Summer 2025 Box Office Breakdown

Movie theaters are in trouble! That’s at least what I’ve been hearing ever since Covid! Ever since that disastrous turn of events that shut down the whole world for a year or two, movie theaters all around the world has seen a significant decline in ticket and concessions sales. That hasn’t stopped Hollywood from doing everything in their power to keep the movie theater going experience alive. Even in the age of streaming, pirating, and Tik Tok, this is a battle that the movie making folks in southern California are willing to fight until they suddenly can’t.

And I don’t think there has been a period of time that has determined just how “well” movie theaters are going throughout the 2020s than this year’s lineup of summer blockbusters. Five years removed of movie theaters being shutdown and two years of infamous strikes, this is probably the most “back to normal” feeling that Hollywood has felt since pre-Covid. If this summer saw yet another underperforming two to three months, then there must come serious questions as to how long movie theaters have before they go extinct.

However, now that summer has come and gone, it’s time to see the results of how all the main feature films did in movie theaters everywhere. And the results are…….complicated.

In case you are wondering how I am judging it, I am gonna look at each major wide release that came out at the start of May to the middle of August. I’m gonna list the film’s budget, how much the film made at the box office, what the projected break even point likely was, how much the film gain in profit, and whether or not it should been seen as a success, flop, or break even point for the studios.

I’m only gonna use math that most tend to use when judging how a film does at the box office. Mostly by taking the budget, times that by 2.5X to cover the whole budget surrounding production and marketing, and seeing how much money it made or lose as a result.

Again, that is not the case for EVERY single one of these movies and this is NOT a direct result as to how the studios view each film from a financial standpoint. This is just my personal guess and opinion as to how each one of these films should be viewed as.

Plus, it’s also worth mentioning that ever since Covid, the definition of “success” is now quite different in the eyes of many producers in Hollywood. Who’s to say that just because a film didn’t do so great in it’s opening two weeks in theaters that the studios sees it as a failure when it became a big hit on digital and streaming? That alone could make it a “success” in the minds of studios.

It is worth remembering that a film’s overall success isn’t just determined based on how it did in theaters but also how it fared in terms of digital, streaming, and physical media sales. Just because not enough people showed up in theaters to give the film profit doesn’t mean people didn’t show it’s support when said film became accessible to all of our home media.

Regardless, I hope you all enjoy this analysis and gives you a good indication of how films are still thriving/struggling in movie theaters!

Thunderbolts*

Budget: $180 Million

Box Office: $382.4 Million

Break Even Point: $450+ Million

Gain/Lose: -$67.6+ Million

Verdict: Flop

Despite the mostly positive reception from fans and critics alike, this could not have been a bigger disappointment at the box office if it tried. Regardless if it has to do with the film starring around D- list MCU characters that most people aren’t familiar or superhero/Marvel fatigue in general, Thunderbolts* most certainly had to pay the price for previous sins surrounding these kind of films. It may have done solid ratings on Disney Plus and did at least kick of the summer movie season better than say…..The Fall Guy last year, but it did follow the tread that most MCU films post-Endgame have suffered from in underperforming box office returns. Between this, Brave New World, and another film to be mentioned later, 2025 has not been so kind to the Marvel Cinematic Universe from a box office standpoint.

Final Destination Bloodlines

Budget: $50 Million

Box Office: $313.9 Million

Break Even Point: $125+ Million

Gain/Loss: +$188.9+ Million

Verdict: Success

The first installment from this long-running franchise since 2011 more than certainly succeeded expectations. Final Destination Bloodlines acted as a nice love letter to the franchise while also acting as a bittersweet epilogue to the amazing career of the late great Tony Todd. I wouldn’t be surprised if we end up getting a sequel 2-3 years time (although hopefully no A.I. Tony Todd is needed). If there is one thing that 2025 has taught theatrically released films, it’s that if you have a low enough budget and give plenty of breathing time in the theaters before dumping it to digital and streaming, you will indeed see some promising theatrical profit in return.

Lilo & Stitch (2025)

Budget: $100 Million

Box Office: $1.037+ Billion

Break Even Point: $250+ Million

Gain/Loss:+$787+ Million

Verdict: Success

Despite all the discourse online about this one and what the true meaning of “ohana” is, it shouldn’t be a surprise to anyone that the 2025 live-action incarnation of Lilo & Stitch was able to be the most successful film of the summer along with Hollywood’s only billion dollar grosser thus far. There was an entire generation of millennials that grew up with the original animated classic and they all most certainly showed up during Memorial Day weekend to take their kids to experience the inferior version of one of Disney’s very best films in their history. At least it’s not……whatever the hell Snow White was. It’s because of this, I wouldn’t be surprised if Disney changes their mind on bringing Rapunzel and Elsa to the live-action screens in the near future.

Mission: Impossible- The Final Reckoning

Budget: $300-400 Million

Box Office: $598.8+ Million

Break Even Point: $750+ Million to $1+ Billion

Gain/Loss: -$151.2-$401.2+ Million

Verdict: Flop

There was a lot going against Tom Cruise’s last hurrah with his nearly three decade long action franchise and unfortunately, The Final Reckoning was no match for it. Suffering from a bloated budgeted, going head-to-head with Lilo & friends on Memorial Day weekend, and being part of a franchise that arguably peak seven years ago with Mission: Impossible- Fallout, it’s clear that audiences are ready to move on from Tom Cruise damn near killing himself for our amusement. I guess we’ll have to see if Top Gun 3 will be able to replicate the success of Maverick. If not, then we might have to accept that Tom Cruise is not the “Hollywood Jesus” that his ego claims himself to be and that the G.O.A.T. may indeed be washed.

Karate Kid Legends

Budget: $45 Million

Box Office: $115.8+ Million

Break Even Point: $112.5+ Million

Gain/Loss:+$3.3+ Million

Verdict: Broke Even

You all COMPLETELY forgot this movie came out, didn’t you? As a matter of fact, most of you probably didn’t even know this movie existed. This odd culmination of the Karate Kid franchise up to this point clearly failed to set the world on fire but thanks to it’s shocking low budget, it might’ve done just enough to not be a complete failure. And it most certainly probably was able to pick up any remaining losses with it’s digital release. I don’t know what this means for the future for this franchise but at least Karate Kid: Legends can rest easily knowing it’s far from the biggest failure to come out this summer, even if it’s easily among the most forgettable movies of the year.

Ballerina

Budget: $90+ Million

Box Office: $137.2+ Million

Break Even Point: $225+ Million

Gain/Loss:-$87.8+ Million

Verdict: Flop

2025 has not been so kind to Lionsgate and Ballerina was certainly no exception. Despite the presence of Keanu Reeves himself and the positive response from critics and fans, this John Wick spin-off failed to impress at the box office. Perhaps had the budget remain closer to the original John Wick than John Wick: Chapter 4, this could’ve managed to squeeze a profit (similar to a similar female-lead action flick in Atomic Blonde) but not with it’s 90+ million dollar budget (which a good chunk of it most certainly stemmed from reshoots). Whether it’s due to the franchise finally running on fumes or audience suffering from “girl boss” fatigue, Ballerina fell way below expectations, to the point where future John Wick spin-offs and perhaps even a John Wick 5 itself might just be up in the air.

How To Train Your Dragon (2025)

Budget: $150 Million

Box Office: $635.5+ Million

Break Even Point: $375+ Million

Gain/Loss:+$260.5+ Million

Verdict: Success

DreamWorks has finally threw their hat in the ring with live-action remakes and just like with Disney themselves, while the quality may not talk the talk, the box office results can certainly walk the walk. How To Train Your Dragon (2025) was able to capture the hearts of families and mainstream audiences in similar ways that the original animated version did back in 2010 along with the better live-action remakes from Disney (or at least the ones that were able to make a billion dollars). With the success of this film and a sequel in the works, I wouldn’t be surprised to see our favorite ogre and kung panda warrior getting their live-action treatment in the near future. But hey, if it helps cover for any potential loss that The Bad Guys 2 might have, then it might certainly be worth it!

Materialists

Budget: $20 Million

Box Office: $103.5+ Million

Break Even Point: $50+ Million

Gain/Loss:+$53.5+ Million

Verdict: Success

And who says original rom-coms are dead?! Despite the rather mixed audience response, Materialists was able to act as the most successful rom-com in recent memory that does NOT start Glen Powell and Sydney Sweeney. And as much as everyone and their mother claim to be sick and tired of seeing Pedro Pascal everywhere, he can certainly help carry an original project such as this, along with Chris Evans and Dakota Johnson of course. Not much to say here than yeah, this did quite well at the theaters for this kind movie and A24 should most certainly see this as a success.

28 Years Later

Budget: $60 Million

Box Office: $151.2+ Million

Break Even Point: $150+ Million

Gain/Loss:+$1.2+ Million

Verdict: Broke Even

This divisive sequel/part one of a two-part story did just enough to break even at the box office but not much else. Perhaps had 28 Years Later been more positively received from mainstream audiences and/or it wasn’t relying on the two-part gimmick, this could’ve done much better. But nevertheless, it did at least enough to justify a Part Two getting made, which can hopefully pick up any sort of financial slack that this film might’ve left behind.

Elio

Budget: $150-200+ Million

Box Office: $154+ Million

Break Even Point: $375 to $500+ Million

Gain/Loss: -$221 to $346 Million

Verdict: Flop

Just a summer after Inside Out 2 gave Pixar the smash box office hit they desperately needed, Elio took any sort of momentum that Pixar might’ve possibly gained and COMPLETELY tripped over itself. From a combination of lackluster marketing, trouble from behind-the-scenes/development, a bloated budget, and Disney doing everything in their power to erase this movie from existence, is it any surprised this film ended up being perhaps the biggest flop of the the summer and possibly the year? Maybe I should’ve known better after doing my summer box office movie predictions but I thought after Inside Out 2, people were ready to hop back on board with Pixar with seeing their film in theaters. Looks like I was dead wrong in that regard and man…….I wish I wasn’t!

F1

Budget: $200-300+ Million

Box Office: $626+ Million

Break Even Point: $500-750 Million

Gain/Loss:+$126+ to -$124 Million

Verdict: Success

There are probably many folks out there that are shocked to see this as being labeled as a success due to the film’s massive budget but F1‘s “success” or “failure” is much more complicated than most. First off, this is a partnership between Apple+ and Warner Bros. Apple was the one that funded the movie and would take credit for the success when the film arrives on digital and streaming, while Warner Bros was able to gain the profit from theater showings. Plus, this wasn’t so much about helping out theaters than it was about promoting the sport of F1 racing all across the world! Take all those factors in mind along with the fact that a movie in 2025 was able to make $600+ million that is NOT a superhero film, live-action remake, video game adaption, or an anime, F1 was most certainly a breakout success that helped add to a terrific year that Warner Bros has had in theaters!

M3GAN 2.0

Budget: $15-25+ Million

Box Office: $39.1+ Million

Break Even Point: $37.5-62.5 Million

Gain/Loss:+$1.6 to -25 Million

Verdict: Flop

This has to be the most BAFFLING failure of this summer! Not because it’s a shock that it bombed because the movie itself lacking quality compared to the first but because some of the most baffling decisions made from a business standpoint. From dumping the movie in the middle of summer when the original did just swell in January 2023 to advertising it as a sci-fi comedy instead of sci-fi horror, it’s like Blumhouse was doing everything in their power to ensure this would be a failure. If that was the case, then they MORE than certainly succeeded.

Jurassic World Rebirth

Budget: $180-225+ Million

Box Office: $867+ Million

Break Even Point: $450-562.5+ Million

Gain/Loss:+$305-418+ Million

Verdict: Success

Here is what was wildly considered the most surprising box office success story of Summer 2025 and…..I don’t necessarily know why. While the Jurassic Park franchise might’ve no longer be the billion dollar juggernaut that previous installments were, Rebirth did prove that people still love seeing dinosaurs on the big screen. And this time around they got to see dinosaurs AND Scarlett Johansson on the big screen! What better winning combo than that! Even if this franchise should’ve ended by now, don’t be surprised if Universal wants to keep the Jurassic ball rolling after the monster smash hit of the summer. Again, this might’ve not been a billion dollar gross but it did more than enough to be considered a success!

Superman (2025)

Budget: $225+ Million

Box Office: $615.7+ Million

Break Even Point: $562.5+ Million

Gain/Loss:+$53.2+ Million

Verdict: Success

Welp, here’s the most hotly debated success/failure story of the summer! Even though Superman (2025) has gained at least $53+ million based on traditional projections (or more according to Variety), there has been a serious argument that James Gunn’s take on Superman actually underperformed and even a failure. If we look at it through the mindset of Warner Bros back in 2013, you might have an argument. But in 2025, if we take the words from CEO David Zaslav and crew, it seems like they have much more manageable expectations and just needed to do enough to make a profit and do well in digital and physical sales to be considered a success. They know they can’t turn everything around in one movie like they thought they could a decade ago and are willing to be more patient in regaining the mainstream audience trust. Looking it that way, Superman (2025) was indeed a success. Sorry Snyder cult!

I Know What You Did Last Summer (2025)

Budget: $18+ Million

Box Office: $64.7+ Million

Break Even Point: $45+ Million

Gain/Loss:+$19.7+ Million

Verdict: Success

This might’ve been controversial among die-hard fans and mainstream audiences but thanks to a super low budget of just 18 million dollars, I Know What You Did Last Summer (2025) did good enough to at least guarantee it to be a success. Once again, the lower the budget, the easier it is for your film to be a profit in theaters. More studios should take notes on that, especially with what has come from the horror genre this year!

Smurfs (2025)

Budget: $58+ Million

Box Office: $120+ Million

Break Even Point: $145+ Million

Gain/Loss:-$15+ Million

Verdict: Flop

No one was asking for a new iteration of the Smurfs in 2025! Not kids! Not families! Not anyone! And they were ESPECIALLY not asking for a new iteration with Rihanna, James Corden, or Jimmy Kimmel (Although, PRO-FREEDOM OF SPEECH!)! Literally no one but Paramount should be shocked at the fact that this bombed! And even then, I think deep down they aren’t shocked at all either!

The Fantastic Four- First Steps

Budget: $200+ Million

Box Office: $521.5+ Million

Break Even Point: $500+ Million

Gain/Loss:+$21.5 Million

Verdict: Broke Even

This might’ve been the highest grossing MCU film of the year but it still disappointed greatly, compared to the highest grossing MCU films of prior years. This will likely mark the first year that an MCU film does NOT make it to the top 10 highest grossing overall films of the year since 2011. The Fantastic Four has certainly been more appealing to die-hard Marvel and comic fans than it did the mainstream audience but you can’t help but wonder how much better this would’ve done pre-2019. If adjusted projections are to go by, The Fantastic Four-First Steps will likely be the one MCU film to break even in 2025…..but that’s it. And for Marvel Studios standards, that’s quite underwhelming!

The Naked Gun (2025)

Budget: $42+ Million

Box Office: $102+ Million

Break Even Point: $105+ Million

Gain/Loss: -$3+ Million

Verdict: Broke Even

If we are talking about how much the 2025 incarnation of the The Naked Gun did in theaters, it might’ve fell just short of reaching it’s break even point. However, with making up any potential revenue loss with it’s release to digital and soon streaming, I would believe Paramount was more satisfied with how this one did than say……Mission: Impossible. I don’t think this did enough to “save” comedies or resurrected a genre of films that Hollywood has been quite picky to tackle for the better part of a decade but for what it’s worth, I believe this did just fine.

The Bad Guys 2

Budget: $80+ Million

Box Office: $225+ Million

Break Even Point: $200+ Million

Gain/Loss:+$25+ Million

Verdict: Broke Even

This one is quite a tongue twister. Largely impacted by a slew of summer movie competition along with pulling the trigger to the digital release so quicky, The Bad Guys 2 is more likely unable to match the success that the original did. However, due to working at a sizable budget and having solid digital sales thus far, it seems like it did just enough to match it’s break even point. While we might still get a third movie sometime in the future, I don’t think The Bad Guys franchise has become the success story that DreamWorks had envisioned it being, especially compared to the likes of Shrek, Kung Fu Panda, and How To Train Your Dragon. In that regards, it’s quite a same because this has been a damn good animated series of films thus far! Fingers crossed that a third movie gets made!

Freakier Friday

Budget: $42-45+ Million

Box Office: $152.3+ Million

Break Even Point: $105-112.5+ Million

Gain/Loss:+$39.8-47.3+ Million

Verdict: Success

I still don’t know why this was even made but thanks to it’s lower budget and modest box office projections, Jamie Lee Curtis and Lindsey Lohan’s Disney team-up that was 22 years in the making was able to exceed expectations without breaking any new ground. I guess it helps to have a sizeable budget and leaving plenty of breathing room between theater showings and digital/physical releases. If only Disney can get that same memo with everything else they do in the way they did with Freakier Friday.

Weapons

Budget: $38+ Million

Box Office: $266.4+ Million

Break Even Point: $95+ Million

Gain/Loss:+$170+ Million

Verdict: Success

Similar to Sinners and Final Destination: Bloodlines, Weapons was able to prove once again that you can win big in horror by playing small. This genuinely scary crowd pleaser was able to make the best with it’s modest budget to craft a smash hit, standing alongside with plenty of original horror films in recent memory. Even with what was a rather crowded area of theatrically released films at the time it came out, this was able to stand out swiftly to be a nice success story. Now let’s just see if director Zach Cregger can say the same for Resident Evil next year!

Nobody 2

Budget: $25+ Million

Box Office: $39.4+ Million

Break Even Point: $62.5+ Million

Gain/Loss:-$23.1+ Million

Verdict: Flop

Here’s a movie that did so poorly in it’s time in theaters that the studios pulled it completely from the big screens after five weeks and just dumped it to digital. To be fair, this is a rare case that I actually can’t blame the studio for making that movie so quickly. Whether it’s because too much time has passed since the original or it just flew under the radar for a lot of people, the sequel to Bob Odenkirk’s action franchise just did not get the same love and support that the original did (and even then, that didn’t really set the world of fire either). Between Nobody 2, The Final Reckoning, and last year’s flops of Monkey Man, Boy Kills World, and The Fall Guy, perhaps there isn’t as much of a crave for “masculine” action heroes that conservatives and alt-right online influencers would have you believe.

When you take all the box office results into account with the ways that most film analysts use to determine if the movie is a success or failure, this summer has had a total of nine movies that were successes, seven movies that were failures, and about five movies that did enough to break even.

What that tells me is that movie theaters are still not in a great spot but they are NOT ready to die out quite yet. While it’s a shame that certain films like The Fantastic Four- First Steps and Mission: ImpossibleThe Final Reckoning didn’t become the smash hits that were expected and that other films like Thunderbolts* and Elio ended up being massive bombs, this summer did show that there is at least a want and need for plenty of variety within theatrically released films.

You have live-action remakes, you have dinosaur action, you have horror thrills, you have action-comedies, you have rom-coms, and you have sports films! All of which were able to gain an audience in theaters and many of which were able to take some of the spotlight away from the kind of films that have dominated theaters in recent memory, particularly superheroes and video game adaptions.

That’s why I’m not too worried about the fact that a superhero film might not crack the top 10 of the year or that anime and re-releases might be taken more theater screenings! It doesn’t mean one genre is dying, it means more genres are EMERGING! The more genres of films that is resurrected and emerged, the more demographics are eager to see film in theaters, and the more money studios and theaters make! If Hollywood wants to keep theaters alive, THIS is the way to do it!

Because of that and more, I still believe there is still hope for movie theaters! There are still plenty of changes that need to be made (lower ticket prices/concessions, longer theatrical windows, longer time waiting for films to come to digital/streaming, more movie subscriptions/clubs….etc.) but if studios keep going with this direction while being able to contain a sustainable budget with most big movies they released, there might still be hope for movie theaters yet!

Ranking All The Marvel Disney Plus Series (Updated W/Marvel Zombies)

With Marvel Zombies now out, we now have 18 different Marvel series/specials that is available to watch exclusively on Disney Plus. These are content made strictly for this exact streaming service with the hopes of telling more stories with established characters that isn’t strictly in film format. When it comes to the overall quality of the shows, it’s results have been…..mixed to say the least. Even with a handful of good things to come out of it, they have their own limits and restrictions that have prevented them to be as engaging with some of the very best that the Marvel Cinematic Universe has offered throughout their history.

In hindsight, they have basically the exact opposite problems as Marvel Netflix. Where as the Netflix series often felt too long and bloated with filter, the Disney Plus series often felt too short and rushed. Despite there being plenty of good things to come from both Netflix and Disney Plus, most of them have struggled to hit that proper balance to have all these shows live up to their fullest potential.

Which one of these is able to be better than the others? Let’s find out by ranking all the Marvel Disney Plus series and specials up to this point!

19.) Secret Invasion

There was not a single Marvel D+ series (and perhaps any other MCU entry) that fell as hard as Secret Invasion. While the idea of having a series focused strictly on Nick Fury and the famous Secret Invasion comics are intriguing ideas on paper, the execution could not have been anymore disastrous. It’s poorly structured, well known characters are killed off in the most anti-climatic way possible, the Skrull storyline feels incredibly wasted, the behind-the-scenes reshoots are very obvious, and Nick Fury doesn’t seem to change one bit over the course of the whole series. Not to mention, the pointless retcon of Rhodey being a Skrull since Captain America: Civil War is just lame. This has about every single problem these Marvel Disney Plus series has had and made infinitely worse. The only saving graces are the scenes between Nick Fury and his wife along with G’iah being a neat MCU addition (until she’s able to unlock every single superpower known to demand because……….reasons?!?!?!). Everything else about Secret Invasion is a segment of everything that can go wrong with the MCU when it’s fallen into the wrong hands!

18.) IronHeart

The Disney Plus series that was already finished two to three years ago and got put in the back burner because of complaints of too much MCU content being piled on is finally here and…..it’s clearly obvious why it has been hidden for so long. While the cast is a lot of fun together and have solid chemistry, it is bogged down by clear behind-the-scenes drama, a directionless plot, ties to the MCU that feel incredibly forced, and characters that are given nothing to do. It’s like it’s trying to give Riri the same arc that Tony Stark had in Iron Man 3 but with none of the work or effort put into it. While it does end on a promising note for the future and is certainly more cohesive than say Secret Invasion, IronHeart is another forgettable Marvel series that is best left forgotten! And with the little to no marketing attached to this project and it collecting dust for the past two to three years, it seems as tho Disney and Marvel would agree!

17.) Echo

There are parts of Echo that make it come so close to capturing the same magic that the best of the Marvel Netflix series has. The backstory with Maya and how she became to be a vigilante is intriguing, every scene with Kingpin is glorious, the action is as brutal as it has been with the MCU, and the tone/style feels like it was ripped straight out of the Marvel Netflix run. It’s just a shame it’s central story is not told in an organic way with obvious reshoots and bizarre pacing that get in the way entirely. Plus, it’s overall representation of Cherokee Nation is barely touched upon, almost as if Marvel didn’t want to go too deep into it so they don’t offend anybody. The seeds are there for future “Spotlight” stories to expand upon greatly but Echo still can’t escape the trappings of most of these Disney Plus series, making it fairly underwhelming and disappointing. PLEASE stop making these just five or six episodes and make an actual proper tv show!

16.) Moon Knight

This has the ingredients to be a stellar series from it’s terrific cast to it’s psychological thriller elements to it’s exploration of someone with a dissociative identity disorder (DID). Unfortunately, Moon Knight is never able to make for the best of those ideas, despite Oscar Isaac trying his hard out as Marc Spector and May Calamaway being a welcome presence as Layla. It’s intriguing ideas are barely explored upon and mostly just results in a typical chase story with the character hunting down boring McGuffins while introducing lore and mythology that will leave you scratching your head. Not to mention, for a show called Moon Knight, there’s barely any actual Moon Knight in it. It is at least weird and bizarre enough that it might delight some folks who just want exactly that for their Marvel streaming series but it’s not enough to save the show from it’s undeniable shortcomings.

15.) The Falcon & The Winter Soldier

It’s cool to see many of the side characters from the Captain America movies that got sidelined get more to do in their own series along with giving an intriguing arc for Sam Wilson as the newer, progressive Captain America. Just too bad the series is held back by weak villains with odd, nonsensical motivations and an overall structure that feels more suited for a movie rather than a streaming series (something which many of the Disney Plus shows have greatly suffered from). You are lying to yourself if you didn’t find most of the endings to the episodes rather erupt because it just feels like the start of one scene and not the end of the other. I respect The Falcon and the Winter Soldier for what it stands for but certainly not in the way it goes about it. If there is ANY Disney Plus show that would have benefited MUCH better as a movie and NOT a mini-series, it’s this one.

14.) What If?

What If?! was probably the Marvel series with the most unlimited potential for captivating tales and expanding the Marvel Cinematic Universe. Creating scrappy stories of Marvel superheroes told throughout the multiverse and through multiple different variations point of view? That sounds like a series that could last for MANY seasons! Unfortunately, it’s unable to even scratch the surface of that limitless potential throughout the course of it’s three seasons by playing it as easy and safe as humanly possible! There’s a handful of intriguing episodes and fun character swaps along with some returning cast members from the live-action movies/series reprising their roles. Unfortunately, it’s held back by stiff animation, beat-by-beat storytelling, and a feeling of aimlessness rather than ambition with how it’s uses the multiverse (Something which the multiverse saga itself has greatly suffered from!). Instead of going crazy, it goes lazy and tame as hell. There’s some entertaining episodes here and there and plenty of fun to be had but man, it could have been SOOOO much more!

13.) Eyes of Wakanda

Here’s a little side project that has been in the works for awhile which puts the spotlight on the charismatic side characters that assist King T’Challa. It’s always neat to spend more time in the world of Wakanda and the side characters from the Black Panther movies are just as fun here as they are in the movies. But just like with a good number of Disney Plus shows, it still feels like it barely scratches the surface on what it’s trying to do. There’s not many episodes, it’s tackling on it’s subject matter feels very shallow and surface level, and the show moves at such a fast pace that it can be hard to jump into this fascinating world if you are not engaged with it already. I do put it above other animated D+ series like What If…? because it at least is more creative visually and animation wise but Eyes of Wakanda left me wanting more in the ways that I do not believe was intentional.

12.) Marvel Zombies

The newest addition to the Disney Plus Marvel canon doesn’t so much feel like it’s own series but more of a specific story arc made for Marvel’s What If? that for whatever reason got cut from the original show and had been sitting on the back burner for the past four years until it suddenly didn’t. The good news is that it deliver the goods in putting some of MCU’s heroes old and new together into this zombie world filled with blood, gore, and carnage, making for perhaps the best use of Marvel Studios animation to date. The bad news is that it still can’t reach it’s full potential because of how slim the whole experience feels and really feels like it only exists just to have more Disney Plus content on the streaming service. If a Season 2 happens, I’ll watch it but for now, I’m very on the fence on this one.

11.) Ms. Marvel

Ms. Marvel gets off to perhaps the best start out of any of the Marvel Disney Plus series. With showcasing a classic coming-of-age story, neat visuals, intriguing family dynamics, and a hugely charismatic and charming lead character in Kamala Khan, played wonderfully by Iman Villani. It’s mostly the second half when the dull as hell villains get thrown into the picture that don’t really mess with the style and tone of the show where it falters quite a bit, almost as if Team A was put in charge of the episodes given early to critics while Team B handled the rest because Team A decided to go home. Thankfully, there’s just a bit more of the former in the latter to make this show overall worthwhile, with the entire experience being held together by Villani’s incredible turn as Ms. Marvel herself. If this gets a Season 2, please put more focus on Kamala and her family and friends and not so much on everything else.

10.) The Guardians of the Galaxy Holiday Special

Perhaps the most inconsequential of all these series but still has heart and charm when it counts. The Guardians of the Galaxy Holiday Special makes for a cute holiday tale in the MCU which sees the lovable galactic misfits celebrating Christmas in a time where things are most dire for Peter Quill! This is the special that gave Drax and Mantis more time in the spotlight than ever before, along with the delightful presence of Kevin Bacon himself. It’s mostly slim and something you can tell was made rather quickly without too much thought being put into it but no doubt James Gunn’s passion and love for the characters from his successful films is on full display here. Also, you are a robot if you didn’t at least get a bit misty eye at the ending with Peter and Mantis. Just saying!

9.) Daredevil: Born Again

After a seven-year long wait to see our favorite Netflix hero/vigilante back in streaming form, the unofficial fourth season of Netflix’s Daredevil, i.e. Daredevil: Born Again, is able to deliver in the sum of it’s parts, if not as a cohesive whole. The reshoots and reworking from the show’s original premise does feel distracting at times, with it desperately missing the trio spark that Matt, Karen, and Foggy had together in the original series. Thankfully, the character work between Daredevil and the newly elected Mayor Fisk is ace stuff, the cast of old and new are great in their roles, and it ends on a haunting cliffhanger that sets the table for an exciting second season and the Punisher spin-off. I just hope Justin Benson and Aaron Moorhead have more free realm next time around and don’t feel restrained with having to rework all of the moving pieces that should have been figured out in the first place. Born Again may be more of the same but in this case, more of the same might just be what we all need.

8.) Hawkeye

While far from the most ambitious Marvel Disney Plus series, Hawkeye is one that does to take full advantage of it’s lower stakes and able to meet exactly the kind of endpoint it is aiming for, making a charming Christmas superhero tale that doesn’t try to be anything more than what it is. This of course helps introduces the immensely lovable Hailee Steinfeld as Kate Bishop and gives Jeremy Renner his full time to shine as Hawkeye, which Florence Pugh’s Yelena eventually joining in on the ride. It does suck though that Kingpin doesn’t get much to do there and his only real purpose is to set up the Echo series. However, considering the MCU is clearly not done with Wilson Fisk yet and he’ll play bigger roles later on down the road, I can let it slide. Nevertheless, this was a good time and worth revisiting again during this wonderful holiday time.

7.) Agatha All Along

The latest series in Agatha: All Along is easily one of the most unique and creative Marvel has been in it’s Disney Plus era. It’s able to act as a proper follow-up to WandaVision while perfectly embracing it’s queer vibes and camp value that makes for the right watch at the right time of the season. The entire cast is awesome (Kathryn Han and Aubrey Plaza were literally MADE for each other), Jac Schaeffer is able to direct and show run the HELL out of every episode, and there’s so many unique surprises and reveals that will delight the most diehard of MCU fans. There are certain aspects and directing choices that won’t appeal to everyone (particularly some of the musical choices and being more “queer” than most MCU prosperities) but for those who believe the MCU is at it’s best when they are at their more weird and experimental, Agatha: All Along makes for a very special treat!

6.) Werewolf By Night

Marvel’s first ever attempt at doing a special sees an interesting take on the horror genre and universal monsters. With the old-school black-and-white style, gorgeous cinematography, haunting score, and plenty of blood and violence to be found, Werewolf By Night is everything you could want out of a special Halloween special and perhaps even more than that. Even judging it strictly based off of werewolves, this is probably the best werewolf content in the last decade or so. I never thought someone as Michael Giacchino, someone who is most well known as being a musical composer, could make such an unique stamp for his first every directional debut but he really manages to blow my socks away. This is something I can see myself watching every Halloween and never getting tried with it. Just stick to the original black-and-white format please!

5.) She-Hulk: Attorney By Law

While not quite the best Marvel Disney Plus series, this is the one that plays the most like an actual television show as oppose to a six-part mini series or a feature film cut in pieces. It’s able to tell a funny, fourth-wall breaking story about a woman struggling with her daily life, dating life, and superhero life all at the same time while introducing plenty of welcome cameos such as Wong, Bruce Banner, Megan Thee Stallion, and especially Daredevil. Tatiana Maslany is absolute perfection as Jennifer Walters/She-Hulk, able to be super convincing as both a cute, vulnerable lawyer and a beautifully buff green hulk. It might be too “meta” for some and will certainly causes the heads of every incel out there that it’s poking fun at to explode, but nevertheless, She-Hulk: Attorney At Law is definitely one of the most fun and enjoyable series in the Marvel Disney Plus library.

4.) Your Friendly Neighborhood Spider-Man

It might’ve took three times (four if you count the PBS-friendly Spidey And His Amazing Friends) but Disney has finally been able to crack the code on how to make a solid Spider-Man cartoon. Blending the traditional comic book panel traits of the character’s well-known origin while incorporating new distinct traits of it’s own, Your Friendly Neighborhood Spider-Man is able to find the right balance of exploring the thrills of being Spider-Man and the chills of being Peter Parker, something which The Ultimate Spider-Man and Spider-Man (2017) failed to do. The newer cast of characters the show chooses to explore are (mostly) intriguing, it’s callbacks and references all feel earned, the theme song is dope as hell, and it’s able to use it’s alternate timeline and multiverse concept to not just reuse plot assets of the MCU or recurring fan favorite characters but also show how Peter’s life would’ve been different in the MCU if things play out a different way and he made all new friends and allies in the process. There are some strange creative decisions I’m not a fan of and the animation style won’t be to everyone’s taste but for the most part, Your Friendly Neighborhood Spider-Man is a winner and is perhaps (by default) the best Spidey show since The Spectacular Spider-Man. I’m definitely intrigued to see Season 2!

3.) WandaVision

The very first of the Disney Plus series gives one of the best and most interesting characters in the whole universe, Wanda Maximoff, her own time to shine. What starts off becoming a fun homage to 90’s sitcoms becomes more of a character study of Wanda where she has to deal with the sins and consequences over the actions she has committed up to this point, while learning to move on from the pain and grief she feels with the loss of her Vision. The entire cast is great here with Elizabeth Olsen’s Wanda, Kathryn Hann’s Agatha, and Teyonah Parris’s Monica being the standouts with Paul Bettany as Vison being pretty good as well. The finale does suffer with the whole big CGI fight feeling quite forced and certain payoffs to certain things will be underwhelming to hardcore Marvel fans but as a whole, WandaVision still makes for a creative, fun, and engaging series that is one of the most interesting of the Disney Plus shows thus far.

Ralph Bohner was hilarious btw!

2.) Loki

Everyone favorite villain turned anti-hero in Loki is the best of the live-action Marvel Disney Plus shows thus far. There hasn’t been a live-action series thus far that took full advantage of the multiverse concept like this one did. It’s able to introduce the complete bonkers elements, universe building, and just plain “out there” concepts that Marvel set out to do with Phase 4 but never once loses focuses on the characters and their adventures throughout. Tom Hiddleston’s Loki is more interesting and engaging than ever before showing off his “anti-hero” side than every other movie or show that he’s been in. Sophia Di Martion’s Sylvie makes for a great counterpart and stands out well as her own version of the God of Mischief. Owen Wilson is able to make the character of Mobius more charming and likable than he has every right to be. However, the one that arguably shines the most despite only showing up in the final episode is Jonathan Majors as Kang the Conqueror! He not only helps make the character such an entertaining presence when he comes onscreen but also makes the series stick the landing in the end (Just a shame about………well yeah!). If more Disney Plus projects and post-Endgame content were on this level of quality, we would have had very little to complain about Marvel throughout the 2020s.

1.) X-Men ’97

In an era where it seems like the hype around superheroes and revivals have died down, here comes in X-Men 97, that was able to make it’s way to Disney Plus and show everyone how these things are suppose to be done. This was about as good of a revival as it could get, perfectly translate the traditional values and roots that the X-Men are known for in modern times while still being able to capture that Saturday morning cartoon vibe. The 2D animation is stunning and feels perfectly in line with it’s 96′ series counter part, the action sequences are filled with energy and excitement, and there is plenty of time given to each cast member of the X-Men to shine. And it was SUPER nice to see my boy Scott and my girl Rogue being done justice for once. Oh, and the glimmers of seeing Spider-Man 94′ back again brought a tear to my eye! No offense to the last several shows I listed but I think most would agree that X-Men 97 was far in a way the best Marvel Disney Plus show to come out thus far. It’s so good that I would love to see more Marvel revivals of beloved shows done in a similar matter. Come on, Disney! Greenlight Spider-Man 98 already! You know you want to!

Blog Update

Hey, everyone! It’s been awhile since I’ve done one of these but I just want to give you all a heads ups as to what’s been going on in my life, why I’ve been very off and on for the past few months and what my plans are for the remainder of 2025 and onto 2026!

First off, my personal life has been hitting me hard quite recently with personal issues regarding my family, my work, and social media in general. I have a family member that has been quite under weather for the majority of the year and I’m not sure how much time she has in this world. There has also been some division happening within my work, with both my co-workers and certain incidents that has taken a hit with me. And of course, social media more than ever has been very mental and emotionally draining, leaving me more and more depressed as each day goes by.

I’ve been trying really hard to fight through it all. I’m making my time to visit or check in on that family member whenever I can, I’m working through my struggles at work by trying to be more focused and determined to do the best work I can without getting into any trouble, and I’m trying to spend less time on social media so I don’t get sucked into narratives going on around the world that I have no part in.

As screwed up as the world has gotten in recent years, I don’t think it has taken a hit on me until this past year. I guess it’s because up to that point, I was able to avoid the majority of it and focus on my own personal life without much focus on anything else. But now, since I’m more aware than ever as to what’s going on around the world, I can’t help but not look away when something bad happens. You just never know when the next big disaster will occur! Right now, I’m doing my best to work through all of that and only worry about something when it affects me personally and not anyone else. Some of you might think that’s selfish but hey, right now I can only take care of myself and my family! If you don’t like that, then blame the modern world!

Next thing, a question that I think some of you have is why I’ve never completed my Superman film retrospective I did before the release of Superman (2025). I did every single standalone Superman movie but didn’t get around to doing Batman V Superman: Dawn of Justice and both Justice League cuts. The main answer is that I don’t think I could add much to that that hasn’t already been said in my Man of Steel retrospective or what has been said constantly about any of those films.

Yes, I loathed both cuts of Batman V Superman: Dawn of Justice! Yes, I was indifferent as hell towards one cut of Justice League while mostly enjoying the other! But at the end of the day, Zack Snyder’s take on Superman is just a take I don’t think works. Regardless of whether you look at it as a faithful take on the character or just it’s own interpretation of it, I’m just not a huge fan of Henry Cavil’s Superman, feeling he’s closer in spirit to Homelander than Kal El himself. He does have his moments in the film, especially in Zack Snyder’s Justice League, where he captures a bit of that Superman spirit but as a whole, I just can’t connect with the 2010s cinematic take on the man of tomorrow in the ways I do with Christopher Reeve or David Corenswet.

Lastly, I have been thinking about what I want to do on here for the rest of the year along with 2026. For the rest of 2025, I’m gonna try to go back to my original formula where I can crank out at least two pieces per week. I do have some ideas around subject matter I want to tackle along with wanting to update some rankings that I’ve been wanting to do for the past few weeks. So, look out for those!

For 2026, I’m wanting to use that year as being a return to form on here. The kind of return to form that I started when I became more active on here in 2022 and want to bring that spirit back. This includes things like bringing back reviews with new films and games, more in-depth pieces about what’s going on around pop culture, and also get back to talking more about sports.

2026 is expected to be a MASSIVE year in all of the things. It’s probably the biggest it’s been in sports and entertainment since at least 2019. I want to be as active on that as much as humanly possible. As long as nothing earth shattering gets in the way next year (which to be fair, there’s a good chance that WILL indeed happen), 2026 should be exciting as hell and have good enough stuff to get us all through what will likely be another tough year in life for all of us. (Please Trump, Putin, and Netanyahu! Don’t start World War 3 before GTA 6 comes out!)

But yeah, that’s basically all I got right now! If there is anything specific I want to get off my chance in the future, I will make sure to inform you all!

Until then, look forward to future content on this blog and I will see you all next time!

Stay safe out there, everybody!

Other comments:

  • I’ve also noticed lately that I’ve been getting more visitors from China in recent months! To anyone from China, welcome!

  • 来自中国的各位,欢迎来到我的博客!

Ranking The Batman Movies


Happy Batman Day! To celebrate, let’s rank all the theatrically released Batman films from worst to best!


Firstly, I am referring to every single Batman movie that has been released in theaters at least for one night at MULTIPLE theaters. That’s why you won’t be seeing movies like Under the Red Hood, Return of the Joker, Batman: Year One, and The Dark Knight Returns Part 1 & 2 on here but will see movies like Mask of the Phantasm, Lego Batman, Killing Joke, and Return of the Caped Crusaders on list. Also, in case if anyone asked, Batman & Harley Quinn was only released for one night in just one theater so I didn’t count that and 2.) I’m including the Snyder cut since a good amount of footage from the theater cut are still presents even if the Snyder cut wasn’t technically released in theaters.

Secondly, these are just my opinions. I get everyone has their own different version of Batman that they prefer. The ones that are the most hated have their diehard fans while even the ones that are the most loved have their diehard haters. At this point, you should know which Batman is your Batman and which one is not. I’m just going with the rankings of how I see the quality of the Batman films.

I also will say when it comes to my overall feelings of all sixteen movies, just note that I think #1-4 are near perfect, #5-8 are really great, #9-10 are solid, #11-12 are mixed bags, and #13-16 are real legit stinkers. For the most part, I like more Batman movies than I dislike.

So please, if you disagree, don’t get upset and even feel free to let me know your rankings in the comments below or even on Twitter or Letterboxd. Without further of do, here we go!

16.) Batman: The Killing Joke

Yes, the worst Batman movie ever released in cinema is in fact not Batman & Robin. While Killing Joke might not as cause anywhere near as much impact on pop culture as B&R did, this is probably the one theatrical Batman feature released that feels like the most waste of time. Even the worst of the Schumacher and Snyder flicks had at least one element or two that worked in their own rights. This is what happens when you try to adapt source material in a faithful matter but don’t actually know or believe in the story that your material was originally telling.

The first half an hour of the picture is terrible beyond words with the way it treats Batgirl and not being important to everything else whatsoever. And there’s the rest of the movie that does nothing more but go into great lengths to just how dated the original storyline is and makes it’s mere existence feel like a mistake. The animation is slow and lifeless, the voice acting is phoned in and poor, and the dialogue that might have fit well for a comic book novel DOES NOT translate well into a motion picture whatsoever. When not even Kevin Conroy and Mark Hamill’s iconic voices as the Caped Crusader and Clown Prince of Crime can save your movie, something has gone seriously wrong!

This is a perfect example how sometimes being too faithful to the source material can be just as bad as being unfaithful towards it. An adaption is an adaption for a reason and that’s something that Killing Joke doesn’t get whatsoever! It’s absolutely depressing that Conroy and Hamill’s final time together had to end on an absolute whimper!

15.) Justice League (2017)

It’s unbelievable how not only the first ever live-action Justice League movie doesn’t work, but it has to be one of the most lifeless, dull, and forgettable superhero movies ever made. The course correction from Batman v Superman: Dawn of Justice is so painfully obvious on screen with out-of-place reshoots and edits that are downright embarrassing. It’s like the equivalent of a superb Japanese anime getting butchered in the English version by 4kids, filled with unnecessary editing, censoring, and scripting to make it more “kid” friendly, even if it doesn’t make much sense in context and hurts the overall quality of it.

This came across as more of a straight-to-dvd Avengers knock-off that you would find in a bargain bin at the Dollar Store than an actual Justice League movie. A handful of moments are cool in their own right and is is nice to see Henry Cavill represent a bit of Christopher Reeves here (despite it making no sense in the context of the universe) but it’s incredibly unforgiveable just how cheap, hollow, and unmemorable this whole experience is.

When even a remix of Danny Elfman’s iconic Batman theme can’t win me over, you know your movie has failed!

14.) Batman v Superman: Dawn of Justice

I’m still in awe how you take a crossover like Batman and Superman and make it so long, dull, and joyless. The plot is a convoluted mess no matter which version you watch, with the conflict between Batman and Superman being so incredibly ridiculous that it could have been avoided if the two just simply talk to each other. It’s a film that wants to comes across as the most grand and ambitious movie every made, but when you look deep into it, this movie actually doesn’t have much to say on anything it’s talking about. Other than trying to cram two to three movies worth of material into one film, there’s nothing really risky or daring about Dawn of Justice, with it’s so-called themes that have been done much better in plenty of other superhero films.

Ben Affleck is fine as Batman and there’s a few standout moments here but that’s nowhere near enough to save this turd. Even the ultimate edition which some claim “saves” the movie is really just has more of the same problems, save for being slightly better editing and pacing. If there is a clear difference between ambition and aimlessness, then Batman v Superman: Dawn of Justice certainly strikes the finest line yet between those two definitions with results that fit more of the latter than the former.

It gets a slight edge over Justice League (2017) because it does at least feel like a fully realized vision of a filmmaker but that is no where near enough for me to claim it’s good or even should be praised because of that. It’s a movie so bad that it arguably killed the DCEU before it even got a chance to get going! Sorry but I’m not a fan whatsoever!

13.) Batman and Robin

Despite writing up a blog piece somewhat defending this movie as NOT the worst thing ever made along with tons of retweets/likes of my tweet about how it’s pointless to still be upset over this movie existing, that still doesn’t change the fact that Batman and Robin is still a very bad and just plain awful movie. I do at least put it above the first few on the list because this is a movie you can at least watch and laugh at how terrible it truly is, unlike those where watching it is just a miserable experience.

From it’s over-the-top characters, cheesy one-liners, campy action, and it’s outlandish overacting, B&R is no doubt one of the best disaster pieces that has ever been released in theaters. It’s not just “so bad it’s good”, this movie help refined “so bad it’s good”. Everyone and their mother has picked this movie apart and for good reason. While I still make the case that this is a watchable bad movie as oppose to an unwatchable bad movie, it’s still a bad movie regardless.

Even a couple of moments that do work with the way they were intended (Bruce and Alfred’s conversation makes me tear up every time) can’t save it for the sheer amount of brilliant terribleness that is the big picture. At the very least, this movie’s failure and own existence eventually led to many other good Batman and superhero movies to be made. I guess that’s something.

12.) Batman Forever

Most of the problems with the Joel Schumacher movie I just mention are also present here, albeit not quite as bad. Cheeseball dialogue, cartoonish characters, arcs that feel unearned and don’t really make any sense, and villain performances that is so hammered up that you wonder if Jim Carrey and Tommy Lee Jones were just being as awful as possible just because they could. That being said, this movie does at least nail the look, feel, and atmosphere of Gotham City in a way that no other Batman has had to this point.

For a famous setting that has been often portrayed as mean, gray, and bleak, it’s refreshing to see someone step it up and breath some actual life into it, even if it doesn’t quite match with how the character of Batman is usually interpreted as. It’s bright, light, and colorful blends perfectly with the bright and colorful criminals that scatters throughout the film that makes this look like paradise for the bad guys in Gotham. Every once in a while in a movie, it’s perfectly okay to make a bad place look good.

It’s still mildly entertaining in it’s own right and it’s certainly the exact kind of movie that WB wanted over the backlash of Batman Returns being “too dark”, but everything is treated too much like a joke here that it’s so hard to take anything happening to the characters seriously.

11.) Batman: Return of the Caped Crusaders

Easily the most inconsequential Batman movie to ever be released in expanded theaters (heck, 99% of the world probably forgot that this actually came out in theaters), but it’s still got some charm that the original 60′ series and the 66′ movie had.

The voice work from the cast can sound very rusty (You can just tell how poor Adam West had trouble with most of his line deliveries), should have had some tightening towards the climax, and I can’t help but wonder with the idea of multiple Batmans in one movie could have unlock the potential of endless memorable memes or at least prior Batman VAs coming together could have made this DC’s version of Spider-Man: No Way Home. (Yes, I get this is suppose to be low budgeted and was originally straight-to-dvd, but I still can’t get that out of my head.)

That being said, it’s still exactly the kind of campy, over-the-top Adam West adventure as you could imagine can exist in 2016. It’s doesn’t try to be anything more or anything less than that but sometimes that’s okay. Especially with the recent Batman and DC flicks that came around that same time that was pretending to be anything BUT simple, I think being simple in the case of Return of the Caped Crusaders was more than good enough.

10.) Batman (1966)

Batman contains something that I really miss nowadays with big franchise movies, it being the exact movie that itself wants to be and not the audience. You couldn’t make a Batman movie like this in 2022. Not just because it doesn’t meet the standards of filmmaking today (whatever that consists of) but it wouldn’t meet the standards of what the fans and audience expect out of Batman.

If this movie came out today, it would get torn to shreds by everybody and many of the cast and crew would be chase off of social media. However, this movie came out in 1966, not 2022. There was no social media to speak off or high standards to reach with this character or series. It was an actual thing and because of that, it could be anything it desired to be.

I can’t say it has hold up very well whatsoever but the fact there was an actually movie called Batman in 1966 makes it as big of an accomplishment as what Tim Burton and Christopher Nolan did for their own respected versions in at the times those films was released. Long live Adam West!

9.) Zack Snyder’s Justice League

Because we live in some dark and twisted form of an alternate universe, Zack Snyder’s Justice League is a real thing now. Truth be told, even if you remove yourself from the toxicity that is the Zack Snyder fanbase (I won’t blame you if you can’t!), it’s actually not that bad and there’s plenty of positive this time around, along with some negatives.

The first half is way too stretched out for it’s own good, feeling like Snyder is trying to get every single little frame of work that he desired in there regardless if it actually serves a purpose. There’s also the final fifteen minutes that feels more like a collection of post credit scenes rather than an actual epilogue. But everything in between that is pretty solid. There’s good action set pieces, a nice score, memorable visuals, and some good character interactions between all of the Justice League members, with Wonder Woman and Cyborg being the standouts. It’s also refreshing to see a Zack Snyder superhero movie to where the superheroes actually feel like superheroes, feeling as if he just ditched the ego-filled mindset and just set out to make a damn good Justice League movie that most people could enjoy.

There’s still some faults from the theatrical cut that are carried over here such as Steppenwolf being so terribly BORING! However, this is certainly an improvement over the theatrical cut and should most certainly be considered the actual definite version of Justice League. I might not call myself a fan of Snyder’s input on DC but I’m at least glad he got to finish what he started after having to originally step down due to the tragic death of his daughter. Can we please move on with our lives now?!

8.) The LEGO Batman Movie

You could make the argument that The LEGO Batman Movie is the Batman movie that feels like the culmination of all the other Batman movies that have come before it along with the hit tv shows.

The key trick that LEGO Batman pulls off is making all it’s spoof nature and commentary that doesn’t come across as lazy, spiteful, or talking down to its audience. It’s able to be a self parody while always having something new and meaningful to say. It’s able to deconstruct it’s main title character but also show a full side of him that has been hinted at in the past but makes it come into full fruition now. It’s able to make fun with it’s material without actually making fun of it. It’s able to make everything Batman while also making Batman everything. I guess what I’m trying to say is, EVERYTHING IS BATMAN!

Not necessarily Batman’s most memorable picture and honestly could have done without the Lego gimmick this time around but this is still a very fun ride regardless.

7.) The Batman

The big overall question that everyone wants to know is if The Batman is the best Batman movie ever made? Well, it really depends on the kind of Batman that you want and hope to get out of this new movie. We have gotten so many different incarnations of the caped crusader in the past and nearly every single one of them has their fans of some sort. In my opinion, it’s not quite the best Batman movie or even my personal favorite one but still a damn solid one nonetheless.

There are some flaws that hold it back a bit. The inspirations that Matt Reeves clearly has taken from other Batman stories and David Fincher movies are quite noticeable, a third act sequence that should feel more impactable than it actually is, and a sequel tease near the tail end of the film that will likely have your eyes rolling. The strengths of the movie, however, should not be cast aside. The acting is all stellar here (Robert Pattinson, Zoe Kravitz, Jeffrey Wright, Paul Rino, and Colin Farrell are all perfect in their roles), there has never been a more effective and accurate Gotham City-like atmosphere displaced on the big screen, and a Batman film that put more focus on the detective aspect, even if Batman is still FAR from being the World’s Greatest Detective in this. Plus, anyone that claims that Michael Giacchino’s instantly iconic theme is not in their head immediately after the movie is lying through their teeth.

Perhaps it’s because I’ve grown more accustom to filmmakers doing their own unique thing with the characters that one movie that feels more in line with the actual source material than one the director put Batman in their own unique sandbox is what makes The Batman come across as more conventional compared to some of the others one. However, conventional doesn’t mean the same as bad. The Batman is a really good movie that while doesn’t break any new ground, it does tick off most of the right boxes of what I (and imagine others) would view as a proper Batflick.

6.) Batman Begins

Batman Begins was an absolute revolutionary when it came out back in 2005. Not only did it revived the Batman franchise that seemed long dead for eight years, but it help set the foundation that properties surrounding superheroes and comic books can in fact be taken more seriously and still be really good.

Even if the second half isn’t quite as good as the first half and the action leaves a lot to be desire but those problems can easily be forgiven with the way this movie is able to accomplish everything else. It gives us an incredibly engaging Bruce Wayne in Christian Bale’s iconic turn as this iconic character along with providing a satisfying origin story that stands as one of the best ever put to screen in superhero movie form.

While it’s impact didn’t feel all the way felt until around the arrival of it’s sequel The Dark Knight three years later, this film’s importance to the Caped Crusader along with the sub-genre should not go unnoticed. Even before Marvel got their universe with Iron Man, it was this terrific first entry from Christopher Nolan that got the ball rolling with just how good a modern superhero movie can be.

5.) Batman (1989)

The original Tim Burton, Batman was quite an accomplishment in 1989. Introducing the character of Batman on the big screen that would define a new generation of moviegoers and Batman fans. As it’s own film, it still holds up incredibly well but it isn’t perfect by any means.

Side characters such as Commissioner Gordon and Harvey Dent aren’t given much development time, it’s quite inconsistent as to whether or not Batman should kills his enemies or not, and there are times where so much focus is put on the Joker that you can argue that it takes away from the actual titled character of the film. But I do think when it comes down to the core conflict and the way both the hero and villain are portrayed here, it makes for a rather unique, interesting, and personal conflict between the two pairs. Just because anyone can be a hero doesn’t mean that anyone can not also be a villain as well.

Tim Burton might not have captured the Batman and Joker from their original roots but he did help create original roots of his own that made the film for the better and leave the impact that it has today. If it wasn’t for the success of this film, who knows if Batman would be anywhere near as popular as he is now.

4.) The Dark Knight Rises

You ever have that one movie that you would define as a flawed masterpiece. A film that you know deep down has problems but it’s still perfect for you anyway! That would be The Dark Knight Rises for me! The kind of film that even with it’s notable flaws, I still can’t help but feel like this is the best possible version of itself it could possibly be. The overall premise of this movie is one that actually dares to question the entire idea around the character of Batman: that perhaps Bruce Wayne being the Batman was a mistake.

And every time I watch this movie, I always go back to that one scene with Bruce getting out of the pit. When watching it, I just can’t imagine these movies being the way they are without that one particular scene. It just makes everything whole and even the things that are wrong with the movie (and even the whole trilogy) feel kinda right. Just like how that moment brings Bruce within himself to become the Batman one last time, I believe that was also the exact moment where Christopher Nolan found it within himself to direct this movie. The one moment that the Dark Knight behind the camera was able to rise once again to finish what he started.

To this day, I can’t think of many series finales that have been as satisfying as The Dark Knight Rises. From it’s scope to it’s action to it’s themes to it’s ending, I will always have a big fondness for Nolan’s final triumph with Batman and superheroes. Some might bark for this being too high on the list but, I’m still a believer in The Dark Knight Rises even if you’re not.

3.) Batman: Mask of the Phantasm

Mask of the Phantasm perfectly illustrates how Batman is not just a symbol for Gotham City but also represents a tragedy for Bruce Wayne. With losing his parents, seeing good people become evil, watching as criminals strike fear into the heart and soul of Gotham, that showcases how being Batman is difficult just like that. But it’s his tragic relationship with Andrea that shows that no matter how hard he tries, Bruce Wayne can just never escape being Batman. It’s something that will haunt him for as long as he lives. Whether it’s a personal connection or not, there will always be something that traces back to Bruce as Batman. He can never move past it, because Batman is and always will be Bruce Wayne’s destiny. He can dread it, run from it, but destiny will arrive all the same!

There are plenty of Batman movies that are more centered around the stories they tell themselves that just so happens to have Batman in it. Many have succeed, some even more so than this movie, while others have failed. But, there really hasn’t been a motion picture that show the inner turmoil of Bruce Wayne as a character and the tragic figure that Batman himself represents than with Mask of the Phantasm.

This may not be quite my favorite movie WITH Batman but, even after the release of The Batman, I strongly that this is the best movie ever made ABOUT Batman.

2.) Batman Returns

Whenever I think of the Batman movies that would make for the perfect double feature for one another and just two films that perfectly compliment the other, I think of Tim Burton’s Batman Returns and Christopher Nolan’s The Dark Knight. Both films contain some of the biggest, boldest, and just plain best work of both directors filmography.

Both movies are just as much about the antagonist in terms of story, character, and themes as the protagonist, perhaps even more so. They tell incredibly groundbreaking tails of the pros and cons of the Batman legacy along with showing a Batman that is truly unrestrained and beyond his limits that serves both a story and thematic purpose. In the sense, both Batman Returns and The Dark Knight make for a great parallel with one another and terrific back-to-back featurettes. Even when looking at Returns at it’s own thing, it’s still brilliant!

Everything done with the Batman, Catwoman, and the Penguin is absolutely great, it’s shot phenomenally, Danny Elfman’s score is still iconic, and it’s arguably the only Batman picture that is able to find room for the dark, campy, realistic, and fantastical elements all at once along with stating that each one of those featurette have a place within Batman lore. As much Michael Keaton fun as it was to see Batman again in The Flash, I can’t imagine there being a more beautiful and interesting take on his version of Batman then with this movie.

1.) The Dark Knight

But yeah, no surprise to anyone, this is still the best movie with Batman ever made. I know it’s become cliché to claim that The Dark Knight is one of the best superhero movies ever, but many people said that for a reason, it is just that damn good.

What makes The Dark Knight work perfectly is how it’s an unique, distinct story about Batman being challenged mentally, emotionally, physically, thematically, and symbolically. The two other main characters throughout the picture in Joker and Harvey Dent represents both the hero that Batman so desperately wants to be along with the villain that he fears that he will one day come. It’s a Batman movie that perfectly mirrors itself with out it tells this identical tale of crime, corruption, and vengeance in the most complex and fascinating way imaginable.

Even the films’ overall minor flaws like a couple of plot holes throughout and taking place in the most generic looking Gotham City imaginable can’t take away from the amount of absolute superb filmmaking throughout the entire 152-minute long runtime. There are definitely Batman movies out there that people have liked/disliked more than others but I don’t think anyone can argue that there hasn’t been a Batman movie that has a much of an impact as The Dark Knight. From the twists and turns to it’s resonate themes to Heath Ledger’s amazing turn as Heath Ledger, The Dark Knight, even 14 years later, still stands on top.

Top 10 Favorite Mario Games

Today is Mario’s 40th anniversary! Because of that, why not celebrate the release of another fine Mario game by sharing my top 10 personal favorite Mario games?

I’ve always been a fan of Mario! When I was kid, the first ever gaming system I got from my parents was the original Gameboy and the first game they got for me with it was a remastered version of Super Mario World. Even if I’m someone that prefers Sonic, Mario has no doubt been a top tier gaming franchise since the beginning and is what got me into gaming as a whole.

This was quite a tricky list to pull off just because of how there are SO many ridiculously good Mario games they are. I do want to make a disclaimer that this list will in fact include any game that Mario himself was attached to outside of Super Smash Bros. This list will not only refer to the main installment of the series but also spin-offs such as Mario Kart, Mario Party, Paper Mario, etc. I didn’t just want to do a ranking on strictly the main series of games or spin-offs, I wanted to list all of my favorite Mario-related games at once. Without further a do, let’s get into this list starting with the honorable mentions.

Honorable Mentions:

  • Mario Party 64

Spoiler alert: This is the only Mario Party game mentioned. This is just the one I remember having the most fun with friends and family. I never owned a Nintendo 64 myself but I do remember going to my aunt’s house who had one and would always play the Mario games she had with it. Nothing like having a blast playing this with everybody while laughing, screaming, and just having the best time imaginable. Just don’t play these games too much with your friends or else you’ll regret it! And I may or may not be speaking from experience.

  • Mario Kart 64

One of the more iconic Mario Kart games and an absolute fan favorite. This was the first kart game in the series to be fully 3D which allowed players to play as their favorite Mario characters in a 3D world. This introduces some of the very best tracks such as Rainbow Road and Bowser’s Castle and gives you that full sense of nostalgia whenever you play it. Not quite the best Mario Kart game in the series but it nevertheless, deserves a mention.

  • Paper Mario

The first installment in another successful spin-off in the franchise, Paper Mario acts as the plumber’s first jump into the world RPGs. With a great supporting cast, a creative battle system, and a ton of fun features added, this makes for a really strong start for one of the better RPG series out there. Some aspects of the game are dated and it’s not quite my favorite one but it’s still very good nonetheless.

  • Super Mario Maker 2

Since I never owned a Wii U and didn’t know anyone that had one, I never got to play the original Super Mario Maker. However since I do own a Switch, I got to play it’s sequel and it’s quite a blast. It’s quite awesome to be able to take custom courses from prior Mario games and make them something of your own. The only reason I don’t have this in the main top 10 is because I don’t see this as it’s own thing and prefer more wholly original Mario games. Nevertheless, it’s still worth playing through for anyone that has a Switch.

  • Super Mario 3D World + Bowser’s Fury

Hard to believe this game is already over 10 years! I didn’t get to play this game until it came to the Switch in 2021. While this is not the best Mario game, you can certainly make the argument that it’s one of the more “fun” ones. This is the one that would introduce one of the most fun power-ups in all of Mario with the catsuit allowing you to climb walls and use a scratch attack. It’s also nice to have Princess Peach be a playable character this time around who joins Luigi and Toad to save the day and not just be a simply damsel in distress. The only thing holding it back is perhaps the level design being too easy and simplistic without not much challenge. Also, Bowser’s Fury is fine….just fine.

  • Mario & Luigi Superstar Saga

What this? Another successful RPG that happens to have Mario characters in it? You shouldn’t have! While it’s not quite the most well know Mario game out there, it’s definitely one that deserves your attention. The gameplay is fun, the dialogue is hilarious, the graphics are good for a Gameboy game, and the music is just fantastic. Not sure what more that needs to be said. If you can find a copy of it, go ahead and try it out.

  • Luigi Mansion’s Dark Moon

I’ve never played the original or even the third game but this game along with the series itself makes for a very intriguing one for Mario’s lovable younger brother, Luigi. There’s something so genius about creating a game where Luigi has to navigate through a haunted mansion and face his greatest fears, that being ghosts. A really entertaining action-adventure game all around that provides a very unique spin and giving Luigi the perfect spotlight to shine. I’ll be sure to play the other two games at some point.

  • Super Mario Strikers

One of the Mario games that I remember playing the most at my aunt’s (who also had a Gamecube) and friend’s. Sports games where you basically get to play by your own rules, logic, and having power-ups thrown into the mix is always among the most entertaining one. While Mario has certainly had other sporting games outside of Mario Kart, this is the one that has stuck with me the most. And, I’m just gonna say it, this is the game which I crushed hard on Peach and Daisy. If you’ve played the game, you probably know why.

  • Mario Kart DS

The Mario Kart game that basically made the blue turtle shell the bane of my existence is still one I have a lot of fond memories for it. Whether it’s playing on my own with racing tournaments and minigames or playing against my friends and cousins, there is not one Mario Kart I always enjoy playing through with a group of my pals or family members. Even if it’s not quite my favorite Mario Kart game and it won’t be until a few other games down the line that would be able to fully utilized the elements which this game help start, Mario Kart DS is still one of my favorite kart game in the series.

  • Super Mario Bros. 3/Super Mario Galaxy 2

Probably will be my biggest hot takes as I know these are two of the most beloved games in the franchise. I acknowledge them both as being two very good games that are perhaps a tad overrated, mostly because it retreads the same ground as it’s predecessors, not feeling as fresh as the originals, and at times feeling more like Super Mario Bros 2.5 and Super Mario Galaxy 1.5. These are still really enjoyable games but I do think it falls short when it came to pushing their perspective series forward and instead just put it in neutral. While that’s not enough to ruin either game, it is enough to prevent it from being on the top 10.

Now, here we go to the main top 10!

10.) Super Mario 3D Land

Being the one main Mario game made exclusively for the 3DS, Super Mario 3D Land still holds up strongly as being one of the more entertaining Mario titles. This entry brings the right amount of entertainment and challenge with his uniquely designed, bite-sized Mario levels and being loaded with intriguing content and extras.

It was also nice to have a game based off of a handheld system that was able to add in levels designed for 3D gameplay along with a handful of retro-style levels in 2.5D. The platforming shines, it looks great, the sound is a treat for the ears, and it’s able to be fairly challenging without you ever been frustrated of it due to poor game design.

While it has been surpassed as been the very best handheld Mario game, Super Mario 3D Land is one very fun and enjoyable title that should be a must-have for anyone with a Nintendo 3DS.

9.) Mario Kart Double Dash

This might be seen as the oddest entry on this list but I can’t help having completely fond memories of Mario Kart: Double Dash. One of the Mario Kart games that tend to get the most short shrift happens to be one of my favorite ones in the series.

The two-driver gimmicks was a genius idea and helped introduce a new layer of strategy as you switch between characters and juggle items, the courses themselves are greats, and the fully 3D models were able to translated very well for the first time. There’s just a certain way this game sticks out compare to the other kart games that just appeals to me for some reason.

I’m not gonna say it’s overflowing with new ideas but Mario Kart: Double Dash is an absolute gem that offers some of the best gameplay mechanics and strategies in the series. I can honestly see this one getting a cult following if it hasn’t already. If it has, then I can gladly say I’ve been on this game’s side since the very beginning! Rock on, Double Dash!

8.) Paper Mario: A Thousand Year Door

While the original Paper Mario is certainly more iconic, there’s not a single game in this series that was able to execute it’s RPG formula in the best possibly way with The Thousand-Year Door. If you take everything that worked about the previous Paper Mario games, trimmed down the things that didn’t work, and add in a new, fresh elements to it, this is basically what you get.

It’s a lively, colorful adventure filled with exciting battle systems, fun gameplay, clever callbacks and references, and being able to stand well as it’s own unique thing in the series compared to Mario’s other platformers. From the story to the battles to the core gameplay to the core presentation, it’s able to get everything right about a Paper Mario adventure.

I don’t know how much of a hot take it will be to have this in the Top 10 and not the original Paper Mario but for those who disagree, sorry but The Thousand-Year Door is my definite Paper Mario game.

7.) New Super Mario Bros Wii

The Wii edition to the somewhat controversial New Super Mario Bros series is far in a way the best of these batch. While nostalgia might play a factor into that, it’s able to take best use of taking Mario levels and zones of old and remaking them to feeling something fresh.

With brand new power-ups and the introduction of co-op play, New Super Mario Bros Wii is able to provide new and exciting ways for players to enjoy the traditional style of 2D Mario games. While also including some of the best boss fights and music in the whole series, it makes for another colorful and fun adventure that will bring joy to anyone playing it.

It’s far from being the most original Mario game and maybe it could have benefitted from just being Super Mario Bros 4 or at least not having the word “New” from the title. Even so, this game is still a blast and because I’ve spend so much time playing this game with friends and family, I had to include it on the list.

6.) Super Mario Wonder

Super Mario Bros. Wonder is another superb and quality Mario game, making for perhaps the plumber’s finest 2D outing since Super Mario World. It’s able to expand on it’s level design, worlds, and power ups further than any prior 2D Mario game while acting as one that can stand perfectly on it’s own two feet.

The levels are fast paced and fun, all characters are a delight to play as, the music is amazing, the graphics are beautiful, the new voice cast does a find job, and the Wonder Flower power-up stands out as one of the best and most unique power-ups in any Mario game. Even the difficulty spikes to certain levels/challenges along with the often repetitive level theme that constantly plays throughout isn’t enough to bring this game down in any way.

I don’t know why it took Nintendo this long to put out a new and fresh 2D Mario game or just a new Mario game in general but it was absolutely worth the wait. Now, just give me Super Mario Odyssey 2 and I can fully die happy! Even I can’t live to see that, I can at least say I had Super Mario Bros. Wonder which will make me die not only happy but trippy!

5.) Super Mario World

The very first Mario game I ever played was bound to make this list one way or the other but I strongly believe Super Mario World represents the very best of Mario in 2D. As someone who respects the old 2D Mario games than he truly loves them, this is the one exception where I feel it’s reputation perfectly matches it’s quality.

The gameplay is fast and tight with plenty of thrills and difficulties that greatly rewards speed runners for superb memorization. It’s able to build upon the framework that Super Mario Bros. 3 did and expanded upon it and made it arguably even better than before. The overworld map is much bigger with more power-ups to unlock and challenges to try out, each level contains multiple different paths and exits that always enhances replay value, every single secret/reveal/place/level/world is always interesting to explore, and it has my boy Yoshi to go along with it.

While I still mostly prefer Mario in 3D has that allows for more freedom and expansion with each game, Super Mario World shows 2D Mario at his absolute best. No matter which version you play, you will always be in for quite a ride. Thank you Super Mario World for not just getting me into Mario but getting me into gaming in general.

4.) Super Mario 64

When it comes to the Mario game that had the biggest impact on 3D platformers, very little would argue that Super Mario 64 is what helped set the golden standard of exactly that. Being the very first Mario game to be fully 3D, everything about Mario 64 just screams fun, adventure, excitement, and nostalgia.

I’ve played multiple versions of this game and every one of them provided me with the exact same experience. The level design is top notch, the environments are perfectly translated into 3D, the controls, while at times stiff, does feel about as good as it could be for one of the very first 3D platforming games, the hub worlds are addicting and fun to explore, and the soundtrack is so beautiful that it’ll make you want to cry.

While there are certain elements of the game that are dated such as the graphics, character models, and wonky camera, I don’t think Nintendo could have made a better start to Mario in the 3D world if they tried. Even to this day, I still have the theme of Princess Peach’s castle living rent free in my head.

3.) Mario Kart 8 Deluxe

If you wanna see a kart racer that is able to offer just about everything with immense satisfaction, this is how to do it. While the original Mario Kart 8 released on the Wii U in 2014, it was eventually able to get a remastered version on the Switch which many would argue makes Mario Kart 8 Deluxe the definite version of Mario Kart 8 but the very best Mario Kart game to date!

From the breathtaking advanced graphics to the fantastic track design to the rose gallery of nearly every notable Mario character ever, it’s able to give you anything you could ever want in a Mario Kart game and so much more. It doesn’t matter if you are playing single player or multiplayer, offline or online, race mode or battle mode, the main game or the DLC, there is not a single instance where the game is a chore to play.

Not only is this far in a way the best Mario Kart game but there’s even an argument of this being one of the best kart racing games out there. It’s able to take everything fans have loved about the previous Mario Kart games and is able to add in plenty of old and new elements to make this basically the top-tier Mario Kart experience. I can not recommend this game enough to anyone who is a Mario fan or a fan of good racing games.

2.) Super Mario Galaxy

If you want the Mario game that shows when the series became at it’s very best in terms of the sheer amount of scope, wonder and creativity, that would be Super Mario Galaxy. For the longest of time this was my favorite Mario game and the fact this is only number two on the list should not discredit the fact that this is a truly fantastic game.

Taking the direction of levels from worlds to galaxies was a brilliant movie, with tons of planets and open space for you to explore in. Each area of each galaxy you visits offers plenty of enjoyable challenges that help pushed the limits of what the Wii hardware could possibly do. It’s the kind of game that even after you beat the main story, you will wanna go back to 100% the whole thing and feel truly rewarded by the end. Throw in a beautiful orchestral soundtrack, impressive visuals that looks great even for the Wii, and the introduction of instant fan-favorite Rosalina, you got a geninuely terrific Super Mario experience.

While some might argue that Super Mario Galaxy 2 did this style of gameplay better, I still believe the original is the superior game as it felt more fresh, creative, and helped set the brilliant foundation for 3D Mario games going forward. I can not praise this game enough!

1.) Super Mario Odyssey

I’m probably gonna have some online buddies that are gonna fundamentally disagree with me on nearly every single level here but Super Mario Odyssey is to date my favorite Mario game! When it comes to that one Mario game that not only hits every single beat that I want it too but it does all with an absolute exclamation point, I can’t think of any Mario game that does that better than Odyssey.

This works greatly as not just the perfect culmination of everything the Mario franchise has built to up to this point but it evens works as a near perfect game that stands greatly on it’s own. The level design, whether it’s familiar or original, is superb in every sense of the world, the gameplay despite introducing so many elements at the same time all blend together beautifully without ever feeling disjointed or loose, the new worlds that are introduce is able to translate greatly to Mario and the characters, the new hat mechanic works like wonders, the boss fights absolute triumph, it’s gorgeous to look at, the soundtrack is one of the catchiest I’ve ever listen to, the story is one of the better ones in the series, and it has some of the best replay value out of any game I’ve ever played. It also has one of the funniest endings to a game I’ve played in recent memory. Seriously, if you did not at least chuckle at the end, you have no sense of humor!

I have wondered why Nintendo hasn’t bother to releasing a new and original Mario game since this one came out but I know believe because of the bar this game set that will be quite hard to top for the future. While I still look forward to anything Mario related in the future, I’m not sure how they will be able to top this one. Super Mario Odyssey is able to deliver every single Mario good you can possibly imagine and something even more. Now if you’ll excuse me, I’m gonna jam to Jump Up, Super Star!

The Best Movies of Summer 2025

We have reached the midpoint of August, which pretty much gives the indication that summer is coming to a close! Sure, it’s still hot as balls outside and pools don’t close until around Labor Day weekend but the kids are going back to school, the parents are heading back to work without worrying about their children making a mess at home, and movies are about to become boring for the next few months. As summer movie season begins to simmer down with the very last of the big Hollywood blockbusters releasing, let’s look back at the very best that the summer of 2025 had to offer in movie form.

Even if this was a summer with plenty of notable box office office disappointments (Thunderbolts*, Mission: Impossible: The Final Reckoning, Ballerina, M3GAN 2.0, and The Fantastic Four: First Steps) and certain films doing better than anyone could expect (F1, Jurassic World Rebirth, and Weapons), there were at least ten gems that was able to satisfy me that came out between the start of May until now.

These were ten films that I felt was worth paying full price to see in the cinemas or giving a watch on streaming the weekend it arrived. If you happen to be one of the poor, unlucky souls that weren’t able to catch it when it was in theaters or jump aboard the social media bandwagon when it arrived on streaming, I would strongly recommend checking these out whenever you can!

Let’s not waste anymore time and jump straight into my ten films of the summer!

FYI, this is NOT a numbered list or ranking but is only listed in the release date which each film came out!

Thunderbolts*

Thunderbolts* pits the most unlikely scrappy anti-heroes of Marvel together, in a tale about the power of friendship and the dealings of mental health and depression. It’s easy to mistake this film as being a meta commentary of itself, where it’s about a team of unlikely super folks coming together in a time where superheroes have become a thing of the past and the world has moved on from them. However, what makes this stand out as well as it has is the chemistry and the development of the main cast that is front and center. Florence Pugh as Yelena remains one of the most engaging MCU leads post-Avengers: Endgame, Wyatt Russell still has the charm and charisma as dollar store Captain America, it’s always awesome to see Sebastian Stan as Bucky, and Lewis Pullman as Bob has one of the most compelling arcs in recent MCU history. It’s not quite an instant classic and some characters are giving rather harsh treatment (*cough* Ghost), but Thunderbolts* is a solid reminder as to what made the MCU work in the first place, putting the characters first and story, lore, and world building second.

Bring Her Back

Horror movie fans have been absolutely spoiled throughout the past several years and 2025 has been no exception! After Sinners became an instant vampire classic when it came out in April, Bring Her Back was able to follow suit with that once it came out around Memorial Day. After making a stellar first impression with Talk To Me, the Philippou brothers was able to follow suit by making a cautionary tale on dealing with loss and the eternal damnation of evil. This is a bold and sick horror flick, that will keep audiences on the edge of their seat and gross them up in the best of way (Please do NOT watch this film on an empty stomach!). There are some bold choices at the end that won’t work for anyone and I still believe Talk To Me is the best of the two films made by the Philippou brothers but Bring Her Back is still a must-watch for any fans of horror.

Predator: Killer of Killers

After successfully reviving the Predator IP with 2022’s Prey, director Dan Trachtenberg is able to make lighting strike twice in the form of animation with Predator: Killer of Killers! We see three different characters with new and unique stories of their own, forced to come together and take on the monstrous predator as swiftly as they can! Each of the three stories carries so hard on their own with much thematic weight to it, the animation is creative and stunning, the action is fast paced and fun, and who knew after so many installments, we are still able to find new and exciting ways to see human characters kill a bunch of predators! I do wish the resolution hadn’t been so rushed with an obvious sequel set up bait! Regardless, Killer of Killers proves that not only Predator still works in live-action but it can even work in animation too! Just like with Prey, my main regret is not being able to watch this film in the theaters! At least with we have Predator: Badlands coming out in November to scratch that itch!

F1

Coming off the highs of the box office juggernaut that was 2022’s Top Gun Maverick, director Joseph Kosinski follows that up with yet another incredibly well made and genuine crowd pleaser that was just made to be seen on the big screen! Brad Pitt is able to show off his star power as he enters his 60s and Damson Idris is a young movie star just waiting to burst out onto the scenes. The incredible racing sequences are worth the extra few dollars for IMAX, there’s a solid pace and momentum throughout despite the 150+ minute long runtime, the character drama works, the themes surrounding tough love, mentorship, teamwork, and redemption are all executed to near perfection, and even the standard cliches you would expect for these kind of racing movies have their special place here. If you can find an IMAX theater screening in your area that is playing this film, then go check this out as you will NOT want to miss the experience!

Superman (2025)

At long last, James Gunn has arrived to save the day with his own take on Superman while also aiming to give DC a second leash on live with a rebooted cinematic universe, formerly known as the DC Universe. The cast is all near perfect (the main trio of David Corneswet’s Clark Kent, Rachel Brosnahan’s Lois Lane & Nicholas Hoult’s Lex Luthor could not have played off each other better), the tone feels right at home with classic Superman, the spectacle is cool, and it even has those traditional superhero elements from earlier superhero films such as Sam Raimi’s Spider-Man (Lighthearted feel, comic book-like features, colorful superheroes, and an engaging romance) that I have missed in these kinds of movies for so long. The plot itself does have many different elements in it, with many ideas and subject matter it wants to tackle all at once while incorporating social/political commentary of real world struggles that feels a bit ham-fisted. Even so, Superman (2025) still presents us a Superman we can get behind and absolutely root for, acting as the perfect counter-culture hero who values kindness in a world that no longer calls for that. And after over a decade of Superman portrayals that have ranged from him being moody and depressed to being flat out evil, it’s more than refreshing to see Superman here being someone that represents hope, optimism, and has absolutely NO agenda other than wanting to be a good person that saves people. If that’s not how Superman should be, then I don’t know what is.

K-Pop Demon Hunters

I never would’ve guessed that an animated film made by Sony would end up having the biggest impact among pop culture of all film releases this summer but nevertheless, the animated Netflix exclusive, K-Pop Demon Hunters is worth all the hype and then some! We follow a group of young female K-Pop superstars as they must juggle their work/personal life balance of being beloved rockstars while also during their part-time duty with slaying demons. Once they clash with a boy band, who happen to be rockstars but also demons at the same time, the girls are put to the test with trying to accomplish the best versions of themselves as singers and demon slayers. The animation is breathtaking, the characters are endearing, it moves at such a fast clip that it’s hard to not be entertained by anything happening, and the songs will be living rent free in your area for quite some time. If you have Netflix, there is no excuse for you to not give this one a watch!

The Fantastic Four- First Steps

It may have taken literally four tries (*in Emperor Palpatine’s voice* Ironic!) but Marvel Studios was FINALLY able to get their first family right on the big screen with their MCU debut in First Steps. What makes First Steps so unique is how it’s able to exist in it’s own little bubble outside of the main MCU, allowing for a visual style, cosmic-like feel, worldbuilding, and a refreshing sense of optimism we have had yet to see in the MCU for quite some time. All four members of the team get their own moments to shine (Even if I would’ve liked a bit more of The Thing) and even the humor gets toned down this time around, allowing for more dramatic and emotional beats to play out better than most recent MCU movies. It does feel a bit too fast paced at times, given the indication that an extra 10-15 minutes might’ve been trimmed down due to possible concerning test screenings, and there are certain characters I would’ve liked to see get more screen time but if your biggest complaint with a movie is that you want more, then that MUST mean it’s a good thing. Overall, The Fantastic Four: First Steps is quite simply (I promise no pun intended!) FANTASTIC and a promising new reset to a bright future for Marvel!

The Naked Gun

Comedy is sooooooooooo back! That’s all I gotta say! Just go watch this in theaters with a pack crowd and you will be saying the EXACT same thing! This will be the kind of movie that in 20 years, idiots/AI spam bots will be shouting, “THIS IS WHAT THEY TOOK FROM US!!!!!!!!!”

The Bad Guys 2

The Bad Guys 2 is able to continue the story of our beloved misfit animals, as they try to take their next step into society to be better people, even if society itself just won’t let them do that. When they see themselves getting into action when an all-female squad known as The Bad Girls, the crew comes out of retirement to doing what they are good at, just being plain bad. Everything you love about the original from an animated, comedic, and dramatic standpoint is still present throughout The Bad Guys 2, being able to capture the charm of the original while also able to blaze it’s own path from a narrative standpoint, setting the table for a very interesting Part Three. It may not feel as “fresh” as the original but The Bad Guys 2 is still able to deliver the Part Two goods that you expect from DreamWorks Animation. Please do support this one in theaters, I want The Bad Guys 3 in 2027/2028!

Weapons

Has if things couldn’t get any better than Sinners or Bring Her Back? Coming off of 2022’s Barbarian, Zach Cregger is able to deliver a horror follow-up in Weapons that is better in just about every way! This is like if you take Prisoners, Pulp Fiction, Insidious, Barbarian, and Evil Dead, put them all in a blender, and you get this absolute delightful treat as of result! It’s intense, perfectly paced, engaging as hell, will get under your skin in the best way possible, and will have you put together the pieces in very satisfying ways as soon as the credits roll. Plus, it might just have probably the most satisfying payoff of a climax that I have seen in a movie in 2025! Between this and Sinners, it’s nice to know that not only excellent original horror films are still getting made but they are able to be solid crowd pleasers that even the mainstream audience can get behind! I can only hope that this is a sign to come that Hollywood is willing to take more chances with not just horror but original films in general.

The Top 10 Best Spider-Man Games

Today is Spider-Man Day! Because of that, let’s go over my top 10 list of the best Spider-Man games that have been made so far!

Video games that are based off of a successful IP or franchise license tends to get a bad rep! They tend to always feels like they are just a cheap cash grab and something that a gaming studio can rushed out in a hurry without much effort or work put into it. 2023 in general has had a handful of stinkers in that department. The Lord of the Rings: Gollum was a trainwreck beyond measures, Avatar: Quest for Balance felt like a game that got locked away in a steel vault for the past 15 years and somehow found it’s way onto modern consoles, and I defy ANYONE to explain to me how in the living hell did Skull Island: Rise of Kong become an actual thing that exists in the year of 2023 (I literally get sick whenever I look at King Kong in that game!) However, when it comes to Spider-Man, I believe this is one of the few exceptions of a beloved IP having a handful of really solid games.

Whether it’s self-contain, movie tie-in, or part of it’s own successful medium, there are plenty of likeable games with Spidey to well…..actually like. Yes, there are plenty of stinkers out there as well but there’s plenty of winners that deserve it’s own respect. What are those winners you may ask? Well, stick around and I will tell you all! Here’s my list of the top 10 best Spider-Man games to date!

10.) Spider-Man: Edge of Time

Edge of Time tends to get a bad rep and I would be lying if I didn’t see why. The gameplay itself can get quite repetitive, it has it’s fair share of bugs and glitches, and it certainly pails in comparison to it’s predecessor that is Shattered Dimensions. However, if you are someone that plays a Spider-Man game for it’s story and cutscenes, Edge of Time is certainly one of the better Spider-Man games to pick up.

The storyline was written by no other than acclaimed Spider-Man comics writer, Peter David, and creates a really compelling story involving multiple Spider-Men that try to go back through time to save Peter Parker’s life. It focuses strictly on Peter’s original Spider-Man and his 2099 counterpart, Miguel O’Hara. It a race against time to save the future from destruction. That’s also without mention the stellar voice cast with fan favorites Christopher Daniel Barnes and Josh Keaton returning again to reprise their roles along with other notable talents such as Val Kilmer and Katee Sackhoff.

While the gameplay itself is just serviceable at best and features some incredibly frustrating boss fights, it’s the strong writing and voice work that helps push the whole game through and makes Edge of Time stand out greatly on it’s own. But at the same time, the gameplay is what matters first and foremost to a video game. Because of that, I can’t justify putting this game any higher on the list.

9.) Spider-Man: Web of Shadows

Web of Shadows was a massive hit when it came out in 2008 and is considered to be a fan favorite among the Spider-Man games. It delivers a grand story about Venom infecting New York City with the symbiote along with gameplay and direction that’s unlike any Spidey game that’s ever been released.

This is basically like a much better version of Spider-Man 3, both movie and game! It looks nicer, provides more solid web-swinging, the combat is improved, and it’s able to showcase a darker experience that explores the morality of donning the Symbiote suit. It’s also cool to have the player make their own narrative choices to advance in the story that includes multiple different endings, which includes awesome guest appearances from other Marvel characters such as Moon Knight, Luke Cage, and Wolverine. Just shame that it’s not as polished as other Spider-Man games with plenty of bugs and glitches throughout along with a really crappy camera.

If this game ever received a remaster that’s able to fix the glaring flaws I just mentioned, this could have been even higher on the list. Even so, Web of Shadows is definitely a game worth crediting for it’s ambition and offering plenty of different elements to the story and gameplay. It’s far from perfect but it’s also far from being a dud either.

8.) Spider-Man (2002)

The first movie tie-in of the web swinger managed to debunk the narrative that all movie games have to suck. It acted as a faithful adaption of the hit 2002 film while also being able to expand upon it by throwing in more villains from Spidey’s rose gallery into the picture…or game. Even though this was basically the very first try at doing a Spidey movie game, you wouldn’t notice that when playing through Spider-Man (2002).

This acts as a very mission based game, going from one main bad guy to another, showcasing the importance of Peter Parker’s very first step into becoming Spider-Man. The combat and controls work very well, with plenty of combos to achieve and bonus moves to unlock to make the experience all the more fun. It’s also pretty cool that they were able to get Tobey Maguire to reprise his role doing these games. And we also can’t forget the special added bonus that is Bruce Campbell as the narrator, A.K.A. the greatest narrator in video game history! It’s only a shame that the game lacks a proper open world for Spidey to explore in, especially doing the missions were you are able to swing through the skies of the cities but never the roads.

Despite it’s faults, Spider-Man (2002) was able to get what it needed to get right on it’s first try. By acting as a faithful adaption of the feature film it’s based on along with providing an neat little expansion of it, it was able to set up the ground work quite well for future Spidey games.

7.) Spider-Man (2000)

Right before the movie game of Spider-Man (2002), there was Spider-Man (2000) developed by Neversoft. If you want a game that is able to embrace the light-hearted and “Saturday Morning cartoon” level of nature of Spider-Man, you get all of that and more with Spider-Man (2000).

It’s bright, colorful, full of energy, and feels like a great tribute to not only Spider-Man but the whole Marvel universe as a whole. From the Baxter Building appearing to a cameo from the Punisher himself to even narration from the late great Stan Lee, this is a true Spider-Man game made by fans for fans. Gameplay incorporates all of Spidey’s powers in a nice, organic way, it’s filled with comic book Easter eggs and cool nods to other Spider-Man medium, and it even features voice actors from Spider-Man cartoons of the era (Spider-Man: The Animated Series and Spider-Man Unlimited).

This Spider-Man game does have its fair share of flaws regarding the physics and some wonky elements thrown in but there’s so much fun and charm to be had with Spider-Man (2000) that makes it all the more forgivable. This just goes to show you how far we come with superhero and licensed games.

6.) Spider-Man: Shattered Dimensions

Here’s the game that basically did Into the Spider-Verse and No Way Home before anyone of those movies did. This is a game that see multiple different Spider-Man from multiple different universe. This includes Ultimate Spider-Man, Amazing Spider-Man, Spider-Man Noir, and Spider-Man 2099. If Shattered Dimensions proves anything, it’s that the more Spider-Men, the merrier.

The different styles of gameplay with the multiple different Spider-Men makes the game all the more enjoyable with plenty of variety to be found here. A great example of this is with Noir being strictly stealth while 2099 has high-tech gadgets. You also got a handful of awesome boss fights, the excellent voice cast filled with familiar old actors returning and welcome new additions, and all versions of Spider-Man that is presented throughout the game getting their time to shine.

Even if the story itself pales in comparison to Edge of Time, it’s the gameplay, variety, and multiple different versions of Spider-Man to play that makes Shattered Dimensions really shine among the best of the Spider-Man games. If you are a fan of the recent Spider-Man films involving the multiverse or Spider-Verse, you should definitely check this one out.

5.) Ultimate Spider-Man

After delivering what was, at the time, the king of Spider-Man games with Spider-Man 2, Treyarch was able to follow that up with yet another great Spider-Man game just one year later with 2005’s Ultimate Spider-Man. Based off the rebooted comic series of the same name, this sees the relationship of Peter Parker and Eddie Brock at it’s most personal as the two were once great best friends.

Swinging around the city as Spider-Man is as great as ever, the combat is able to pull off the right amount of challenge and difficulty without being completely unfair, and the way the story is told through the panels of a comic books is incredibly unique. And of course, there’s the addition of Venom as an actual playable character that helps makes the game stand out as one of the very best Spidey games. We’re forced to “feed” on enemies and innocent citizens alike to keep Venom alive as he launches himself from building to building using his tentacles. To top it all off, there’s a surprise cameo and boss battle with Wolverine.

Even with it’s admittedly dated graphics and voice work, there’s still a lot to love about Ultimate Spider-Man. The gameplay and story is some of the very best in all of the games and the addition of Venom is just the perfect icing on the cake. This game truly feels like well. the Ultimate Spider-Man game (Pun entirely intended!).

4.) Spider-Man 2 (2004)

If you wanna talk about a movie game that’s able to meet the quality of the feature film it’s based on, look no further than Spider-Man 2. While the first movie game was pretty good, this one was able to blow that game, along with just about every major superhero or licensed game up until 2004, out of the water.

You have controls that feel smoother, combat that is more inventive, inclusion of other main villains not from the movies that is more organic, web swinging that is more satisfying, and even an actual open world for Spider-Man to play around in this time. And even more amusing quips from Bruce Campbell and Tobey Maguire than ever before. There’s a not a single moment from this game that doesn’t feel thrilling or engaging, hitting all the right notes it needs to for a proper video game.

I could nitpick certain aspects of the side missions and story (Like why does Doc Ock blame Spider-Man for his wife’s death? There’s like no reason for him to do so!) but Spider-Man 2 just gets it all right. Much like the movie it’s based on, it takes everything that didn’t work about the original and not only improves it but expands upon it in very satisfying ways. Even if it’s no longer the best Spider-Man game anymore, it might just be the most important one made.

3.) Marvel’s Spider-Man: Miles Morales

While I don’t think Marvel’s Spider-Man: Miles Morales is quite as good as the other Insomniac Spider-Man games, it still is able to succeed on it’s own merits by being an fun and compelling adventure for it’s own title character, proving he is more than worthy of being his own Spider-Man.

Everything that worked tremendously well in the first game still works very well here. The combat is still fun and fluid, the web swinging is at it’s absolute best here, the narrative remains engaging, it looks gorgeous, the soundtrack is unique, and Miles is just an awesome character that is very easy to get behind. I do hope that the Insomniac Spider-Man‘s series continues to add multiple playable characters to an expanding roster, perhaps having Spider-Gwen join in on the fun in the future. If they can keep finding ways to make the gameplay fun and unique while containing to tell engaging tales of not just Peter Parker but other Spider-men, women, and maybe even animals, then I can see this series of games having plenty of staying power.

Nevertheless, Marvel’s Spider-Man: Miles Morales is a great game and another worthy addition to what is perhaps the best Spider-Man medium out there. Similar to Batman: Arkham Origins, this is a game that I often visit upon Christmas time because it just puts you in that holiday spirit!

2.) Marvel’s Spider-Man (2018)

Marvel’s Spider-Man is more than deserving of being as loved and celebrated as it was back in 2018. It still stands strongly as the best Spider-Man game to date and arguably the best licensed superhero game out there that doesn’t involve Batman. It’s able to take the kind of Spider-Man gameplay that has been a template from past Spider-Man games while modifying and perfecting it in every way, giving you the most perfect feeling Spidey experience you can possibly imagine. While I definitely could have done without the MJ/Miles sections, almost everything else is done so well that it doesn’t even come close to bringing down the rest of the game.

The web swinging is fun, the combat is a blast, the story is engaging, the characters are well-defined and characterized, the sound is stellar, and it’s able to feel like a complete Spider-Man package in a way that no other Spider-Man game has yet. It’s very rare for a game to come out that feels like it gives you your complete money’s worth, one that you can just pick up and play almost instantly and overall, just puts you in a good mood every time you play it. Marvel’s Spider-Man is able to do all of that and even more.

I will never forget the fond memories and enjoyment I was able to gain from Marvel’s Spider-Man. Insomniac Games crafted a really special game that is not just one of my favorite Spider-Man games but one of the most satisfying games I’ve ever played. Go Spidey go!

1.) Marvel’s Spider-Man 2

Marvel’s Spider-Man 2 is as every bit as good as you were expecting and hoping for it to be. This is Insomniac Games reaching a new level of peak! The story is more engaging and worth following, the gameplay is as polished and perfect as ever, the combat and web swinging has never been more satisfying, the graphics have never been more of a treat to the eyes, the soundtrack is a new definition of peak, and the voice work is some of the best performed in any video game.

What makes things even more exciting is that there are still plenty of doors left to open for this series. By the time the game concludes and the loose ends are established, you still get a sense of interest to see where this all goes from here. There’s still plenty of different storylines to tell and new characters to play as that can help expand the Insomniac-verse of Spider-Man even further.

Whether it’s the very best superhero game of all time is still up for debate (My heart still leans towards Batman: Arkham City!) but no doubt, Marvel’s Spider-Man 2 will satisfy fans that have been waiting five years with eagerness to see the follow-up to the 2018 hit. If anything, this game basically confirms that Insomniac Games is my favorite gaming company working to date. With them finally reaching their Magnum Opus status, they have gain my complete trust for what they do in the future! I’m eagerly awaiting the next chapter in this franchise!

Ranking The Spider-Man Shows

Today is National Spider-Man Day! Because of that, we now officially have 11 Spider-Man shows to date. Considering the excessive amount of films starting the beloved web swinger, it makes all the sense in the world to have a near equal amount of shows to go along with that. Even though history with each show can be seen as quite complicated, they are nevertheless all fascinating to talk about.

Because of all this and more, it’s time to rank each series involving Spider-Man at the forefront from worst to best! Time to stop wasting anymore time and web swing right in!

11.) Ultimate Spider-Man

The timing of Ultimate Spider-Man could not have been much worse. It was made right after the most beloved Spider-Man show to date in The Spectacular Spider-Man saw an abrupt end due to Disney buying Marvel and wanting to have a Spider-Man show of their own, aiming for a more lighthearted and kid-friendly tone attached to it. Despite the show lasting for four seasons and gaining over 100 episodes, this is seen as an absolute stinker to this very day. Ultimate Spider-Man abandons the traditional core themes that Spider-Man is always known for in favor of nonstop slapstick comedy, obnoxious four wall breaking, obvious merchandise placement, and having a Peter Parker that feels more in line with Deadpool than Spider-Man. Oh, and did I mention it has little to nothing to do with the Ultimate Spider-Man comics despite the title. The fact that Spectacular Spider-Man was cancelled in favor of this is the real salt on the wound. When taking all of those elements into affect, it easy to see just why this ranks as my least favorite Spider-Man show to date.

10.) Spider-Man & His Amazing Friends (2021)

Despite what the title may suggest, this has little in common with the Spider-Man series of the same name that released back in the 1980s. Instead of Ice-Man and Firestar, we see Peter Parker teaming up with Gwen Stacy (known as Ghost-Spider here) and Miles Morales (known as……Spin (?!) here) in their grade school kid incarnations. On one hand, this show does it’s job at offering Spidey tales for a clearly VERY young demographic. On the other hand, there is almost NOTHING to recommend her to any Spider-Man that is NOT part of the obvious pre-school targeted audience. It’s about as filler, substance free and “put something in the background to distract the kids” as they come. It may not be quite my least favorite Spidey show or the one I have the most gripes with but I can think of a Spidey show I would want to rewatch less than Spidey and His Amazing Friends (2021).

9.) Spider-Man (2017)

Disney’s 2nd attempt at making a Spider-Man cartoon is a mild improvement over Ultimate but still no where near good enough to do it’s title character justice. This does have the ingredients of a back-to-basics approach for Peter Parker, with a more emphasis on his personal life and connections to his friends/allies and having significant less pointless dumb down humor for the most brainless children. However, it tries to do justice to so many different storylines throughout Peter’s history that it’s unable to do almost any of them justice. It’s like the writers couldn’t make up their mind on what specific stories they wanted to tackle that they just threw whatever stories at the wall to see what sticks. Also, it’s quite bizarre to have Miles Morales in this version be of similar age to Peter Parker. And don’t get me started on it’s cheap as hell animation. It has solid voice acting and definitely has more ambition than the Spider-Man shows listed before but Marvel’s Spider-Man (2017) still showed Disney failing to crack the code on making a solid Spidey tale that works.

8.) Spider-Man (1967)/7.) Spider-Man (1981)

The two very first attempts at creating a stand-alone Spider-Man show more or less feel like perfect counterparts for one another. Both shows has the exact same titles, both shows are really hard to tell apart from the other, and both shows are remember more for their memes and iconic theme songs than they are of the actual quality and content in either show. These two shows do deserve a free pass for coming out during a time where Spider-Man was less known to the general public and it was harder than ever to make a successful cartoon due to it’s low budget. However, I can never feel the desire to ever go back and rewatch these shows in any way due to aging as well as a multiple decades supply of Spider-Milk. I still put these two shows this far on the list due to it’s undeniable impact on classic Spider-Man themes songs and meme culture.

6.) Spider-Man & His Amazing Friends (1981)

When it comes to classic Spider-Man cartoons of the late 1960s to early 1980s, this is the one that has aged the best and most consistent in quality. Here, we see Spider-Man informing his own superhero team for the first time ever, pairing him with heroes like Iceman and Firestar from the X-Men (for……some reason). It also has that traditional monster-of-the-week that became a stable for cartoons such as this, while fully utilizing Marvel villains normally not associated with Spider-Man but still finding ways to make it work. Stan Lee’s fingerprints is all over this show and it certainly did make for the better. It may not be a show that will appeal to the last few generations of Spider-Man fans, but Spider-Man & His Amazing Friends does at least offer a unique Saturday morning cartoon vibe that kids who grew up in that era can look very fondly upon, while being a nice blast for the past for those who miss their Saturday morning cartoons feeling very episodic with not much homework attached to it.

5.) Spider-Man: Unlimited

Spider-Man: Unlimited has to have the most bizarre concept of any Spider-Man show thus far. We see a Spider-Man that is fighting not for NYC but to free an alternate Earth from an evil ruler known as the High Evolutionary. This is clear an attempt to ape the success of Batman Beyond, with a much darker tone and a focus on a different iteration of Spider-Man. However, it never could keep the consistency that it’s 1994 predecessor have nor does it fully utilize Spider-Man 2099 very well. Thankfully, this version of Spider-Man did get his cameo in Across the Spider-Verse, opening up the doors for potential future stories with Miguel O’hara now that other Spider-folks that don’t have Peter Parker’s name attached to it can draw an audience. Unlimited may not be the winner it needed to be at the time it came out but it’s certainly one of the most unique Spider-Man shows released, which makes it worth giving at least one watch.

4.) Spider-Man: The New Animated Series

Believe it or not, MTV once took their shot at making a Spider-Man show back in 2003. Set in an alternate timeline after Sam Raimi’s first Spider-Man movie, Spider-Man: The New Animated Series offers a new, distinct, and downright mature take on the character, which led to many fans feel quite divided on the show. Similar to the newer released Spider-Man show, it has it’s own original animated art style, offers it’s own spin to the film franchise it’s based on, and makes bold choices to it’s cast of characters that may be off putting to certain people. Not to mention, that complete downer of an ending is still an all-timer! While there are certainly aspects that has aged poorly (particularly the 3D animation), Spider-Man: The New Animated Series deserves credits for being able to tell more adult-oriented stories of Peter Parker and his struggles to adapting to his college life as Spider-Man without sacrificing the gravitas of the character. Also, Neil Patrick Harris is pretty good here. Just a shame it didn’t get the ratings MTV wanted because I would have been curious to see how this version of Spider-Man went forward in the future.

3.) Your Friendly Neighborhood Spider-Man

It might’ve took three times (four if you count the PBS-friendly Spidey And His Amazing Friends) but Disney has finally been able to crack the code on how to make a solid Spider-Man cartoon. Blending the traditional comic book panel traits of the character’s well-known origin while incorporating new distinct traits of it’s own, Your Friendly Neighborhood Spider-Man is able to find the right balance of exploring the thrills of being Spider-Man and the chills of being Peter Parker, something which The Ultimate Spider-Man and Spider-Man (2017) failed to do. The newer cast of characters the show chooses to explore are (mostly) intriguing, it’s callbacks and references all feel earned, the theme song is dope as hell, and it’s able to use it’s alternate timeline and multiverse concept to not just reuse plot assets of the MCU or recurring fan favorite characters but also show how Peter’s life would’ve been different in the MCU if things play out a different way and he made all new friends and allies in the process. There are some strange creative decisions I’m not a fan of and the animation style won’t be to everyone’s taste but for the most part, Your Friendly Neighborhood Spider-Man is a winner and is the best Spidey show for the past 15+ yearsI’m definitely intrigued to see Season 2 and 3!

2.) Spider-Man: The Animated Series (1994)

Here’s the one Spidey cartoon that was so important at introduction Spider-Man to the mainstream media and pop culture entertainment. Spider-Man: The Animated Series (1994) stands proudly alongside the likes of Batman: The Animated Series and X-Men: The Animated Series as being classic 1990s superhero cartoons that help introduce iconic superheroes to new generations and beyond. Even though it’s targeted towards children, the core themes and characters that make Spider-Man so special is presented throughout the entire series. Whether it involves it’s solid storytelling, impactful character moments, or for hilarious memes, every Spider-Man fan of old and now should be well aware of this show’s existence. Let’s also not forget it’s killer theme song, faithful adaptions of the characters, and even go as far to have Madame Web at the end voiced by Stan Lee’s wife. You can definitely argue that it’s animation has aged to some degree and doesn’t have the most consistent pacing but that doesn’t change the fact that Spider-Man: The Animated Series (1994) is a true must see for any kind of Spider-Man fan.

1.) The Spectacular Spider-Man

The Spectacular Spider-Man is widely regarded by fans as one of the best, if not the best Spider-Man show that has ever been made and for PLENTY of good reasons! It’s a series that has enormous respects towards the character of Peter Parker and understands perfectly why Spider-Man is one of the most iconic and relatable superheroes in history. It’s able to greatly showcased these relatable aspects of Peter in his adventures as Spider-Man along with not being afraid to explore mature themes such as stress, relationships, balancing school and work, and even dark/sensitive topics such as gambling and drug addiction. Despite being targeted towards children, it’s able to deliver a quality superhero show that anyone of any age can understand or relate to without needing to dumb everything down. When it comes to the televisions show and streaming series involving our beloved web swinger thus far, there is not one series that gets as much right and finds the right balance for everything than The Spectacular Spider-Man! Filled with fantastic storytelling and character development along with some dope as hell action sequences, The Spectacular Spider-Man is an near perfect adaption of Spider-Man and one that is a must watch for any fan of the character!

Ranking The Spider-Man Movies

Today is National Spider-Man Day! Because of that, let’s celebrate the release of another awesome Spidey flick by ranking all ten we have gotten thus far from worst to best.

Spider-Man has always been a very important character to me. While I might need to do a brain check on it, he might possibly be my favorite character in all of fiction. Spider-Man is everything we inspire to be. It’s a character that is flawed, relatable, passionate, and absolutely heroic in ways that I wish I can be as a person. When the movies get this character right, it means something special to me. When the movies get this character wrong, then it’s certainly not special.

A friendly reminder that this is all opinions and I know for a fact that Spider-Man has an actively passionate fanbase where each movie incarnation of the character has their own fans and haters. If you have been on the internet at least since the release of The Amazing Spider-Man back in 2012, you know exactly what I’m talking about. I’ll respect all of your opinions just as long as you respect mine.

Anyways, let’s not waste anymore and get straight into the list.

10.) The Amazing Spider-Man

Whenever people complain about unnecessary reboots and the feeling of superhero movie fatigue, The Amazing Spider-Man is exactly the kind of movie they are referring to. This is the kind of movie where it’s difficult to separate the business side and artistic side of things because it’s bluntly obvious on the screen that this movie’s existence was more important to fit the criteria of the former than the latter. Being pitched as a darker reboot with more focus on high school drama and romance, The Amazing Spider-Man lacks the energy and excitement that made Sam Raimi’s trilogy (Yes, including the third one!) a success along with just being a dull slog in it’s own right.

Too many plot beats are stolen straight from the 2002 film, plot points are constantly brought up, drop completely, and never mentioned again, Peter Parker is much more unbearable than ever here, the Lizard is a complete waste of a villain, and there is so many coincidences that is pushing the story forward that it’s downright insulting to the human brain. And that’s not even going to the trailers spoiling everything, the piss-poor editing, Spidey’s suit looking like a basketball, Uncle Ben’s hilariously awful death, or painting Peter Parker as Mr. Perfect who can do wrong!

Yes, Andrew Garfield and Emma Stone are cute together and the score by James Horner is good stuff, but The Amazing Spider-Man is a movie that falls apart when you so much as breathe on it. Despite the film claiming to be about identity, it never finds an identity for it’s own main character. It’s a movie so bad that even the good things aren’t worth mentioning because nothing meaningful is done with any of that. Just an absolute waste of time!

9.) The Amazing Spider-Man 2

Hot take alert but I actually found The Amazing Spider-Man 2 to be an improvement over the first one. Despite being the most critically panned Spider-Man movie to date, there are a handful of elements that make the sequel to the ill-fated reboot slightly more bearable. At least the web swinging scenes are at their best here, Spidey looks awesome in action, and arguably has some of the best little Spider-Man moments in any of the movies (the scene where Peter walks the kid home always puts a smile on my face). Heck, even the awful parts of the movie at least lean on “so bad it’s funny” (the scene with Electro and the cartoonish doctor gets me every time) that it’s hard to not be unintentionally entertained by them when they happened. That being said, this movie is still a big, hot mess.

This is where you can tell that Marc Webb and Sony had literally no idea where they were going with these movies. It’s a movie that lacks a straight-forwarded plot, consistent direction, or a compelling reason has to why you should care about anything happening. The movies tries hard to lean in on fan service, most notably the one iconic scene from the comics, but none of it is put to good use or service the characters and their stories in any meaningful way. That’s not even going into everything that was cut out of the movie such as a subplot with Mary Jane played by Shailene Woodley, a post credit scene with Norman Osborn’s frozen head coming alive, and even Peter’s dad coming back from the dead and talking to him about great power coming with great responsibility because of course. And when you get to the end which changes the status quo for Peter only to pull a switch-a-roo and have things go back to where they were before, it makes you wonder what the point to either one of these Amazing movies were other than for Sony to keep the rights for Spider-Man away from Marvel.

The Amazing Spider-Man 2 might be more entertaining than the first one and feels more like an actual Spider-Man movie this time around but as it’s own thing, it’s quite simply a mess. A mess so big that it led to Sony pleading with Marvel to get the character into the MCU to keep him relevant. I guess that’s something.

8.) Spider-Man: Homecoming

At long last, Spidey made it home to Marvel in his first stand alone feature in 2017 with Spider-Man: Homecoming. After making a stellar first impression with his extended cameo in Captain America: Civil War, Tom Holland would get a chance to shine on his own. Looking at it as it’s own thing, Homecoming is serviceable and enjoyable in it’s own right. As a Spider-Man flick, however, I can’t help but find it underwhelming.

Tom Holland continues to be great casting as Peter Parker/Spider-Man, Michael Keaton’s Vulture is one of the best baddies in the entire MCU, and the high school elements were relatable to anyone that remember the awkward stages of that in their lives as an angsty teenager. That being said, too much of the movie feels restrained, like the filmmakers were too afraid of this movie being compared to the other Spider-Man movies that they played it as safe as possible. There are changes that feel unnecessary (Why does Betty Brant feel like Gwen Stacy, Ned feel like Ganke, and Mary Jane is now “Michelle Jones?”), elements that are removed (Uncle Ben’s importance), and elements that are added (Spider-Man being Iron Man Jr.) which makes it quite a middling Spider-Man experience.

I don’t know if it had to do with Sony and Marvel needing to rush out a movie completely in order to ride on the revival bandwagon for Spider-Man after Civil War but Homecoming as a whole feels way too wrapped up in that aftermath along with feeling too restrained as it’s own thing to stand out as being a truly great Spider-Man adventure. However, considering we now know the direction these movies would end up going after the third movie, maybe it all felt like a necessary evil in hindsight.

7.) Spider-Man: Far From Home

Another possible hot take but I actually like this one more than Homecoming. At the very least, this feels more like a Peter Parker-center story this time around where he has to deal with his own personal dilemmas and having to figures things out on his own without Iron Man around. The actions sequences are also much better this time out (That Mysterio illusion scene is masterfully done!) and this is when Zendaya was able to fully coming into her own as MJ.

Yes, there is still too much Iron Man tech here. Yes, there are times where the logic is questionable such as Tony Stark giving a kid literal killer glasses and Peter being able to survive getting run over by a bus. And yes, it’s ridiculous how we have ANOTHER Spider-Man villain that’s trying to get revenge on Tony Stark (despite the fact he’s actually dead now) instead of Spider-Man himself. However, Far From Home still offer the kind of Spidey goods that previous movie didn’t have along with leaving plenty of room for intrigue for the future after that banger of a post credit scene.

It was at this point where the Marvel Cinematic Universe’s Spider-Man still didn’t stand out with the likes of the Raimiverse, Insomniac’s Spider-Man, and Into the Spider-Verse but this was still a step in the right direction and did leave for an interesting route for the next movie to go in. Far From Home was far from the best but also far from the worst either. Now, please stop talking about it, Twitter!

6.) Spider-Man 3

You could definitely make a strong argument that the previous two movies I’ve mentioned are objectively better movies or at least have less flaws attached to it but I still argue that this one has more entertaining value and the goods of it stand out better than the goods in either one of the first two MCU movies. Spider-Man 3 has more flaws than it does characters and subplots but it has more heart to it than most are willing to believe.

As everyone and their mother has pointed out about this movie, there’s just too much going on it. Not necessarily because there are multiple villains and side stories attached to it but because none of them really connected with one another. It feels the need to cram in every single idea it can think off that it has to defy logic, have previous events being retcon, and letting it’s characters do uncharacteristic things to make it all happen. However, most of the thing that worked well with the first two movies such as the wonderful action, breakneck pacing, great music, resonate themes, and heard hitting emotional beats work very well. Even when acknowledging all the faults at play here, you would be lying if you said that this was a boring movie with no entertainment value.

Even so, Spider-Man 3 still remains one of the biggest tragedies in all of superhero movies. It was a result of too many cooks in the kitchen and trying to please everyone at once. If it all worked out, this could have been just as good if not better than the first movies. That being said, when watching Spider-Man 3 back-to-back with the first two movies, it does make for a rather satisfying experience. It’s no where near the abomination that people claimed it was back in 2007 but it was still no where near as good as it could have been.

5.) Spider-Man: No Way Home

Now, that’s more like it! This was basically the Spider-Man movie that I have been waiting for since he made his way to the Marvel Cinematic Universe! It offers Tom Holland in his absolute best turn as Peter Parker/Spider-Man, giving the character more depth and intrigue than he did in his previous two solo movies, finally utilizing the potential of this version of Spider-Man that had previously shown glimpses of it in his extended cameo in Captain America: Civil War and his side roles in the last two Avengers movies. Unlike Homecoming and Far From Home before it, No Way Home finally gave you an indication as to what this Spider-Man actually IS rather than what he is NOT!

Taking a page from Into the SpiderVerseNo Way Home brings different versions of Spider-Man and his villains together while showcasing just why being Spider-Man is so hard yet is someone that Peter Parker still has to be. And just like with Spider-Verse, it never loses focus on the main Spider-Man that the movie is centered upon. Unlike certain other movies that go overboard with it’s fan service and nostalgia, this does a good job of making it sincere and not too pandering as well as examine some interesting themes of not just about being Spider-Man but also about how being Spider-Man in this universe is quite different from being Spider-Man in another universe.

It’s in no way perfect but No Way Home is certainly a satisfying Spidey experience without a doubt. The big thing though about it all is not just how far Tom Holland has come and matured as this version of Peter Parker but how far director Jon Watts himself has come and matured as a filmmaker! Bring on the next one!

4.) Spider-Man (2002)

The one movie that kick started the modern era of comic book movies and was also the one movie that got me along with plenty of kids of my generation into Spider-Man. This was the first ever superhero movie I’ve ever watch and one of the first movies that I remember having incredibly fond memories of as a child. Even if I’m unable to take off the bluntly obvious nostalgia goggles (I never can!), it’s still a damn good movie in it’s own right.

The origin of Peter Parker turning into Spider-Man is very well told, Tobey Maguire is as every bit as likable and iconic as the title character as you can imagine, and Sam Raimi’s unique version of this world is felt perfectly through every single frame. And that’s not even talking about the insanely memorable supporting cast, quotable lines, amazing score, fist bumping action, and the light hearted tone that makes this movie super enjoyable to watch all of these years later.

While I’m sure there are those that like to poke fun at the outdated elements of the movie such as the special effects, cheeseball dialogue, and the Power Ranger-looking Green Goblin, they all still feel right at home with what Raimi brings into his style of Spider-Man, which is the corn and cheese nature of it. Regardless if you feel like this movie has stood the test of time or not, you can’t deny that if it weren’t the success of this movie, there’s a good chance that this subgenre of movies as we know it today would be no where near big as it has been for the past two decades.

3.) Spider-Man: Across The Spider-Verse

While it may not match the level of surprise that Into the Spider-Verse provided and may leave plenty feeling frustrated albeit amused as it’s notable cliffhanger ending, Across the Spider-Verse makes for another marvelous cinematic experience, an impressive achievement in animation and filmmaking, and will instantly go down as of the most definite middle film chapters in recent memory, perhaps all time.

Everything you loved about the original is still present here, the themes and messages that the original got across is expanded to even greater affect here, there’s plenty of callbacks, references, Easter eggs, and fan service galore that will put plenty of smiles on faces, Gwen Stacy is giving more screen time and gets an incredibly compelling arc in her own right, each one of the new side characters will have their own favorites from fans, and even if you are left underwhelmed with the way things wrap up, you will no doubt be anxious to see the next one come spring time next year. 

Across the Spider-Verse not only helps showcases the bright future of animation that awaits us but perhaps the bright future of cinema in general. While we might have to wait to see how they stick the landing with Beyond the Spider-Verse next year, this is no doubt another important milestone for animation. Just like how these Spider-Verse movies prove that Spider-Man belongs to everyone, so does animation. And there should be no one out there that should say otherwise.

2.) Spider-Man 2

If you want an example of how to do the perfect superhero sequel, look no further than Spider-Man 2! This is the sequel that was able to take everything we love about the original, expand upon it, and trim any sort of fat that could possibly ruin the experience. Even nearly two decades later and after so many superhero movies that have come out, this still stands out as one of the very best!

This is a movie that perfectly dives into the inner turmoil of being a superhero and the life superheroes have outside of that. Just like with the best Spider-Man movies, it’s all about struggles to balance two different life styles at the exact same time. And how even though being Spider-Man can suck sometimes, it’s something that Peter has to do because it’s just who he is and what his responsibility consists of. Throw in some truly fantastic action, with the main stand out being the spectacular train sequence, arguably the best fight in any superhero movie, a tremendous villain in Alfred Molina’s Doc Ock, character arcs that come full circle, and one of the most satisfying endings in any movie, you get an absolute cinematic masterpiece that is Spider-Man 2!

If you are someone that loves Spider-Man and superhero movies, I have no idea how you couldn’t at least like this movie. It deliver everything that a superhero movie can give you and even more. It has heart, humor, emotion, character development, action, and genuine themes that anyone can get behind. When it comes to live-action, there has yet to be a movie that comes even remotely close to topping Spider-Man 2!

1.) Spider-Man: Into The Spider-Verse

However, when it comes to Spider-Man in terms of all the movies, Into the Spider-Verse is the ones that tops them all. I don’t think it’s hyperbole to say that this was an absolute gamechanger for animation. Not just because it was a near masterpiece of visual storytelling that was able to deliver everything that any hardcore comic book or casual fan could possibly want in an animated Spider-Man flick and then some, but was once again proved that animation should be allowed to stand as it’s own medium and NOT as a genre. 

It doesn’t just use animation to make the picture look beautiful but it uses it to tell a very earnest and heartful story of what it’s like to be a superhero in a way you just couldn’t do in live-action. Despite their being several different Spider-men, women, and animals that are present, none of it takes away the fact that this is a Miles Morales movie from beginning to end. The animation is jaw dropping, the set pieces are incredible, every single notable Spider-person gets their moment to shine, every member of the voice cast is perfect in their roles, and it perfectly delivers a message that anyone, regardless of what their gender, race, and skin color is, can be a hero.

I don’t think there has been a film out there that perfectly illustrates not just how great Spider-Man as a character is but how great superheroes are in general and why they are important. Not only is Into the Spider-Verse the best Spider-Man movie to date, there’s a strong argument to be made that it’s the best superhero movie to date with no exceptions. Even so, Into the Spider-Verse is my favorite Spider-Man movie to date and one my personal favorite movies period. It’s one that I never get tired of watching no matter how many times I go back to it. It simply is perfection!

Top 15 Best DreamWorks Animation Movies (Updated w/The Bad Guys 2)

Last year mark the 30th anniversary of when DreamWorks Pictures and DreamWorks Animation was first founded.

If you were ask me what major studio out there acts as major competition towards Disney, the answer you would likely get more times than not is DreamWorks. When comparing to two, it’s like comparing Marvel to DC. While the former have be more consistent in quality and have a lot more good movies under their belt, the latter on the other hand tends to have both higher highs and lower lows than their competition. However, when they nail a movie, they really, REALLY nail it!

While their inconsistent through their three decade long history is frustrating, there has been PLENTY of greatness to come from DreamWorks Animation throughout their history. And I decided to make a top 15 list to celebrate that greatness.

First off, here’s some honorable mentions.

Honorable Mentions:

  • The Road To El Dorado

The Road of El Dorado deserved a much better reputation than it got back when it came out in 2000. This is basically Moana meets Uncharted meets The Mummy meets The Emperor’s New Groove. It’s got beautiful animation, fun main characters, plenty of witty humor and catch songs, and a charismatic voice cast to carry the entire picture through. It’s not the very best of the best from DreamWorks and does follow most of the “animated road trip movies” cliches to a T but this is still a very enjoyable animated film that deserves recognition.

  • Chicken Run

DreamWorks’s first ever stop-motion feature film is known more for it’s reputation as oppose to it’s quality but it’s quality is still quite good regardless. The animation, character, humor, and voice work are all good here if not a bit dated. Maybe it’s because it’s not a movie that I grew up with or have much nostalgia that’s holding it back from being in the main top 15 list but Chicken Run is certainly worth a spot on this list due to it being one of the first memorable works to come from DreamWorks Animation.

  • Shrek Forever After

The (to-date) final entry of the Shrek series did not get much love when it came out back in 2010 (even I talked down to it a few times on here) but time has certainly been kind to Shrek Forever After. It takes a page from the book of It’s A Wonderful Life to make this a culmination of the entire Shrek franchise up to this point, which we see a universe where Shrek never exists and how it impacted those he has grown attached to. The animation is stellar, Rumpelstiltskin is one of the better antagonists in the series, and it has a handful of pay-off moments that might just satisfy long-time fans who grew up with the series. Unfortunately, it’s held back by Shrek’s overall arc, which is mostly just a repeat of his arc from the last one (Shrek is not satisfied with his current life and wants to go back to the old one) and that infamous outburst scene that set this arc in motion feels WAY too out of character for our beloved ogre. Still, it is at least able to act as a better series capper than say, Shrek the Third.

  • Kung Fu Panda 3

Kung Fu Panda 3 is a film that is easy to dismiss when looking at it on the surface. From its familiar plot beats to its toned down humor, it almost feels as if it’s falling into the traps that the franchise has been avoiding up to this point and that it’s starting to become a shadow of it’s former self. However, with seeing how Po’s journey concludes by the end of the movie and at the end of this trilogy, there is something to chew upon greatly here. It really feels like Po has fully 100% lived up to the Dragon Warrior name, just as Oogway hoped he would the moment he chose him in the first movie. It’s a step down from the first two movies but still solid overall.

  • Dog Man

This is about as fun, chaotic, and scatterbrained as the source material it’s based on. There was clearly a lot of love and care put into the colorful animation, creative humor, and translating the charming character of Dog Man properly to the big screen. While not quite on the level of something like Captain Underpants: The First Epic Movie, Dog Man makes for a perfectly enjoyable film for kids and family that I’m sure fans of the book will fall high over heels for.

Now, here we go with the top 15! Enjoy!

15.) The Madagascar Trilogy

When it comes to comparing all the successful DreamWorks franchises out there, Madagascar is a series that sits comfortably in the middle-of-the-road for me, and I mean that in a respectful way. It doesn’t reach the highs with the likes of Shrek, Kung Fu Panda, and How To Train Your Dragon but it’s certainly no Shark Tale, The Boss Baby, or Trolls either. It first perfectly as being solid, enjoyable animated flicks about a bunch of misfits animals that are trying to do everything in their power to get back home to New York. They are about to as creative, funny, and energetic as you can possibly expect for these kind of movies. with no deviation from that quality whatsoever. It’s hard to distance themselves as individuals films, which is why I decided to put the entire trilogy together in order to find a spot for them on this list. While far from the greatest from DreamWorks Animation, the Madagascar trilogy does it’s job to be as hilarious and entertaining as they can possibly be.

You might want to also check out The Penguins of Madagascar tv series, that is really great!

14.) The Bad Guys 2

For as all over the place DreamWorks Animation can be in terms of quality, if there is one thing they know how to do consistently, it’s making a darn good sequel, particularly a darn good Part Two. And The Bad Guys 2 is certainly no exception to that. This is able to continue the story of our beloved misfit animals, as they try to take their next step into society to be better people, even if they live in a society that just won’t let them do that. When they see them getting into action when an all-female squad known as The Bad Girls, the crew comes out of retirement to doing what they are good at, just being plain bad. Everything you love about the original from an animated, comedic, and dramatic standpoint is still present throughout The Bad Guys 2, being able to capture the charm of the original while also able to blaze it’s own path from a narrative standpoint, setting the table for an even better Part Three. It may not feel as “fresh” as the original Bad Guys and I would be lying if I said I was completely surprised by everything happening on screen but The Bad Guys 2 is still able to deliver the Part Two goods when it counts the most. Don’t let the fact that this is only #14 prevent you from giving this a watch when it comes out in theaters! There just happens to be 13 more films that I enjoy more than this!

13.) Captain Underpants

That’s right, I got Captain Underpants on here! Sue me! What might just be the most CRIMINALLY underrated/overlooked movie that DreamWorks has ever released, Captain Underpants: The Epic Movie is an absolute gem that is not just a perfect adaption of it’s source material but it’s a great animated film in it’s own right. It’s a bright, colorful, charming, and EXTREMELY silly movie about two troublemakers living out their childhood fantasies and facing the potential consequences for doing so. Kevin Hart and Thomas Middleditch have great chemistry with one another and helps make the film standout as a laugh out loud riot. The film’s toilet and slapstick humor will certainly not appeal to everyone but then again, this is literally a movie called CAPTAIN UNDERPANTS for crying out loud! If you never seen or heard of Captain Underpants: The Epic Movie, check it out as it’s pretty darn great.

12.) Megamind

Yes, the sequel that came out recently was absolutely terrible. That does NOT change the fact that the original Megamind was just awesome. Able to subvert the standards and cliches of most superhero flicks to create something more interesting and layer, this is able to act as a massively entertaining destruction of the sub genre that has dominated Hollywood blockbusters for the majority of the 21st century. Will Ferrell is perfect as the title character and has great chemistry with David Cross’s Minion, Jonah Hill makes for a super fun bad guy as Titan, and Tina Fey is able to make Roxanne Ritchi stand out as one of the better superhero news report ladies out there. We also can’t forget the superb animation, awesome set pieces, and song choices and needle drops that all fit perfectly. Do not let the awful sequel or recent tv series distract you from the fact that the original Megamind is one of the better and most creative DreamWorks animated movies they have ever made.

11.) The Bad Guys

The Bad Guys is the DreamWorks equivalent of Zootopia and Suicide Squad and it could not be better for it. A fun, beautifully animated flick about the joys of being well the bad guys, with exciting and energetic set pieces to boot. The characters are all likable, the animation style is unique and works perfectly with it’s art style, and even for a film technically made for kids, there’s a bunch a fun little nods and gags for adults to enjoy, the kind of ones that kids won’t recognize until they rewatch this movie a decade or two later. It’s not quite as clever or subversive as other DreamWorks properties out there such as Megamind but it definitely makes for one gloriously entertaining watch and has great potential to be DreamWorks’s next big franchise going forward. Also, Diane Foxington! Just…………Diane Foxington!

10.) How To Train Your Dragon 2

Fulfilling it’s role as the dark middle chapter of DreamWorks’s most critically acclaimed film series, How To Train Your Dragon 2 is a strong example as to why DreamWorks themselves can be counted on to deliver strong middle chapters for stories when they count the most. Taking the next level in terms of animation and technical achievements, this sequel is able to exceed for the same reasons that the very best sequels out there are able to do. It takes the characters to the next step of their development by putting them on a journey which makes them challenges who they are and why they do what they do. The voice work is particularly strong here, especially with Cate Blanchett acting as Hiccup’s long lost mother, delivering in the most powerful dramatic moments of the film. Not to mention, the surprising fate with one of the characters stands as one of the most bold moves that any DreamWorks film has every made. While the antagonist himself is a weak line and it lacks the freshness and novelty the first film had, How To Train Your Dragon 2 is still a very impressive animated sequel that is worthy of praise.

9.) Shrek

Enter the iconic character that acts as DreamWorks most popular franchise, the original Shrek still holds up gracefully! Being able to bring together the traditional fairytale characters and tropes while also doing something incredibly fresh, funny, and subversive with them. Mike Myers, Eddie Murphy, and Cameron Diaz all fit their roles like a glove and help make their characters of Shrek, Donkey, and Fiona more iconic than they have any right to be. The song choices are inspired, the pop culture references actually work very well, and it has an overall nice moral of never judging someone solely on their appearance. It’s a shame that certain folks out there only recognize this movie for it’s memes and not for the actual top quality of this motion picture. Even when taking away the memes and self-aware jokes, Shrek is still a genuine classic that has stood the test of time as being one of DreamWorks’s greats.

8.) Wallace & Gromit: The Curse of the Were-Rabbit

The second feature film from both Aardman and Nick Park, coming off the pretty good Chicken Run, Wallace & Gromit: The Curse of the Were-Rabbit is proof that the duo could in fact make lightning strike twice. This is a hilarious stop-motion picture with unique animation, great jokes, and likable characters that are able to pull the hold thing through. Not to mention, Gromit might be the cutest and most wholesome dog in movie history. The villain is quite flat here and I admittedly don’t know how this will appeal to those that aren’t the fondest of stop-motion animated films. However, looking at it objectively and being among the most inventive DreamWorks films throughout it’s history, there’s not much you can pick apart about Wallace and Gromit: The Curse of the Were-Rabbit. This vegetable caper is definitely entertaining and a cracking good film to watch whenever you need a good laugh. And thankfully, the most recent animated sequel (Which was NOT distributed by DreamWorks btw) is able to be no exception to that either.

7.) Kung Fu Panda

If there is one movie out there that is basically the textbook definition of “Don’t judge a book by it’s cover!”, that would be Kung Fu Panda. On paper, this sounds like the dumbest idea ever. A big fat panda voiced by Jack Black learning Kung Fu?! That feels like an idea that came from the same person that thought The Emoji Movie would be a great hit! However, once the movie came out during the summer of 2008, we all could not have been wrong about Kung Fu Panda. It’s able to use that “Don’t judge a book by it’s cover” mindset that not only acts what most folks thought of Kung Fu Panda when watching it but use that as the central theme throughout the film. And it’s that theme that makes for the perfect way to tell the story of the main character of Po, the titled panda that learns kung fu. We also got terrific animation, superb fight sequences, a wonderful supporting cast of characters, a riveting musical score and amazing character development all the way through. It’s those exact reasons and much more that makes Kung Fu Panda as good as it is. This is a film that doesn’t in spite of it’s delightfully silly premise, it works BECAUSE of it! And it could NOT be any better for it!

6.) The Prince of Egypt

The Prince of Egypt is one of the most beloved animated films ever made and you can certainly understand why. The animation is stellar, the music is great, the tone feels just right, the art style works, it’s religious aspects are interesting and very well explored, and it’s an overall moving story about two brothers that start out being together until the end of time but then later becomes bitter rivals to their last dying breath. Some of the songs aren’t the greatest and don’t fit (especially the Priests song) and it’s something you definitely have to be in the right “mood” to enjoy but for what it’s worth, The Prince of the Egypt is still a very impressive animated film and perhaps the best depiction of the Moses story that’s been seen on film to date, animation or otherwise. Even if you aren’t a religious person or dread having any ties to any known religion, this is one of the few movies of it’s own kind that I could recommend to just about anybody. It’s that darn good!

5.) Shrek 2

If you want to talk about the perfect sequel, look no further than Shrek 2, along with the other sequels on this list of course. The story is more engaging, the characters are more lovable and charming, the animation is more gorgeous, the voice work is more stellar, the set pieces are more creative, the fairytale/pop culture references are even better utilized, and the humor is much more funny this time around. Add in the wonderful presence of Antonino Bandera’s Puss in Boots, the Fairy Godmother as the main villain, and one of the best climaxes arguably in film history with an AMAZING usage of I Need A Hero and you got one beautifully done animated sequel. There are a handful of logic issues (Like how it takes forever for Shrek and company to get to Far Far Away but only takes Gingy, Pinnochio, and others like a couple of hours to get there) but when a sequel is this well-made, heartfelt, and absolutely HILARIOUS (The C.O.P.S. gag gets me EVERY time!), it’s impossible to care. Great comedy sequels are really hard to come by and Shrek 2 stands out as one of the very best in that regard!

4.) How To Train Your Dragon

On paper, How To Train Your Dragon movie seems like every traditional hero journey and human-animal bonding flick you have ever seen. However, not only does it do just about all of those traditions so well, it’s done in an extraordinary way that it feels like you are watching this story on fold for the very first time before your very eyes. Hiccup makes for a very likeable protagonist that’s easy to root for and his relationship between his pet dragon, Toothless, and his soon-to-be lover/partner in Astrid are so engaging, acting as the beating heart of the film. And don’t get me started on it’s stellar animation and flying sequences that blew my mind when seeing it in theaters back in 2010 and still blows my mind to this day. How To Train Your Dragon is prove that just because you are telling a familiar story does NOT mean you have to tell it in a familiar way. If you add enough freshness and novelty to it where it feels like you are seeing this story being told for the first time ever, then you have succeeded entirely and have one big animated classic on your hands. While I may not known how faithfully this is from an adaption standpoint (Yes, this is based off a book), as a film, the original How To Train Your Dragon was pretty much perfect.

3.) Kung Fu Panda 2

Kung Fu Panda 2 is one of the rare sequels that not only is as good as the original Kung Fu Panda, it’s even better. It does EVERYTHING you want a sequel to do. Instead of doing the same old same old, it actually does something new and different. It takes the characters into exciting and new directions, it expands upon it’s story and lore in the most logically way possible, the action and animation are taken to the next level, the villain of Lord Shen is given more focus and is used perfectly, and it’s able to act as the best possible next step for the journey of Po as oppose to do just retreating steps from his first go around. Also, the scene where Po discovers inner peace is the series true definite moment up to this point, as well as just being one of the most beautifully done sequences in animation film history! (You are a robot if you did not cry during that scene!) Kung Fu Panda 2 is not only the best Kung Fu Panda movie thus far but it’s possibly one of the best animated film sequels ever made period. It’s so good that there’s a good argument to be made that this is where the series officially peaked.

2.) Puss In Boots: The Last Wish

Acting as perhaps the most surprising film that DreamWorks Animation has ever done, Puss in Boots: The Last Wish is an exciting, triumphing Part Two to go along with the other great Part Twos that DreamWorks Animation has created with their filmography. The animation is spectacular, the characters are engaging, the set pieces are fun and inventive, the story goes into dark places you wouldn’t think a simple “kids” movie would go, and it teaches a very valuable lesson on how we should live our life to the fullest with the ones we love before it’s too late. This also has perhaps the most entertaining bad guy in DreamWorks with Jack Horner and the most scary and intimating villain in possibly all of DreamWorks with The Killer Wolf, A.K.A. Death. For a 11-year long sequel that no one was really asking for, Puss in Boots: The Last Wish acted as a near perfect animated film, with phenomenal animation, writing, and voice acting to justify it’s own existence completely. Never in a million years would I guess that it would be frigging Puss in Boots of all characters that could be in the conversation of best DreamWorks Animation film ever made but I guess anything is possible.

1.) The Wild Robot

This may be recency bias but I honestly can’t think of a DreamWorks animated picture that is as complex, layered, and impressive as The Wild Robot. It represents the pinnacle of DreamWorks Animation, delivering one last final triumph before they have to rely on tools and resources from other studios for the immediate future. The animation is jaw droppingly gorgeous, the characters are all engaging, endearing, and wonderful to follow, the voice cast is all terrific with everyone being 100% committed to their role, the musical score is mesmerizing and carries the film on it’s own on several occasions, there’s is plenty of funny gags and emotional beats that work greatly, and the way it tackles the themes surrounding survival, parenthood, kindness, purpose, and coexistence is nothing short of marvelous. The amount of plates is able to spend in the air at once and how many hoops it dares to jump through is able to make the film stand out in ways that it had no business of doing so. This is animation and multilayered storytelling at it’s finest and The Wild Robot might just be the next prime example for that. Thank you to all the folks at DreamWorks who worked in-house for the company and I hope the very best awaits you in the future!