Tag: movies

Top 10 Biggest Summer Movies- Box Office Predictions

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It’s now officially May which means it’s now officially summer movie season! The time of the year where the big blockbusters of the year are front and center in movie theaters everywhere now that the kids are out of school! Because of that, I figure I’d so something that I’ve yet to do on this blog, do a list of what I believe will be the top highest grossing films of the summer!

2023 was an absolute DISASTER at the box office during the summer time! That is largely due to the massive budgets from the majority of the big movies that came out that year along with just the overall inconsistent-to-poor quality of those big movies. And considering the fact there will likely be no Barbenheimer to save the summer, 2024 will likely be just as challenging for summer movies!

Even so, I think the 2024 summer movie season will give a big indication as to whether or not Hollywood is still recovering from the post-covid era of struggling to get people’s butts into theater seats or will this be the beginning of a resurrection for summer movies! We can only cross our fingers and hope for the best!

And considering I’ve been seeing multiple people put their own predictions of the top 10 biggest summer movies in terms of profit, why not throw my own hat in the ring and do my own list of this?! Keep in mind, these are the movies that I believe will be the highest grossing of the summer, not the ones that I desperately want to be at the very top. If that were the case, then Furiosa would at least be in the top 3 and Despicable Me 4 would be dead last on this list. This is list is not a matter of anticipating or movies I think will be objective the best, this is a list of the movies that I believe will be the most to least successful in terms of the top 10 movies of the summer.

Also, this is a ranking based on box office numbers worldwide and NOT domestic. That list would be harder and more complicated for me to judge. This is how I feel the box office numbers will hold for each film WORLDWIDE. Could I be dead wrong on every single one of these? Absolutely! But hey, it’s fun to be able to make predictions, right?!

Time to jump right in and put my predictions on what I believe will be the top 10 highest grossing films of the summer!

10.) Furiosa

Release Date: May 24th

Box Office Projection: $350 Million

Reason: I have all the faith in the world that George Miller will deliver with this film but I’m just not sure it’s one that most general audience will be interested in. Despite the massive praise that Mad Max: Fury Road got back in 2015, it only made a little over 380 million dollars worldwide, with a net loss somewhere between $20-$40 million. And considering this is basically a prequel spin-off surrounding a character from Fury Road but played by a completely different actress and with no Mad Max to be found in the marketing, that doesn’t inspire much confidence for Furiosa to top or even match that. I love to be proven wrong and the cult following of Fury Road will show up to this one but I wouldn’t be surprised if this ends up being the most frustrating Hollywood flop since last year Mission Impossible: Dead Reckoning, especially with the rumored film budget being over 200 million dollars! Hopefully this prevails and we get more Mad Max films from George Miller with the time we still have with him!

9.) Bad Boys Ride or Die

Release Date: June 7th

Box Office Projection: $400 Million

Reason: This is likely the summer movie I’m the most curious to see how it performs. This is a sequel to a movie that was one of the last solid hits to come out before covid hit. If it’s able to hit all the right beats just like Bad Boys For Life did, then I can see this doing similar numbers to that and perhaps even top it. The only big question is whether or not everyone has forgiven Will Smith for slapping Chris Rock on stage yet?

8.) The Fall Guy

Release Date: May 3rd

Box Office Projection: $425 Million

Reason: The first big movie of the summer is set to arrive tomorrow and I think this will largely benefit from being that first big movie of the summer. It also helps that it’s an awfully good over-the-top action flick that puts the spotlight on stunt doubles. If the word of mouth is good enough this weekend, I can definitely see this being a genuine crowd pleaser and may even make more folks demand that the Academy act a stunt category to the Oscars. I seem to be higher on this movie than most folks that I’ve seen but I think The Fall Guy will do more than fine and dandy at the box office.

7.) A Quiet Place: Day One

Release Date: June 28th

Box Office Projection: 450 Million

Reason: Coming after the first two terrific installments, this is the one main horror franchise that has left the audience more intrigued to see what happens next. The only potential downside is that this acts as a prequel to those first two films with a completely different cast and director. The big looming questions is whether or not audiences love A Quiet Place for it’s memorable characters and recognizable actors or for it’s genuine scares, set pieces, and world building. If the quality for Day One is in the same ballpark as those first two Quiet Place movies, then I can certainly see it being in the same ballpark as the first two films in terms of box office results.

6.) If

Release Date: May 17th

Box Office Projection: $475 Million

Reason: There are two main factors here that will make If a good hit at the box office. First, it will be the biggest family friendly movie to come out in May (give or take The Garfield Movie) and will have enough time to stand out as that until Inside Out 2 and Despicable Me 4 come out. Secondly, it has the star power duo of Ryan Reynolds and John Krasinski. Those two factors alone are almost certain guarantee that this movie will do bank once it comes out in the next two weeks. It likely won’t be the biggest movie of the summer starring Mr. Blake Lively but it will definitely help for him to have a summer to remember.

5.) Kingdom of the Planet of the Apes

Release Date: May 10th

Box Office Projection: $500 Million

Reason: The next big summer entry is set to come out in theaters next month and looks as if it will be as visually delighting and narratively compelling as it’s rebooted predecessors. Disney has been doing everything in their power to promote this film by showing off the elements that folks loved the most about the previous three films. That in of itself will guarantee a strong first weekend, especially since it’s avoiding Memorial Day competition with Furiosa and The Garfield Movie. Just like with A Quiet Place: Day One, the biggest challenge that Kingdom of the Planet of the Apes will have to overcome is make people just as invested in this new cast and crew as they were with the previous ones. If it does that, then this will likely be in the top 5 movies of the summer.

4.) Twisters

Release Date: July 19th

Box Office Projection: $600 Million

Reason: It might be a bold claim on the surface to predict this one making 600 million and being one of the biggest movies of the summer but hear me out. The original Twisters is adored by many, it has the star power of Glen Powell, coming off his great work in Top Gun: Maverick, and everyone just loves a good disaster flick. The trailers have been doing it’s best to sell audiences on exactly what they want to see out of a disaster movie and that alone will likely get plenty of folks into the theaters. I could be dead wrong in claiming this but even if this does get bad reviews, I don’t see that scaring away audiences because this is the definition of a “critic proof” movie. By that note, this will likely be the most successful “critic proof” movie since The Super Mario Bros Movie. Hopefully, the discourse over the Rotten Tomato score won’t be as insufferable.

3.) Inside Out 2

Release Date: June 14th

Box Office Projection: $750 Million

Reason: Disney has been in quite a slump as of late with their theatrically released films, especially in terms of animation. Despite all the flops released last year, Elemental had some staying power and made just enough to be guaranteed a profit, making that and Guardians of the Galaxy Vol. 3 the only Disney movies to NOT be considered a financial disappointment. And considering this is a sequel to one of the most beloved Pixar films in recent memory, Inside Out 2 will be able to do some of the best numbers with Disney Animation since 2019, especially if the reviews are stellar. The recent track record alone might prevent it from reaching the same success as the first one but if it delivers, Inside Out 2 should be able to be the most successful theatrically released Pixar film since Toy Story 4 and possibly even the most successful theatrically released Disney film overall since Frozen 2.

2.) Deadpool & Wolverine

Release Date: July 26th

Box Office Projection: $900 Million

Reason: Many folks have claimed this will be a guarantee billion dollar hit but I think everyone needs to come back to reality for a moment. After many big movies underperformed last year, including two MCU installments, we might need to pump the breaks on such bold claims. As much as Deadpool & Wolverine is one of the most anticipated movies of the year and will likely be one of the biggest movies of the summer, that’s won’t guarantee 7 digits as prior big Marvel movies did. The R-rating alone (A reminder that there has been only ONE film to ever make a billion dollars!) along with the inconsistent quality of recent Marvel movies/shows will likely prevent it from reaching that billion dollar mark, with audiences still needing more consistent quality Marvel flicks to be fully won back. The promise of seeing Huge Jackman as Wolverine once again in yellow spandex, the buddy-cop routine with him and Ryan Reynolds’ Deadpool, and the absolute guarantee of multiple easter eggs, cameos, and fan service will make Deadpool & Wolverine one of the biggest movies of the summer almost certainly. When it comes to if it will be the first Marvel movie since Spider-Man: No Way Home to make a billion dollars, that more than remains to be seen in my eyes.

1.) Despicable Me 4

Release Date: July 3rd

Box Office Projection: $1.1 Billion

Reason: I don’t understand the appeal of these movies and I likely never will but one thing is certain though, this franchise certainly has an audience. Coming off a third entry that made a billion dollars and a second Minions movie that almost made a billion dollars, there is no reason to believe that Despicable Me 4 won’t be in that exact same territory in terms of box office success. Whether you like or hate them, Illumination Animation certainly knows how to get kids and families to theaters with their films and this will certainly be no exception. As I said before, the quality of any of these films is irrelevant and I highly doubt any kind of negative reviews will impact the box office results here. If I had to pick one big movie that is the saftest bet to make a billion dollars and be the highest grossing movie of the summer, it would be Despicable Me 4. I wish that was not the case but hey, there are plenty of folks out there that do. So, what do I now?

Other notes:

As for the other movies that got let off the list!

  • The Garfield Movie nearly came close to topping Furiosa the 10th spot but unless it’s able to make noise at Memorial Day, I can see this being shipped to digital really quickly. It might do enough for a profit but not Hotel Transylvania and Spider-Verse numbers.

  • Alien: Romulus looks like a return to traditional roots for the series in the form of Prey but it will likely have to pay for the sins of Prometheus and Alien: Covenant (Damn you, Ridley Scott!).

  • The Bikeriders seems fun but won’t leave much impact until it hits streaming service like it originally was suppose to.

  • Horizon: An American Saga could likely come and go depending on it’s quality.

  • And if the trailers for Borderlands is anything to go by, this will likely be one of the biggest bombs of the summer. Why, Eli Roth?! Just why?!

Abigail (2024) Movie Review- Justice For Melissa Barrera

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Last year, Melissa Barrera was betrayed. Following the success of her standout performances in Scream (2022) and VI, the producers of those films decided to cut ties with her for having the audacity to voice her support for a dying Palestine. They can claim that it technically wasn’t “firing” because her contract was set to expire all they want but that was a cowardly move made by the studios. Even so, Melissa Barrera did remain working with Radio Silence, the company behind those last two Scream movies along with the excellent Ready or Not. Here she plays a character that by in large resembles the situation that Barrera has found herself dealing with in real life. She committed certain screw ups that got where she is now and is fighting for her life to get back to making things right. While that is mostly largely coincidental, Abigail could not have been a better follow up for Mrs. Barrera and Radio Silence if they tried.

It’s able to get an insanely talented cast and crew and put them front and center to make one of the best vampire movies in recent memory. It’s full of wit, charm, blood bath kills, and is completely bonkers from beginning to end. It made take a while for all the pieces to be put into place and those that watched the trailers might see some of the big reveals coming from a mile away but nevertheless, Abigail is proof that Radio Silence is the next consistent horror movie studio to watch out for and this film will definitely be up there as one of the best horror movies that 2024 will have to offer.

Premise: A group of would-be criminals (Melissa Barrera, Dan Stevens, Kathryn Newton, Will Catlett, Kevin Durand, and Angus Cloud) kidnaps the 12-year-old daughter (Alisha Weir) of a powerful underworld figure (???). Holding her for ransom in an isolated mansion, their plan starts to unravel when they discover their young captive is actually a bloodthirsty vampire.

(I don’t want to reveal too much more considering the trailers had already given away a good chunk of the plot. Once again, if you haven’t seen the trailers yet and are looking forward to the movie, I would recommend to NOT watch them before seeing the movie.)

It may seem tiring to call films “self aware” nowadays, especially since that seems to be the norm for a film trying to be as “critic proof” as possible and would allow for it’s own “get out of jail” free card. However, Abigail remains the best kind of self aware. Not just because it wants to subvert the vampire genre that it’s a part of but it wants to embrace it with opening arms. It’s not so much interest in reinventing the wheels but more of putting both hands firmly on the wheel and taking viewers into directions that they may or may not expect. The main reason Abigail is able to get away with being self aware because it fully embraces the wit, camp, and gore that you come to expect from a vampire movie and a Radio Silence movie up to this point.

It does take a little while to get going however. Because it has quite an ensembled cast, it takes it’s time to get them all characterized with clear cut motivations and backstories as to who each individual is and why they got themselves into the matter that they are in. And of course, they have to establish who exactly Abagail is, even if most of the marketing as already done so, before the ball gets rolling. These sequences are made for the absolute better not just because it makes all the pay offs worth it but also for just how insanely likable the cast is.

Melissa Barrera is even better here than she is in the last two Scream movies combined, practically evaluating her status as a true iconic final girl and one that can carry any horror movie that she is a part off. Dan Stevens steals every scene he is in even harder than he did in Godzilla X Kong, somehow able to make his character likable and hilarious despite basically playing an absolute a-hole. Kathryn Newton is just as good here as she was in Freaky and Lisa Frankenstein, Angus Cloud (May he RIP!) and Kevin Durand gets some of the best laughs in the movie, and while not quite in the movie as much as I would like, Giancarlo Esposito is always a delight to see on screen.

Despite how strong the other cast members are, the real star of this show is no other than Abigail herself in young Alisha Weir. She slays every scene that she’s in and makes for the perfect centerpiece for this movie. She’s able to be fun, sympathetic, and terrifying all at the same time, making her presence feel noticed throughout the entire runtime of the film. Whether it’s for strictly horror or other movies, this young girl should have a bright future ahead of her.

As you would expect for a horror slasher and a straight up vampire flick, it more than delivers on all the kills here. Once things are set in place, Abagail becomes an absolute blood bath in the best and most gruesome ways possible. There’s plenty of thrilling and convincing kills that will give horror fans their craving, it’s able to play in it’s own B movie camp to near perfection, and the demented death scenes feel as satisfying as it does gruesome. Even if the film does commit to it’s campy and comedic undertone, it also commits greatly to it’s kills and thrills as well.

If there is any glaring weakness outside of the bit overlong set-up and the trailers spoiling the big reveals, it’s that perhaps it goes too far by the end with it’s over-the-top ness. It wouldn’t be quite as noticeable as the rest of the movie if it wasn’t for the fact that it tries to throw one or two more twists and emotional beats towards the end. It’s hard to explain without spoilers but the final deathmatch comes across as being stretched just in the hopes of not feeling too short or anti climatic with it’s last minute reveals.

Even so, in a year that has been quite underwhelming for cinema thus far, Abigail does feel like a refreshing change of pace for not just the horror genre but films in general. It’s able to meet the expectations it sets out too because it know every single trope of it’s genre it wants to commit to and manages to execute them all in the best way possible. It may not be revolutionary but it does everything it possibly can to make for a satisfying experience. The cast is great, the kills are brutal, the scares all work, and even if you are able to see the reveals coming from a mile away, you’ll be fascinated to see how well they are all done.

I can only hope this movie does well enough that it not only allows Radio Silence to keep making these kind of movies but it also puts Melissa Barrera on the map as a gal to watch out for in movies. Don’t let the Scream producers win here folks! Go support Abagail for not just a very fun time but also for our girl Melissa!

#JusticeForMelissaBarrera

And once again, Rest in Peace to the great Angus Cloud!

Ranking The Films of Zack Snyder

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And here’s the ranking that is likely going to get me attack/cancelled from hardcore stans of this director!

Zack Snyder might be the most controversial big name director working today. While he is certainly a man with a vision and always has big ambition with everything that he makes, he has been inconsistent to translate that perfect vision he always has in his head properly in front of the camera. The action and visuals is always guarantee to talk the talk but the story and character development can never always walk the walk. Because of that, his films always tend to be divisive and even sometimes outright panned.

However, Snyder is no doubt an interesting filmmaker to talk about and do a ranking on. Despite everything I’m about to say with all 11 of his films, I can’t say the man has ever made a film that had me shrugging my shoulders. That certainly has to amount to something, especially in this day and age. I don’t know if I can call myself a fan of Zack Snyder as a whole but there definitely are films of his that I admire and appreciate. Just a shame that is an opinion that is hard to talk about on the internet without being dogpiled along with the so-called cult of Zack Snyder who view him a cinema Jesus!

Nevertheless, Rebel Moon Part Two: The Scargiver has just arrived on Netflix (or at least some version of it that may or may not be Zack Snyder’s true film) and it’s time for my long awaited ranking of all 11 films in this man’s directorial filmography!

And fyi, I am NOT including the director’s cut of Justice League (A.K.A. JOSStice League)! I don’t care if he’s still the credited director for that crap, we all know for a fact that was NOT his movie whatsoever! Which is why only his four-hour long cut will be included on this list!

11.) Batman v Superman: Dawn of Justice

I’m still in awe how you take a crossover like Batman and Superman and make it so dull and joyless. Dawn of Justice is a film that wants to comes across as the most grand and ambitious movie every made, but when you look deep into it, this movie actually doesn’t have much to say on anything it’s talking about. Other than trying to cram two to three movies worth of material into one film, there’s nothing really risky or daring here and it’s so-called themes have been done much better in plenty of other superhero films. The plot is a convoluted mess no matter which version you watch and the conflict between Batman and Superman is so incredibly ridiculous that it could have been avoided if they would just simply talk to each other.

Ben Affleck is fine as Batman and there’s a few standout moments here (The warehouse fight scene and Wonder Woman’s first appearance are all-timers) but that’s nowhere near enough to save this turd of a film. Even the ultimate edition which many claim “saves” the movie really just has more of the same things that were wrong in the first place, aside from being pacing. If there is a clear difference between ambition and aimlessness, then Batman v Superman: Dawn of Justice certainly strikes the finest line yet between those two definitions with results that fit more of the latter than the former.

This is a movie so bad that it not only arguably killed the DC Extended Universe before it even got a chance to get going but also caused big damage to Zack Snyder’s reputation as a filmmaker! I know tomatoes are going to be thrown at me for putting this at the very bottom but I’m sorry! Batman v Superman: Dawn of Justice (Both the theatrical and ulimate edition!) is an epic failure on every level!

10.) Rebel Moon Part Two: The Scargiver

Part Two of Zack Snyder and Netflix’s answer to Star Wars and Seven Samurai could not have been more anti-climatic if it tried. While Part One was far from perfect, it did at least set some solid groundwork for Part Two to continue in good graces. Unfortunately, Rebel Moon Part Two: The Scargiver fails to capitalize on that promise in just about every way.

The visuals are still nice and Sofia Boutella still makes for a compelling action lead but nearly every flaw from Part One is carried over and made even worse. You have a universe that still feels undeveloped, characters that still feel one-note, exposition dumps that are still tedious, slow-mo that is still nauseating, and inspirations that still feel way too on the nose. Not even the action and set pieces work this time! Despite Zack Snyder clearly wanting to make an original franchise of his own, he still has clearly not been able to find a voice that matches his own and those he is inspired by.

Speaking as someone who went easy on Part One, Rebel Moon Part Two: The Scargiver crushes any hope for this IP to ever take flight. It pains me to say that because there is always room for more sci-fi that’s not just Star Wars and Star Trek and we should applaud for more creative voices. However, Part Two is a reminder that sometimes filmmakers need restraint and need to be surrounding by more than just “Yes” men! Refuse to do that and you get the Rebel Moon series as a result!

9.) Sucker Punch

Sucker Punch is the most bizarre and ill-conceived movie that Zack Snyder has ever made. On the surface (and considering it’s time), it just seems like Snyder just wants an excuse to hang out with some talented women that he has worked with it and make a movie where they all kick ass together. When looking deep beyond the surface, it also wants to be a commentary on Hollywood treating women like sex objects and violence against female companions is wrong. It’s the perfect example of a film trying to have it’s cake and eat it too but not at the end results it actually wants.

The action is dynamic, the cinematography is well done, and the main female cast all do fine work and bounce off each other very well. Unfortunately, it’s letdown by a script that couldn’t give two craps about the paper-thin plot, underdeveloped characters, and constantly contradicting it’s themes and messages. On one end, the film can be seen as a mildly entertaining action flick. On the other end, the film falls into the same trappings it’s aiming to avoid because it clearly wants to be more than that.

Sucker Punch is a film that can be enjoyable but not for the reasons that Zack Snyder has intended. It’s basically the exact kind of movie that it’s claiming to be critiquing. Yes, women deserve to be more than eye candy and male gaze but that’s literally all they are in this movie. The fact that Zack didn’t realize that before cameras even rolled here basically made Sucker Punch doomed from the start.

8.) Rebel Moon Part One: A Child of Fire

Rebel Moon was a film that started off as a Star Wars pitch to Lucasfilm shortly after Disney bought them in 2012. It was a pitched as an R-rated Star Wars film made strictly for adults and would take itself more “seriously” than any other Star Wars film. What should be a shocker to absolutely NO ONE but Snyder himself, that pitch got denied and many years later, has now been made into it’s own “original” film.

There is plenty of interesting concepts and exciting moments throughout Rebel Moon. The visuals are as good as they can be for a Snyder film, the worldbuilding while familiar is intriguing, the action is pretty damn solid throughout, and Sofia Boutella is awesome as Kora, the most compelling character in the whole film. It’s just a shame that it can’t escape the trappings of most theater cuts from Zack Snyder where a good chunk of it is left on the cutting room floor. Because of that, you got side characters that are painfully undeveloped, an internal conflict that’s not as clear or fleshed out as it should be, and references to other sci-fi pictures such as Star Wars, Dune, and Battlefield Earth that is as obvious as clear daylight.

Even so, I still couldn’t help but be intrigued by Rebel Moon- Part One: A Child of Fire despite it’s major flaws. It lives rent free in it’s own sandbox and throws so many different ideas on the screen that it’s near impossible to be bored by it. That being said, Snyder seriously needs to learn how to make proper cuts of his movie that are able to work for mainstream audiences and not just for himself and his hardcore fanbase. Even though Part Two was unable to deliver on this films promises, it was at least fascinating to see what it was leading to beforehand!

7.) Army of the Dead

Snyder’s first Netflix exclusive is an aggressive mixed bag. On paper, this seems like the film that Zack Snyder has always been destined to make and act as the perfect successor to his film debut of Dawn of the Dead. A zombie heist movie with with a hard-R rating sounds like it would fit right in the man’s alley. While there are certainly elements here that do work, Army of the Dead never quite reaches it’s full potential.

The cast, action, and practical effects (especially for the zombies) are all there and do lift the film quite a bit. However, it’s bogged down by poor dialogue, characters that constantly make dumb decisions, and not going all the way with it’s bizarre premise. And don’t get me started with the bloated 150 minute long runtime and the ending which has the film completely trip and fall over the finish line.

The elements are there for Army of the Dead to be an instance Zack Snyder classic and a great zombie flick all around but it never quite comes together. If Rebel Moon is proof that Snyder desperately needs someone to handle the scripts for his movies, then Army of the Dead is proof that he desperately needs someone to handle the editing for this movies as well.

6.) Man of Steel

The DC Extended Universe kicked off in 2013 with one of the most polarizing superhero movies of all time in Man of Steel. Looking back on it nearly a full decade later, I can’t help but have INCREDIBLY mixed emotions when it comes to this film. In terms of casting, tone, action scale, scope, and score, this is everything that a modern Superman movie should consist off, with nearly single technical and sound aspect works absolute wonders. However, when it comes to the overall story, script, and structure, that is where the confliction comes in.

Most of the characters come off as plot devices and motivation for Superman than actual characters, the dialogue strikes a fine line between being poetic/inspiring and just plain pretentious, and it’s overall themes feel not so much explored but just told directly to the audiences. Even so, the action is dynamic, the cast do great with what they have to work with, and the scope and Han Zimmer’s soundtrack are off the charts that it’s almost good enough to convince you that you are watching a much better film than you actually are! The elements that work are absolutely great while the elements that don’t work really bring down the whole picture.

When looking at it’s own thing and the seeds it plants for the future, Man of Steel could have been considered a solid re-introduction to the character of Superman and one that could successfully redefined Superman to a new generation. However, due to it’s shortcomings and the movies which came after tripling down on the things that don’t work rather than what does, you can’t help but see wasted potential. As it’s own thing, Man of Steel is functional on a surface level but not on a depth level. Henry Cavill deserved a much better standalone film than this!

5.) Watchmen

Snyder’s first official DC film is able to perfectly capture the style and feel of what the source material of Watchmen has always been known for. The looks, aesthetics, and effects are all completely on point and help make the film’s fascinating world come to life near perfectly in front of the camera. If only the pacing and structure was able to match the quality of it’s outstanding visuals.

Aside from the pretty colors, Watchmen has also many other great things going for it such as the talented cast, brutal action, inspired song choices, and even having one of the most underrated villains in any superhero movie with Matthew Goode’s Ozymandias. That being said, the pacing is constantly grinding to a screeching halt just for the sake of Snyder showing off his wide angle shots and constant slow-motion sequences. Also, this film easily has one of the most laughable sex scenes of all time! Just saying!

Still, there is a lot to like about Watchmen than there is to dislike. Had it benefited from a tighter runtime and cut down on the needless slow scenes, this might have been Zack Snyder’s own masterpiece. Thankfully, the HBO Max series is able to expand upon the quality of Watchmen even further and make that a worthy adaption alongside this film.

4.) Dawn of the Dead

Snyder’s official directorial debut happens to be no other than a remake of 1978’s Dawn of the Dead with James Gunn as the main writer. With all the discourse surrounding Zack’s reputation as a filmmaker, you would think this would be the most divisive film in this man’s career. However, that is not the case whatsoever. It’s basically just a very faithful and well done remake and that’s about it.

It’s got a very likable cast, the action is non-stop, the humor is quick and witty, and it manages to be consistent with it’s tone the whole way through. The Zombie Celebrity is still to this day the main highlight of the movie and the opening credits themselves is an all-timer! I don’t know if it has to do with James Gunn’s involvement as a writer but Zack Snyder is able to get the right script that perfectly matches his skills and capabilities as a director with Dawn of the Dead.

Even if a lot that has come after have been polarizing at best, at least Zack Snyder was able to start his career with a solid hit with this surprisingly solid remake in Dawn of the Dead. If you want a zombie movie from Zack Snyder that is done right, look no further than with this movie.

3.) Zack Snyder’s Justice League

Because we live in some dark and twisted form of an alternate universe, Zack Snyder’s Justice League is a real thing now. Truth be told, even if you remove yourself from the toxicity that is the Zack Snyder fanbase (I won’t blame you if you can’t!), it’s actually pretty good with a lot more to like than there is to hate. This is probably the one movie in the DC Extended Universe with Zack Snyder that doesn’t feel overly pretentious but more of just the man wanting to make the most epic Justice League movie he can possibly make. For the most part, he succeeds even if some of the faults from his other films are carried over here.

The first half is way too stretched out for it’s own good, feeling like Snyder is trying to get every single little frame of work that he desires in there regardless if it actually serves a purpose. There’s also the final fifteen minutes that feels more like a collection of post credit scenes rather than an actual epilogue. But everything in between that is pretty solid. There’s good action set pieces, a nice, riveting score, memorable gorgeous visuals, and some good character interactions between all of the Justice League members, with Wonder Woman and Cyborg being the main standouts. And this also feels like the first time in Snyder’s films that the superheroes on screen actually act and feel like superheroes instead of just being all sad and mopey all the time. What a time to be alive!

While there’s still faults from the theatrical cut that are carried over here (*cough* Steppenwolf and Flash *cough*), this is certainly an improvement over the theatrical cut and should most certainly be considered the actual definite version of Justice League. I might not call myself a fan of Snyder’s input on the DC Extended Universe but I’m at least glad he got the chance to finish what he started after having to originally step down due to the tragic death of his daughter. Warts and all, this is easily the best DC superhero film that Zack Snyder has ever made!

2.) 300

Considered Snyder’s best by many, 300 feels right at home with what the man has to offer. It’s able to put the action, visuals, and cinematography front and center while leaving the story and characters arcs to the wayside. In most films, that would be a set up for failure but thankfully, Snyder is able to make the very best of it by not going too far on either end of those spectrums.

The action sequences are absolutely great, the cinematography is a treat for the eyes, the performances all work here, there’s a handful of standout lines that are memorable, and this might just have the most impressive visuals in this man’s filmography. Even, the required slow-motion bits actually work here! Sure, as I mention before, the story telling and character development are nothing to write home about and the historical inaccuracies will certainly be infuriating to some but for those looking for a rock solid action flick will likely be more than satisfied with 300.

For years, I’ve argued that 300 is the kind of film that Zack Snyder should always inspire to make. A film that’s able to build greatly on his strengths as a filmmaker and not doubled down on all his weaknesses. If you are able to deliver solid action and visuals with a brain in its head that isn’t bogged down by tiresome exposition and mind numbing flashback scenes, then just stick to that and you will be seen as a reliable filmmaker that knows what they are doing. However, there is at least one more film that I would argue does in fact show that Snyder can be great with telling stories with his visual flare to back up perfectly.

1.) Legend of the Guardians: The Owl of Ga’Hoole

That’s right! My favorite Zack Snyder film is the animated one about owls! Go, figure! In all seriousness, Legend of the Guardians: The Owl of Ga’Hoole is one of the most criminally underrated animated films in recent memory! It’s able to match that sense of awe and wonder in scale that Snyder always aims for in this film while also able to tell a shockingly heartful and cohesive story with these birds despite taking inspiration by multiple different books. Not to mention, even nearly 15 years later, the animation holds up WONDEFULLY!

As much as I can give praise to the animation, visuals, action, and voice work, I think the thing for me that stands out the most about Legend of the Guardians is it’s able to capture that right amount of earnest feels that most of Snyder’s films lack. It doesn’t feel it’s trying to hard to break new ground nor talking down on it’s audience that dare question it’s director, it’s just trying to be an engaging tale about the endangers of owls and the importance of having your friends and family alongside each other. All the pros of most Zack Snyder films are still here but very rarely are his cons present.

Legend of the Guardians: The Owl of Ga’Hoole is to date my favorite Zack Snyder film because it’s one that I can 100% get behind EVERYTHING that the man is trying to do here that I don’t need an extended cut or DLC in order to do so. That’s not to say this film is totally flawless (certain characters get painfully sidelined) but it has that perfect heart and wit to do it that it’s able to fully meet it’s grand ambition. Legend of the Guardians is not just Snyder as his best but also animation as it’s very best! Check this one out if you haven’t already!

Video Game Adaptations Are Good Now (And It’s Okay To Admit That)

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This month saw the release of the new Amazon hit series of the live action adaptation of the popular video game franchise known as Fallout. In about a week or two since it has come out on Prime, it has been quite a success for critics and fans alike! So much so that Amazon has already greenlighted a second season just one week after all eight episodes of the first season released! There might have been some trivial debate about releasing all the episodes at once or whether or not it retcon a certain Fallout game from existence but for the most part, the series has basically pleased the majority of viewers who have given it a watch thus far. And as you would expect whenever a new video game adaption turns out to be surprisingly good, you still get the typical question about whether or not this was the one that broke the so-called “video game adaptation curse”, despite them asking the exact same question about the previous video game adaptation that the media praised.

Never mind the fact that there has been numerous adaptions for video games in the form of movies and tv series that have been good to great for at least the past five years! Never mind the fact that there was a big popular and well received video game movie or show that got a rave response from everybody a year prior! Apparently, those never happened and Fallout is the one that broke the curse by being the first ever video game adaptation to not suck! I don’t buy that for a second and I don’t think even the people that have made this claim do.

The main reason I say this has to do with the success and praise that last year’s video game adaptation in Max’s The Last of Us received. And just like with Fallout, that was a video game series that led many people to say that was the first legit great video game adaptation to ever exist and the one that broke the video game adaptation curse.

Did we just forget about that all of a sudden? Did we forget that everyone and their mother put that series on a pedestal when it came out as that being the first adaptation to get it right? Or are we just going to ignore all of that entirely that just for the sake of propping up Fallout? I’m not gonna say I know the answers to these questions but I do remember everything that folks have been saying about Fallout was also said about The Last of Us. And the reason I know that was because well…..I wrote a piece about that as well.

As I discussed on that piece last year, I would strongly argue that video game adaptations have taken a HUGE step up in quality as least since 2019 with the releases of Detective Pikachu and The Angry Birds Movie 2. And there’s even an argument to be made that the year prior wasn’t so bad with the releases of Tomb Raider (2018) and Rampage. As a matter of fact, the last true bad year for video game adaptations was in 2016 and 2017 with the releases of Warcraft, Assassin’s Creed, and Resident Evil: The Final Chapter. That is a good seven to eight years ago since video game adaptations truly sucked! Since the 2020s rolled around, there have been more winners than losers!

In terms of movies, we’ve had The Super Mario Bros Movie, that grossed over a billion dollars worldwide last year, the two Sonic the Hedgehog flicks, with the third coming out this December to massive mainstream hype, the Five Nights at Freddy Movie which despite it’s poor critical reviews, was a solid hit for hardcore FNAF fans, the Gran Turismo motion picture that was a surprising crowd pleaser, and Werewolves Within which most didn’t even recognize it was an adaption because of how good it was at it’s own thing!

In terms of tv shows/streaming services, we got some pure quality and well made adaptation in terms of live-action and animation such as the masterful Arcane, the anime hit Cyberpunk: Edgerunners, the perfectly live-action adaptation in The Last of Us, the unexpectedly fun and amusing Twisted Metal, and now we have the latest banger in Fallout.

And that’s not even going into the other upcoming adaptions in the works that have potential to be just as good as the examples mention such as the new Minecraft movie and the new animated Tomb Raider series from Netflix. Have there been stinkers and more to come? Absolutely! But literally, no genre of any kind is perfect and will always have a dud every now and then. However, it’s incredibly safe to say that video game adaptations have gotten much better since the 2020s rolled around and have shown fans of multiple video games franchises that these can in fact work in terms of movie and television form that works greatly as it’s own thing.

Which yet again makes me wonder why we keep having this same argument over and over again. Why is it that we are still shocked whenever a video game adaptation is good despite the many other proven examples that I just mentioned? More importantly, why is it that we keep devaluing them just to praise the newest one that comes out when it’s any good? The only answer I can come up is that perhaps people are just afraid to call a video game adaptation good because of all the missteps of this subgenre in the past.

Much like how there are certain folks afraid to admit they like a new Disney movie or superhero flick or whatever motion picture made from a so-called “assembly line”, maybe folks don’t want to admit that video game adaptations are good now. They don’t want to accept that this is a medium that can in fact be successful when giving the proper care and treatment. It’s no longer the kind of movies and shows that can be a whipping boy to everything wrong in modern entertainment. Because now, video game adaptations have proven that they can be just as successful as a movie or show as they are with a game. Video game adaptations can evolve and develop into something greater that does its source material justice to not just fans of the franchise but also to newcomers as well. Because of all the examples I have given and more, video game adaptations no longer deserve the scrutiny the get just based on past mistakes. And you know what, it’s okay to admit that.

It’s okay to admit that a movie or series based off a video game can be good or even great. It’s okay to admit that the creators of these recent video game adaptations have learned from the mistakes of other failed adaptions in the past to make something worthwhile in the present. It’s okay to acknowledge the shortcoming of new adaptations without tearing down the entire subgenre itself. And most importantly, it’s okay to admit that video game adaptations can be just as good as anything else. Not just in spite of being a video game adaptation but BECAUSE it’s a video game adaptation! It’s okay to admit ALL of that because it’s true, ALL OF IT!

The Fallout series certainly deserves all the praise and success it has been given thus far. It’s well made with excellent production values, a bonkers feel that seems the most appropriate, unique world building, and great performances from the cast, especially Ella Purnell and Walton Goggins. However, there is no need to put this one on a pedestal as being the one video game adaptation that got it “right” or claim it shouldn’t be as good as it is strictly because it’s a video game adaptation. Fallout works whatever way you look at it and not for the reasons you don’t. It’s a video game adaptation that is good just like many other recent video game adaptations have been good. And as I’ve been saying throughout this entire piece, it’s okay to admit that. I sure hope I’m not the only one that feels that way!

Please don’t screw up Borderlands, Eli Roth! I don’t want to have to make another one of these posts four months from now!

Why 2014 Was The Most Important Year For The Marvel Cinematic Universe

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Last week, Captain America: The Winter Soldier turned an unbelievable ten years old! This is a film that is considered a fan favorite among Marvel fans! It was able to tell a smart, complex and politically driven story about the dangers of trusting the government and your allies, it delivered some of the best and most unique action in the entire MCU, it gave side characters such as Nick Fury and Black Widow more to do than ever, and best of all, it just made Captain America an ultra cool badass instead of a Mr. Goody Two Shoes hero that the character was originally thought of as.

And in just about four months, we will also see the ten-year anniversary of the original Guardians of the Galaxy. This is a film that is also considered a fan favorite among Marvel fans and perhaps their most surprising film they have ever made. It was able to be a super fun, action packed, heartful and hilarious movie about becoming a family while introducing five instantly memorable characters that turned out to be the most lovable group of misfits you can imagine want to following. Considering the fact that the guardians themselves were characters that very little people knew about outside of hardcore Marvel fans, Guardians of the Galaxy being as good as it is was quite simply a miracle.

Captain America: The Winter Soldier and Guardians of the Galaxy were two installments in the Marvel Cinematic Universe that were so good that I would argue helped turned the tide of the narrative of the MCU as a whole. A narrative that this franchise was more than just Iron Man and his best friends in The Avengers. This franchise could in fact rely on more than just one person with star power but MANY other people with star power as well. So much so that I’m willing to declare that 2014 still remains the most important year for Marvel Studios and the Marvel Cinematic Universe overall.

Yes, more important than 2008 which saw the release of Iron Man, the film that kicked started this cinematic universe. Yes, more important than 2012 which saw the release of The Avengers, the payoff to Marvel’s five to six year plan up to that point. And yes, even more important than 2018 and 2019, which saw Avenger: Infinity War and Avengers: Endgame, the culmination and payoff to the entire Infinity saga, being two of the most commercially successful films of all time. While all off those were undeniably important and impactful, 2014 was where the Marvel Cinematic Universe was able to achieve it’s own level of peak.

Before 2014 rolled around, Marvel was still riding high off of The Avengers and the building blocks of Phase One. However, while every Phase One movie has their fans, it was mostly the first Iron Man and The Avengers that carried the weight of that entire phase and are the two films that are looked the most fondly of! Those two films were so good that it made the entire first wave of Marvel movies worth it, even with the indifferent quality of the other features!

Phase Two of the Marvel Cinematic Universe kicked off a year later in 2013. However, despite the financial success and solid reviews for certain installments, the fan response was arguably very mixed. Iron Man 3 was a genuine crowd pleaser but was controversial among hardcore fans due to the film’s portrayal of the Mandarin, A.K.A. Iron Man’s greatest enemy. Thor: The Dark World was seen a decent “filler” movie at best and a dull and forgettable movie at worst for critics and fans and is usually ranked as one of the lowest rated movies in the Marvel Cinematic Universe. There was also Marvel and ABC’s first show in Agents of S.H.I.E.L.D., which had strong ratings for it’s first two episodes but saw a steady decline with each episode getting less viewers as the season went on. Although the show would end up getting a following due to the improved quality of later seasons, the first season of the show was not looked to fondly.

When looking back at the state of the MCU in 2013, the reaction that got from fans was almost identical to the state of the MCU for the past few years. After a handful of subpar and lukewarm at best installments, it made people question whether or not Marvel still has it. Is that superhero fatigue setting in and that special bubble is about to burst? If 2014 had anything to say about, the answer was quite simply hell no!

Agents of S.H.I.E.L.D. finished off its weak first season on a strong note and started a second season that was considered a HUGE step up in quality. So much so that most fans that stuck around felt that was when the show had finally found it’s footing and was well worth their time and investment. Even if the ratings did decline after each season, the show was still able to last for seven seasons, with the final episode airing in August 2020. What seemed like a questionable show to keep going in it’s first season was able to find a following and fanbase that helped pushed it to seven seasons!

When it comes to the 2014 MCU slate regarding films, we had Captain America: The Winter Soldier and Guardians of the Galaxy! After the mixed bag of a 2013 slate with Iron Man 3 and Thor: The Dark World, these two films had a LOT to prove! Not only to prove that Marvel Studios was not slipping away in terms of quality but that these stand-alone installments could in fact exist on their own terms and didn’t need Iron Man or the rest of the Avengers to carry it. And man, did Marvel respond to 2013 about as good as they could have!

First up, we had Captain America: The Winter Soldier! This acted as a sequel to The Avengers and served as the next step of Steve Rogers’s development that started with Captain America: The First Avenger. While The First Avenger acted as a period piece flick, The Winter Soldier acts as a modern day espionage thriller. It was a showcase of Steve Rogers adapting to modern day events, discovering the corruption of a government that flew right under everyone’s nose, working and bantering along with his trusted allies, and seeing the pieces of his past come back to haunt him in present day. And it was all brilliant!

The Russo Brothers’ first entry into the Marvel Cinematic Universe was met with widespread acclaim from fans and critics, instantly ranked up there as among the very best installments in the Marvel Cinematic Universe! It acted as a perfect way to follow up Captain America’s story from his first movie and The Avengers while planting the seasoning for future installments in film and television for that universe.

Perhaps the most important thing about The Winter Soldier was not only how impressive it was in terms of story, characters, action, and themes but also how it stood strongly on it’s own without the notable successes of Phase One to bog it down. It shown that these side stories with these characters still had a purpose and they weren’t just being made just for the sake of buying time for the next Avengers movie. Important characters such as Captain America could carry his own film without the need of Robert Downey Jr. or the Avengers name alone. These stand alone entries could in fact stand on their own and play a big important role to the future of the Marvel Cinematic Universe.

For as impressive as Captain America: The Winter Soldier was, one could still make the argument that Captain America was still a well known superhero that was going to have his well deserved due at some point. That is something that could NOT have been said about the other big movie to come out of Marvel Studios in 2014, Guardians of the Galaxy.

I will die on the hill that Guardians of the Galaxy was the most risky project that Marvel has ever released. It contained a bunch of characters that mainstream audiences were unaware of, it had a space opera vibe that the MCU really never had up to that point, and it was directed by James Gunn, a man that tends to have a dark and twisty sense of humor and had a director vision that no other directors of Marvel had yet. If this failed, there was NO way Marvel or Disney was gonna try anything like this again and stick to strictly familiar names and brands for the future. Guardians of the Galaxy was a giant leap of faith……that ended up stick the landing big time.

Once again, Marvel Studios was able to strike gold with their most unrecognizable movie to date in Guardians of the Galaxy. It was met with the same love and acclaim that The Winter Soldier got just four months earlier. People fell in love with the characters of Peter Quill A.K.A. Star Lord, Rocket Raccoon, Drax the Destroyer, Gamora, and even a talking tree named Groot, people were enthralled by the visuals and set pieces, people were laughing at the jokes, people were crying at the big emotional beats, and people were rocking to the movie’s awesome soundtrack, which sold like GANGBUSTERS on Apple just weeks after the movie came out. It was so loved and adored that there are those that would argue that this is not only one of the best Marvel movies ever but perhaps their favorite Marvel movie to date, even more so than The Winter Soldier or The Avengers. It was that good!

Just like with The Winter Soldier, Guardians of the Galaxy was a Marvel movie without the big main selling points of their biggest successes with Iron Man and The Avengers. There was no other recognizable superhero to be found or had a tied together plot that made it acquired viewing for Avengers: Age of Ultron. Sure, there was a tease of Thanos himself along with the setup of the Infinity stones but they were never a big focus or distraction that it took you out of the the movie. It was just the Guardians of the Galaxy themselves on their own space adventure and it could not have been better for it.

Looking back on the MCU ten years later to where it is now, I stand strongly on the statement that 2014 was the turning point of the Marvel Cinematic Universe and when it was able to become something even greater! With the success of the MCU slate that year, it was prove that Marvel did have an identity of their own that wasn’t just strictly Tony Stark and his amazing superhero friends! They did in fact have other interesting characters with their own stories to tell and other unique brands that was worth drawing attention to. They could afford to go bolder, weirder, and riskier and it could all end up for the better!

It’s by being able to make lightning strike twice with Captain America: The Winter Soldier and Guardians of the Galaxy that motivated to make other great installments later on such as Thor: Ragnarök and Black Panther along with multiple sequels with Captain America and Guardians of the Galaxy. They didn’t need to rely solely on Iron Man, The Avengers, and Spider-Man once they formed a partnership with Sony to keep the franchise going. They could afford to try out other characters and untested properties to allow their brand to grow and evolve into other things. And I don’t think they would have gone that exact route if it weren’t for the success of their 2014 installments in Captain America: The Winter Soldier and Guardians of the Galaxy.

2014 may not have been the most commercially successful or profitable year under Marvel’s belt nor even the one with the most cultural impact but without the success that Marvel was able to gain that year, there is a good chance the Marvel Cinematic Universe would have looked quite different in the past ten years that what we have seen! I sure hope whatever the future holds for Marvel, that they look back on 2014 as to why that got them to where they are now and NOT learn the wrong lessons from it!

Ghostbusters: Frozen Empire (2024) & Godzilla X Kong: The New Empire (2024) Mini-Reviews

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Here we go! Time for another mini-reviews with the two most recent big movies that just so happens to have the word “Empire” in their titles for some reason!

These two movies are two similar beasts but with one being executed way better than the other. The main reason for that is that one is at least well aware how silly and dumb it really is while the other thinks it’s telling a deep and dark story when it’s really not. The former movie I’m referring to is Godzilla X Kong: The New Empire while the latter is Ghostbusters: Frozen Empire.

To start off with the newest Ghostbusters movie, are we ready to basically come to a conscious that Ghostbusters really didn’t need to be a franchise?! I’m not just talking about the iffy to inconsistent quality of the movies with only a banger animated show and IP licensed video game to speak highly off. It’s more of the fact that it seems as though Hollywood and even the “dedicated” fanbase of Ghostbusters seems to have forgotten whole hardly what made the original Ghostbusters work in the first place.

The reason the original Ghostbusters work is that it embraces it’s silly and bizarre premise fully and made for a funny mix of comedy/horror with a great cast to boost. It was about as well executed as it could have been that basically anything following that was just always going to look inferior by comparison. Ghostbusters II tried capturing that same lightning in a bottle and failed miserably. Ghostbusters (2016) came closer with its leading ladies having excellent chemistry with one another but fell apart towards the end with forced cameos and gags, a needless CGI heavy battle and one of the lamest bad guys in recent memory. Despite the lacking results of those two films, they were at least more than well aware that the strengths of Ghostbusters came from it’s compelling cast and sense of humor throughout.

Then came 2021’s Ghostbusters: Afterlife. While having a very talented cast and a solid first act to the picture, it got weighed down entirely by its overreliance of fan service and taking the material far too seriously than it should have been. It’s almost as if you made a higher budgeted episode of Stranger Things but just added Ghostbusters elements to it. It felt so off that it’s hard to imagine the iconic Ghostbusters song being played in that exact same universe.

While by no means an awful or unwatchable film, Afterlife seems like a far cry for certain fans out there that refuse to let go of their favorite child’s properties as adults and believe Ghostbusters was always meant to be taken as serious as the goddamn Batman. However, it did at least have a beating heart of it’s own and still felt bittersweet to have the whole film being in the hands of the son of Ivan Reitman himself, Jason Reitman.

Now enter Ghostbusters: Frozen Empire, a film that takes all those elements that fell flat about it’s predecessor and increases it TEN FOLD! You got a tone that’s even more jarring and out of place than before, you have so many different characters and plot points that the film has no idea what to do with, the callbacks and references to the original are even more awkward and forced, and even the actual Frozen Empire that the title would suggest really doesn’t play a role until the last third of the movie.

The cast of old and new do the best with what they have, with Paul Rudd, Mckenna Grace, and Dan Aykroyd being the main standouts. And even if every scene with the original Ghostbusters looks as though it was shot as a commercial, they all still feel passionate about playing their iconic characters and will likely delight longtime fans of this franchise. Not to mention, Kumail Ali Nanjiani and Patton Oswalt are always welcome to see no matter what they are in. Thank goodness for this cast because if it weren’t for them, there would be very little to recommend about Ghostbusters: Afterlife.

Maybe I’m just overly harsh because I’ve never been a diehard fan of Ghostbusters nor do I have really nostalgia towards it. Plus, maybe I still have PTSD over the INSUFFERABLE discourse of Ghostbusters (2016) (which is better than this movie, btw)! However, I think even die hard fans will have to admit that it might be time to let this franchise rest on the big screen. There’s plenty of different Ghostbusters medium that anyone can refer to as the definite Ghostbusters follow-up to the 1984 original. Whether it’s Ghostbusters II, the 2009 video game, 2016, Afterlife, and that The Real Ghostbusters animated series, I think the world has had their fill on this franchise.

Ghostbusters: Frozen Empire might be to date the worst movie in the franchise because it seems to completely forget what made Ghostbusters special in the first place. It’s not the ghostbusting, it’s not the lore, it’s not the nostalgia bait, and it’s CERTAINLY not the dark and gritty tone! It’s that special spark of an iconic cast of characters, it’s the right mix of horror and comedy, and it’s that perfect execution of its perfectly unique premise. No amount of expansion of lore or trying to repeat the same dance over and over again is going to replicate that. And unless Jason Reitman and company realize that and inspire to make another movie that captures that entirely, then perhaps it’s time to stop with the ghostbusting and let the legends live on in grace!

Now, for Godzilla X Kong: The New Empire! There are many negative points that I just mentioned with Ghostbusters: Frozen Empire that can be applied to this. It has a plot that is nonsensical and overstuffed, it has human characters that are thinly written, it has plenty of sequences made to revoke the nostalgia for monster fans, and it perhaps takes itself more seriously than it should. However, Godzilla X Kong doesn’t work in spite of those glaring flaws, it works BECAUSE of them and is able to make the very best of them!

Yes, the story is just an excuse to get all the monsters in action but it’s able to deliver them when it counts the most and in just the right spots! Yes, the human characters are thinly written but they are carried by a likable and charismatic pair of actors that are able to make the best of them (Please put Dan Stevens in more stuff!)! Yes, there are plenty of callbacks and references but it all feels earn and feels evaluate the experience rather than hinder it. Yes, there are times where it tries to be emotional but it never goes too far with it to the point where it’s completely somber. To put it simply, Godzilla X Kong: The New Empire is able to make the best of these traditional tropes, even if it doesn’t break or evolve them in anyway!

The action with the monsters connected to Godzilla and King Kong is awesome, especially with a final showdown that plays like the Captain America: Civil War of kaiju movies! The VFX and special effects are mostly impressive, with all the monsters looking completely buyable with not much shots that will take you out of the experience completely. There are some solid moments of visual storytelling with King Kong and his tribe, even if there are certain dramatic beats that feel too obvious and don’t ring home as much as say the new Planet of the Apes reboot. And even their characters are quite thin, the cast do make the best work with what they have and help make the human drama and moments salvageable and sometimes even making them land.

If there is one weak spot, it’s that there are times where Godzilla feels like an afterthought in his own movie despite being the first name in the title of the movie. Godzilla is gone for long stretches of the second act while most of the focus is on Kong interacting with his own kind. It makes me wish we could have had similar scenes with Godzilla visiting his kind or seeing that certain point of view with her but that focus is never really a thing. It’s almost as if Adam Wingard wanted to make another King Kong movie and then another Godzilla vs King Kong movie but Warner Bros wouldn’t let him so he had no choice but to mesh those two films together.

And while I am someone that enjoys a handful of these recent monster verse movies, they aren’t really movies I go back to a ton, only catching up on them whenever it’s on television. I mostly only remember my theater experiences with them and not much else. Heck, I couldn’t tell you what happened in Godzilla vs Kong aside from the title characters brawling if I tried.

Also, in case you are wondering, it is not on the same level as Godzilla: Minus One but I don’t think that it’s trying to be. Minus One was trying to be a smart, human driven story of how society can recover after being affected by a deadly war with a new threat starting to emerge. It’s the kind of movie that even if you took Godzilla how of the picture, it would still work entirely. It was one of the few Godzilla movies that you could describe as being smart and deep but it also had a function brain in its head, knowing when to let the human drama play off along with delivering the stellar Godzilla action when it counts.

Godzilla X Kong: The New Empire doesn’t try to be like Godzilla: Minus One. It doesn’t try to have a point to make or a message to deliver, it wants to deliver exactly on the “kids playing with monster figures” mindset and it succeeds completely. Whereas Godzilla: Minus One felt like a movie trying to win awards, Godzilla X Kong: The New Empire is a movie trying to sell tickets to dying movie theaters. It’s okay to enjoy a well made, cooked, and nutritious steak meal while also enjoying a delicious, messy Big Mac meal every once in a while.

While Godzilla X Kong: The New Empire doesn’t do much other than what it’s overall title suggests, it still does make for a fun time at the movies and a movie that is worthy of a discount price on a Tuesday. The action is cool, the special effects are a treat for the eyes, the cast are a lot of fun, and that final monster showdown brawl is certainly going to be one for the ages for monster fans everywhere. I could have used with more Godzilla in a movie and maybe a better attempt at breaking some of these common tropes with movies movie but for what it’s worth, Godzilla X Kong: The New Empire is simply a good enough monster movie that I enjoyed watching. Take of that as you will!

Ranking The 2024 Best Picture Nominations

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Another year, another handful of Best Picture nominees to talk about. This year, the Oscars just so happens to take place on my least favorite day of the year aside from my birthday, Daylight Savings time! I find it bizarre how year after year the Academy Awards keeps flip flopping the date of which the Oscars happen. One year, it’s February. The next year, it’s late March. And the year after that, it’s early March. I don’t understand all of that one bit but whatever.

Just like the last couple of years, there are ten total best picture nominations to talk about and rank. I won’t lie, my opinion might be controversial because I don’t I was as over the moon with some of these as most others were. Part of that might be due to personal preference and/or rewatch value but be warned in case your favorites of the nominees didn’t make it high on my list. But anyways, let’s get on it with it and rank the ten best picture nominations from best to worst.

10.) Poor Things

Every year, you have to have at least one movie on the best picture nominations that you acknowledge is very well made and acted but you didn’t care for it whatsoever. That so happens to be Poor Things for me. Yes, the productions values are great! Yes, Emma Stone is as fabulous as ever! And yes, there are a handful of funny moments and unique shots here and there! But, that still doesn’t change the fact that this feels like a porno than an actual movie with a bloated runtime and an artistic vision that comes across as more pretentious than as a real, honest voice from behind the camera. Maybe I’m just not a Yorgos Lanthimos fan as he has yet to make a film that impressed me but Poor Things is the kind of Oscar bait getting nominated that absolutely annoys me. Try filling up that flash with substance next time Yorgos! Only then that I might be on your side!

9.) Maestro

And speaking of well made films that did absolutely nothing for me, Maestro is one that left me feeling cold. The makeup and cinematography are great and the actors do a fine job in their roles but I don’t think this movies does a very good job on giving you an indication as to who Leonard Bernstein is. He doesn’t seem all that different from any other musicians out there and for a movie that suppose to show otherwise, I feel like I would give more info about them by just looking up his Wikipedia page. Not the worst biopic ever but one that left plenty to be desired for me. And if Bradley Cooper really does win for best actor, this will surely be his “Leonardo DiCaprio winning an Oscar for The Revenant” moment! And no, that is NOT a compliment!

8.) The Zone of Interest

This is far in a way the most experimental film of all the best picture nominations. The Zone of Interest tells the story of Rudolf Hoss and his wife and their desire to build the ultimate dream life for themselves and their family. However, Jonathan Glazer just to tells this story in a rather steady pace, trying to get every lasting moment of getting you suck into the film’s atmosphere and get a clear glance of how crystal clear everything in the film looks. There is admirable ambition to be found here but I still can’t help but feel like it would have worked better as a short film than as a feature length film. The fact it takes about three full minutes for even the first shot of the movie to be seen really sets the vibe of the entire picture. While experimental and unconventional, The Zone of Interest is a film that will surely test your patience and it’s only if you feel like it is worthwhile by the end of it which will determine your perspective on it.

7.) American Fiction

Here’s a film about a black author that is under more pressure than ever to make his stories more “black heavy” to make it stand out for his publishers and other authors out there. American Fiction goes into great insight about how mainstream media can’t seem to make black art without involving the negative stereotypes and racism surrounding black folks. Led by a commendable performance from Jeffrey Wright, this is a tight, witty, and thoroughly entertaining drama that dives deep into its subject matter without being completely one sided about it. If it could have stuck the landing a little better, then it would probably be even higher on the list, While I don’t see American Fiction making too much noise at the Oscars, I do hope it encourages studios to make more drama comedy films like and give Jeffrey Wright more recognition for being one of the very best actors working today.

6.) Anatomy of a Fall

The tagline of Anatomy of a Fall is “Did she do it?” I would make a joke review by saying, “I don’t know about you all but I do think she did it” but the film itself is able to be about more than simply that ringing question that is constantly hear throughout the film. This is quite an intriguing mystery that is filled with constant ambiguity and tension throughout that allows for multiple different perspectives from each of the characters involved, so much so that you will likely find yourself switching sides throughout the entire film. I do wish the first half of the film was more interesting and it had 15 to 20 minutes trimmed out but Anatomy of a Fall does make for interesting and accessible film that those that love a good mix of comedy, drama, and mystery.

5.) Barbie

The highest grossing film of the year is also in the top half of best picture nominees! What easily could have been a by-the-numbers flick for little girls that would have been better off going straight to streaming, Greta Gerwig decides to go beyond that and craft a film about traditional gender roles, identity, and why there should be a proper balance between the matriarchy and patriarchy. Barbie is as clever, funny, and creative as you could expected given the talent involved, with Margot Robbie and Ryan Gosling being a match made in heaven as Barbie and Ken respectively. The world-building is as strong as it could possibly be with a movie surrounding a toy brand that everyone is aware off, each cast member are clearly having the time of their lives, the soundtrack is one you are likely gonna have stuck in your head as soon as you leave the theater, and it feels so refreshing to see a new summer blockbuster that seems to have to same love and passion it does from both in front and behind the camera. It doesn’t all work 100% and there will certainly be plenty of folks that will take issue with the way it handles it’s themes and messages but for the most part, Greta Gerwig is able to make lightning strike a third time in a row and has made herself a new name to look out for. If you’re a woman, you probably already saw this movie and love it. And heck, even if you are a man, watch it yourself and you’ll probably have a good time as well!

4.) Killers of the Flower Moon

It seems like an unwritten role that every new Martin Scorsese film is a lock-in for a best picture nominee but man, does the man keep deserving that honor. Killers of the Flower Moon is once again a winner from the great Martin Scorsese himself. It’s an exceptionally well crafted and brilliantly acted picture that goes to show why Martin might just be the best when it comes to making these kind of period pieces. It’s as every bit of gripping, emotional, and impeccable as you heard, the 3.5 hour longtime while excessive is put to good use, and it’s another reminder why films like this are worth experiencing on the biggest of screens possible. And Lily Gladstone MORE than deserves that Oscar for Best Supporting Actress! It may not be his very best but it’s certainly a film that will leave an impact on you, one way or the other. As we reach Scorsese’s final chapter of his 80-year old life, this plays out as the proper beginning of the end of one of our finest filmmakers who has ever lived. As if we are starting to enter the final chapter of his filmmaking career. Because of that, it’s best to enjoy Scorsese pictures as much as we can while the man is still breathing! Let’s do that and STOP asking the man of his opinions on Marvel movies! Please and thank you!

3.) The Holdovers

While I certainly enjoyed The Holdovers on my first viewing, it VASTLY improved on me on my second viewing. So much so that this isn’t just one of the best films of the nominations, it’s one of the best films of 2023 period! This is a beautiful and heartfelt Christmas drama filled with engaging and lived in characters, a tremendous screenplay, spot-on direction, and great performances from the entire cast. As great as Cillian Murphy was in Oppenheimer, I wouldn’t be surprised to see Paul Giamatti pull up the upset and take home the Oscar for best actor himself. Anything to see him spotted again at a fast food restaurant with an reward in his hand. In all seriousness, The Holdovers is a genuinely excellent film that will resonate with you the more you think about it and watch it. It’s not just a film you will feel eager to watch every Christmas, but also one to watch for someone that don’t feel loved or appreciated enough in their regular lives. To those people, I can see this film feeling like one big warm hug. The fact this is only #3 on this list just says more about how superb the next two films are.

2.) Past Lives

Past Lives makes for a beautiful and touching tale about two friends, separated as children, being reunited as they confront destiny, their love for one another, and the choices they have made throughout the entire life. It’s a deep exploration of the connections we have with ourselves and the ones we care about along with our struggles that helps us define who we are. It’s about two dear friends that went their separate ways but might have an urge to try to relief the good old days in the here and now. It’s perfectly directed, beautifully acted, thematically relevant, emotionally engaging, and uses it’s slow-burn pacing to it’s absolute full potential. It’s a film where it’s ideas within the narrative are executed about as perfect as it could get. Even in an age where certain folks seem to decry the idea of films having important messages because movies just aren’t suppose to have that now for some reason, Past Lives is a reminder why we need films like that. We need films that teaches us the true meaning of life and why we shouldn’t take it or the ones we love for granted. Give Greta Lee the Oscar right now!

1.) Oppenheimer

If were going by pure objective quality, this would probably also qualify as the very best film of the year for me and not just strictly the best of the nominees. Oppenheimer is yet another masterfully made and directed film by the great Christopher Nolan himself, perhaps his biggest cinematic achievement to date. It’s able to tell exactly the kind of sprawling epic story that it aspires to be by acting as a character study first and a biopic second of the infamous man of J. Robert Oppenheimer himself. Every single member of it’s highly recognizable cast is able to completely disappear into their roles and captured their performances perfectly (RDJ better get that Oscar!), it does a great job of exploring the man of J. Robert Oppenheimer (played perfectly by Cillian Murphy) as not just “the destroyer of worlds” but as an impactful flawed man himself, the three hour runtime is put to near perfect use, the score is absolutely riveting and will haunt you in the best of ways, and is able to deliver fully on the theater experience in ways that no other filmmaker than Nolan can do. While it’s not quite my favorite film from Nolan (Inception and The Dark Knight will always be very hard to top for me!), this might just be his most important one to date, showcasing why he will always be a name to attract a mass audience with every film he releases! It’s currently the favorite one to win and if that’s the case, then it will be the second year in a row in which my favorite of the Best Picture nominees will take home Best Picture. It’s time for Nolan to get his due and he will greatly deserve it!

Ranking The Kung Fu Panda Movies

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Kung Fu Panda 4 is now out in theaters and because of that, it’s time to rank all four films in the Kung Fu Panda franchise.

This is a franchise that has always had a special place in my heart. I remember watching the original Kung Fu Panda in theaters and being utterly blown away about how good it was. It really gave you the notion as to why you shouldn’t judge a movie so harshly based off the premise alone. And while this franchise might have a different variation of quality in terms of movies and television shows, that core message still reigns true to this day.

I already did a marathon of the first three Kung Fu Panda movies and a review for Kung Fu Panda 4. I’ll put links to those at the end of the piece. But for now, here are my ranking of the four Kung Fu Panda movies we have gotten thus far.

4.) Kung Fu Panda 4

The worst Kung Fu Panda is unfortunately the one that just came out in theaters. Kung Fu Panda 4 feels like the kind of movie that people were expecting the original Kung Fu Panda to be before seeing it. Relying way too much on water down humor, barebone storytelling, and the most predictable outcomes for the characters imaginable, Kung Fu Panda 4 is a sign that perhaps that this franchise may have ran out of creative gas. Also, The Furious Five being written out to make room for the new player in Zhen certainly doesn’t help either.

For those that come to these movies for the action and some laughs, you might get your money’s worth. It’s competently made with great animation, enjoyable fight scenes, and solid voice work throughout but the clever storytelling and engaging resonate themes that have been a staple for this series is just not there this time around. There are moments where it feels like it’s going to get there and makes this stand proudly with the other three films but it instead chooses to take the quick and easy path every step of the way, which is not how the series was up to this point. It’s odd how for a movie that claims to be about change, Kung Fu Panda 4 does very little of that to the overall narrative of the franchise.

3.) Kung Fu Panda 3

Kung Fu Panda 3 is a film that is easy to dismiss when looking at it on the surface. From its familiar plot beats to its toned down humor, it almost feels as if it’s falling into the traps that the franchise has avoided up to this point. However, with seeing how Po’s journey concludes by the end of the movie and at the end of this trilogy, there is something to chew upon greatly here. It really feels like Po has fully 100% lived up to the Dragon Warrior name, just as Oogway hoped he would the moment he chose him.

Yeah, it’s a step down from the first two movies but I mean that in a respectful way. It still has the same heart and resonate themes that the first two movies have and it’s ultimately cool to see where Po basically was given birth at. Kung Fu Panda 3 is to the first three Kung Fu Panda movies what Return of the Jedi is to the original Star Wars trilogy, a solid B+ wrap-up/follow-up to its A++ predecessors. If this was the true ending to this series, it would certainly not be as definite as other series finales but it would have been satisfying all the same.

2.) Kung Fu Panda

If there is one movie out there that is basically the textbook definition of “Don’t judge a book by it’s cover!”, that would be Kung Fu Panda. On paper, this sounds like the dumbest idea ever. A big fat panda voiced by Jack Black learning Kung Fu?! That feels like an idea that came from the same person that thought The Emoji Movie would be a great hit! However, once the movie came out during the summer of 2008, we all could not have been wrong about Kung Fu Panda. This is a movie that is greater, smarter, and more interesting than it has any right to be.

It’s able to use that “Don’t judge a book by it’s cover” mindset that not only acts what most folks thought of Kung Fu Panda when watching it but use that as the central theme throughout the film. And it’s that theme that makes for the perfect way to tell the story of the main character of Po, the titled panda that learns kung fu. We also got terrific animation, superb fight sequences, a wonderful supporting cast of characters, a riveting musical score and amazing character development all the way through. It’s those exact reasons and much more that makes Kung Fu Panda as good as it is and one that stands strongly as one of DreamWork’s absolute best.

1.) Kung Fu Panda 2

Was there every any doubt? Kung Fu Panda 2 is not only as good as the original Kung Fu Panda, it’s even better. It does EVERYTHING you want a sequel to do. It takes the characters into exciting and new directions, it expands upon it’s story and lore in the most logically way possible, the action and animation are taken to the next level, the villain of Lord Shen is given more focus and is used perfectly, and it’s able to act as the best possible next step for the journey of Po as oppose to do just retreating steps from his first go around. Also, the scene where Po discovers inner peace is the series true definite moment up to this point!

As much as folks were doubtful that the first film could work at all given it’s bizarre premise, I believe there was even more doubt that a sequel could work in any way, shape, or form. Clearly the first movie have to be a magical fluke and there’s no way DreamWorks could make lightning strike twice, right?! Right?! Welp, you would be wrong once again! Kung Fu Panda 2 is not only the best Kung Fu Panda movie thus far but it’s arguably the best DreamWorks movie to date and possibly one of the best film sequels ever made period. It’s so good that there’s a good argument to be made that this is where the series officially peaked.

There’s my list. Feel free to share me yours!

And here are links to my Kung Fu Panda retrospectives and reviews!

Kung Fu Panda 4 (2024) Movie Review- Not Enough Skadoosh

Adam1 Comment

If there’s one thing that stuck with me throughout my viewing of Kung Fu Panda 4, it’s how the movie kept reminding me why the initial idea of Kung Fu Panda was mocked to begin with. That premise alone gives the indication that a panda voiced by Jack Black learning kung fu would basically play out as just being a typical slapstick comedy with dumbed down humor made for the littlest of kids, paint-by-numbers storytelling, and the most predictable reveals and morals imaginable. However, the greatest thing about the Kung Fu Panda movies up to this point is how it takes those “judging a book by it’s cover” expectations and cleverly subverted it into something better, smarter, and greater than it had any right to be. While I’m sure there were intentions of that for this latest installment with the Skaddoshinator (I promise that is the only time I will say that!), Kung Fu Panda 4 is basically the exact kind of movie we thought we were getting from this series from the very beginning.

The idea of a Kung Panda 4 was certainly not one that felt necessary but there were plenty of ways that another entry could work. While Kung Fu Panda 3 did bring a satisfying conclusion to Po arc’s in becoming the Dragon Warrior that he had always dreamed of, there was never a feeling throughout the third movie that it was the absolute endgame for the series. A third movie could be a fine stopping point but there was definitely another train coming along the way if anyone wanted to take it. And DreamWorks decided to take that train with Kung Fu Panda 4. I only wish they found an actual reason to want to hop aboard it.

Premise: Time has passed since Kung Fu Panda 3 and Po (Jack Black) finds himself on his last remaining days as The Dragon Warrior. Shifu (Dustin Hoffman) is ready to promote his panda apprentice to being the Spiritual Leader of the Valley of Peace, the highest ranking of all kung fu mastery. Before he does that, Po must choose a worthy successor to take the mantle of The Dragon Warrior.

However, a new deadly foe has emerged with a new shapeshifting sorceress known as The Chameleon (Viola Davis). The Chameleon is someone that has had her own ambitions of wanting to learn kung fu but never got the proper respect to be able to learn it. Because of that, she wants to take matters into her own hands and copy the kung fu from other notable warriors in the series rose gallery such as Tai Lung (Ian Mcshane), Shen, and Kai to become the kung fu warrior she has always inspired to be.

With the Furious Five not being available due to going on their own personal missions and Shifu supposedly aging, it’s up to Po to stop The Chameleon. However, he can’t find the sinister lizard without the aid of a wanted fox thief named Zhen (Awkwafina), who supposedly knows The Chameleon’s location and promises Po she can lead him right to her front door. Po and Zhen go on a journey together to put the new villain out of commission, where the former comes to the realization this might be his final adventure with The Dragon Warrior title and the latter wondering what side she’s actually fighting for.

Oh, and also Po’s two dads, Mr. Ping (James Hong) and Li Shan (Bryan Cranston), follow their son without him knowing because they are so worried that their son, who had already beaten the biggest named opponents out there up to this point, can’t handle a fight against this newest opponent for some reason.

When reading through that plot synopsis, it basically gives you the indication of where Kung Fu Panda 4 head is at every step of the way. Yes, Po has to learn to take his next step in life. Yes, he realizes he has a lot in common with his new wolf companion and new lizard foe than he initially thought. Yes, he has to learn the true meaning of change. And yes, who Po chooses to be the next Dragon Warrior is obvious the moment that character arrives on screen. However, whereas prior Kung Fu Panda movies were able to take familiar stories and add enough layers to it to make them stand out as fresh and unique tales, the plot of Kung Fu Panda 4 can be read like a book that you predict the expected beats five to ten pages in advance.

As I stated in the plot summary, The Furious Five are nowhere to be seen throughout the main film. Yes, there is an explanation given of their absence in an (admittedly) nice 2D animated sequence and they do show up right when the credits start to roll, but they have no presence in the story whatsoever. Whether this was because they wanted to put the spotlight on the new characters or the fact that the studios couldn’t afford to have Angelina Jolie, Seth Rogen, and crew return due to the film’s shockingly low budget is beyond me but fans who were hoping to see them in action in this one will be severely disappointed.

The newest player this time around is Zhen, played by Awkwafina. On paper, this casting make sense. The crew clearly wanted to hire a celebrity actress that has the same range of comedic chops as Jack Black provides to the titled panda himself. However, the reason why Jack Black has always been perfect as the character is how he is able to perfectly mirror the appearance of a fat comedic panda while still nailing the dramatic beats when needed.

Zhen doesn’t have that same gesture as she is just as feisty, parkour, and can handle herself in action as much as Po or even Tigress can. She basically plays out exactly how other characters voiced by Awkwafina have with nothing new added. She is yet another side character that’s snarky, wise-cracking, and might just have a heart of gold underneath. It’s not that the character herself is inherently bad but she’s not interesting enough to warrant having other characters being purposely written out just to make room for her. Zhen is mostly just your average “grey” character and doesn’t offer much to the Kung Fu Panda universe that other better characters in the series haven’t provided.

The main villain of The Chameleon does feel like more fitting character in concept but still feels like wasted potential. While she certainly has a resemblance to Kung Fu Panda 3‘s antagonist with Kai, with gaining the abilities of other notable kung fu warriors, her whole parallel with Po is the one aspect that Kung Fu Panda 4 provides that feels new and refreshing. Both of these characters were underestimated by society due solely to their appearances but went on to accomplish greater things. Whereas Po went on to become the greatest hero, The Chameleon went on to become the greatest villain. The perfect good guy/bad guy dynamic is right here and could be possibly the most compelling one in the series to date if enough time and care was given into it.

Unfortunately, just like with the most interesting ideas in the film, it doesn’t have much interest in exploring it. This matter is just addressed in a dialogue exchange or two and never is given much focus on beyond that. The character herself basically comes across as an excuse to revive other notable bad guys in the series in the hopes that would get more butt in seats.

It’s also strange how The Chameleon claims to have been denied of learning kung fu due to being “too small” despite one of the Furious Five members being Mantis, A.K.A. a literal grasshopper! I guess kung fu warriors are just as racist towards lizards as pandas.

When it comes to the returning antagonists of the series, Tai Lung is the only one that gets enough screen time to warrant being considered an actual role in the story. And by that, I mean he gets a decent action sequence and a couple of laughs and that’s basically it.

The other notable ones are just there for the sake of continuity and nostalgia, with Ian McShane the only one reprising his role. Not to mention, the scenes where Po is witnessing all of his foes in the same place but Tai Lung is the ONLY one that actually speaks is LAUGHABLY noticeable!

I don’t know if this was yet again done due to a lower budget or there was suppose to be an actual arc for Po’s first foe early on in development (which there really isn’t) but those who were hoping that the villains would get the Spider-Man: No Way Home treatment are destined for disappointment as well.

Perhaps the biggest disappointment of Kung Fu Panda 4 is the way it handles the humor. If you are someone that felt that Kung Fu Panda 3 went too far with its slapstick humor, it’s unfortunately just like that here but even worse. There’s too many jokes that feel extremely forced and are just not funny at all. Too much of the humor feels like it’s only there to keep the toddlers entertained and not because it works in the heat of the moment for the characters. Yes, all of the Kung Fu Panda movies have plenty of humor but they always felt perfectly timed and made sense for the characters without feeling out of place.

With Kung Fu Panda 4, the jokes are nonstop and feel like they are only there because the writers couldn’t figure out how to keep the main story engaging so they just threw in some random jokes in the hopes that it would be good enough to push the whole thing forward. It’s like the worst kind of humor in Marvel movies increased ten fold. There’s only so many times where you can hear Po say skadoosh without it getting tiring real quick.

To gain to the more positive side, the animation is quite breathtaking, which is all the more impressive considering the film’s 85 million dollar budget. Everything looks bright and colorful, able to expand on the same art style from the previous three films while being able to modify it for this to be far in a way the best looking Kung Fu Panda film to date. All the locations of new and old are beautiful to look at, especially the scene with Po in the valley of peace. Even the distractingly out of place models for all the new characters (which feel like they came straight out of Zootopia) can’t take away from this film being a visual treat for the eye.

The action scenes themselves are as dynamic as you would hope for in a Kung Fu Panda movie. It still has that sense of choreography, rhythm, and pace that has always made the fight sequences in this series stand out as well as they do. I enjoyed some of the earlier bits of Po guarding the valley of peace along with the scenes involving him and Zhen fighting together or against each other. While I can’t think of a set piece here that holds a candle to the best ones in the previous three films such as the fights with Tai Lung and Shen or the one between Po and Shifu, along with wanting more lasting action in the climax, they do deliver when it counts the most.

The voice cast is able to do the best with what they have. Jack Black is as perfect here as Po as he always has been, clearly bringing so much love and passion to our favorite panda. Viola Davis gives a great and menacing voice performance as The Chameleon, making the character stand out more than the script will actually allow her. It’s neat to see Ke Huy Quan get a voice over role here for a character that feels like a mix between his characters from Loki and Everything Everywhere All At Once. Dustin Hoffman has shown age as much as the character of Shifu himself (Then again, the man is 86 years old!) but still fits the role like a glove all the same. Ian McShane seems excited to be back as Tai Lung, even if his role isn’t as big as I hoped it would be. Even James Hong and Bryan Cranston are able to get moments to shine in the film’s few funny moments as the two fathers of Po. And as I said before, Awkwafina as Zhen plays out exactly as you would expect a character voiced by Awkwafina to play out, so take that as you will.

I imagine there will be plenty of people reading this review that think I’m being too harsh and overly critical of a movie clearly designed for children. If you think that, that’s completely fine but Kung Fu Panda to me has always been much better than that.

The series’ greatest trick in the past was having you thinking it would play out like your stereotypical “critic proof” movies for kids but when you watch the movies themselves, there is something much more than that. Kung Fu Panda 4 feels more in line with what the series was originally thought of as being on the surface level, almost as if it was made by Illumination than DreamWorks.

For those that come to these movies for the action and some laughs, you might get your money’s worth. It’s competently made with solid animation, fight scenes, and voice work throughout but the clever storytelling and engaging resonate themes are just not there this time around.

There are moments where it feels like it’s going to get there and makes this stand proudly with the other three films but it instead chooses to take the quick and easy path every step of the way, which is not how the series was up to this point. It’s odd how for a movie that claims to be about change, it does very little of that to its overall status quo.

I don’t know if it had to do with a supposed rushed development, lower budget, or running out of creative gas but Kung Fu Panda 4 feels like it was only made to keep the franchise brand going and not because anyone had a unique enough story to tell for it.

If the series continues to stick to it’s initial six-movie arc plan that DreamWorks envisioned back in 2010, then they better find a way to spice things up for parts five and six if they want anything after Kung Fu Panda 3 to be worthy of existing.

As an animated film for kids, it’s passable at best. As a Kung Fu Panda movie, there’s just not enough skadoosh this time around.

Other comments:

  • Yes, Jack Black’s version of Baby One More Time is awesome and the biggest standout of the entire soundtrack.

  • There is actually a scene in the movie where Bryan Cranston has a little Walter White in him as Po’s biological father.

  • Who in a million years would have thought that Puss in Boots: The Last Wish would be by far the best DreamWorks sequel in recent memory and NOT Megamind 2 or Kung Panda 4?

  • Yes, I watched Megamind 2. It’s probably the most pointless sequel I’ve ever watched!

  • Oh and Mr. Beast makes a voice cameo in this one! That’s cool I guess!

  • Also, Po’s dads are so gay! Just saying!

Ranking The Films of Denis Villeneuve

AdamLeave a comment

This weekend saw the release of one of the most highly anticipated movies of the year with Dune: Part Two, directed by the one and only Denis Villeneuve. With that film expecting to be the biggest hit of 2024 thus far, what better time than any to rank all 11 films that have come from the great Villeneuve himself.

Denis Villeneuve is an interesting name when it comes to well known modern filmmakers. While he may not be as big of a household name such as Steven Spielberg or Christopher Nolan, he still does seem to be common favorite among film lovers, as he seems to always nail it when given the most pressure to do so. Even there are those that don’t care for his work or are currently high rolling at comments he’s made involving the push for longer films and film dialogue being devalued, they have to respect all the man has been able to accomplish thus far in his career.

With Dune: Part Two now out in theaters, the man has directed 11 motion pictures thus far. It’s time to take a look back at each one and see how each one ranks among the other. This is my best to worst ranking of the films directed by Denis Villeneuve!

11.) August 32nd on Earth

Denis Villeneuve’s weakest film thus far just so happens to be his very first one. There is a compelling and moving story hidden somewhere within August 32nd on Earth, a story about how times flies by quicker than one would expect and we will just never accomplish all the things we want to do throughout our lifetime. However, you can tell this is when Villeneuve was still trying to get his foot through the door and let his voice be realized on screen. The journey the characters are going through can’t quite match up with the overall scope of it along with not being able to stick the landing. It’s no disaster by any means but this is when the man’s unique filmmaking techniques had yet to be ironed out. That being said, you know you have gone to places when your worst film is the very first one that you have made.

10.) Maelstorm

Well, here’s the movie that’s about the most WTF thing imaginable when saying it out loud. We follow a young business woman named Bibianne who kills a fishmonger in a accident, disposes of the body, and then proceed to fall in love with the dead man’s soon. Oh, and it also happens to be narrated by a talking fish. Even when describing the main premise, Maelström is actually a simple pyschological thriller and has that mix of suspense and black comedy that not many of Villeneuve’s movies have. There are times where those two tones clash with one another but it’s worth a watch for yourself just to see if you are able to get into what it possibly the craziest thing that Villeneuve has ever done. I’m sure the narrating fish would approve.

9.) Polytechnique

Here’s the one Denis Villeneuve film that is based off a true story. Polytechinque dives into the 1989 massacre of students at Montreal’s Ecole Polytechinque, which saw the death of 14 women. Villenueve’s attempt to tell this tragic and haunting tale through three different points of views is ambitious but is lead to mixed results. While putting the spotlight on topics surrounding women’s trouble roles in society and reckoning with violence is admirable and done relatively well, the black-and-white visual style leaves the film feeling much flatter than most of Villeneuve’s films. Although, considering we are still having controversial debates surrounding the subject matter of this film literally 35 years later is deeply sad on the real world’s part. Even so, Polytechinque is able to set the stages for Villeneuve’s best French-language film, Incendies, later on down the road, which helps make this feel like a nice beginning of the end of his run with French-language films.

8.) Enemy

Here’s the film that is most remembered for it’s absolute effed up ending. We see Jake Gyllenhaal playing two different characters named Adam and Anthony, with the two becoming intertwined in each other’s lives and at literal war within themselves. Enemy acts as far in a way the most ambiguous film in Denis Villeneuve’s library, offering more questions than answers as to what version that Jake Gyllenhall is suppose to be the real person in the story. And of course, who can forget that ending which definitely left plenty of viewers tangled in webs, quite literally. I still can’t 100% say if Enemy works the way it was intended but it certainly kept me thinking all the way through which I imagine was it’s true goal. I’m sure Spider-Man would be proud with this one!

7.) Sicario

Here’s the film that saw Thanos and the Wolfman needing the help of Mary Poppins to fight Mexican drug cartels. In all seriousness, Sicario is a rock solid film that makes for probably the one film in Denis Villeneuve’s filmography thus far that can be seen as a straight up action film. The entire cast is fantastic here with the notable standouts including Benedict del Toro being completely terrifying as Alejandro Gillick, Jon Bernthal being as brutal and intense here as he is as the Punisher, Josh Brolin being reliably good as Matt, and Emily Blunt standing strongly as the lead and lone female presence of the picture. Credit also has to go to the masterful editing, gorgeous cinematography, and action sequences that are among the best of Villeneuve’s career. It’s rather inconsistently paced and the story itself is among the most conventional of Villeneuve’s films but Sicario is still damn good regardless. The fact this is in the middle-of-the-pack in this rankings says more about this director’s impressive track record than it does to devalue the true quality of this film.

6.) Dune: Part One

The first chapter of Villeneuve’s sci-fi adaptations of Frank Herbert’s work of Dune is a remarkable and impressive visual achievement that was made for the big screen. With it’s enormous scale, diverse cast, and world building like we haven’t seen before in recent memory, this sci-fi epic is just ready to insert itself into every book of “movies you must watch before you die” imaginable! Even after how impressive Part Two delivers, Dune: Part One still can’t help of getting too wrap up of being the first part of a story with pacing that feels a tad too slow and the overall feeling of the best still having yet to come. Even so, Dune is still able to accomplish feeling like a modern day Star Wars the way is has been hyped up to be and is practically destined to become the next big sci-fi epic that Hollywood will desperately try to copy and replicate with iffy results.

5.) Incendies

Among the last of the foreign released films in Villeneuve’s rose gallery, Incendies is still more than welcome in being the top five on this list. This is the film that pulls absolutely zero punches whatsoever and doesn’t shy away from the harsh realism of society. You think everything is going to be alright for one moment and then the rug will be pulled right from under your feet. Villeneuve is able to continue that bleak and complex storytelling that he is well known for along with providing what is hands down the best twist out of any of the films he’s done. Even once you know what it is, it will still be on your mind days after seeing it. Big credit also has to go to Melissa Desormeaux-Poulin with her emotionally powerful performance that helps carry the film. Even with all of his other dark and moody films on display, I don’t think there is a film that Denis Villeneuve has made that has haunt me the way Incendies did.

4.) Blade Runner 2049

I don’t think there is a sequel that seemed like the definition of a bad idea than Blade Runner. The original was a sci-fi epic that was way ahead of it’s time and had multiple different ending that did not demand a follow-up. However, Villeneuve makes what seemed like a near impossible task seem easy as Blade Runner 2049 acts as a more than worthy companion piece to the original Blade Runner. It’s able to expand upon it’s ideas and concepts of the original surrounding identity and purpose while showcasing some of the most impressive visuals and cinematography ever put to film. Ryan Gosling is able to carry the film completely as Officer K and Harrison Ford’s return as Rick Deckard is perhaps even more satisfying than his return as Han Solo and Indiana Jones. Also, Ana De Armas might be objectively the most beautiful woman on the planet! I could have done with a shorter length and without Jared Leto’s presence whatsoever, but Blade Runner 2049 is still a great case of a dangerous stunt being performed perfectly. Even if Denis Villeneuve ultimately regrets taking the mantle from Ridley Scott’s original cult classic, this is still an example of a legacy sequel done right and he should have nothing to be ashamed about the end results of this whatsoever.

3.) Prisoners

For many film fans out there, this was likely their first exposure to Denis Villeneuve. Prisoners is a dark, bleak and depressing look on child abduction and parents facing their absolute worst fear of losing their only children. Hugh Jackman and Jake Gyllenhal give incredible performances here, Roger Deakin’s cinematography is absolutely impeccable, and the mystery behind who kidnap their children is able to keep you guessing and have you on the edge of your seat the entire way through. Btw, NO, the ending is NOT ambiguous and should be common knowledge that it got resolved! Even with a runtime of two hours and thirty three minutes, Prisoners makes for an incredibly intense and gripping thriller that will have viewers understand the bleak reality of parents not always being there for their kids and the lengths they will go through to save them. This was admittedly my first Denis Villeneuve film that I watched and man, what an introduction that was!

2.) Dune: Part Two

If Dune: Part One acted as Villeneuve setting the training wheels on his bike in motion, Dune: Part Two sees him being able to successfully take those training wheels off and pushed that bike down the hill with good graces. Nearly all that set up that amounted in Part One has immensely satisfying pay offs in Part Two. The action and set pieces are taking to a whole new level, every single member of it’s talented, stacked cast get their own moment to shine, the cinematography is absolutely jaw dropping and makes the IMAX experience 100% worth it, and it’s able to push all the right buttons on making a perfect sequel, instantly comparable to the likes of The Empire Strikes Back, The Two Towers, and The Dark Knight. This is an instant sci-fi classic that will likely go down as one of the best cinematic experiences that I along with others will have all throughout 2024. Even if it’s not quite my favorite film of Villeneuve, Dune: Part Two will likely go on to be his most successful film to date and one that shall get the attention of the remaining moviegoing audience that aren’t yet familiar with his name.

1.) Arrival

It’s quite fascinating how Villeneuve’s recent comments about how he encourages longer films nowadays and doesn’t encourage dialogue in films when perhaps his best film to date is Arrival, a film that’s not only a slim 116 minutes long but is the best film about language that I’ve ever seen. Despite those odd comments, this still remains one of the best, riveting, complex, and most emotionally satisfying sci-fi films I’ve seen in the past decade. A film that at it’s heart is not only about language and communication but also about the whole world coming together to prevent the worst possible outcome between the human race and extraterrestrial intelligence and encouraging only the best one imaginable. Amy Adams gives an absolutely powerhouse performance alongside her fellow cast members, Denis Villeneuve’s direction has never been better than it has been here, it’s exploration of communication and how to respond to other alien species is fantastic, and it has one of the most beautiful scores for a film I’ve ever heard. Plus, if you don’t get a little misty eyed by the end, you are a robot. Brilliantly directed, written, and acted, Arrival is Denis Villeneuve’s best film to date and one of the best sci-fi films I’ve ever seen period.