May 2024 – Adam's Blog

Top 20 Best Movies of 2014

May 31, 2024May 31, 2024 AdamLeave a comment

It’s been ten years since 2014! Let that sink in for a moment! TEN YEARS SINCE FREAKING 2014! I got nothing else to add than that!

In all seriousness, when looking back on 2014, I can never stop to think about just how much amazing films that came out of that year. No matter what genre of movies you like, there was something for you about everybody! Action, drama, comedy, horror, suspense, thriller, and also some superhero stuff! I would go as far to say that 2014 was the best year for films since I’ve been alive. Yeah, it was THAT good!

And maybe it was just me but I also can’t help but feel like this was the last “tolerable” year when it came to discourse surrounding films and entertainment! Before it was all about what’s woke and what’s not and something something something “cultural war”, the conversation surrounding film was more on what the medium itself was about and NOT the politics behind it all, both from a studio standpoint and social/cultural standpoints! Yes, we did unfortunately get a sneak preview with what was to come for the next decade with the infamous geek culture movement that was GamersGate but at the time, it was easy to ignore that and just judge films for what they actually are!

And if I were to judge 2014 in film form, I don’t think you could get much better than this! There were bangers after bangers scattered throughout the entire year, from a promising spring to a knockout summer movie season to a worthy Oscar season. There were so many great films to come out in 2014 that I couldn’t narrow it down to just 10 or 15 movies! No, I had to go with 20 of them, TWENTY! And there were also ten other honorable mentions that I couldn’t squeeze but desperately wish I could! That should give you an indication of just how incredible 2014 was for movies!

Let’s not waste anymore time and dive straight into this list! Starting off with my TEN honorable mentions!

Honorable Mentions:

Enemy
The Theory of Everything
22 Jump Street
A Most Violent Year
Locke
The Boxtrolls
The Drop
The Imitation Game
The Fault In Our Stars
Frank

That’s right! Not a single one of those was able to crack my top 20! You starting to see why I keep saying that 2014 was an AMAZING year for films! Anyways, now my top 20!

20.) The Babadook

Starting off the list is was my favorite horror film to come out in 2014 with The Babadook! Jennifer Kent is able to start her directing tenure with a bang with with this creepy and terrifying thriller, acting as perhaps the scariest film at the time since Sinister. The performances from Essie Davis and Noah Wiseman are stellar, the atmosphere is as haunting as it could get, and the Babadook itself is one of the more scary antagonists in recent horror movie history. It’s not quite a film that I go back to rewatch often but it’s undoubtedly a must watch for any fan of horror there!

19.) Fury

One of the most compelling war flicks in recent memory, David Ayer is able to deliver a film about the horrors of war and the atrocities that come with it for those that are involved in it. Despite all the stellar things about this film such as the intense action sequences, great cinematography, and spot-on direction, it’s the performances from the cast members such as Brad Pitt, Shia Labeouf, Jon Bernthal, Logan Lerman, and Michael Douglas that is able to evaluate the picture even further to make it stand out as well as it does. It may not break any new boundaries for war films and there is a near half hour long detour that could have been trimmed down from time but aside from that, Fury is a damn solid war flick.

18.) Life Itself

Back in 2013, we lost one of the best and most respected film critics in the industry with Roger Ebert. One year later, we were able to get a great documentary that did this great man justice in Life Itself. A beautiful and emotional dive into this iconic movie review, showing his incredible legacy in a powerfully moving narrative among other critics and filmmakers out there. He was a film critic that earned the respect from every one around him and this documentary gives a great showcase as to why. RIP Roger Ebert! Cinema would never be the same without you! Two thumbs up!

17.) The Grand Budapest Hotel

While Wes Anderson can be a hit or miss filmmaker for me, he was able to hit big time here with The Grand Budapest Hotel! Anderson’s style is able to fit perfectly throughout this film, delivering his most striking visuals to date alongside an uncommonly fast-paced and engaging story. The cast members are all on top form here, the script is witty and full of charm, the production value is absolutely outstanding, and there’s even a very engaging and moving narrative at center, making everything matter more in the grand scheme of things. I do imagine most Wes Anderson fans would have this rank much higher on this list but The Grand Budapest Hotel is still more than worthy of landing a spot among the top 20 best films of 2014.

16.) Selma

If you’re looking for perhaps the most personal film of the year where you can hear the director’s voice throughout the entire picture, Selma would likely take the cake as the best of the year in that regard. This is a film where you can feel the weight of every scene, line, & moment that Ava DuVernay shows on screen. This is the kind of biopic that likely has and will be shown in schools so that generations never forget the message, spirit, power, and importance of the man that is Dr. Martin Luther King. It may not be the most comfortable watch but Selma is undeniably one of the most important watches of 2014.

15.) Snowpiercer

Captain America: The Winter Soldier was not the only 2014 film that had Chris Evans being a badass, that honor also is shared with Snowpiercer, directed by the brilliant mind of Bong Joon-ho. It’s a film that is able to exceed at being an action flick, a sci-fi epic, and a post-apocalyptic film all at that exact same time without losing any sort of cohesion. Filled with awesome set pieces, a memorable ensemble cast, and plot twists thrown at you at every turn, there is not a second of Snowpiercer that isn’t remotely entertaining or engaging. Even if the third act left a little bit to be desired, this is still a damn exciting ride that you should not miss! Just stay away from the tv series!

14.) Interstellar

What might be Christopher Nolan’s most ambitious film to date, Interstellar makes for one of the most interesting and intriguing sci-fi films of the 21st century. The film goes into great lengths about mankind’s place in the universe and what we are willing to achieve for the survival of the human race. The effects are a feast for the eyes, it’s superbly acted, the emotional core between Cooper and his daughter is very well done, and the first two acts is able to execute it’s themes to near perfection. It’s only the bumpy as hell ending and the way a certain subplot gets completely handwave by the conclusion that prevents this from being up there with Nolan’s very best. Even if it’s not able to stick the landing as well as it could have, Interstellar makes for one engaging ride that is worth experiencing at least one time.

13.) John Wick

Before the sequels would go even bigger, bolder, lore-heavy, and dive into traditional world building, John Wick was largely a smaller-scale self contained story about a hitman coming out of retirement to avenge the death of his dog, the last piece of his late wife that remained. It may be a rather straightforward and simplistic motivation but that’s all that’s needed. Because what matters most is that we get to see Keanu Reeves kicking ass once again and become even more of a badass than he ever did in The Matrix films. With elements such as the glorified action, awesome stunts, superb lighting and cinematography, an excellent supporting cast full of recognizable talent that all get their moment to shine, and of course, the awesome Keanu Reeves delivering cheesy one-liners in a direct but cool way. While some might take issues with the simplistic plotting /characterization along with needing to tolerate corny puns and having to suspend your disbelief, anyone else that is able to accept the tropes that have become common with action movies while also wanting something fresh and new should think John Wick is right up their alley. It’s one of those movies that is able to deliver exactly what you would ever want in an action movie and even more.

12.) How To Train Your Dragon 2

Fulfilling it’s role as the dark middle chapter of DreamWorks’s most critically acclaimed film series, How To Train Your Dragon 2 is a strong example as to why they can be counted on to deliver strong middle chapters for stories when they count the most. Taking the next level in terms of animation and technical achievements, this sequel is able to exceed for the same reasons that the very best sequels out there are able to do. It takes the characters to the next step of their development by putting them on a journey which makes them challenges who they are and why they do what they do. The voice work is also particularly strong here, especially with Cate Blanchett acting as Hiccup’s long lost mother. Not to mention, the surprising fate with one of the characters stands as one of the most bold moves that any DreamWorks film has every made. While the antagonist himself is a weak line and it lacks the freshness and novelty the first film had, How To Train Your Dragon 2 is still a very impressive animated sequel that is worthy of praise.

11.) Nightcrawler

One of the most gripping and unique thrillers to come out in 2014, Nightcrawler makes for one of the most fascinating character studies in recent memory! This is a film where the main character is basically an antagonist but he’s so interesting and menacing on screen that you just get engaged whenever he is on screen regardless. It’s a nice deep look into the inner meanings of being a reporter and the lengths one will go to in order to get the news and footage that they need. Jake Gyllenhaal is exceptionally excellent here, perfectly balancing the charisma and chaotic nature of it’s character. Complemented by dark and striking visuals, a strong supporting cast, and a rather haunting atmosphere, Nightcrawler delivers greatly as a unique, intense thriller! The fact it falls just shy out of the top 10 is criminal but that’s only because of how genuinely great these next ten films are!

10.) Captain America: The Winter Soldier

If Captain America: The First Avenger was a perfect period piece flick, then Captain America: The Winter Soldier was a perfect flick for the modern times. Not only a very well done espionage thriller with plenty of thrilling action, character development, and important subject matter, but it managed to make certain characters more interesting and badass than ever before. Captain America became cool to like in this one, Black Widow was more interesting and developed this time around (along with having the best hairstyle here), Nick Fury actually gets to do something here than just try to motivate the Avengers through pep talk, and man does Winter Soldier make for an intense and threatening presence whenever he is one screen. This was the Russo Brothers first film in the MCU and they were able to make one hell of a first impression! Captain America: The Winter Soldier was an absolute game changer for the MCU when it came out back in 2014 and it still remains one of their very best films to date!

9.) Edge of Tomorrow

Perhaps the most surprising summer blockbuster of the year, Edge of Tomorrow (or Live. Die. Repeat as it was later changed to….I think) was significantly better than it had any right to be! This is a time loop film that is able to do everything it possibly can with it’s Groundhog Day-like premise! It’s able to be action packed, entertaining, funny, well-acted, perfectly paced and be able to surprise you at basically every turn! Although Tom Cruise shows he’s still able to be a convincing action star outside of Mission Impossible, it’s Emily Blunt as Rita Vrataski that steals the show entirely, fondly earning the name the Full Metal Bitch! Yes, it’s a shame this film didn’t do that well at the box office (likely due to the film’s rather lackluster campaign) but that doesn’t change the fact that this is an absurdly great and clever sci-fi action thriller that is MORE than worthy of your time!

8.) Gone Girl

Even when you think that David Fincher has run out of ways to tell compelling stories, he proves us all wrong with Gone Girl. This works near perfectly as not just a faithful adaption of the novel which it is based on but it also works as terrific social commentary on the politics surrounding media and the consequences of coming to a general consensus without having all of the information. Ben Affleck might be damn good here but Rosamund Pike is absolutely INCREDIBLE here, giving perhaps the best performance out of any actress this year. With a fantastic script, great cinematography, an engaging cast, and a narrative that will keep you intrigue and guessing throughout, Gone Girl is a fantastic thriller and one of the very best films to come for the great David Fincher.

7.) X-Men: Days of Future Past

While there’s definitely a strong argument to be made that Logan is objectively the best X-Men film ever made, Days of Future Past is by far my absolute favorite “team-up” X-Men film in the series. From the superb character development to the amazing action set pieces (The Quicksilver scene is still an all-timer!) to the warm, dark tone to the resonate themes to the inventiveness of the time travel storytelling to the inspired score, this is basically everything you can ask for in an X-Men film or in basically any superhero movie in general. But the one thing I believe is most important to take away from Days of Future Past is how just because you are course-correcting your franchise does not mean the overall product has to suffer because of it. I can’t really recall any movie in recent memory that was able to be a kind of course-correcting movie without feeling the need to sacrifice it’s own quality for a brighter future. As curious as I am with how the Marvel Cinematic Universe handles the X-Men property from now on, I can’t imagine them topping this film or craft something as creative and inventive as this, at least in terms of live-action (X-Men 97 is MAGNIFICENT btw!)

6.) Birdman

The film that won Best Picture at the Oscars may not quite be the very best film that I saw in 2014 but in many ways, it’s pretty damn close! Birdman remains one of the most unique and original films in recent memory, giving a great insight into a legendary actor passed his prime, how film critics observe film, and the way that Hollywood operates in chasing successful trends. The one-shot gimmick is unique and never wears out it’s welcome, the screenplay is excellent, the narrative is engaging, the cinematography is more than Oscar-caliber, and the performances from Michael Keaton, Emma Stone, and Edward Norton is among the very best in all three of their careers. Even if it does have a tad sense of smugness throughout, almost as if director Alejandro Gonzalez Inarritu is shouting his frustrations at the way superhero flicks are taking over anything, Birdman is an extremely impressive cinematic achievement that it’s too hard to care about any potential shortcomings.

5.) Dawn Of The Planet Of The Apes

If you want a textbook example on how to do a proper summer movie blockbuster, this would be exactly what you find in that dictionary. Released in a loaded 2014 movie season that was serving constant bangers, Dawn of the Planet of the Apes was able to stand greatly among them. This is a layered, three-dimensional, and at times unpredictable film that is able to tell a cautionary tale about the roles that two different species play and every single one of them looking for the best possible outcome for themselves. Instead of going with a conventional “apes good, human bad” approach, Dawn instead shows the pros and cons of both the humans and apes, highlighting the gray area that is consuming both sides, as the two sides are trying to make for the best possible future for themselves in the worst possible times. We also can’t forget the spectacular visuals and motion capture of the apes that has never been better than it has been here, great action, perfect tension throughout, and one of the coolest and underrated villains in recent memory in Koba, played perfectly by Toby Kebbell. Perfectly paced, perfectly written, perfectly directed, and perfectly acted (Give Andy Serkis an Oscar already!), Dawn of the Planet of the Apes is blockbusters at it’s absolute finest, giving me all hope that we are still capable of making great franchise installments.

4.) The Lego Movie

One of the most genuinely surprising films in recent memory, The LEGO Movie was able to defy any logical odds and become an instant classic! This is a movie where you have the LEGO people be actual characters who get development, it’s own unique animation style, tons of exciting and inventive set pieces, incredibly funny and original jokes, poking fun at movie cliches, subverting expectations at every turn, and has a heartfelt message that can appeal to both kids and adults that have played with LEGOS at some point in their lives. Phil Lord and Chris Miller were able to fully realize their vision when sitting comfortably in the director’s chair and used this premise to create this magnificent animated picture. While I’m sure the movie was able to help sell tons of LEGO sets the way that stockholders hoped it would, The LEGO Movie was able to be something much more than simply be a movie exist to sell toys, even if that was intention with stockholders. It showed that just because you’re a brand doesn’t mean you have to sacrifice the artistic integrity and creativity to make something special.

3.) The Raid 2

You wanna talk about an action filmmaking TRIUMPH, that would be The Raid 2! Gareth Evans is able to take everything that made the original Raid so good and crank it up to ELEVEN here! The action is constantly non-stop, throwing one amazing fight at you after another with constant blood and carnage throughout, the shock value is off the charts, every single frame and set piece feel expertly crafted, the pacing is absolute rapid fire, and even the story and characters are quite engaging, helping make every fight scene that more gripping and suspenseful. I don’t think I have ever seen an action film with better fight sequences, more convincing stunts, and more superb fight choreography than this! There is nothing here that feels half assed, restricted, or unconvincing! Even if nothing that happened in this movie happened in real life, it will FEEL like that when you are watching The Raid 2! There’s been a lot of great action films out there but when it comes to the pure action itself, I don’t think I’ve seen a film that delivers that any better than The Raid 2!

2.) Guardians of the Galaxy

While this may not be technically the best directed, acted, or written MCU movie, I don’t think there’s any other MCU movie I would rather rewatch than the original Guardians of the Galaxy. It’s incredible how a movie with this different of concept and characters and play barley over two hours yet it still feels like the complete package. Every member of the Guardians of the Galaxy is instantly iconic and lovable, with the big standouts being Chris Pratt as Peter Quill/Star-Lord, Bradley Cooper as Rocket Raccoon, and Dave Bautista as Drax the Destroyer, the story is familiar but also refreshing with it’s own unique identity to it, the action scenes are well-crafted, it’s incredibly funny as hell, the score is kick-ass, and there’s some hard hitting emotions that feel just right. Even the one-note villain of Ronan the Accuser, is actually quite functional in his own way as being the space equivalent of Hitler. There are definitely Marvel movies that are better made and might be better objectively but you’d be hard pressed to find one that’s as fresh, surprising, and flat-out more entertaining than Guardians of the Galaxy! This is a film I can watch time and time again and NEVER be bored with!

1.) Whiplash

There are rare times when films feel more like than just films but feel like experiences! I don’t think I can think of a more fitting example of that than Whiplash! There was no film in 2014 that was able to enthrall me, challenge me, have me on the edge of my seat, or keep me engaged than Whiplash! This is not just a film about music but it’s about pushing yourself beyond measures to be the best version of yourself you can possibly me. It’s about the lengths you will go to accomplish your dream goals and what you are willing to sacrifice along the way! It’s about a professor trying to get the very best out of his student in ways that are unconventional and absolutely anxiety inducing! Best of all, Whiplash is about filmmaking at it’s finest! Damien Chazelle’s directing is spot-on, Miles Teller turns in the best performance of his career, J.K. Simmons’s Terence Fletcher is one of the best film antagonists in recent memory, the screenplay is as air tight as they come, the score and editing is sublime, not a single moment feel wasted, and the third act is one of the best and most satisfying climaxes of any film I have ever seen! When it comes to all the films I saw in 2014, there is not that stuck with me the most and had me appreciating the more I thought about it than Whiplash! An absolute masterpiece on every level and legit one of the best films I’ve ever seen period!

Why Hello, Bikini Bottom Is The Most Important Episode of SpongeBob SquarePants

May 29, 2024 AdamLeave a comment

This month, I wanted to do something different for the SpongeBob SquarePants retrospective! Instead of going over the second movie, Out of Water, I decided to take a step back and talk about a big specific episode of SpongeBob SquarePants. This is an episode that I don’t think gets talked about quite as often as it should nor do I think people understand the great importance of it. That episode I’m referring to is Hello, Bikini Bottom!

Hello, Bikini Bottom! was an episode that aired on October 8th, 2012, acting as the finale to Season 8 of SpongeBob SquarePants along with it being the swan song for longtime series writer Aaron Springer (who did later return for future projects such as Sponge on the Run, The Patrick Star Show, and the upcoming Search for SquarePants. Of course, Nickelodeon being Nickelodeon, it was aired completely out of order and wasn’t actually the final episode that aired of Season 8, with even several episodes of Season 9 airing before and after that, but the episode itself still feels and is structured like a season finale. Not only because it was a 22-minute long special but it acted as both a culmination of the worst era of SpongeBob while also setting the stage for the revival era of SpongeBob. While Season 8 did show potential for greener pastures for the show for upcoming seasons, I don’t think there was one episode that was able to hit that mark quite as much as Hello, Bikini Bottom!

The episode is about SpongeBob and Squidward learning to play music together that would draw a crowd and show potential of the two forming a famous duet band, giving Squidward the career he has always wanted and giving SpongeBob that perhaps he never knew he wanted. After SpongeBob tries to play his guitar alongside Squidward playing the clarinet, they are discovered by a concert promoter named Colonel Carper. He wants SpongeBob and Squidward to form a band together and sent them both on a concert tour. However, after hearing from a long distance about what Colonel Carper has in mind, Mr. Krabs decides to take things into his own hands by forming the duo band himself, banking on potential massive profits from both his employees. In so doing so, he steals a bus from Mrs. Puffs and sound equipment from Carper and sells the Krusty Krab to generate funding for this concert tour. It’s then that SpongeBob and Squidward must learn to perform as a duo band to become the famous stars that Colonel Carper saw them both as or else this could be the end of the Krusty Krab and even Mr. Krab’s reputation as we know it. Oh….and Patrick is in this episode too because all bands need a roadie and what better starfish for the job than him.

I have stated throughout this entire retrospective that SpongeBob SquarePants has never been known for it’s groundbreaking storytelling or themes but I can’t help that Hello, Bikini Bottom in many ways represents the main turning point for the series and serves as a swelling goodbye to the end of the worst era of SpongeBob SquarePants and hello to a promising new future that awaits. This isn’t just the SpongeBob crew going on a concert tour in the hopes of starting a new career in music, this is the crew going on a farewell tour towards this specific era of SpongeBob. This is by revisiting ideas that weren’t very well executed in prior seasons while also giving a sneak peek at the new crazy and just plain “out there” animation that would become a staple for later seasons.

Throughout this episode, we see the characters act as they always have been up to this point but never goes too far towards their one main character trait being their entire character. SpongeBob is still optimistic and hopeful but he also has a brain in his head. Squidward does get tortured every once in a while and still fill with nihilism but he also gets his way by the end and it never goes too far with the torture or nihilism. Patrick is still dumb and comic relief but he’s not so dumb that he becomes unbearable. Even the character that was the easiest to mess up, Mr. Krabs, despite being obviously greedy and shellfish throughout, gets punished for his actions and suffer consequences for taking a such a baffling gamble. It’s a nice balance of being able to keep the characters the way they have always been without falling into the trappings that has lessen them for the past three seasons.

However, I think the main hook of this episode comes from the climax when the song Never Give Up plays. This comes at the moment where the crew are at their lowest point. They went to several different places to try to gain a massive crowd and following and just about all of it failed. Supermarkets, retirement homes, birthday party for kids, and even trying to hijack another famous bands’ show. All of those were failures and as a result, the concert tour was a failure and the Krusty Krab is long gone along with Mr. Krab’s salary. They have nothing let…except to stand up and play a song.

While there was some solid songs throughout this episode, the song that is most well known for this episode is Never Give Up. This is the moment where SpongeBob and Squidward are able to sing together despite being in different places and finally learn how to duet together. Here is where they move pass their shortcomings up to this point and just stand up and play, finally realizing the potential of a duel band that Colonel Carper saw in them at the beginning of the episode. Yes, the crowd they gather wasn’t necessarily for them and actually for the superstar light show that was right behind him but in the heat of the moment, that didn’t matter at all. That moment was not about SpongeBob and Squidward gathering a crowd, it was about them learning how to play together and seeing their own potential as a band.

That song is also a great showcase of the SpongeBob SquarePants franchise up to this point. It started off great, lose some stream, and went complete rock bottom. However, the people behind the show did not give up and kept working hard and eventually found the series in a much better place later on down the road. Those two factors in of itself is what makes Never Give Up perhaps the best song of the post-original era and easily the most emotionally satisfying. However, there is one other factor that hits home for me personally. Not only about this song but the entire episode in general.

Right around the time this episode aired, it was around that time where I and many others that grew up with SpongeBob SquarePants and Nickelodeon were getting older and becoming teenagers and/or young adults. It was around this time where most of the shows that era of kids grew up with had either ended or would soon come to an end. iCarly saw it’s series finale just one month later (until it would later get revived nearly a decade later), The Penguins of Madagascar was on it’s last legs on the main Nickelodeon channel, The Fairly Oddparents was still up in the air of continuing, and the likes of Victorious and Big Time Rush would reach their conclusions a few months later. Yes, there was still a handful of remaining shows that (in some way) connected to Gen Z’s childhood such as Kung Fu Panda: Legend of Awesomeness, TMNT (2012), and The Legend of Korra but for the most part, this was the end of my (and many others) era of Nickelodeon and the beginning of a new era for the kids of the 2010s.

In many ways, Hello, Bikini Bottom! represents the ending to multiple things at the same time! It was the end to Season 8, it was the end of Aaron Springer’s run on the main show, it was the end of what many consider the worst era of the history of SpongeBob SquarePants, and the most personal to me, it acted the end of “my” era with Nickelodeon. The one thing it was NOT the ending of was SpongeBob SquarePants itself. Despite all the other Nick shows coming and going during this time, SpongeBob SquarePants was one that still prevailed and unlike say The Fairly Oddparents, would find even more good will later on down the road. Because of that and more, there’s a lot to thank Hello, Bikini Bottom for!

Hello, Bikini Bottom is by no means the best or biggest episode of SpongeBob SquarePants but I do think there’s a strong argument to be made that it’s the most important one to date. Not just because of it’s high quality but also it’s timing. This show aired during a time where the show and a generation of kids that grew up with Nickelodeon was losing their appeal. They needed episodes from this show specifically that would be good enough to cater to the last remains of the previous generation and make way for the new one. They needed that one episode that could act as that proper bridge between Season 8 to Season 9 and get a new era into SpongeBob. While there might be another episode or two that might’ve done just that, I can’t think of one that I handle that about as well as it could then Hello, Bikini Bottom!

It’s all those reasons and more why I felt compelled to make a piece strictly based off this episode. Mostly because I believe it was that one moment that shows signs of a brighter future ahead of our beloved yellow sponge. This was an episode that not only gave a soft landing to a very bleak era of SpongeBob SquarePants but it showed that this show still did have untapped potential it hadn’t reached for a long time. All everyone had to do on the show as to not give up! And they did just that!

Next Month: The SpongeBob Movie: Sponge Out of Water

Ranking The Mad Max Franchise

May 27, 2024May 28, 2024 AdamLeave a comment

Furiosa: A Mad Max Saga is now out in theaters! Because of that, it’s time for another new ranking on this blog. This time, we will be ranking the Mad Max franchise! However, I’m not just going to rank every single film installment. I will also include the Mad Max video game that came out in 2015! Why you may ask? Because it’s a dope game and deserves to be included in this messed up canon of a universe?!

Anyways, let’s hope right into the list of the Mad Max franchise from worst to best! Also, Happy Memorial Day!

6.) Mad Max

Yes, the worst that the Mad Max universe has to offer is in fact the original Mad Max, which is also the only film in the series to put the full spotlight on him and not those around him. This is when George Miller had yet to find an actual identity for the franchise that he created along with discovering his own talents as a filmmaker. The pacing is sluggish, the action lacks tensions because of how rubbish it’s filmed, and despite being considered a “revenge” movie, it’s not until the last 20 or so minutes when Max does in fact give revenge for his family’s death. While those sequences are awesome, it happens way too late in the film, delivering little payoff to a whole lot of setup. Thankfully, it’s by the end where Max finds himself in the wasteland, which is also when the franchise finds it’s own identity.

5.) Mad Max Beyond Thunderdome

There are many folks that point to Beyond Thunderdome, the final film in the series with Mel Gibson as the title character, as the low point of the series, sighting it’s cartoon-like nature and more kid friendly tone as being the reasons why. Oh, and the annoying little kids don’t help either! While all of that is partially true, it still delivers in terms of car chases, production design, costumes, and Mel Gibson’s beautiful hair in it. Not to mention, Tina Turner singing “We Don’t Need Another Hero.” It’s undoubtedly cheesy but at least there’s always something happening on screen that makes it hard to be bored by, as compared to the first movie. It’s definitely a mixed bag but the good news is that the post-Mel Gibson Mad Max films (and one game) would go on to learn the “right” lessons from this and ignore all the wrong ones.

4.) Mad Max (2015) Video Game

Yes, there was a Mad Max game that came out in 2015. The main reason you might not know about it may have to do with the fact that this released the same day as Metal Gear Solid V: The Phantom Pain (A dull and boring game btw!). What stinks because this is actually one of the better IP exclusive games in recent memory. Taking cues from hit games such as Batman: Arkham Asylum and Grand Theft Auto V, Mad Max (2015) the video game really makes you feel like the title character. You just have all the fun in the world driving the Magnum Opus, beating up war boys, collecting scraps and goodies, and taking down the enemies towers along the way. Also at his heart is a core story about Max trying to fight his way through the wasteland and find somewhere where he can be at peace at long last, leaving the memories of his fallen loved ones behind him. Oh, and the main bad guy in this game is Immortan Joe’s son, who also showed up in Furiosa: A Mad Max Saga. It’s far from the most revolutionary gameplay out there but if you need your Mad Max fix after Fury Road and Furiosa, this should do you well!

3.) Furiosa: A Mad Max Saga

This is the first film in the series to not have Max himself in a main role (although he has one glorious blink-and-you-miss-it cameo and instead acts as the origin story of the star from Fury Road in Furiosa. Even so, it still remains a superb action packed spectacle that offers a further expansion of the Furiosa character and more depth into the insane world of Mad Max itself. It manages to tell a compelling origin story for it’s lead heroine that stands strong in it’s own right, Anya-Taylor Joy is able to fill in the shoes for Charlize Theron greatly, Chris Hemsworth is having the time of his life playing the main bad guy in Dementus, and it just makes for a perfect counterpart to it’s already perfect successor in Mad Max: Fury Road. Oh, and some nice little easter eggs and nods to the Mad Max (2015) video game is always welcome! It may not quite reach the height of Fury Road (or even The Road Warrior for that matter) but oh man, is it fun to watch George Miler try to top himself the whole way through. If this really is the beginning of the end of movie theaters as we know it, then I’m at least glad we are going out with bangs like like Furiosa: A Mad Max Saga.

2.) Mad Max 2: The Road Warrior

Before Fury Road managed to raise the standards of actions movies in the 2010s, The Road Warrior was able to do that first for actions movies in the 1980s. This was when you can tell that George Miller was fully at home with this franchise and Mel Gibson had slipped comfortably in his role as Max Rockatany. The story structures feels more much organic, the action and chase scenes have more weight and energy to them, the exploration of the post-apocalyptic wasteland is intriguing to explore, and it does a great job of leading into the sheer madness and craziness that would become a staple for this franchise. This is also what set the formula for the sequels of the stories not actually being about Max himself but the others that are around him and how he goes about helping them through others troubles. Max might not be able to prevent the tragic past that he had to endure but that doesn’t mean he has to let others have the same faith. It might have took a second try but The Road Warrior is when the series was able to unlock it’s true potential with it’s action, set pieces, and world building. However, it still only walked so that the next one could run over 30 years later.

1.) Mad Max: Fury Road

If you want to talk about the Mad Max series at it’s finest and just action blockbuster filmmaking in general, look no further than Mad Max: Fury Road. This is hands down the best film in this franchise because of the high near impossible standards that it was able to reach and lead by examples. The action is absolutely spectacular in every sense of the word, there is tension, suspense, and momentum felt throughout it’s entire runtime, the practical effects is able to blend together with the VFX work perfectly, every single cast member is on top form here, the stunt work and editing is some of the best I’ve ever seen for a blockbuster, the score is absolutely mesmerizing, Tom Hardy is able to take over for Mel Gibson as Max without much shortcomings, and Furiosa, played perfectly by Charlize Theron, is one of the best female protagonists in cinema history, so much so that it’s basically more of her movie than it is Max’s but you don’t care one bit because of how great and compelling she is. Mad Max: Fury Road is a film that is perfect no matter what way you look at. Whether it’s as an action-packed spectacle, a visual and character driven story, a further look into the wasteland of Mad Max, or as a feminist think piece, Mad Max: Fury Road remains one of the best and most perfect films of the 21st century. Even if Mad Max: The Wasteland or another Mad Max film never gets made, let’s at least be glad we got to witness George Miller craft a Magnum Opus of his own. And we all could not be better for it!

Furiosa: A Mad Max Saga (2024) Movie Review- George Miller’s Odyssey

May 25, 2024 AdamLeave a comment

For anyone that follows the movie industry and knows how the film making process works, you know that most films based off of well-known IPs tend to be micromanaged to high hell by the studio executives. Sure, if it’s a franchise that is guaranteed a profit based off the name alone and is directed by someone with a reputation of making crowd pleasing blockbusters on budget and on time, they might get a pass. However, more times than not, it’s always the studio execs and producers that have the final say on the finished product, at the expense of the cast and crew that work on it.

All of that reason and more is why it’s a miracle that Furiosa: A Mad Max Saga even exists in the first place. It’s a prequel of Mad Max: Fury Road, a movie, which despite all the praise it got and the Oscars it won, barley squeaked a profit and made George Miller go to war with Warner Bros to allow Furiosa along with another potential Mad Max: sequel to even happen. This isn’t a film that exists because it’s something that Warner Bros desperately wanted to greenlight. It’s a film that exists because George Miller fought his neck and teeth for to get made. And if the early box office results of Furiosa are anything to go by, George Miller was able to win the battle while Warner Bros will likely lose the war.

If this really is the beginning of the end of movie theaters as we know it, then I’m at least glad we are going out with bangs like like Furiosa: A Mad Max Saga. A glorious action packed spectacle that offers a further expansion of the Furiosa character, more depth into the insane world of Mad Max, telling a compelling origin story that stands strong in it’s own right, and makes for a perfect counterpart to it’s already perfect successor in Mad Max: Fury Road. It may not quite reach the height of Fury Road but oh man, is it fun to watch George Miler try to top himself the whole way through.

Premise: Snatched from the Green Place of Many Mothers, young Furiosa (Alyla Browne) falls into the hands of a great biker horde led by the warlord Dementus (Chris Hemsworth). Sweeping through the Wasteland, they come across the Citadel, presided over by the Immortan Joe. As the two tyrants fight for dominance, Furiosa (Anya Taylor-Joy) soon finds herself in a nonstop battle to make her way home.

The first thing you need to know right off the bat about Furiosa is that it’s a COMPLETELY different beast than Mad Max: Fury Road. While they may look and sound similar, both films present very different and unique ways to tell their story. Whereas Fury Road relied on it’s nonstop action and immersive visuals to tell it’s story, Furiosa has Miller taking another deliberate approach with a film that acts more as a character study about Furiosa, with a slower pace and focus on world building than it’s predecessor did. The film no doubt delivers enough action and explosions to those that crave those in their summer blockbuster but at heart, this is a character driven story about a fierce woman being caught in the middle of war with two distinct sides.

The film is divided into three separate acts (or five different chapters, at the film points out), all three of which are able to tell their own distinct story. We have the entire first act that puts the focus on Furiosa as a child (played WONDERFULLY by Alyla Browne) when she got taking away from her home by Dementus and the Biker Horde. We have the second act that shows Furiosa raised through a teenager to adulthood by Immortan Joe and the Citidial along with getting caught between their war against the Biker Horde. And then there’s the third act which has Furiosa seeing vengeance against Dementus for taking away everything she’s ever loved and transforms into the Furiosa that we all remember from Mad Max: Fury Road. All three acts are engaging, all three acts tell their story at their own paced, and all three acts has a payoff of some sort by the end of it. That is multilayered storytelling if I’ve ever seen it!

Even if some may balk at the fact that it’s a prequel and we already know ahead of time the outcomes of certain characters, there is still a complete story told her and a complete arc for our main heroine that is developed every step of the way. It allows the traits and events we already know will happen to Furiosa in a very organic way. These events help with the development of the character and don’t just feel like a checklist of things to happen because it’s a prequel (*cough* How Han Solo got his name in Solo: A Star Wars Story!). Not only does Furiosa not tarnish Mad Max: Fury Road in any way, it actually enhances that masterpiece, adding even more layers and details to it than ever before. When watching both films back-to-back alongside each other, it’s gonna feel natural and make both experiences feel like one complete picture.

The performances are about as pitch perfect as it comes. While I can give it all the credit in the world to Anya Taylor-Joy that is able to nail the fierce nature that Charlize Theron captured so well in Fury Road, a special shout out has to go to Alyla Browne. She’s able to carry the first act as well as a child actor possibly can, being as silent and stoic as you would likely expect a 10-year old Furiosa to be like. She does it so well you almost don’t mind waiting for Anya Taylor-Joy to show up because how captivating she is on screen. Of course, Anya Taylor-Joy is just as equally great as well, selling herself well as not just one of the best young actresses working today but also someone capable of holding an action role. She’s not on the level as Charlize Theron but I can definitely see her being on that level two decades from now if Hollywood is still able to make these action movies by then.

Other notable shoutouts go to the likes of Josh Helman’s Scrotus (who fans of the Mad Max (2015) video game should remember), Nathan Jones’s Erectus, and Tom Burke’s Prateorian Jack, all three of which are able to give convincing performances as either raging mad mans (mostly the first two) or one of the fearless but noble good men out there (mostly the third one). You also can’t forget Charlee Fraser’s spectacularly badass turn as Furiosa’s mommy. I won’t go much further than that but let’s just say you can more than understand why Furiosa became the badass that she is.

However, no other actor is able to steal the scenery her than Chris Hemsworth as the main antagonist Dementus. Hemsworth already proved himself worthy (no pun intended) of playing a fun bad guy in Bad Times At The El Royale (which you should see right now if you haven’t already) but he takes to a whole another level here. Able to fine that perfect balance of vile, unhinged charisma and being an intimating threat every step of the way. There’s even a good 10 to 15 minutes stretch that puts the full spotlight on him and you don’t care one bit because of how awesome of a presence he is here. It’s like Hemsworth took the criticism of Thor: Love and Thunder to hard and wanted to make his turn as Dementus that stands out greater than in any Marvel movie he has ever done. While the box office may not show that, this proves that he does not need the Disney scenery to pull off a great performance.

While Furiosa is not quite as action heavy as Fury Road, it still really delivers here. The set pieces, stunt work, cinematography, and just about ANYHING revolving around the action is Oscar caliber here. The car chase sequences are as every bit as intense and exciting as they were in Fury Road, taking you on this crazy ride as you find yourself biting your teeth in regards to the fate of the characters while also being gloriously entertained in the process. Even though he’s approaching 80 years old, it’s incredible how Miller continues to find new and exciting way of creating action sequences that will make you want to rewatch it over and over and over again.

It’s also quite cool how well this is respectful to not just the previous Mad Max films but also the Mad Max (2015) video game as well. As I said before, fans of the game will know that Scrotus was the main antagonist of that game and is actually the son of Immortan Joe, basically solidifying that game in this latest Mad Max canon. There’s some fun little easter eggs and nods to that game which will likely put in you in the mood to play it after seeing the more or play it for the first time if you haven’t already.

The score by Junkie XL, aka Tom Holkenborg, is as inspired and perfect in the moment as it was in Mad Max: Fury Road, the cinematography by Simon Duggan captures the look of the wasteland very well, the editing by Eliot Knapman and Margaret Sixel will certainly lands some awards come Oscar season, and even if the CGI and VFX work are admittedly more noticeable here than it was in Fury Road, they blend better with the practical effects when watching the film onscreen in theaters as oppose as to just watching the trailer on YouTube.

What keeps Furiosa from being as grand or impressive as Fury Road has to do with not feeling as air tight as that film was and having a bit more baggage to carry. There are times where the pacing can be a bit inconsistent, with a first act that feel slower with having to set the groundwork for the latter two acts and Furiosa’s revenge arc wrapping up a beat or two more quickly than it should have been. And even if it manages to avoid most of the trappings that prequels usually gain, there are some elements that don’t quite get as explored as they should, likely because we already know ahead of a time of the fate of certain characters. In this case, I would have like to see more interactions between Praetorian Jack and Furiosa. It’s hinted that Jack as the closest thing that Furiosa has ever had to a male love interest but in context of the film, comes across as just another man that she is forced to tag along with for the fate of her survival. (Spoiler alert: That would NOT be the last time!)

Even so, the fact that George Miller had to give everything to not just make Furiosa: A Mad Max Saga as great as it is but even get it made at all is proof how much the world of Mad Max means to the man. Regardless if it’s with Mad Max or another character themselves, this world is able to make the best use out of Mr. Miller as a filmmaker outside of anything to do with animated penguins that’s NOT related to Madagascar. Even if you basically see these last two Mad Max films as a metaphor as to where films are heading now that theaters are losing money, at least the man is able to get the chance to show us all a great taste of his imagination. And man does it taste good!

I don’t know if we’ll get another Mad Max movie or not but even so, I will gladly put Furiosa: A Mad Max Saga and Mad Max: Fury Road greatly alongside one another. These films should be seen as a textbook example of how to make compelling action films. From the set pieces to the fight chorography to the stunt work to the visuals to the story to the characters to the themes to the soundtrack, these are both perfect examples of well-crafted films and the kind of ones I will always support at the bottom of my heart, even when they are not perfect. While I don’t think Furiosa is quite perfect, I will look for any excuse to take a look into George Miller’s Odyssey.

This is George Miller’s world and we are all living in it in ways we really couldn’t imagine!

Other comments:

Yes, Mad Max does make a cameo in this! Yes, it’s about as blink-and-miss as you would imagine!

And seriously, go play the Mad Max (2015) video game if you haven’t already! It rules!

Also, special shoutout to Quarden Bayles as War Boy! I wish that young man the best of everything in the world! For what I’ve seen and heard about him, I hope he is given proper care and respect in his life, especially after the roles he played in this film and Three Thousand Years of Longing.

Why Animators Need To Go On Strike

May 24, 2024 AdamLeave a comment

It has been announced that Pixar will be laying off 14% of current employees due to Disney’s cost-cutting measures. This will be the biggest restructuring in Pixar’s history. Even after undergoing similar layoffs last year, which included Galyn Susman, the woman who helped keep Toy Story 2 at bay during production, yet another restructure is occurring at the offices of Pixar. Never mind the fact that last year’s Elemental was able to squeeze a profit after it’s incredibly strong legs or that Inside Out 2 is set to have the biggest opening weekend at the box office in 2024 so far! Neither one of those elements were enough to continue letting talented animators get the hammer!

Unfortunately, this has not been the only layoffs in recent memory within the animation industry. Back in March, shortly after Kung Fu Panda 4 had a strong opening weekend at the box office, DreamWorks had announced massive layoffs with their company as well. Even more so than the ones with Pixars, DreamWorks confirmed that many departments were cut in half and the creative staff on movies were to be reduced at least up to 50%. Yes, around HALF of the creative staff at DreamWorks were laid off a few months ago. Never mind the fact that Kung Fu Panda 4 had a solid opening weekend at the box office and has managed to gross over 530 million worldwide, becoming the second highest grossing Kung Fu Panda sequel domestically and even outgrossing the previous Kung Fu Panda installment. Not to mention, the lower 85 million dollar budget that certainly allowed for higher revenue that perhaps any other Kung Fu Panda movie to date. None of that was enough to save DreamWorks from being forced to clean house and restructure their entire company.

There are multiple reasons why this is all occurring to not only within the animation industry but nearly all forms of entertainment in general. Mediums underperforming or tanking at the box office and/or sales, bloated budgets that makes return outcome nearly impossible, rushed development cycles which artists are constantly overworked and crunched for times, etc.. However, I do think the #1 reason behind all of this has to do with the higher ups of these studios. In the cases I just mentioned, Disney and Universal.

If you have been seeing how technology is becoming more advanced by the day, you likely are familiar with the way A.I. has been playing a bigger role now than before. With artificial intelligence features such as ChatGPT becoming more common in every day use, it’s clear that studios are looking to have that be more incorporated to the way entertainment is made now. Not for the sake of quality but for the sake of quantity. Companies want A.I. to play a big role now because it will save them extra bucks in not having to hire more animators or artists. That way, more and more money can be made that can light their own pockets and NOT be spend on actual content themselves.

Many people find it blasphemy that big studios and companies are still trying to convert A.I. into their products at the expense of actual human beings after going through at least two major strikes because of that push. However, it just doesn’t matter in the eyes of the higher ups. They don’t know how to shortened the budgets of their content that doesn’t involve laying off a good portion of their employees. They just think A.I. is the big answer to all of their problems. Not because they want to experiment on different ways to make new forms of entertainment but because that will save them a few extra pennies. It’s about as greedy, corporate, and cynical as they come.

All of those reasons and more is why whenever the contract inevitably expires this year between the Animation Guide and the Alliance of Motion Picture and Television Producers (AMPTP), a strike is going to 100% occur. It’s not a WANT per se but an absolute NEED for both sides, if the future of animation is to thrive in the best way it can. Companies need to learn that they can NOT take animators for granted and needs them to provide quality entertainment.

Even if you take out the constant push for A.I., the animation industry has been infamous with it’s troubled production with films in recent memory. You have Across the Spider-Verse which had animators being treated extremely poorly by Phil Lord, causing hundreds of animators to leave the project. You have Kung Fu Panda 4 which had plenty of back and forth between the creatives and being rushed out of door during the multiple strikes to get out by spring. And do I even need to bring up the development history surrounding Frozen 2, which had a Disney Plus documentary in which the people who made it unironically state that they were overworked, crunched, and was basically making the whole movie up as they went along. And I can only imagine the stories we will be hearing about Moana 2, the Disney Plus series turned movie, during the holiday season this year?

Working in the animation industry or any entertainment industry is certainly hard and requires you to be working a TON to get each project out on time. But it should never come at the cost of someone’s mental health, insanity, or skills as a human being. You might be able to get away with that once or twice but to have EVERY production in animation going this way is a big no-no. That’s how you wind up with something like Megamind 2, that was litter with animation errors that became noticeable to anyone once the very first trailer dropped. Not only is the poor treatment for animators along with this constant push for A.I. to take over is affecting the work-life balance of animators but also the quality of animated motion pictures. And once you got so many of those poor quality animated films in a row, eventually people will catch on and your movies will end up bombing at the box office. Just ask Disney with Wish!

Yes, there has been plenty of great animated work as of late, regardless of their production history, but more times than not, these rushed developments cycles, harsh treatment of animators, and wanted to replace them with robots is causing major harm to the animation industry. At some point, you as an animator has to put your foot down and stand up to the studio saying “No! You will just not tolerate any longer! Treat us with the respect we deserve or we go on strike!” While it’s unlikely that will occur on it’s own, the soon-to-be expired contract between the Animation Guide and the AMPTP will certainly make the voices of animators be heard. And there is not better time for them to start speaking up than now!

Just like how actors and writers had every right to go on strike last year, animators deserve that very right! With big companies performing layoffs within the industry in the hopes of avoiding a strike, that is only going to throw more fuel into the fire. Laying off hundreds to thousands of animators in the hopes of giving those extra bucks to those that deserve it is NOT the answer! Replacing those animators with robots is NOT the answer! Putting the animators through hell with every single animation production is also NOT the answer! The only answer is to give them the proper care, treatment, and respect that they deserve to deliver the best quality creative product that they can!

It’s only then that animators may not have to strike. However, in this case and under THESE circumstances right now, they have more than earn their right to do so once they get the chance!

May 21st, 2013- The Day That Xbox Died

May 21, 2024May 20, 2024 AdamLeave a comment

Imagine being in Microsoft’s position on this day back in 2013. Coming high off your successful run with the Xbox 360, you have all the optimism in the world in showcasing your next console for the eight generation of gaming. By taking perfect advantage of Sony’s failed launch of the PlayStation 3, you were able to stream roll passed your opponent and make yourself the grand face of gaming for the seventh generation of gaming and for the foreseeable future.

You have the chance to shock the world in amazement, proving that you are still at the very top of your game. By just making good first impressions with your latest console, you are pretty much guaranteed to win another console war or at least make yourself competitive. Nintendo is struggling big time with their Wii U and Sony is most likely gonna play it as safe as imaginable with their console reveal. This latest console war within the eight generation of consoles is not yours to win but yours to lose.

Taking in all of those facts, you would think that the reveal of their newest console should be the easy win in the books. All you have to do is take what worked about your previous console, improve on aspects that didn’t work as strong, showed off the advancement in technology, and be sure to show your exclusive games and features that gamers can NOT get with a Wii U or PlayStation 4. Do at least two or three of those things strongly and you are pretty much guarantee another successful generation. Was Microsoft able to do just that on this exact day over 11 years ago? No, no they did not whatsoever.

The reveal of the Microsoft’s eight generation console known as the Xbox One has to be one of the worst reveals of a gaming console of all time, if not the absolute worst! Microsoft and former CEO Don Mattrick did just about the exact opposite of what you are suppose to do for a consumer product reveal. It was a reveal that was so bad that it not only lost them the eight generational console war by default to Sony but it practically damaged Microsoft’s brand, losing half of their customers and still suffering the consequences from this reveal even a full decade later. How exactly could Microsoft screw up what should be the easiest console reveal ever? Well, it’s a real step-by-step process that I would like to go over in complete detail.

“Xbox One?!” Really?!

The first misstep was the title of the console itself, Xbox One. That is about the worst and most confusing title imaginable for Microsoft’s newest console. The Xbox One wasn’t even Microsoft’s first Xbox and by this point, was their third iteration of the Xbox. You could have just gone with the easy name such as Xbox 720 or Xbox Infinity or any name that makes your console identifiable but really Xbox One?! That just makes it seem easy for someone to mistake the Xbox One as referring to the original Xbox and NOT the Xbox that Microsoft was releasing for the eighth generation. After all, there are still people to this day that believe the Wii U was just an add-on to the original Wii.

According to Microsoft, the reason why the console was called Xbox One was because they wanted to market their console as an “all-in-one entertainment system”. It wasn’t just about showing off the next evolution of gaming but showing off the next evolution of entertainment medium in general. While that is certainly ambitious to include so many features onto what is suppose to be a video game console (We’ll get DEEP into that later!), that doesn’t really justify calling it Xbox One. That still opens to door for major confusion among consumers who probably mistake the Xbox One as referring to the very first Xbox or thinking that’s some add on to the Xbox 360 (Again there are still folks that don’t believe the Wii U was a real console). Unfortunately, the dumb console name was the least of this console reveal’s problems.

Is This A TV Console Or A Video Game Console?

Despite the Xbox One intending to be the next upcoming console for video games for Microsoft, video games seems to be the last thing on their mind when revealing their latest product. As a matter of fact, games weren’t even talking about until over halfway through the presentation. I’m dead serious!

Instead a good majority of focus were spent on the television features that Microsoft look to include to add to the entertainment experience with the Xbox One. Whether it’s for streaming services or watching regular television, this reveal was all about showing the multiple different ways that you can watch your favorite shows, movies, or sporting events. If you were to take a sip for every time the word “TV” was mentioned throughout the entire reveal, you would be so drunk that you likely think you have 12 fingers, 15 toes, and 5 d**ks/v***as.

Sure, the 360 had tv elements to it as well but Microsoft knew throughout that entire console run that it was a gaming console first and everything else second. I don’t know if it’s because Microsoft wanted to showcase elements that Sony was unlikely going to have with the PlayStation 4 but the entire Xbox One reveal felt more like a reveal of a new movie player and/or streaming service than it did of a legit video game console.

Always Online Along With Multiple DRM Restrictions

Once the focus actually went to the gaming feature of the console, Microsoft initially announced that the Xbox One would require internet connection 24/7, even for single player games that don’t require online service. As if that wasn’t enough, they also said that you would not be able to share games easily with friends and family, requiring you to follow an overly complicated set of rules to reserve your copy of the game, share it with others, or even sell it. For example, you would only be able to share a certain game with a friend who you have had on your friend list for 30 days and each game could only be shared one time. If you want to talk about consumer annihilation at it’s finest, look no further than this initial feature for the Xbox One.

Even taken away the fact that following those guidelines would results in constant absolute messes with online services, that is about the most anti-consumer way to sell your product imaginable. Microsoft was basically trying to get gamers to play their games THEIR way and not the way the gamer likes to. That would be like being fed a diner meal at a restaurant but you were only require to eat it in the exact way that the workers there tell you to do. You can’t force costumers to like your product the way you want to, they can only like your products the way THEY want to.

This had to be the most arrogant thing Microsoft could have possibly did when revealing the Xbox One. After the Xbox 360, they thought everyone would roll over for them like an adorable puppy and go along with everything they want. Instead, this was one of the many features that killed public interest in the Xbox One from the day it was revealed.

Lack Of Backwards Compatibility/Used Games

As if the confusing ways to play new games on the Xbox One wasn’t bad enough, Microsoft wouldn’t even allow for backwards compatibility for games on the 360 or even used games on the Xbox One. You couldn’t play prior games on the previous console on the Xbox One nor could you get used games or even rented disc copies to play on the system. If you were someone that was looking to save money for a Xbox One by selling your 360 with the mindset it would support 360 games, you were screwed. If you were someone that wanted to hold off on the newest Xbox One game you were looking forward to and wanted to wait until there was a cheaper, used copy at your local GameStop, well you were screwed too.

Microsoft claims that the reason for this move was that they wanted to push forward with the ways to game instead of going backwards. From that reason alone, it sounds more like they were going backwards with their way of thinking than in the ways of gaming. A main selling point of a new console is that it would show support towards prior games of the prior console. It also helps to be able to access a copy from a friend or a disc rental from Game Fly to try out the games to see if you want to spent your hard earned money on it. And that’s not even going into how previous games from the previous console can help the support of a newest console in it’s early days without relying strictly on launch titles. Yet again, this was another simple aspect to get right and yet again Microsoft botch it completely.

What About The Games?

If you were to ask anyone what actual games got revealed during the Xbox One showing, I don’t think anyone would have an exact answer for you. As I said earlier, games seemed to be the last thing on Microsoft’s mind when talking about the features of the Xbox One. Outside of your typical games such as Call of Duty, Madden NFL, and Halo, there was virtually ZERO Xbox One exclusives to get people excited to purchasing a Xbox One console.

To be as fair as I can, this reveal did take place about a few weeks before E3. While it’s understandable that Microsoft didn’t want to completely blow their load at once, they needed to least showcase something other than the typical FPS and Sports Games that gamers have grown accustomed too. Just something to make the games at Xbox One stand out more compare to games on their previous consoles. However, that was not the case whatsoever. Video game consoles are all suppose to be about the games first and everything else second. The fact that Microsoft didn’t get that memo while developing this mess of a console made them put their own writing on their own wall.

Humiliation At E3

While Microsoft did try to response to their disastrous reveal by focusing more on gaming exclusives for E3, they still refused to change anything about their piece of software they were selling. You still have the overreliance on television/streaming features, you still have the required online connection, you still have the confusing ways to be able to play or share your games, you still didn’t have the option to play Xbox 360 games or used games, and you hardly had any exclusive to look forward to for the Xbox One. This is setting up your gaming console for failure if I’ve ever seen one.

Although I have been talking nonstop about Microsoft and the awful way they promote the Xbox One, what about Sony and their PlayStation 4? How did they respond to that? Well, by performing the most embarrassing beat down imaginable. Nearly every single thing that Microsoft did wrong, Sony did right spectacularly.

They put big focus on the software and the multiple ways to play games, they didn’t try to force online restrictions or drms down the throats of consumers, they didn’t try to make the gaming experience more convoluted and confusing than it needed to be, they allowed for anyone to play any game on the PS4 regardless if the disc is old or new, they allowed for PS3 software on the PS4, and they were also selling the console at a reasonable $400, as opposed to the Xbox One’s sale of $500. If the Xbox One reveal was the most anti-consumer reveal imaginable, the PlayStation 4 reveal was the most pro-consumer reveal imaginable.

If you don’t believe me, just look at these two videos right here of Sony sticking it to Microsoft right up every single of their greedy little asses.

Don Mattrick Telling Those Who Didn’t Have Internet To Go F**K Themselves

As if nearly every single possible aspect with this reveal and E3 could not have gotten worse for Microsoft, the real nail in the coffin was the response that former Microsoft CEO Don Mattrick gave as a response to those that were unable to play games online for the Xbox One. He basically said that those that don’t have an internet connection can just go get an Xbox 360. I’m not even joking.

Do I even need to say anymore?!

The Aftermath

After a reveal and E3 event that had people jaws hit the floor in complete utter disbelief, Microsoft realized they had no other choice but to cave in and give the people what they wanted from the beginning. About a few weeks after E3 2013, Microsoft responded to the overwhelming backlash of the Xbox One by dropping the DRM charges and online restrictions entirely. Nearly every element that drew instant criticism was dropped entirely. The online services/check ins would not be required, you were allowed to play and share your games the way you want to, backward capabilities and used games would be supported, and there would be directed licensing changes to make games more accessible to the Xbox One. It was the only possible thing they could have done to save face. Unfortunately for Microsoft, the damage had already been done.

Even taken away the fact that the Xbox One still contained it’s confusing titles, too much commitment to non-gaming features, and very little commitment to the actual gaming features, the PlayStation 4 was able to sell leagues above the Xbox One at launch and would literally never look back for the remainder of the eight generational console war.

The latest accurate report confirms that Microsoft has sold 58 million Xbox One consoles, while Sony has sold over 117 million PlayStation 4 consoles. That alone gives perfect confirmation that PlayStation 4 did in fact range on top over the Xbox One for the eight generation console war, with Sony emerging victorious. And that’s not even going into detail about how the amount of Xbox One sold is at least 26 million short compared to the Xbox 360 or even how the PlayStation 4 eventually surpassed the Xbox 360 in total sales. Not only did Sony bested Microsoft in the present and future but they also went back to the past and bested them there too. That’s is butt kicking 101 at it’s absolute finest!

And if you are wondering how Microsoft latest ninth generational console has fared with the Xbox Series X/S (I still get confused with that title as well!), it’s not fared much better. While the handling of that console was nowhere near as bad as with the Xbox One, some of their biggest fatal flaws from that console would eventually carry over.

From still too much focus on other entertainment assets such as televisions and music to not enough intriguing exclusives or IPs to doing jack s*it with the exclusives and IPs from companies that they actually bought to it’s confusing as hell console titles, unable to tell the difference between which is which, the Xbox Series X/S was not the answer they were looking for, following their humiliating defeat in the eight generation. To this day, I still am confused on what the Xbox Series is even to suppose to be. And when I’m confused about something that should be so simple, then that must mean the majority of the human population would feel the same way.

And when it comes to the overall sales thus far. The Xbox Series X/S has sold just 21 million consoles to date while the PlayStation 5 has sold nearly 60 million consoles. That’s not to say that the PlayStation 5 has been completely perfect either but it’s the greatest console ever compared to whatever the hell that the Xbox Series whatever is suppose to be. Because of that and more, there is no doubt that Sony is walking away with the console war crown once again for the ninth generation.

In Conclusion

To say that Microsoft is still feeling the consequences of the Xbox One reveal would be an understatement. By fumbling the bag so badly on what should have been the most easiest sell for a console ever, they made just about every single mistake they could have possibly made. Whether it was motivated by greed, arrogance, or just plain stupidity, that not only caused Microsoft to lose the seventh generational console war to Sony but basically all future consoles wars as well.

Microsoft had all the motivation in the world coming into the seventh generation of consoles. They were able to take full advantages of Sony’s disastrous PlayStation 3 launch by steamrolling them throughout the six to seven year console window, providing the best possible gaming experience they could do players all around the world. Yet, somehow and someway, they completely shot themselves in the foot with the Xbox One, causing major damage to their brand back in 2013 and still to this day in the year 2024.

Microsoft has try multiple ways of keeping up the pace with Sony. They replaced Don Mattrick as CEO with Phil Spencer, they’ve tried buying other IPs and gaming companies out there, and they are trying to write every previous wrong they possibly can. Unfortunately, none of that has been enough to not just compete with Sony throughout the past decade but not even be in the same ballpark as them or even Nintendo.

With all the wrongs that Nintendo did with the Wii U, they’ve been able to make up for it big time with the Nintendo Switch, selling over 140 million consoles to this day and may soon pass the DS and PlayStation as the best selling gaming console of all time. Microsoft has not come anywhere close towards a redemption arc that Sony earned after the PlayStation 3 or Nintendo earned after the Wii U. It’s still a disaster to this day and may even forced them to pull a SEGA and drop out of the console war entirely. (I have a link for that at the very end of the article).

Just like how nearly every problem that America has faced can be traced back to George W. Bush’s presidential run, every single fatal flaw that Microsoft has suffered through can all go back to that Xbox One game reveal on this day, 11 years ago. It annihilated gamers and consumers all around, it gave the worst possible first impression that one could have when revealing their latest software, it added more confusion and anger than excitement, and most importantly, it made everyone look at Microsoft in a complete different way in terms of gaming. And that feeling is still mutual to this very day!

It just goes to show you how a simple reveal of a company’s newest product can not just ruin your present but also your past and future as well. And sometimes, it can do it all at once. It all goes back to the Xbox One reveal on May 21st, 2013.

*in Jim Gordon’s voice* This is how it happened! This is how the Xbox died!

My Favorite Movies From Each Year I Was Born

May 17, 2024 Adam1 Comment

So, yeah, it’s my birthday today! I officially turn 27 years old. To be honest, as I get older, my birthday is the day I really dread because it just reminds me how old I’ve becoming and just how little I’ve actually done with my life for my first 27 years in existence. However, to try to put myself in a happy spirit for this very day, I decided to do something fun and name my two favorite movies from each year that I was born. Starting in 1997 and ending in 2024. Why two movies from each year you may ask? Because I’m too cool enough where I can name two in a year as oppose to just one.

I just want to let you all know that this is strictly my opinion and these are the two movies from each respective year that have stuck with me all these years. They all may not be objectively the best movies ever made or ones that achieve the artistic level of perfection but these are just the movies that I look back on and remember fondly the most from every year since 1997. If you don’t like these choices, then I’m sorry. If you do, then awesome and I’m glad we share similar tastes. I’m also not gonna go in depth with each one because I rather just let the movies listed speak for themselves and expose my bizarre taste in films.

Anyways, here we go!

1997: Titanic & The Fifth Element

1998: Saving Private Ryan & Mulan

1999: The Matrix & Toy Story 2

2000: Unbreakable & Remember The Titans

2001: The Lord of the Rings- The Fellowship of the Ring & Memento

2002: The Lord of the Rings- The Two Towers & Spider-Man

2003: The Lord of the Rings- Return of the King & Finding Nemo

2004: Spider-Man 2/The Spongebob Squarepants Movie

2005: Batman Begins & Star Wars: Revenge of the Sith

2006: The Prestige & Casino Royale

2007: Zodiac & Ratatouille

2008: Kung Fu Panda & The Dark Knight

2009: Up & District 9

2010: Inception & Toy Story 3

2011: The Tree of Life & Kung Fu Panda 2

2012: The Avengers & The Dark Knight Rises

2013: The Wolf of Wall Street & Pacific Rim

2014: Whiplash & Guardians of the Galaxy

2015: Mad Max-Fury Road & Inside Out

2016: The Handmaiden & Arrival

2017: Get Out & Logan

2018: Annihilation & Spider-Man- Into the Spider-Verse

2019: Parasite & Avengers: Endgame

2020: Soul & Palm Springs

2021: The Mitchell vs The Machines & Spider-Man- No Way Home

2022: Everything Everywhere All At Once & Puss In Boots: The Last Wish

2023: Spider-Man: Across The Spider-Verse & Oppenheimer

2024: Dune: Part Two & Abigail

Ranking The Planet of the Apes Reboot

May 13, 2024May 12, 2024 AdamLeave a comment

Kingdom of the Planet of the Apes is now out in theaters! While this is usually that time where everyone does their rankings of all ten Planet of the Apes movies, I’m gonna do something a little different.

Truth be told, I have not seen every single Planet of the Apes movie out there. Outside of this reboot, the only other entries in this franchise that I have seen is the original Planet of the Apes and the Tim Burton remake from 2001. That leaves about four other films in this series that I have yet to they.

So, instead of lying to you all and just place the four other apes flicks I haven’t see in whatever placement, why not just rank the four installments in the rebooted series? After all, these contain some of the most beloved films in this franchise’s stored history! Why not give them the complete spotlight on this occasion, especially in regards to the newest film in Kingdom of the Planet of the Apes?

If I’m able to watch the other Planet of the Apes films by the time that Kingdom of the Planet of the Apes hits digital and/or physical media, I might do a complete and full ranking of the entire franchise. But for now, just the reboot!

Let’s not waste anymore time and get straight down to ranking these acclaimed reboot!

4.) Kingdom of the Planet of the Apes

Don’t let the fact that the newest entry in this reboot is in last deceive you into thinking that it’s not worth your time and money! It’s in fact, worth both! Despite Rupert Wyatt and Matt Reeves no longer being behind the camera and Caesar no longer being the main ape protagonist we follow, Kingdom of the Planet of the Apes is able to pick up the slack from it’s predecessors in the best way possible.

The new apes we focus on are as likable and compelling as the apes in the last three movies, the action is thoroughly entertaining and thrilling, the world building has never been more intriguing, and of course, the visuals and motion capture is completely off the charts. It may not be quite as impressive from an emotional and depth stand point as Dawn or War but just like with Rise, it’s able to stand strongly as it’s own engaging ape film while planting the seeds for what the future for the apes and remain human race can be if the story shall continue.

This is honestly a film I can see moving up on this list and even on my full ranking of the Planet of the Apes movies. The only real thing holding it back is the sense of familiarity with the storytelling along with the new ape of Noa not being as close to an engaging protagonist as Caesar. Even so, I’m fully on board for any potential sequel with these new characters and have fully confidence that Wes Ball is gonna deliver with the live-action Legend of Zelda movie.

3.) Rise of the Planet of the Apes

I don’t think anybody saw the awesomeness that is Rise of the Planet of the Apes coming. At a time where Hollywood was overblowing franchises with consecutives reboots and remakes along with coming off the rock bottom of the Apes franchise that was Tim Burton’s Planet of the Apes, this film had every reason to fail. Instead, it just about surprised everyone in every single way possible.

It introduces us to one of the finest film protagonists in recent memory with Caesar and a masterful Andy Serkis, that solidified himself as the king of motion capture performances. Seeing this beloved ape take his first step to becoming a special kind of ape raised by humans, meeting his fellow kind that would later become his friends, and planting the seeds of the future with a world dominated by apes is able to be as thrilling and engaging as one could possibly imagine. And you would be lying to yourself if you claim you didn’t get goosebumps at the moment that Caesar screamed “NOOOOOO!!!!”

Even if thin human characterization (outside of James Franco’s father) and some rushed story elements holds it back from being up there with it’s next two predecessors, Rise of the Planet of the Apes is about as good as a reboot and trilogy starter can possibly be. It just goes to show you that reboots and prequels can in fact be just as good if not better than the original films if the people behind it but the hard work and effort to do so.

2.) War for the Planet of the Apes

The final chapter to Caesar’s story included with this bleak but brilliant tale about the humans and apes going at it for one final showdown that will determine the fate of planet Earth. Despite what the title might suggest, War for the Planet of the Apes isn’t so much about a war that the humans and apes are fighting against each other but among themselves. This sees Caesar being a war within himself after witnessing those close to him being slaughter, crossing that fine line from being that gifted ape he was raised as by humans while also being the vicious ape that his kind was always suppose to be.

This part war/part revenge tale/part prison movie is able to bring the full three-movie long story arc to a satisfying conclusion with the ape characters we’ve been following since the first movie. Seeing Caesar being able to speak fully human and see his ape clan be as human as an ape can get is really intriguing to see, showcasing how far these characters have come. That’s not going into the tremendous motion capture work and visual effects, the hardcore action whenever it shows us, and Woody Harrelson’s The Colonel being the best and most menacing antagonist perhaps in this entire franchise.

While some might be underwhelmed that the film is not as “action heavy” that the title of the film might suggest, War for the Planet of the Apes is still able to tell an engaging and unconventional tale of it’s own that brings everything full circle in a very satisfying way. It’s able to close the final chapter of one book while getting you interested to read the next one.

1.) Dawn of the Planet of the Apes

If you want a textbook example of not only how great a Planet of the Ape movie can get but how great summer movie blockbuster can get, this would be exactly what you find in that dictionary. Released in a loaded 2014 movie season that was serving constant bangers from Memorial Day to August, Dawn of the Planet of the Apes was able to stand greatly among them along with the other great blockbusters of the 2010s.

This is a layered, three-dimensional, and at times unpredictable film that is able to tell a cautionary tale about the roles that two different species play and every single one of them looking for the best possible outcome for themselves. Instead of going with a conventional “apes good, human bad” approach, Dawn instead shows the pros and cons of both the humans and apes, highlighting the gray area that is consuming both sides, as the two sides are trying to make for the best possible future for themselves in the worst possible times. We also can’t forget the spectacular visuals and motion capture of the apes that has never been better than it has been here, great action, perfect tension throughout, and one of the coolest and underrated villains in recent memory in Koba, played perfectly by Toby Kebbell. Even the human drama works well this time (Although, I could have used more Gary Oldman and less of that one-note asshole) and helps make the scenes with the apes even better.

Perfectly paced, perfectly written, perfectly directed, and perfectly acted (Give Andy Serkis an Oscar already!), Dawn of the Planet of the Apes is not only the best in this rebooted series of films, it’s quite possibly the best Planet of the Apes film to date. Although I still have more ape films to see, I’m willing to bet they don’t come close to topping this absolute triumph of filmmaking. As much as we like to complain about the overabundance of reboots, remakes, sequels, prequels, etc.., I’m willing to bet that if the majority of them were even half as good as this film and all four of these films are in general, we would have very little to complain about. Dawn of the Planet of the Apes is blockbusters at it’s absolute finest, giving me all hope that we are still capable of making great franchise installments.

Kingdom of the Planet of the Apes (2024) Movie Review- Apes Remain Strong

May 12, 2024May 12, 2024 AdamLeave a comment

It would be quite strange to consider the new rebooted run of Planet of the Apes as “underrated”. After all, every ape flick that has come out since 2011 has been received with high praise from critics and audiences alike. But yet, despite all the love these films tend to get at the time of its release, they usually tend to get swept under the rug shortly after release. I don’t know if it’s just because these are the kind of films that just come and go with no ill will geared towards them or it’s just that everyone agrees these movies are good and then proceed to move on with it their lives but that has mostly been the case with every recent release of the Planet of the Apes franchise. It’s not so much underrated but more overlooked. There’s a different between those two words.

I bring this up because when it comes to Kingdom of the Planet of the Apes, I think it’s about time we stop pushing these movies aside and just start accepting that the Planet of the Apes franchise is legit one of the best and most consistent film franchises out there. Despite Rupert Wyatt and Matt Reeves no longer being behind the camera and Caesar no longer being the main ape protagonist we follow, director Wes Ball is able to continue this rebooted series with grace with Kingdom of the Planet of the Apes in the best and most logical way possible.

The new apes we focus on are as likable and compelling as the apes in the last three movies, the action is thoroughly entertaining and thrilling throughout, the world building has never been more intriguing in these movies, and of course, the visuals and motion capture is completely off the charts and should be recognized greatly at the Academy Awards. It may not be quite as impressive from an emotional and depth stand point as Dawn or War or as the surprise/wow factor that Rise had but it’s able to stand strongly as it’s own engaging ape film while planting the seeds for what the future for the apes and humans can hold if the story shall continue.

Plot Synopsis: 300 years after the reign of Caesar, a young ape named Noa (Owen Teague) goes on a journey that will lead him to question everything he’s been taught about the past and make choices that will define a future for apes and humans alike.

The main strength that Kingdom of the Planet of the Apes has going for it is staying committed to its whole “back to basics” feel to it. It’s not interested in raising the stakes and topping the scales of Dawn or War, it’s not trying to reinvent the wheels like Rise, nor is it even trying to be the “real” ending to Caesar’s own trilogy. Despite this technically being the sequel to the last one, it has more interests in telling it’s own story and potentially blazing a path towards it’s own distinct future while acknowledging the impact that Caesar has had even 300 years later. Much like with Rise, there are plenty of hints of where to go from here if the series shall continue from here with the new characters we follow of Noa, Soona, Korina, Nova, and others. While the jury is still out whether or not this newest group can hold a candle to the likes of Caesar, Maurice, Koba, and others, the newest characters of Kingdom of the Planet of the Apes are compelling enough in their own right that their presence isn’t missed too much.

The main ape Noa in particular has an arc about carrying the right side to Caesar’s legacy while making sure to forge his own identity. Particular because it’s his actions throughout the film that can serve as a major turning point between the lives of the apes and human beings. Whether you see that as a metaphor of Kingdom being yet another legacyquel about newer fresh blood being passed the baton or just the main theme of evolution that has always been a staple for this series, it does work wonder and makes Noa all the more compelling to follow on screen.

Which could not make the antagonist as Proximus Caesar any better. Not only because he can be seen as another subtle metaphor of learning the “wrong” lessons from his ancestor and the overall lack of media literacy nowadays but also is a good contrast to Noa’s arc about being careful of his actions since it could potentially turn the tide between human and apes. I don’t know if Proximus is on the same level as Koba but he works perfectly as the antagonist of this movie, acting as a brilliant mirror to Noa and the legacy that Caesar himself has left beyond many generations later.

The performances remain as stellar as they usually are with these films! Owen Teague is able to fit in the big shoes he’s require to fill quite well as Noa, even if he can’t quite escape the shadow from Andy Serkis’s groundbreaking work in these films. Kevin Durand is able to make just as strong of impression as Proximus Caesar, going two for two this year, following Abigail. Peter Macon is able to add an extra bit of heart to the picture with Raka. It’s nice to have more female presence among the apes with Lydia Peckham’s Soona and Dichen Lachman’s Korina. And even if I’m not completely in love with everything done with Noa/May, Freya Allan fits the role very well and is quite believable in the action.

Speaking of action, they are just as well done and choregraphed as it usually is with these movies. Being able to get full advance out of the motion capture and move sets of the apes, the set pieces are completely thrilling throughout, with the final third delivering exactly on that action that is set up with the first two thirds of the film. The visuals are just as top notch as the previous movies, with plenty of beautiful cinematography and location shooting that helps enthralled the world building throughout the movie. The score is quite strong with not a single track feeling out of place. And it even has more of a sense of levity than the prior three films did, adding a bit of light of what might be considered a more calm tone than before.

If there is one major thing that holds Kingdom of the Planet of the Apes back from reaching the standards of it’s predecessors, it’s that sense of familiarity in terms of the characters and themes. It’s understandable in the sense that it has to update the status quo in this world but four movies in, you are able to recognize the bits throughout. From the new heads of the cast to the new prisoners set to the characters from both sides yet again questioning their place in this worlds, it makes the hitting beats from the previous films more noticeable than before. I’m not gonna say it’s a rehash of the last three films since it has enough of an identity of it’s own but it could have afford to step out of the shadow a little bet and tread less familiar ground.

I also would have like to see more of the human’s point of view with the limited human characters we have throughout, particularly Noa. Not that I needed a good chunk of a movie to centered around them but just enough time where it makes the actions that Noa makes in the last third of the movie feel more justified. Also, more of William H. Macy would have been nice as well.

Kingdom of the Planet of the Apes is able to carry the momentum of this rebooted Apes movies by both paying great tribute to the Caesar trilogy while also expanding the world dominated by apes in fascinating ways. Time will tell if this film and the inevitable follow-ups will live up to the high standards of Rise, Dawn, and War but for what it’s worth, it’s good and compelling enough in it’s own right that it’s worth seeing where this franchise can go for here. Four movies into this reboots and apes continue to remain strong! Caesar would indeed be proud!