as a whole, X-Men: First Class is the real deal and one of the best installments in this franchise.

7.) Captain America: The First Avenger

Might be a hot take but Captain America: The First Avenger was my personal favorite of the build-up movies leading up to The Avengers. It had such a warm and nostalgic feel to it that I can’t help but be in the mood to watch it whenever it’s on TV. Even before it became cool to like Captain America, The First Avenger made me respect and admire the character of Steve Rogers in ways I never imagined. He’s a good guy just trying to do good things and do what he believes it’s right for himself and others. Chris Evans is terrific as Steve Rogers along with co-stars Sebastian Stan, Hugo Weaving, and the absolutely beautiful Hayley Atwell. Even the montage scene that is everyone’s biggest complaint didn’t bother me, even if I wouldn’t have mind an extra 15 to 20 minutes. With it’s warm tone and sense of wonder and optimism threw out, this is one of my personal favorite movies not just in 2011 but also in the entire Marvel Cinematic Universe! Also, you are a robot if you don’t tear up at or near the end.

6.) Mission Impossible- Ghost Protocol

Here is where the franchise would be taken things to the very next level. Brad Bird is able to make a stellar first impression in his live-action debut by delivering a Mission: Impossible installment that at the time in 2011 was the biggest and the best the M:I franchise has ever gotten in terms of action, scope, and delivering the most impossible mission imaginable. This is also where you would certainly feel the fantastic chemistry that Cruise would have with his cast members such as Simon Pegg, Ving Rhames, Jeremy Renner, and Paula Patton (who I’m still awaiting her return to the franchise). The main highlights of this installment include the gripping as hell opening sequence in the prison, the “girl boss” fight between Paula Patton and Lea Seydoux, and of course, the intense, breathtaking set piece in Burj Khalifa where Tom Cruise climbs the tallest mountain in the world. The main downside is that this has easily the weakest villain in the franchise, containing conflicts and motives that I constantly keep forgetting about every single time that I watched it. Nevertheless, Ghost Protocol is still excellent and did it’s job at keeping the series fresh four movies in. Brad Bird should certainly consider returning to directing live-action (even if Tomorrowland didn’t work out).

5.) The Muppets

It’s the freaking Muppets! What else needs to be said?!?!

4.) Harry Potter and the Deadly Hallows Part 2

There have been plenty of big grand endings to long-running franchises that has come before AND after this film released in July 2011. Some of hit hard, while others hit too far. Harry Potter and the Deadly Hallows Part 2 was able to hit the exact target without any prior baggage dragging it down. This finale of a long-running film franchise based of a beloved book series was able to save the very best from last, with the direction, acting, cinematography, and score taking to a whole new level and finding some way to bring all eight films to a very fitting and conclusive circle. Yes, author J.K. Rowling is still……J.K. Rowling but if you are to take that knowledge through a rearview mirror, Harry Potter and the Deadly Hallows Part 2 remains one of the most grand and satisfying conclusions in recent cinema history. It’s never easy nailing the final chapter but thankfully, this was able to do just than and then some.

3.) Moneyball

If you have been following me on here since the beginning, you would know that I absolute LOVE baseball and movies. And very few things are as satisfying to me when BOTH of the things I love are brought together. Moneyball is a great inside look to the “analytical” side of not just baseball but all of sports, showing the early days of when the analytics would be the main driving force of decision making from management and showing proof that you don’t need the biggest payroll in the role in order to win. Brad Pitt is perfect as Billy Beane, easily one of his best performances to date, Jonah Hill and Phillip Seymore Hoffman (RIP!) are equally great in supporting roles, the script is tight, witty, and feels appropriately baseball, and the actual baseball scenes, while few and far between, are equally as well-done as the rest of the picture. Maybe it could be my bias with the love of the sports but if you ask me, Moneyball is an absolutely perfect sports and baseball movie that I will continue to rewatch time and time again.

2.) Kung Fu Panda 2

Kung Fu Panda 2 is one of the rare sequels that not only is as good as the original Kung Fu Panda, it’s even better. It does EVERYTHING you want a sequel to do. Instead of doing the same old same old, it actually does something new and different. It takes the characters into exciting and new directions, it expands upon it’s story and lore in the most logically way possible, the action and animation are taken to the next level, the villain of Lord Shen is given more focus and is used perfectly, and it’s able to act as the best possible next step for the journey of Po as oppose to do just retreating steps from his first go around. Also, the scene where Po discovers inner peace is the series true definite moment up to this point, as well as just being one of the most beautifully done sequences in animation film history! (You are a robot if you did not cry during that scene!) Kung Fu Panda 2 is not only the best Kung Fu Panda movie thus far but it’s possibly one of the best animated film sequels ever made period. It’s so good that there’s a good argument to be made that this is where the series officially peaked.

1.) The Tree of Life

Here’s the truth: I have only ever watch this film ONE time and I don’t ever plan on rewatching again anytime soon. However, it’s that one watch of The Tree of Life that made for one of most magical viewing experiences I have ever had watching a film, so much so that I don’t ever want to watch it again because I don’t want my one experience being taking away from me. Terrence Malick delivers a complex, thought-provoking, and incredibly beautiful piece of filmmaking, not only perfectly portraying the perfect traditional family values lifestyle but also one of the most honest to god interpretations of life as a child and losing your innocence. With perfect direction, perfect cinematography, perfect visuals, perfect acting, perfect editing, and perfect imagery, The Tree of Life is a one of a kind cinematic experience that I will think about for the rest of my life. I don’t know if I ever will watch it again but man, sometimes one time is just enough.

Kingdom of the Planet of the Apes (2024) Movie Review- Apes Remain Strong

It would be quite strange to consider the new rebooted run of Planet of the Apes as “underrated”. After all, every ape flick that has come out since 2011 has been received with high praise from critics and audiences alike. But yet, despite all the love these films tend to get at the time of its release, they usually tend to get swept under the rug shortly after release. I don’t know if it’s just because these are the kind of films that just come and go with no ill will geared towards them or it’s just that everyone agrees these movies are good and then proceed to move on with it their lives but that has mostly been the case with every recent release of the Planet of the Apes franchise. It’s not so much underrated but more overlooked. There’s a different between those two words.

I bring this up because when it comes to Kingdom of the Planet of the Apes, I think it’s about time we stop pushing these movies aside and just start accepting that the Planet of the Apes franchise is legit one of the best and most consistent film franchises out there. Despite Rupert Wyatt and Matt Reeves no longer being behind the camera and Caesar no longer being the main ape protagonist we follow, director Wes Ball is able to continue this rebooted series with grace with Kingdom of the Planet of the Apes in the best and most logical way possible.

The new apes we focus on are as likable and compelling as the apes in the last three movies, the action is thoroughly entertaining and thrilling throughout, the world building has never been more intriguing in these movies, and of course, the visuals and motion capture is completely off the charts and should be recognized greatly at the Academy Awards. It may not be quite as impressive from an emotional and depth stand point as Dawn or War or as the surprise/wow factor that Rise had but it’s able to stand strongly as it’s own engaging ape film while planting the seeds for what the future for the apes and humans can hold if the story shall continue.

Plot Synopsis: 300 years after the reign of Caesar, a young ape named Noa (Owen Teague) goes on a journey that will lead him to question everything he’s been taught about the past and make choices that will define a future for apes and humans alike.

The main strength that Kingdom of the Planet of the Apes has going for it is staying committed to its whole “back to basics” feel to it. It’s not interested in raising the stakes and topping the scales of Dawn or War, it’s not trying to reinvent the wheels like Rise, nor is it even trying to be the “real” ending to Caesar’s own trilogy. Despite this technically being the sequel to the last one, it has more interests in telling it’s own story and potentially blazing a path towards it’s own distinct future while acknowledging the impact that Caesar has had even 300 years later. Much like with Rise, there are plenty of hints of where to go from here if the series shall continue from here with the new characters we follow of Noa, Soona, Korina, Nova, and others. While the jury is still out whether or not this newest group can hold a candle to the likes of Caesar, Maurice, Koba, and others, the newest characters of Kingdom of the Planet of the Apes are compelling enough in their own right that their presence isn’t missed too much.

The main ape Noa in particular has an arc about carrying the right side to Caesar’s legacy while making sure to forge his own identity. Particular because it’s his actions throughout the film that can serve as a major turning point between the lives of the apes and human beings. Whether you see that as a metaphor of Kingdom being yet another legacyquel about newer fresh blood being passed the baton or just the main theme of evolution that has always been a staple for this series, it does work wonder and makes Noa all the more compelling to follow on screen.

Which could not make the antagonist as Proximus Caesar any better. Not only because he can be seen as another subtle metaphor of learning the “wrong” lessons from his ancestor and the overall lack of media literacy nowadays but also is a good contrast to Noa’s arc about being careful of his actions since it could potentially turn the tide between human and apes. I don’t know if Proximus is on the same level as Koba but he works perfectly as the antagonist of this movie, acting as a brilliant mirror to Noa and the legacy that Caesar himself has left beyond many generations later.

The performances remain as stellar as they usually are with these films! Owen Teague is able to fit in the big shoes he’s require to fill quite well as Noa, even if he can’t quite escape the shadow from Andy Serkis’s groundbreaking work in these films. Kevin Durand is able to make just as strong of impression as Proximus Caesar, going two for two this year, following Abigail. Peter Macon is able to add an extra bit of heart to the picture with Raka. It’s nice to have more female presence among the apes with Lydia Peckham’s Soona and Dichen Lachman’s Korina. And even if I’m not completely in love with everything done with Noa/May, Freya Allan fits the role very well and is quite believable in the action.

Speaking of action, they are just as well done and choregraphed as it usually is with these movies. Being able to get full advance out of the motion capture and move sets of the apes, the set pieces are completely thrilling throughout, with the final third delivering exactly on that action that is set up with the first two thirds of the film. The visuals are just as top notch as the previous movies, with plenty of beautiful cinematography and location shooting that helps enthralled the world building throughout the movie. The score is quite strong with not a single track feeling out of place. And it even has more of a sense of levity than the prior three films did, adding a bit of light of what might be considered a more calm tone than before.

If there is one major thing that holds Kingdom of the Planet of the Apes back from reaching the standards of it’s predecessors, it’s that sense of familiarity in terms of the characters and themes. It’s understandable in the sense that it has to update the status quo in this world but four movies in, you are able to recognize the bits throughout. From the new heads of the cast to the new prisoners set to the characters from both sides yet again questioning their place in this worlds, it makes the hitting beats from the previous films more noticeable than before. I’m not gonna say it’s a rehash of the last three films since it has enough of an identity of it’s own but it could have afford to step out of the shadow a little bet and tread less familiar ground.

I also would have like to see more of the human’s point of view with the limited human characters we have throughout, particularly Noa. Not that I needed a good chunk of a movie to centered around them but just enough time where it makes the actions that Noa makes in the last third of the movie feel more justified. Also, more of William H. Macy would have been nice as well.

Kingdom of the Planet of the Apes is able to carry the momentum of this rebooted Apes movies by both paying great tribute to the Caesar trilogy while also expanding the world dominated by apes in fascinating ways. Time will tell if this film and the inevitable follow-ups will live up to the high standards of Rise, Dawn, and War but for what it’s worth, it’s good and compelling enough in it’s own right that it’s worth seeing where this franchise can go for here. Four movies into this reboots and apes continue to remain strong! Caesar would indeed be proud!

Other comments:

  • I have more faith in the live-action Legend of Zelda movie now but I still don’t get why that needs to be live-action, especially after the ANIMATED Super Mario Bros movie made a billion dollars last year. At least, it will look nice with great landscape shots!

  • The only real Elon Musk comparison I see with Proximus Caesar is the fact that he’s played by Kevin Durand, who legit looks like Elon Musk’s twin brother except he’s actually a good hearted person.

  • I honestly thought Raka was a 320 year old Maurice once we first saw him.

  • Also, please for the love of god, bring that character back that was supposedly killed off. I don’t care how or why, just bring them back because they are too precious and likable and shouldn’t be wasted like that. It may for a nice emotional moment in the film but please bring them back!