Well, ladies and gentlemen, it’s finally happened! Most of us probably thought this day would never come but it finally has! This week, Microsoft has announced that Halo is coming to the PlayStation 5!
I repeat because this bears repeating: HALO IS COMING TO THE PLAYSTATION 5!
Imagine telling yourself that over 25 years ago, around the time where SEGA was failing in the console business and would eventually be forced to put Sonic on Nintendo consoles! Xbox and Microsoft fans all around the world got to experience just that this week when Microsoft announced Halo: Campaign Evolved, a remake of the campaign for Halo: Combat Evolved, for the PlayStation 5, set to come out in 2026, alongside the PC and Xbox Series S/X!
To say this announcement is big news would be a MASSIVE understatement! This was not only an announcement of a new remake of a beloved classic but this was the announcement that Microsoft has finally thrown in the white flag in the console war!
They have acknowledged that they are no longer serious about convincing others that their console is the best of them all! They have acknowledged they are no longer at the top of the game at what they do in regards to console making! They have acknowledged that their once beloved exclusive IPs such as Halo are better off being shared with their neighbors rather than staying strictly at home where they previously belonged! Above all, they have acknowledged that the console war is now officially over, and both Sony and Nintendo have won!
For those that have been following the gaming world for the past few years, you probably saw this coming from a mile away! It was just last year where Microsoft was considering the idea of moving their well-known IPs and prior exclusive franchises to other consoles in response to the lackluster sales of the Xbox Series S/X! (Something which I did write about and will leave a link for at the end). And for the most part, we are starting to see that in action!
First came Sea of Thieves, which made it’s way onto the PS5 on April 30th, 2024! Next, came Indiana Jones & The Great Circle, which was previously an Xbox exclusive that eventually made it’s way to the PS5 around Spring time of this year! Then, came Gear of Wars: Reloaded, a remaster of 2015’s Gears of War: Ultimate Edition, came to the PS5 in August of this year! And finally, for the final nail on the coffin, Halo, perhaps Xbox’s biggest and most beloved gaming franchise, is set to come out on the PS5 next year!
Not gonna lie, a big part of me is sad about this! The console wars was among the most fun things about pop culture and entertainment throughout the 21st century! It made for a nice distraction for all the political chaos that was going on from around the world, going back and forth on who is delivering the best among video games! Sure, there might’ve been a bit too much name calling and obnoxious fanboy behavior but to most people, it was mostly all tongue-and-cheek and felt it was always encouraging the likes of Microsoft, Sony, and Nintendo to deliver the best possible product imaginable for players and gamers all around the world!
However, things have changed! Now, Microsoft more than likely has slammed the door shut on being serious on participating in any future consoles wars! They no longer se themselves as being enough to compete with Sony or even Nintendo! Those two companies have their consoles, exclusives, and overall brand pretty much logged in for the foreseeable future with no momentum slowing them down! Sure, they might’ve made their mistakes in the past with the likes of the disastrous handlings of the PlayStation 3 (at least at launch) and the Wii U but they were at least able to bounce back from those missteps and come back stronger than ever with the PlayStation 4 and Nintendo Switch! It doesn’t seem like Microsoft will be able to have that kind of redemption arc in the near future!
And you know what, they literally have NO ONE to blame but THEMSELVES! Everyone has been calling our their bulls**t ever since the Xbox One reveal back in May of 2013! And not only did they not improve from their mistakes of that but they basically doubled down on it! From confusing console titles to severe lack of exclusives to absurd prices to the killing of physical media to the focus on anything but the actual gaming experience, Microsoft brought down the downfall of the Xbox on themselves! Despite having over the past 12+ years of getting a chance at redeeming themselves, they have only dig themselves further and further down! And it’s now gotten to the point where they have no choice but to share their exclusives onto other consoles for the foreseeable future!
While Microsoft has gotten on record in saying that they are in preparation for their next gaming console, I don’t think anybody will ever take them seriously as being a legit threat to Sony and Nintendo ever again! Unless they are able to complete the biggest comeback arc in the history of gaming with their next console (assuming that even gets made), the days of Microsoft being an absolute dominate force in gaming and entertainment are long gone! So much so that they shouldn’t even bother with a new console because that will likely do even worse numbers than the DreamCast, especially if the rumors of it being over a thousand dollars is true!
Once again, Halo: Campaign Evolved, a remaster of the campaign of the original Xbox exclusive, Halo: Combat Evolved, will be coming to the PlayStation 5 in 2026, alongside the PC and Xbox Series S/X!
The console war is officially over!
RIP Xbox (2001-2025)
Also, Microsoft, if you are seriously considering shipping your prior exclusives onto other consoles, would you be willing to get together with another certain gaming studio that once partnered with you but are now with Sony for a remaster of a certain gem of game from over a decade ago?!
Sonic the Hedgehog is now 34 years old! 34 years and counting of some of the very best and very worst that gaming has head to offer! In case you haven’t figured that out with the multiple Sonic pieces that I’ve written on this blog, I’ve always been a big fan of Sonic the Hedgehog since I was a kid. Sonic as a character is someone that always has appeal to me with his cockiness, incredible sense of speed, but also having a big heart for himself and those he cares about. He’s always been so appealing to me that I’ve been following this roller coaster of a franchise for over two full decades now.
To celebrate the release of Sonic Racing: CrossWorlds, I’ve decided to do a ranking of my top 10 personal favorite Sonic games to date! Not necessarily what I think its the best from an objective standpoint but the Sonic games that I’ve had the most fond memories of and still do to this very day.
First, here’s a couple of games that BARELY made it off this list:
The Murder of Sonic the Hedgehog
Never in a million years would I think that a visual novel game where you just point and click at things made by the social media group from SEGA would end up being quite good but here you go! This is a game that came out on April 1st, 2023 on the PC, strictly as a April Fools Day prank. To put it simply, it’s Sonic and his friends in a murder mystery party. I would tell you more but that would spoil all the fun to be had with this game. Just know that this is a very well done visual novel and point-and-click adventure made with a lot of love from the SEGA Social team, who clearly loves Sonic as much as the fans do. If that sounds like your jam, then please go download this game right now on your PC if you haven’t already. It’s 100% free!
Sonic & All-Stars Racing Transformed
This is an example of a kart racing sequel that is better than the original in just about every way. With even smoother controls, more creative racetracks, a more expanded roster of characters, and offering a better sense of challenge than before, Sonic &All-Stars Racing Transformed is one of the few out there that would give Mario Kart a run for it’s money. It’s only off of the list because of some difficulty spikes with specific challenges, a couple of aggravating glitches I tend to run into, and there is one Sonic kart racer that was able to do what this game did just a little bit better. If you love Sonic and racing games, then this is definitely a must-play!
And also in case you are wondering, SONIC IS DRIVING A CAR TO MAKE IT FAIR TO THE OTHER RACERS!
THAT IS ALL!
Sonic The Hedgehog 2
A sequel that takes everything that works about the original and expands upon it in every single way. As a result, Sonic The Hedgehog 2 manages to be not just as good as the original but even better. Better controls, level designs, graphics, backgrounds, environments, and especially music! With an even greater sense of speed, more memorable level designs, and the introduction of the cutesy fox known as Tails, this is no doubt a great sequel. The only thing that keeps this one from being on this list is the very final boss. To this day, I still find it incredibly cheap, hard as ball and makes the ending of the game incredibly frustrating every time I replay it. Still a classic without a doubt but the fact the game always ends on a rather sour note prevents it from finding a spot on the list!
Now, here we go to the main top 10! Once again, these are ranked based on being my personal favorites, NOT of objective quality!
10.) Sonic Frontiers
That’s right! I actually found a spot for this one! This might be guilty of many of the same flaws that have plagued prior 3D Sonic games but unlike with most recent entries in the series, there is actually plenty of charm hidden within that makes the experience super enjoyable! The overall core formula and open zones work well here and does help set a promising template for future Sonic games. It’s also nice to see more care put into the story and characterization than it has been for quite some time. And Super Sonic has been more badass than he is here! This is a game that has grown on me since it came out and I’ve come to find more things to love and appreciate about it as time goes by. Yes, the pinball level sucks, some of the grinding sucks, and the “true” final boss sucks (The ONE thing that The Final Horizon DLC improved on!), but none of those were enough to ruin the many hours I’ve spend on this game! Sonic Frontiers is about as imperfect as you can expect a Sonic game to be but for the first time in a long while, it did leave me with an actual feeling of optimism for Sonic moving forward. If you ask me, that is more than enough to justify this being at #10!
9.) Sonic Advance/Sonic Advance 3
These two are basically neck-and-neck for my favorite of the Advance games. While the console games have been inconsistent in terms of quality, the handheld entries have had quite a few gems that don’t get the recognition they deserve when they came out in the 2000s. These two games are good examples of the perfect formula for Sonic in 2D form. Expanding upon the classic games in respectful ways, adding characters/elements to the gameplay along with a sense of speed and platforming that help make the experience more enjoyable rather than hinder it, and just working as their own unique Sonic games, the Sonic Advance series (minus the middling as hell second one) works wonder as one of the better Sonic experiences. They both have issues (Advance 1 has ridiculous bosses and Advance 3 has ridiculous Chao padding) but as a whole, Sonic Advance & Sonic Advance 3 are two 2D Sonic games that still stand out quite well for the Blue Blur.
8.) Sonic Colors
Sonic Team followed up Sonic Unleashed by making a game that added more to the well-received aspects of it (the daytime stages) along with removing the not so well-received aspects of it (the nighttime stages). Sonic Colors understands the core appeal of Sonic by featuring top-notch speed, solid platforming, incredibly fun and unique level designs, and some of the best power-ups in the series with the Wisps. And this was also the game that introduced Roger Craig Smith as the blue blur we all know and love, who is still going strong in the role to this very day! There may be a bit too much 2D levels for some and the story/humor is admittedly hit (any scene with Eggman and his robots) or miss (Baldy McNosehair) but this is easily among the best 3D Sonic games to date. And even though the comparisons to Super Mario Galaxy are undeniable, Sonic Colors is still able to provide a fresh and exhilarating experience that certainly feels like Sonic the Hedgehog.
7.) Sonic Rush
Being the game that introduces the boost mechanics that would eventually become a stable for Modern Sonic, Sonic Rush makes for one of the most thoroughly enjoyable and unique Sonic games throughout his history. The main highlight here is seeing the introduction to fan-favorite Blaze the Cat, arguably the best female character in the entire franchise, and getting the perfect sense of speed with Sonic that you never really got with the series up to this point. There’s some repetition of playing the same levels twice and newly introduced villain, Eggman Nega sucks on literally every single level, but this is one I can recommend to those who are not even fans of Sonic. With top notch speed, fast platforming, and a SUPER awesome soundtrack, Sonic Rush is an absolute gem that should not be missed! Just a damn shame this had to come out the same day as Shadow the Hedgehog!
6.) Sonic Adventure
While this has certainly shown it’s age in many areas, there is still more than enough about Sonic Adventure, A.K.A. the first official 3D Sonic game, that works very well to this day. The gameplay that still works (namely Sonic, Tails, Knuckles, and Gamma) remain some of the very best in all of 3D Sonic, the hub world of Station Square is fun to explore and gives you that perfect sense of adventure that makes the title accurate, and it’s neat to have every main character in the story get their own arcs and development throughout, something which didn’t happen in the Sonic series until this game. Even the dated elements like the cheesy animation, dialogue, and voice acting are at least good for a laugh, both intentionally and unintentionally, that you can have a blast with them.. This might’ve been even higher on the list if it wasn’t for those Big the Cat fishing missions but I still rate the original Sonic Adventure very highly to this day. If it wasn’t for this game, who knows where Sonic the Hedgehog would be in the year 2025!
5.) Sonic Unleashed
One of the most divisive installments in the franchise is among my favorites. While opinions certainly vary on the SD port of this game, the HD version of Sonic Unleashed has the thrills and action that I could ever want from a Sonic game. The daytime stages delivers an incredibly sense of speed and fast platforming that I always love replaying through, the story is simplistic but still has that nice mix of light and dark nature that most Sonic stories lack, the graphics still look stunning even over 17 years later, the soundtrack is outstanding and among the very best in the franchise, the variety this game contains in terms of gameplay and unlockables is off the charts, exploring the hub worlds of all the different countries acts greatly to that “world adventure” spirit, and even I’m not shame to admit I even kinda like that silly Werehog (If you don’t at least get some goosebumps during the night boss fights, you are a total loser! Just saying!)! I totally understand the reasons to hate this game but I remain a fan to this very day just like how I was back in 2008. This game has been gaining a cult following over the years and I’m glad to admit that I was a part of that crowd from the very beginning.
4.) Sonic 3 & Knuckles
To many people, Sonic 3 & Knuckles is the absolute definite Sonic game and it’s easy to see why! Taking the best aspects of all the previous games that has come before it while introducing one of the best characters in the franchise known as Knuckles. The levels are more expanded upon than ever before giving you multiple paths and ways to the goal, every character controls perfectly with not a single one being a chore to play, the story itself takes a few unexpected turns, and even the bosses and special stages (which I weren’t a fan of in the past) are actually quite great here. I just wish I didn’t need to collect all the emeralds TWICE in order to get the full final Super Sonic boss fight! However, masterfully combining speed, platforming, and exploration, this remains a top-tier Sonic experience. While there are many people that considers Sonic 3&K to be the very best Sonic game ever made (and I would definitely not argue that opinion one bit), it’s not quite the full Sonic package for me the way these next three Sonic games are.
3.) Sonic Racing CrossWorlds
The newest addition to the Sonic kart racing canon is not only the best Sonic racing game to date but might perhaps be the best kart racing game to date that is NOT Mario Kart! This has more of an expanded roster of characters, more creative and unique race tracks, more vehicles you can choose to race with, whether it’s with cars or hover boards, and more amounts of fan service than any of the Sonic racing games! You also got great online modes, fun character interactions during Rival mode, multiples pathways with each crossworld you enter, tons of unlockables to collect, and plenty of DLC on the horizon to keep you entertained with the game for quite some time (Unfortunately, not free though!). This is just the perfect example of a kart racing game that is the absolute complete package from top to bottom! If Mario Kart 8 didn’t exist, this might legit be my new favorite kart racing game and the one that I see myself playing the most for the foreseeable future! Sonic Racing CrossWorlds checks all the boxes and then some and continues Sonic’s great track record of the 2020s! Eat it, Mario Kart World!
2.) Sonic Mania
By being a beautiful and well done remix of the original classic games, along with introducing a handful of wonderful original levels of its own, Christian Whitehead’s Sonic Mania helps craft an entry that feels more of a worthy follow-up to Sonic 3 & Knuckles than both episodes of Sonic 4 combined. There’s more extras, unlockable and playable characters than ever before, the gameplay from the Classic games that everyone knows and love is giving the right upgrade and in some ways, surpasses the original games, and I don’t think Super Sonic has looked, sound, and been more fun to control than he’s done here. And even though many of the levels themselves have been taking from other Sonic games, they’ve been changed and expanded upon well enough to where they feel like completely new levels in their own right, giving that sense you are playing through these levels for the very first time. Even to those that aren’t the biggest fans of Classic Sonic, I would highly recommend this one as I consider Sonic Mania to be the definite Classic Sonic experience.
1.) Sonic X Shadow Generations
My favorite Sonic game to date is the one that features the most Sonic out of all the games thus far……along with a bit of Shadow. When it comes to Sonic Generations, it acts a wonderful celebration of the first two decades of Sonic the Hedgehog, perfecting both the classic 2D style gameplay along with the modern 3D style gameplay by recreating the best levels from previous Sonic games and making them feel new and unique on their own. When it comes to Shadow Generations, this might just be the very best version of 3D Sonic as a whole. With incredibly unique level designs, crazy and out-of-this-world set pieces, a gameplay style that manages to combine the best elements of both Sonic Generations and SonicFrontiers respectively while leaving off any fat, and even quite a touching story about Shadow and the two people he cares about the most in Maria and Gerald Robotnik. Call it cheating if you may but there is not other Sonic (or Shadow) experience that always satisfies more than Sonic X Shadow Generations. . Because of all that and more, Sonic X Shadow Generations is my favorite Sonic game to date!
Movie theaters are in trouble! That’s at least what I’ve been hearing ever since Covid! Ever since that disastrous turn of events that shut down the whole world for a year or two, movie theaters all around the world has seen a significant decline in ticket and concessions sales. That hasn’t stopped Hollywood from doing everything in their power to keep the movie theater going experience alive. Even in the age of streaming, pirating, and Tik Tok, this is a battle that the movie making folks in southern California are willing to fight until they suddenly can’t.
And I don’t think there has been a period of time that has determined just how “well” movie theaters are going throughout the 2020s than this year’s lineup of summer blockbusters. Five years removed of movie theaters being shutdown and two years of infamous strikes, this is probably the most “back to normal” feeling that Hollywood has felt since pre-Covid. If this summer saw yet another underperforming two to three months, then there must come serious questions as to how long movie theaters have before they go extinct.
However, now that summer has come and gone, it’s time to see the results of how all the main feature films did in movie theaters everywhere. And the results are…….complicated.
In case you are wondering how I am judging it, I am gonna look at each major wide release that came out at the start of May to the middle of August. I’m gonna list the film’s budget, how much the film made at the box office, what the projected break even point likely was, how much the film gain in profit, and whether or not it should been seen as a success, flop, or break even point for the studios.
I’m only gonna use math that most tend to use when judging how a film does at the box office. Mostly by taking the budget, times that by 2.5X to cover the whole budget surrounding production and marketing, and seeing how much money it made or lose as a result.
Again, that is not the case for EVERY single one of these movies and this is NOT a direct result as to how the studios view each film from a financial standpoint. This is just my personal guess and opinion as to how each one of these films should be viewed as.
Plus, it’s also worth mentioning that ever since Covid, the definition of “success” is now quite different in the eyes of many producers in Hollywood. Who’s to say that just because a film didn’t do so great in it’s opening two weeks in theaters that the studios sees it as a failure when it became a big hit on digital and streaming? That alone could make it a “success” in the minds of studios.
It is worth remembering that a film’s overall success isn’t just determined based on how it did in theaters but also how it fared in terms of digital, streaming, and physical media sales. Just because not enough people showed up in theaters to give the film profit doesn’t mean people didn’t show it’s support when said film became accessible to all of our home media.
Regardless, I hope you all enjoy this analysis and gives you a good indication of how films are still thriving/struggling in movie theaters!
Thunderbolts*
Budget: $180 Million
Box Office: $382.4 Million
Break Even Point: $450+ Million
Gain/Lose: -$67.6+ Million
Verdict: Flop
Despite the mostly positive reception from fans and critics alike, this could not have been a bigger disappointment at the box office if it tried. Regardless if it has to do with the film starring around D- list MCU characters that most people aren’t familiar or superhero/Marvel fatigue in general, Thunderbolts* most certainly had to pay the price for previous sins surrounding these kind of films. It may have done solid ratings on Disney Plus and did at least kick of the summer movie season better than say…..The Fall Guy last year, but it did follow the tread that most MCU films post-Endgame have suffered from in underperforming box office returns. Between this, Brave New World, and another film to be mentioned later, 2025 has not been so kind to the Marvel Cinematic Universe from a box office standpoint.
Final Destination Bloodlines
Budget: $50 Million
Box Office: $313.9 Million
Break Even Point: $125+ Million
Gain/Loss: +$188.9+ Million
Verdict: Success
The first installment from this long-running franchise since 2011 more than certainly succeeded expectations. Final Destination Bloodlines acted as a nice love letter to the franchise while also acting as a bittersweet epilogue to the amazing career of the late great Tony Todd. I wouldn’t be surprised if we end up getting a sequel 2-3 years time (although hopefully no A.I. Tony Todd is needed). If there is one thing that 2025 has taught theatrically released films, it’s that if you have a low enough budget and give plenty of breathing time in the theaters before dumping it to digital and streaming, you will indeed see some promising theatrical profit in return.
Lilo & Stitch (2025)
Budget: $100 Million
Box Office: $1.037+ Billion
Break Even Point: $250+ Million
Gain/Loss:+$787+ Million
Verdict: Success
Despite all the discourse online about this one and what the true meaning of “ohana” is, it shouldn’t be a surprise to anyone that the 2025 live-action incarnation of Lilo & Stitch was able to be the most successful film of the summer along with Hollywood’s only billion dollar grosser thus far. There was an entire generation of millennials that grew up with the original animated classic and they all most certainly showed up during Memorial Day weekend to take their kids to experience the inferior version of one of Disney’s very best films in their history. At least it’s not……whatever the hell Snow White was. It’s because of this, I wouldn’t be surprised if Disney changes their mind on bringing Rapunzel and Elsa to the live-action screens in the near future.
Mission: Impossible- The Final Reckoning
Budget: $300-400 Million
Box Office: $598.8+ Million
Break Even Point: $750+ Million to $1+ Billion
Gain/Loss: -$151.2-$401.2+ Million
Verdict: Flop
There was a lot going against Tom Cruise’s last hurrah with his nearly three decade long action franchise and unfortunately, The Final Reckoning was no match for it. Suffering from a bloated budgeted, going head-to-head with Lilo & friends on Memorial Day weekend, and being part of a franchise that arguably peak seven years ago with Mission: Impossible- Fallout, it’s clear that audiences are ready to move on from Tom Cruise damn near killing himself for our amusement. I guess we’ll have to see if Top Gun 3 will be able to replicate the success of Maverick. If not, then we might have to accept that Tom Cruise is not the “Hollywood Jesus” that his ego claims himself to be and that the G.O.A.T. may indeed be washed.
Karate Kid Legends
Budget: $45 Million
Box Office: $115.8+ Million
Break Even Point: $112.5+ Million
Gain/Loss:+$3.3+ Million
Verdict: Broke Even
You all COMPLETELY forgot this movie came out, didn’t you? As a matter of fact, most of you probably didn’t even know this movie existed. This odd culmination of the Karate Kid franchise up to this point clearly failed to set the world on fire but thanks to it’s shocking low budget, it might’ve done just enough to not be a complete failure. And it most certainly probably was able to pick up any remaining losses with it’s digital release. I don’t know what this means for the future for this franchise but at least Karate Kid: Legends can rest easily knowing it’s far from the biggest failure to come out this summer, even if it’s easily among the most forgettable movies of the year.
Ballerina
Budget: $90+ Million
Box Office: $137.2+ Million
Break Even Point: $225+ Million
Gain/Loss:-$87.8+ Million
Verdict: Flop
2025 has not been so kind to Lionsgate and Ballerina was certainly no exception. Despite the presence of Keanu Reeves himself and the positive response from critics and fans, this John Wick spin-off failed to impress at the box office. Perhaps had the budget remain closer to the original John Wick than John Wick: Chapter 4, this could’ve managed to squeeze a profit (similar to a similar female-lead action flick in Atomic Blonde) but not with it’s 90+ million dollar budget (which a good chunk of it most certainly stemmed from reshoots). Whether it’s due to the franchise finally running on fumes or audience suffering from “girl boss” fatigue, Ballerina fell way below expectations, to the point where future John Wick spin-offs and perhaps even a John Wick 5 itself might just be up in the air.
How To Train Your Dragon (2025)
Budget: $150 Million
Box Office: $635.5+ Million
Break Even Point: $375+ Million
Gain/Loss:+$260.5+ Million
Verdict: Success
DreamWorks has finally threw their hat in the ring with live-action remakes and just like with Disney themselves, while the quality may not talk the talk, the box office results can certainly walk the walk. How To Train Your Dragon (2025) was able to capture the hearts of families and mainstream audiences in similar ways that the original animated version did back in 2010 along with the better live-action remakes from Disney (or at least the ones that were able to make a billion dollars). With the success of this film and a sequel in the works, I wouldn’t be surprised to see our favorite ogre and kung panda warrior getting their live-action treatment in the near future. But hey, if it helps cover for any potential loss that The Bad Guys 2 might have, then it might certainly be worth it!
Materialists
Budget: $20 Million
Box Office: $103.5+ Million
Break Even Point: $50+ Million
Gain/Loss:+$53.5+ Million
Verdict: Success
And who says original rom-coms are dead?! Despite the rather mixed audience response, Materialists was able to act as the most successful rom-com in recent memory that does NOT start Glen Powell and Sydney Sweeney. And as much as everyone and their mother claim to be sick and tired of seeing Pedro Pascal everywhere, he can certainly help carry an original project such as this, along with Chris Evans and Dakota Johnson of course. Not much to say here than yeah, this did quite well at the theaters for this kind movie and A24 should most certainly see this as a success.
28 Years Later
Budget: $60 Million
Box Office: $151.2+ Million
Break Even Point: $150+ Million
Gain/Loss:+$1.2+ Million
Verdict: Broke Even
This divisive sequel/part one of a two-part story did just enough to break even at the box office but not much else. Perhaps had 28 Years Later been more positively received from mainstream audiences and/or it wasn’t relying on the two-part gimmick, this could’ve done much better. But nevertheless, it did at least enough to justify a Part Two getting made, which can hopefully pick up any sort of financial slack that this film might’ve left behind.
Elio
Budget: $150-200+ Million
Box Office: $154+ Million
Break Even Point: $375 to $500+ Million
Gain/Loss: -$221 to $346 Million
Verdict: Flop
Just a summer after Inside Out 2 gave Pixar the smash box office hit they desperately needed, Elio took any sort of momentum that Pixar might’ve possibly gained and COMPLETELY tripped over itself. From a combination of lackluster marketing, trouble from behind-the-scenes/development, a bloated budget, and Disney doing everything in their power to erase this movie from existence, is it any surprised this film ended up being perhaps the biggest flop of the the summer and possibly the year? Maybe I should’ve known better after doing my summer box office movie predictions but I thought after Inside Out 2, people were ready to hop back on board with Pixar with seeing their film in theaters. Looks like I was dead wrong in that regard and man…….I wish I wasn’t!
F1
Budget: $200-300+ Million
Box Office: $626+ Million
Break Even Point: $500-750 Million
Gain/Loss:+$126+ to -$124 Million
Verdict: Success
There are probably many folks out there that are shocked to see this as being labeled as a success due to the film’s massive budget but F1‘s “success” or “failure” is much more complicated than most. First off, this is a partnership between Apple+ and Warner Bros. Apple was the one that funded the movie and would take credit for the success when the film arrives on digital and streaming, while Warner Bros was able to gain the profit from theater showings. Plus, this wasn’t so much about helping out theaters than it was about promoting the sport of F1 racing all across the world! Take all those factors in mind along with the fact that a movie in 2025 was able to make $600+ million that is NOT a superhero film, live-action remake, video game adaption, or an anime, F1 was most certainly a breakout success that helped add to a terrific year that Warner Bros has had in theaters!
M3GAN 2.0
Budget: $15-25+ Million
Box Office: $39.1+ Million
Break Even Point: $37.5-62.5 Million
Gain/Loss:+$1.6 to -25 Million
Verdict: Flop
This has to be the most BAFFLING failure of this summer! Not because it’s a shock that it bombed because the movie itself lacking quality compared to the first but because some of the most baffling decisions made from a business standpoint. From dumping the movie in the middle of summer when the original did just swell in January 2023 to advertising it as a sci-fi comedy instead of sci-fi horror, it’s like Blumhouse was doing everything in their power to ensure this would be a failure. If that was the case, then they MORE than certainly succeeded.
Jurassic World Rebirth
Budget: $180-225+ Million
Box Office: $867+ Million
Break Even Point: $450-562.5+ Million
Gain/Loss:+$305-418+ Million
Verdict: Success
Here is what was wildly considered the most surprising box office success story of Summer 2025 and…..I don’t necessarily know why. While the Jurassic Park franchise might’ve no longer be the billion dollar juggernaut that previous installments were, Rebirth did prove that people still love seeing dinosaurs on the big screen. And this time around they got to see dinosaurs AND Scarlett Johansson on the big screen! What better winning combo than that! Even if this franchise should’ve ended by now, don’t be surprised if Universal wants to keep the Jurassic ball rolling after the monster smash hit of the summer. Again, this might’ve not been a billion dollar gross but it did more than enough to be considered a success!
Superman (2025)
Budget: $225+ Million
Box Office: $615.7+ Million
Break Even Point: $562.5+ Million
Gain/Loss:+$53.2+ Million
Verdict: Success
Welp, here’s the most hotly debated success/failure story of the summer! Even though Superman (2025) has gained at least $53+ million based on traditional projections (or more according to Variety), there has been a serious argument that James Gunn’s take on Superman actually underperformed and even a failure. If we look at it through the mindset of Warner Bros back in 2013, you might have an argument. But in 2025, if we take the words from CEO David Zaslav and crew, it seems like they have much more manageable expectations and just needed to do enough to make a profit and do well in digital and physical sales to be considered a success. They know they can’t turn everything around in one movie like they thought they could a decade ago and are willing to be more patient in regaining the mainstream audience trust. Looking it that way, Superman (2025) was indeed a success. Sorry Snyder cult!
I Know What You Did Last Summer (2025)
Budget: $18+ Million
Box Office: $64.7+ Million
Break Even Point: $45+ Million
Gain/Loss:+$19.7+ Million
Verdict: Success
This might’ve been controversial among die-hard fans and mainstream audiences but thanks to a super low budget of just 18 million dollars, I Know What You Did Last Summer (2025) did good enough to at least guarantee it to be a success. Once again, the lower the budget, the easier it is for your film to be a profit in theaters. More studios should take notes on that, especially with what has come from the horror genre this year!
Smurfs (2025)
Budget: $58+ Million
Box Office: $120+ Million
Break Even Point: $145+ Million
Gain/Loss:-$15+ Million
Verdict: Flop
No one was asking for a new iteration of the Smurfs in 2025! Not kids! Not families! Not anyone! And they were ESPECIALLY not asking for a new iteration with Rihanna, James Corden, or Jimmy Kimmel (Although, PRO-FREEDOM OF SPEECH!)! Literally no one but Paramount should be shocked at the fact that this bombed! And even then, I think deep down they aren’t shocked at all either!
The Fantastic Four- First Steps
Budget: $200+ Million
Box Office: $521.5+ Million
Break Even Point: $500+ Million
Gain/Loss:+$21.5 Million
Verdict: Broke Even
This might’ve been the highest grossing MCU film of the year but it still disappointed greatly, compared to the highest grossing MCU films of prior years. This will likely mark the first year that an MCU film does NOT make it to the top 10 highest grossing overall films of the year since 2011. The Fantastic Four has certainly been more appealing to die-hard Marvel and comic fans than it did the mainstream audience but you can’t help but wonder how much better this would’ve done pre-2019. If adjusted projections are to go by, The Fantastic Four-First Steps will likely be the one MCU film to break even in 2025…..but that’s it. And for Marvel Studios standards, that’s quite underwhelming!
The Naked Gun (2025)
Budget: $42+ Million
Box Office: $102+ Million
Break Even Point: $105+ Million
Gain/Loss: -$3+ Million
Verdict: Broke Even
If we are talking about how much the 2025 incarnation of the The Naked Gun did in theaters, it might’ve fell just short of reaching it’s break even point. However, with making up any potential revenue loss with it’s release to digital and soon streaming, I would believe Paramount was more satisfied with how this one did than say……Mission: Impossible. I don’t think this did enough to “save” comedies or resurrected a genre of films that Hollywood has been quite picky to tackle for the better part of a decade but for what it’s worth, I believe this did just fine.
The Bad Guys 2
Budget: $80+ Million
Box Office: $225+ Million
Break Even Point: $200+ Million
Gain/Loss:+$25+ Million
Verdict: Broke Even
This one is quite a tongue twister. Largely impacted by a slew of summer movie competition along with pulling the trigger to the digital release so quicky, The Bad Guys 2 is more likely unable to match the success that the original did. However, due to working at a sizable budget and having solid digital sales thus far, it seems like it did just enough to match it’s break even point. While we might still get a third movie sometime in the future, I don’t think The Bad Guys franchise has become the success story that DreamWorks had envisioned it being, especially compared to the likes of Shrek, Kung Fu Panda, and How To Train Your Dragon. In that regards, it’s quite a same because this has been a damn good animated series of films thus far! Fingers crossed that a third movie gets made!
Freakier Friday
Budget: $42-45+ Million
Box Office: $152.3+ Million
Break Even Point: $105-112.5+ Million
Gain/Loss:+$39.8-47.3+ Million
Verdict: Success
I still don’t know why this was even made but thanks to it’s lower budget and modest box office projections, Jamie Lee Curtis and Lindsey Lohan’s Disney team-up that was 22 years in the making was able to exceed expectations without breaking any new ground. I guess it helps to have a sizeable budget and leaving plenty of breathing room between theater showings and digital/physical releases. If only Disney can get that same memo with everything else they do in the way they did with Freakier Friday.
Weapons
Budget: $38+ Million
Box Office: $266.4+ Million
Break Even Point: $95+ Million
Gain/Loss:+$170+ Million
Verdict: Success
Similar to Sinners and Final Destination: Bloodlines, Weapons was able to prove once again that you can win big in horror by playing small. This genuinely scary crowd pleaser was able to make the best with it’s modest budget to craft a smash hit, standing alongside with plenty of original horror films in recent memory. Even with what was a rather crowded area of theatrically released films at the time it came out, this was able to stand out swiftly to be a nice success story. Now let’s just see if director Zach Cregger can say the same for Resident Evil next year!
Nobody 2
Budget: $25+ Million
Box Office: $39.4+ Million
Break Even Point: $62.5+ Million
Gain/Loss:-$23.1+ Million
Verdict: Flop
Here’s a movie that did so poorly in it’s time in theaters that the studios pulled it completely from the big screens after five weeks and just dumped it to digital. To be fair, this is a rare case that I actually can’t blame the studio for making that movie so quickly. Whether it’s because too much time has passed since the original or it just flew under the radar for a lot of people, the sequel to Bob Odenkirk’s action franchise just did not get the same love and support that the original did (and even then, that didn’t really set the world of fire either). Between Nobody 2, The Final Reckoning, and last year’s flops of Monkey Man, Boy Kills World, and The Fall Guy, perhaps there isn’t as much of a crave for “masculine” action heroes that conservatives and alt-right online influencers would have you believe.
When you take all the box office results into account with the ways that most film analysts use to determine if the movie is a success or failure, this summer has had a total of nine movies that were successes, seven movies that were failures, and about five movies that did enough to break even.
What that tells me is that movie theaters are still not in a great spot but they are NOT ready to die out quite yet. While it’s a shame that certain films like The Fantastic Four- First Steps and Mission: Impossible– The Final Reckoning didn’t become the smash hits that were expected and that other films like Thunderbolts* and Elio ended up being massive bombs, this summer did show that there is at least a want and need for plenty of variety within theatrically released films.
You have live-action remakes, you have dinosaur action, you have horror thrills, you have action-comedies, you have rom-coms, and you have sports films! All of which were able to gain an audience in theaters and many of which were able to take some of the spotlight away from the kind of films that have dominated theaters in recent memory, particularly superheroes and video game adaptions.
That’s why I’m not too worried about the fact that a superhero film might not crack the top 10 of the year or that anime and re-releases might be taken more theater screenings! It doesn’t mean one genre is dying, it means more genres are EMERGING! The more genres of films that is resurrected and emerged, the more demographics are eager to see film in theaters, and the more money studios and theaters make! If Hollywood wants to keep theaters alive, THIS is the way to do it!
Because of that and more, I still believe there is still hope for movie theaters! There are still plenty of changes that need to be made (lower ticket prices/concessions, longer theatrical windows, longer time waiting for films to come to digital/streaming, more movie subscriptions/clubs….etc.) but if studios keep going with this direction while being able to contain a sustainable budget with most big movies they released, there might still be hope for movie theaters yet!
With Marvel Zombies now out, we now have 18 different Marvel series/specials that is available to watch exclusively on Disney Plus. These are content made strictly for this exact streaming service with the hopes of telling more stories with established characters that isn’t strictly in film format. When it comes to the overall quality of the shows, it’s results have been…..mixed to say the least. Even with a handful of good things to come out of it, they have their own limits and restrictions that have prevented them to be as engaging with some of the very best that the Marvel Cinematic Universe has offered throughout their history.
In hindsight, they have basically the exact opposite problems as Marvel Netflix. Where as the Netflix series often felt too long and bloated with filter, the Disney Plus series often felt too short and rushed. Despite there being plenty of good things to come from both Netflix and Disney Plus, most of them have struggled to hit that proper balance to have all these shows live up to their fullest potential.
Which one of these is able to be better than the others? Let’s find out by ranking all the Marvel Disney Plus series and specials up to this point!
19.) Secret Invasion
There was not a single Marvel D+ series (and perhaps any other MCU entry) that fell as hard as Secret Invasion. While the idea of having a series focused strictly on Nick Fury and the famous Secret Invasion comics are intriguing ideas on paper, the execution could not have been anymore disastrous. It’s poorly structured, well known characters are killed off in the most anti-climatic way possible, the Skrull storyline feels incredibly wasted, the behind-the-scenes reshoots are very obvious, and Nick Fury doesn’t seem to change one bit over the course of the whole series. Not to mention, the pointless retcon of Rhodey being a Skrull since Captain America: Civil War is just lame. This has about every single problem these Marvel Disney Plus series has had and made infinitely worse. The only saving graces are the scenes between Nick Fury and his wife along with G’iah being a neat MCU addition (until she’s able to unlock every single superpower known to demand because……….reasons?!?!?!). Everything else about Secret Invasion is a segment of everything that can go wrong with the MCU when it’s fallen into the wrong hands!
18.) IronHeart
The Disney Plus series that was already finished two to three years ago and got put in the back burner because of complaints of too much MCU content being piled on is finally here and…..it’s clearly obvious why it has been hidden for so long. While the cast is a lot of fun together and have solid chemistry, it is bogged down by clear behind-the-scenes drama, a directionless plot, ties to the MCU that feel incredibly forced, and characters that are given nothing to do. It’s like it’s trying to give Riri the same arc that Tony Stark had in Iron Man 3 but with none of the work or effort put into it. While it does end on a promising note for the future and is certainly more cohesive than say Secret Invasion, IronHeart is another forgettable Marvel series that is best left forgotten! And with the little to no marketing attached to this project and it collecting dust for the past two to three years, it seems as tho Disney and Marvel would agree!
17.) Echo
There are parts of Echo that make it come so close to capturing the same magic that the best of the Marvel Netflix series has. The backstory with Maya and how she became to be a vigilante is intriguing, every scene with Kingpin is glorious, the action is as brutal as it has been with the MCU, and the tone/style feels like it was ripped straight out of the Marvel Netflix run. It’s just a shame it’s central story is not told in an organic way with obvious reshoots and bizarre pacing that get in the way entirely. Plus, it’s overall representation of Cherokee Nation is barely touched upon, almost as if Marvel didn’t want to go too deep into it so they don’t offend anybody. The seeds are there for future “Spotlight” stories to expand upon greatly but Echo still can’t escape the trappings of most of these Disney Plus series, making it fairly underwhelming and disappointing. PLEASE stop making these just five or six episodes and make an actual proper tv show!
16.) Moon Knight
This has the ingredients to be a stellar series from it’s terrific cast to it’s psychological thriller elements to it’s exploration of someone with a dissociative identity disorder (DID). Unfortunately, Moon Knight is never able to make for the best of those ideas, despite Oscar Isaac trying his hard out as Marc Spector and May Calamaway being a welcome presence as Layla. It’s intriguing ideas are barely explored upon and mostly just results in a typical chase story with the character hunting down boring McGuffins while introducing lore and mythology that will leave you scratching your head. Not to mention, for a show called Moon Knight, there’s barely any actual Moon Knight in it. It is at least weird and bizarre enough that it might delight some folks who just want exactly that for their Marvel streaming series but it’s not enough to save the show from it’s undeniable shortcomings.
15.) The Falcon & The Winter Soldier
It’s cool to see many of the side characters from the Captain America movies that got sidelined get more to do in their own series along with giving an intriguing arc for Sam Wilson as the newer, progressive Captain America. Just too bad the series is held back by weak villains with odd, nonsensical motivations and an overall structure that feels more suited for a movie rather than a streaming series (something which many of the Disney Plus shows have greatly suffered from). You are lying to yourself if you didn’t find most of the endings to the episodes rather erupt because it just feels like the start of one scene and not the end of the other. I respect The Falcon and the Winter Soldier for what it stands for but certainly not in the way it goes about it. If there is ANY Disney Plus show that would have benefited MUCH better as a movie and NOT a mini-series, it’s this one.
14.) What If?
What If?! was probably the Marvel series with the most unlimited potential for captivating tales and expanding the Marvel Cinematic Universe. Creating scrappy stories of Marvel superheroes told throughout the multiverse and through multiple different variations point of view? That sounds like a series that could last for MANY seasons! Unfortunately, it’s unable to even scratch the surface of that limitless potential throughout the course of it’s three seasons by playing it as easy and safe as humanly possible! There’s a handful of intriguing episodes and fun character swaps along with some returning cast members from the live-action movies/series reprising their roles. Unfortunately, it’s held back by stiff animation, beat-by-beat storytelling, and a feeling of aimlessness rather than ambition with how it’s uses the multiverse (Something which the multiverse saga itself has greatly suffered from!). Instead of going crazy, it goes lazy and tame as hell. There’s some entertaining episodes here and there and plenty of fun to be had but man, it could have been SOOOO much more!
13.) Eyes of Wakanda
Here’s a little side project that has been in the works for awhile which puts the spotlight on the charismatic side characters that assist King T’Challa. It’s always neat to spend more time in the world of Wakanda and the side characters from the Black Panther movies are just as fun here as they are in the movies. But just like with a good number of Disney Plus shows, it still feels like it barely scratches the surface on what it’s trying to do. There’s not many episodes, it’s tackling on it’s subject matter feels very shallow and surface level, and the show moves at such a fast pace that it can be hard to jump into this fascinating world if you are not engaged with it already. I do put it above other animated D+ series like What If…? because it at least is more creative visually and animation wise but Eyes of Wakanda left me wanting more in the ways that I do not believe was intentional.
12.) Marvel Zombies
The newest addition to the Disney Plus Marvel canon doesn’t so much feel like it’s own series but more of a specific story arc made for Marvel’s What If? that for whatever reason got cut from the original show and had been sitting on the back burner for the past four years until it suddenly didn’t. The good news is that it deliver the goods in putting some of MCU’s heroes old and new together into this zombie world filled with blood, gore, and carnage, making for perhaps the best use of Marvel Studios animation to date. The bad news is that it still can’t reach it’s full potential because of how slim the whole experience feels and really feels like it only exists just to have more Disney Plus content on the streaming service. If a Season 2 happens, I’ll watch it but for now, I’m very on the fence on this one.
11.) Ms. Marvel
Ms. Marvel gets off to perhaps the best start out of any of the Marvel Disney Plus series. With showcasing a classic coming-of-age story, neat visuals, intriguing family dynamics, and a hugely charismatic and charming lead character in Kamala Khan, played wonderfully by Iman Villani. It’s mostly the second half when the dull as hell villains get thrown into the picture that don’t really mess with the style and tone of the show where it falters quite a bit, almost as if Team A was put in charge of the episodes given early to critics while Team B handled the rest because Team A decided to go home. Thankfully, there’s just a bit more of the former in the latter to make this show overall worthwhile, with the entire experience being held together by Villani’s incredible turn as Ms. Marvel herself. If this gets a Season 2, please put more focus on Kamala and her family and friends and not so much on everything else.
10.) The Guardians of the Galaxy Holiday Special
Perhaps the most inconsequential of all these series but still has heart and charm when it counts. The Guardians of the Galaxy Holiday Special makes for a cute holiday tale in the MCU which sees the lovable galactic misfits celebrating Christmas in a time where things are most dire for Peter Quill! This is the special that gave Drax and Mantis more time in the spotlight than ever before, along with the delightful presence of Kevin Bacon himself. It’s mostly slim and something you can tell was made rather quickly without too much thought being put into it but no doubt James Gunn’s passion and love for the characters from his successful films is on full display here. Also, you are a robot if you didn’t at least get a bit misty eye at the ending with Peter and Mantis. Just saying!
9.) Daredevil: Born Again
After a seven-year long wait to see our favorite Netflix hero/vigilante back in streaming form, the unofficial fourth season of Netflix’s Daredevil, i.e. Daredevil: Born Again, is able to deliver in the sum of it’s parts, if not as a cohesive whole. The reshoots and reworking from the show’s original premise does feel distracting at times, with it desperately missing the trio spark that Matt, Karen, and Foggy had together in the original series. Thankfully, the character work between Daredevil and the newly elected Mayor Fisk is ace stuff, the cast of old and new are great in their roles, and it ends on a haunting cliffhanger that sets the table for an exciting second season and the Punisher spin-off. I just hope Justin Benson and Aaron Moorhead have more free realm next time around and don’t feel restrained with having to rework all of the moving pieces that should have been figured out in the first place. Born Again may be more of the same but in this case, more of the same might just be what we all need.
8.) Hawkeye
While far from the most ambitious Marvel Disney Plus series, Hawkeye is one that does to take full advantage of it’s lower stakes and able to meet exactly the kind of endpoint it is aiming for, making a charming Christmas superhero tale that doesn’t try to be anything more than what it is. This of course helps introduces the immensely lovable Hailee Steinfeld as Kate Bishop and gives Jeremy Renner his full time to shine as Hawkeye, which Florence Pugh’s Yelena eventually joining in on the ride. It does suck though that Kingpin doesn’t get much to do there and his only real purpose is to set up the Echo series. However, considering the MCU is clearly not done with Wilson Fisk yet and he’ll play bigger roles later on down the road, I can let it slide. Nevertheless, this was a good time and worth revisiting again during this wonderful holiday time.
7.) Agatha All Along
The latest series in Agatha: All Along is easily one of the most unique and creative Marvel has been in it’s Disney Plus era. It’s able to act as a proper follow-up to WandaVision while perfectly embracing it’s queer vibes and camp value that makes for the right watch at the right time of the season. The entire cast is awesome (Kathryn Han and Aubrey Plaza were literally MADE for each other), Jac Schaeffer is able to direct and show run the HELL out of every episode, and there’s so many unique surprises and reveals that will delight the most diehard of MCU fans. There are certain aspects and directing choices that won’t appeal to everyone (particularly some of the musical choices and being more “queer” than most MCU prosperities) but for those who believe the MCU is at it’s best when they are at their more weird and experimental, Agatha: All Along makes for a very special treat!
6.) Werewolf By Night
Marvel’s first ever attempt at doing a special sees an interesting take on the horror genre and universal monsters. With the old-school black-and-white style, gorgeous cinematography, haunting score, and plenty of blood and violence to be found, Werewolf By Night is everything you could want out of a special Halloween special and perhaps even more than that. Even judging it strictly based off of werewolves, this is probably the best werewolf content in the last decade or so. I never thought someone as Michael Giacchino, someone who is most well known as being a musical composer, could make such an unique stamp for his first every directional debut but he really manages to blow my socks away. This is something I can see myself watching every Halloween and never getting tried with it. Just stick to the original black-and-white format please!
5.) She-Hulk: Attorney By Law
While not quite the best Marvel Disney Plus series, this is the one that plays the most like an actual television show as oppose to a six-part mini series or a feature film cut in pieces. It’s able to tell a funny, fourth-wall breaking story about a woman struggling with her daily life, dating life, and superhero life all at the same time while introducing plenty of welcome cameos such as Wong, Bruce Banner, Megan Thee Stallion, and especially Daredevil. Tatiana Maslany is absolute perfection as Jennifer Walters/She-Hulk, able to be super convincing as both a cute, vulnerable lawyer and a beautifully buff green hulk. It might be too “meta” for some and will certainly causes the heads of every incel out there that it’s poking fun at to explode, but nevertheless, She-Hulk: Attorney At Law is definitely one of the most fun and enjoyable series in the Marvel Disney Plus library.
4.) Your Friendly Neighborhood Spider-Man
It might’ve took three times (four if you count the PBS-friendly Spidey And His Amazing Friends) but Disney has finally been able to crack the code on how to make a solid Spider-Man cartoon. Blending the traditional comic book panel traits of the character’s well-known origin while incorporating new distinct traits of it’s own, Your Friendly Neighborhood Spider-Man is able to find the right balance of exploring the thrills of being Spider-Man and the chills of being Peter Parker, something which The Ultimate Spider-Man and Spider-Man (2017) failed to do. The newer cast of characters the show chooses to explore are (mostly) intriguing, it’s callbacks and references all feel earned, the theme song is dope as hell, and it’s able to use it’s alternate timeline and multiverse concept to not just reuse plot assets of the MCU or recurring fan favorite characters but also show how Peter’s life would’ve been different in the MCU if things play out a different way and he made all new friends and allies in the process. There are some strange creative decisions I’m not a fan of and the animation style won’t be to everyone’s taste but for the most part, Your Friendly Neighborhood Spider-Man is a winner and is perhaps (by default) the best Spidey show since The Spectacular Spider-Man. I’m definitely intrigued to see Season 2!
3.) WandaVision
The very first of the Disney Plus series gives one of the best and most interesting characters in the whole universe, Wanda Maximoff, her own time to shine. What starts off becoming a fun homage to 90’s sitcoms becomes more of a character study of Wanda where she has to deal with the sins and consequences over the actions she has committed up to this point, while learning to move on from the pain and grief she feels with the loss of her Vision. The entire cast is great here with Elizabeth Olsen’s Wanda, Kathryn Hann’s Agatha, and Teyonah Parris’s Monica being the standouts with Paul Bettany as Vison being pretty good as well. The finale does suffer with the whole big CGI fight feeling quite forced and certain payoffs to certain things will be underwhelming to hardcore Marvel fans but as a whole, WandaVision still makes for a creative, fun, and engaging series that is one of the most interesting of the Disney Plus shows thus far.
Ralph Bohner was hilarious btw!
2.) Loki
Everyone favorite villain turned anti-hero in Loki is the best of the live-action Marvel Disney Plus shows thus far. There hasn’t been a live-action series thus far that took full advantage of the multiverse concept like this one did. It’s able to introduce the complete bonkers elements, universe building, and just plain “out there” concepts that Marvel set out to do with Phase 4 but never once loses focuses on the characters and their adventures throughout. Tom Hiddleston’s Loki is more interesting and engaging than ever before showing off his “anti-hero” side than every other movie or show that he’s been in. Sophia Di Martion’s Sylvie makes for a great counterpart and stands out well as her own version of the God of Mischief. Owen Wilson is able to make the character of Mobius more charming and likable than he has every right to be. However, the one that arguably shines the most despite only showing up in the final episode is Jonathan Majors as Kang the Conqueror! He not only helps make the character such an entertaining presence when he comes onscreen but also makes the series stick the landing in the end (Just a shame about………well yeah!). If more Disney Plus projects and post-Endgame content were on this level of quality, we would have had very little to complain about Marvel throughout the 2020s.
1.) X-Men ’97
In an era where it seems like the hype around superheroes and revivals have died down, here comes in X-Men 97, that was able to make it’s way to Disney Plus and show everyone how these things are suppose to be done. This was about as good of a revival as it could get, perfectly translate the traditional values and roots that the X-Men are known for in modern times while still being able to capture that Saturday morning cartoon vibe. The 2D animation is stunning and feels perfectly in line with it’s 96′ series counter part, the action sequences are filled with energy and excitement, and there is plenty of time given to each cast member of the X-Men to shine. And it was SUPER nice to see my boy Scott and my girl Rogue being done justice for once. Oh, and the glimmers of seeing Spider-Man 94′ back again brought a tear to my eye! No offense to the last several shows I listed but I think most would agree that X-Men 97 was far in a way the best Marvel Disney Plus show to come out thus far. It’s so good that I would love to see more Marvel revivals of beloved shows done in a similar matter. Come on, Disney! Greenlight Spider-Man 98 already! You know you want to!
Hey, everyone! It’s been awhile since I’ve done one of these but I just want to give you all a heads ups as to what’s been going on in my life, why I’ve been very off and on for the past few months and what my plans are for the remainder of 2025 and onto 2026!
First off, my personal life has been hitting me hard quite recently with personal issues regarding my family, my work, and social media in general. I have a family member that has been quite under weather for the majority of the year and I’m not sure how much time she has in this world. There has also been some division happening within my work, with both my co-workers and certain incidents that has taken a hit with me. And of course, social media more than ever has been very mental and emotionally draining, leaving me more and more depressed as each day goes by.
I’ve been trying really hard to fight through it all. I’m making my time to visit or check in on that family member whenever I can, I’m working through my struggles at work by trying to be more focused and determined to do the best work I can without getting into any trouble, and I’m trying to spend less time on social media so I don’t get sucked into narratives going on around the world that I have no part in.
As screwed up as the world has gotten in recent years, I don’t think it has taken a hit on me until this past year. I guess it’s because up to that point, I was able to avoid the majority of it and focus on my own personal life without much focus on anything else. But now, since I’m more aware than ever as to what’s going on around the world, I can’t help but not look away when something bad happens. You just never know when the next big disaster will occur! Right now, I’m doing my best to work through all of that and only worry about something when it affects me personally and not anyone else. Some of you might think that’s selfish but hey, right now I can only take care of myself and my family! If you don’t like that, then blame the modern world!
Next thing, a question that I think some of you have is why I’ve never completed my Superman film retrospective I did before the release of Superman (2025). I did every single standalone Superman movie but didn’t get around to doing Batman V Superman: Dawn of Justice and both Justice League cuts. The main answer is that I don’t think I could add much to that that hasn’t already been said in my Man of Steel retrospective or what has been said constantly about any of those films.
Yes, I loathed both cuts of Batman V Superman: Dawn of Justice! Yes, I was indifferent as hell towards one cut of Justice League while mostly enjoying the other! But at the end of the day, Zack Snyder’s take on Superman is just a take I don’t think works. Regardless of whether you look at it as a faithful take on the character or just it’s own interpretation of it, I’m just not a huge fan of Henry Cavil’s Superman, feeling he’s closer in spirit to Homelander than Kal El himself. He does have his moments in the film, especially in Zack Snyder’s Justice League, where he captures a bit of that Superman spirit but as a whole, I just can’t connect with the 2010s cinematic take on the man of tomorrow in the ways I do with Christopher Reeve or David Corenswet.
Lastly, I have been thinking about what I want to do on here for the rest of the year along with 2026. For the rest of 2025, I’m gonna try to go back to my original formula where I can crank out at least two pieces per week. I do have some ideas around subject matter I want to tackle along with wanting to update some rankings that I’ve been wanting to do for the past few weeks. So, look out for those!
For 2026, I’m wanting to use that year as being a return to form on here. The kind of return to form that I started when I became more active on here in 2022 and want to bring that spirit back. This includes things like bringing back reviews with new films and games, more in-depth pieces about what’s going on around pop culture, and also get back to talking more about sports.
2026 is expected to be a MASSIVE year in all of the things. It’s probably the biggest it’s been in sports and entertainment since at least 2019. I want to be as active on that as much as humanly possible. As long as nothing earth shattering gets in the way next year (which to be fair, there’s a good chance that WILL indeed happen), 2026 should be exciting as hell and have good enough stuff to get us all through what will likely be another tough year in life for all of us. (Please Trump, Putin, and Netanyahu! Don’t start World War 3 before GTA 6 comes out!)
But yeah, that’s basically all I got right now! If there is anything specific I want to get off my chance in the future, I will make sure to inform you all!
Until then, look forward to future content on this blog and I will see you all next time!
Stay safe out there, everybody!
Other comments:
I’ve also noticed lately that I’ve been getting more visitors from China in recent months! To anyone from China, welcome!
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