Tag: jon-bernthal

I don’t think there is a director in Hollywood that always seems so eager to top himself the way that Christopher Nolan does! And I don’t just mean in terms of trying to green mushroom himself in terms of the size, scale, and scope that he chooses to shoot his films with or how grand, epic, and unconventional he wants to go with telling his stories (Although, that should DEFINITELY be noted!) but more in how he goes about it through the actual motivations of his main characters. I could go on talking about how The Odyssey is yet another cautionary tale in Nolan’s filmography about a man who wants nothing more but to get back to his family he abandoned (Inception, Interstellar) or another story where his main character who is forced to rebuild and rediscover himself to remember his true purpose (Memento, Batman Begins, & The Dark Knight Rises) but what is always so fascinating and even inspiring is how much the main protagonist in those films will go through in order to accomplish these goals that Nolan clearly has behind the camera or in the writer’s room.

The Dark Knight sees a “non-limited” Batman going through hoops and ladders to stopping the Joker while realizing that even he must have a breaking point or else he will lose himself. Inception has a professional thief that is given the chance of a lifetime to have his criminal record clean if he is successful in literally going into someone’s dream and planting another person’s idea into one’s own target subconscious. The Dark Knight Rises gives us a broken Bruce Wayne that is given no choice but to tear himself apart and start over from scratch in order to defeat Bane and save Gotham City one last time as the Batman. Interstellar has Matthew McConaughey traveling to infinity and beyond in the hopes of finding a new home for his own children before it’s too late. Dunkirk has soldiers well…..doing everything in their power to save themselves in an actual war! Tenet follows someone literally named THE PROTAGONIST trying to do their job as being the film’s literal protagonist by messing with time before it messes back! And lastly, Oppenheimer, sees an infamous physicist nearly destroying the world once and for all to make himself go down in history as the man who invented the very first nuclear bomb.

I bring all this up because you really get the feeling that ever since The Dark Knight, Nolan has consistently have a strong desire to make his films as big, ambitious, and personal as they can possibly be. Not strictly because for the sake of the audience’s own entertainment but with Nolan’s own grand ambition as a filmmaker. Even if he is the last man in the world that needs to prove and justify himself with each new film he makes, he will still go through the great lengths and means to do so anyway, with the complete mindset that each new film he makes could be the very last one. These aren’t just stories about flawed protagonists pushing themselves beyond unrealistic measures to see the light at the end of the tunnel but also about how Nolan himself is willing to push himself beyond unrealistic measures to achieve an even bigger level of peak that nobody think is even possible anymore.

And with The Odyssey, Nolan is here to tell us his biggest and most daring tale yet. Not only with adapting one of the most epic poems in history with Homer’s The Odyssey, developed by the Greeks (We’ll get to that in a moment!) but with crafting his most layered and human story yet, centered around a man being forced to go through hell and back to return to his family and home, no matter how long it takes or what methods he has to use to get there. This is Nolan with his biggest cast, grandest scale, most nonlinear storytelling, and the most personal stakes of any film he has released to date. And the results is nothing short of magnificent!

The Odyssey is cinema at its absolute finest! The cast from top to bottom is absolutely outstanding, the unconventional storytelling of this adapted classic tale works without any hesitation whatsoever, the action and set pieces are extremely thrilling and make paying the extra few dollars for the “special” screenings all the more worth it, there’s not a single minute of it’s near three hour running time that feels wasted, and while I can’t say that I agree with every single creative choice that Nolan makes along the way, the way everything comes full circle by the very end makes any potential glaring issue up to that point feel like a complete dust in the wind. Although it might take me another rewatch or two to declare this my absolute favorite film from the great Christopher Nolan, The Odyssey is prove that the king of modern cinema still has plenty of days remaining on his throne!

Premise: It follows the Greek King Odysseus (Matt Damon) attempting to return home to Ithaca after the Trojan War. While he faces a treacherous voyage and is held captive by the nymph Calypso (Charlize Theron), his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland) struggle to fend off aggressive suitors trying to claim his throne.

At this point, you have probably already read or at least strongly familiar with the story of Homer’s The Odyssey. It’s a epic tale that has been told for many generations with many different iterations of this beloved/infamous story that have been made. Through every single moment of it’s 173 minute runtime, Nolan is in the mindset that you know the ins and outs of this story but is still wanting to tell it in the freshest and newest way possible, almost like you are seeing this countlessly told story being told before your eyes for the very first time. There’s clear inspiration on display between many translations of The Odyssey, including those from Emily Wilson, E.V. Rieu, and Robert Fagles, AND even other great epic historical films such as Andrei Rublev, Ran, Gladiator, and yes, even Troy. While I can’t imagine the 2026 version is exactly what Homer had pictured when he first made this story, there is a strong sense of confidence here of being able to perfectly capture the spirit of Homer’s tale, translating itself with the best possible update of the story that one can imagine.

And while we are on the subject, yes I would be lying if I claim that Nolan’s take on The Odyssey is as historically accurate as it gets. From the silver armors in Bronze Age to the “modernized” dialogue to the character of Simon basically replacing the character of Achillies to there being little to no Greeks in this overall Greek tale, this is definitely an adaption that you can tell was made in the year 2026 and NOT 1926!

If this was your typical adaption made by your typical filmmaker, these kind of bizarre changes would make the whole thing feel dead on arrival! However, just like with Odysseus himself, Nolan is clearly up to the challenge and is willing to go through any sort of controversy and pre-release PR disaster to craft the best possible version of his grand vision.

And the main thematic throughline that helps Nolan’s The Odyssey be up to par with the very best adaptions of it’s source material is that it never forgets that at it’s heart, The Odyssey is about a man learning the humanity within himself and using that as strength to pull off the biggest comeback of all time. Each character from the film’s extremely stacked cast plays a role that ties back to Odysseus’ overwhelming journey, with trying to get home after the Trojan War and the encounter of mythical beings along the way in order to reunite with his wife, Penelope, and a son that he may or may not know about.

It’s through these first two hours of the film that do their damnest of carrying the weight of the complete damning picture. Big important sequences are told out of order and through the perspectives of other characters played by the most talented actors and actresses you can think of, it has a balanced tone that knows when to take it’s material seriously and when to have some completed messed up fun with it (That “pig” scene will live rent free in my head for a long time!), and it never forgets for one moment that is a story about Odysseus first and everyone else second. While this is all well and done for the first two hours, there are definitely some moments along the way where you can’t help but hear the gears turned out a little too loudly, wondering how much of this narrative plate spinning is Nolan showing confidence with himself and Nolan just being forced to grind through certain moments of backstory in order to show off the most important set pieces of the story.

Thankfully, the final hour of this film completely makes up for any prior shortcoming. Not only is it able to make nearly every questionable creative choice and casting decision beforehand seem completely justified but it all culminates to one of the most satisfying climaxes in recent memory, with Matt Damon being able to relive his “good old days” in about the best way possible (I imagine Universal will be on the phone with him Monday morning to discuss resurrecting a certain franchise that made him what he is). It’s hard to go into details without major spoilers but the way everything is paid off in the final 30 minutes is so damn good, making a man’s journey come full circle and taking back everything that he lost along the way.

The cast, as you would expect given how much AURA is on screen here, are all excellent. Matt Damon as Odysseus is able to perfectly sell himself as a believable warrior king in his middle age and able to carry himself as well as among the best featured films with him. Tom Holland excels as the son, Telemachus, clearly comfortable in stepping out of the shadow of Spider-Man and into the shoes of a young man waiting for his father to return. Anne Hathaway as Penelope should be the current frontrunner for Best Actress come the Academy Awards next spring, giving an amazing and vulnerable performance as a troubled mother, wife, and queen of a kingdom that she is forced to rule by herself.

Robert Pattinson is entertaining playing the complete asshole that is Antinous, Himesh Patel makes for a solid second-in-command of Eurylochus, Charlize Theron is great as always as Calypso, the woman that takes care of Odysseus and wants him for herself, Zendaya is given a similar role as she did in Dune: Part One as Athena but she makes it play, Jon Bernthal as Menelaus acts as the right guide for Telemachus, a man who represents the version of a father that he might want, and John Leguizamo is completely unrecognizable in the best way as Eumaeus, given more focus and depth than I was expecting. I would’ve liked to have seen more from Mia Goth and Logan Marshall-Green as twin siblings in Melantho and Melanthius and Benny Safdie as Agamemnon but they are able to fit in alongside everyone else. Oh, and although Samantha Morton’s Circe is only in one major sequence in the film, nailed it just……nailed it!

And of course, you have to address the GIANT elephant in the room in regards to the controversy surrounding the casting. Yes, Travis Knight, Lupita Nyong’o, and Elliot Page are all in this film as their roles of Phemius, Helen of Troy/Clytemnestra, and Sinon (A.K.A. NOT Achilles) respectively but their roles are about as minor as they come and don’t hog the spotlight as majority of the cast members already mentioned that it’s baffling it attached as much backlash as it did. Sure, I can question if it was the wisest choice for Nolan to cast a rapper in a Greek tale (Even if Travis’s newest song in the end credits is catchy as hell!) or I would buy Elliot Page as being the bravest warrior that Odysseus has ever seen (To be fair, it’s NOT implied he is the best or strongest warrior of them all and the film is clearly aware of that!) but for anyone that is familiar with The Odyssey, they are all given the same extended cameo roles they did in the books, given a combined screentime of five to seven minutes at best. So, even if you are among the unhinged folks that are outraged of these castings, they are not in it nearly as much for them to hold you back on your enjoyment of the film, especially since all three of them are great in the film with their limited screentime (And yes, I do indeed buy Lupita Nyong’o as the most beautiful woman in the world! Don’t @ me!).

However, despite having nearly everyone but the kitchen sink as part of the cast, the real MVP of the film is no one other than Christopher Nolan. His craftsmanship is yet again on complete full display, making sure that regardless of what way you chose to see this film in theaters, it will make for the very best possible viewing experience that anyone could have imagine. With completely sharp direction, gorgeous cinematography from Hoyte van Hoytema, surprisingly consistent editing from Jennifer Lame, and a haunting/riveting musical score from Ludwig Göransson, Nolan yet again deliver the complete full package of a theatrically released film, making sure that every single penny that was spent from it’s $250+ million budget was justified. Heck, even the sound mixing worked for me this time! It’s THAT good!

Even if you are someone that don’t care for Christopher Nolan as a filmmaker, you can’t deny the man is doing everything in his integrity to keep the cinematic theatrical experience alive. With so many achievements underneath his belt, he has every excuse in the book to just play it safe with each new film he now releases and not feel the end to top himself every chance he gets. But thank the Greek gods he REFUSES to do that because man, I can’t think of a bleaker cinematic future in the 2020s if Oppenheimer and The Odyssey never became a thing. For as long as that man is making films, he will always act like a man on a mission, constantly aiming to reach a higher bar with each new film that he makes. I mean, can you name me ONE other director working in Hollywood that is able to CONSISTENTLY deliver films that always end up being in the top 10 highest grossing films of the year because of their name ALONE?! I bet you can’t and that what makes Christopher Nolan such a gift to cinema.

The Odyssey makes for yet another grand triumph from Christopher Nolan along with one of the best grand epics in recent memory, managing to defy all expectations and find new unforeseen boundaries to push. The story centering on Odysseus is captivating, the action sequences whether it involves the Trojan War, cyclops, or Matt Damon going full Jason Bourne are all brilliant, the cast is among the greatest ensembles of all time, and everything about the final hour of the film is so perfectly executed that it literally washed any gripes I had beforehand completely away. I can’t say I would have made every single creative and artistic decision that Nolan makes here but nearly every single one of those decisions is justified and is perfectly shown why onscreen.

Regardless if this is the best Christopher Nolan film or not, I don’t there is a film in his filmography that showcases the grand mindset that this man has had as a filmmaker for the past 30+ years. By constantly trying to find ways to outdo himself and providing you with even grander adventures with grander scales than before, this is Nolan yet again achieving a new level of high quality and a new meaning of absolute cinema! I can’t possibly know how he plans to top himself next time out but man, I will be the first in line for whatever he’s got next!

Although if the cave and “pig” scene is any indication and how ANOTHER certain big someone in Hollywood has reacted to The Odyssey, I think we have a certain genre that Nolan hasn’t tackled yet and a certain actor that Nolan hasn’t collaborated with yet could be a match made in heaven!

Please make it happen!