Ranking The Quiet Place Franchise

A new entry for A Quiet Place has just released in theaters with A Quiet Place: Day One. Because of that, it’s time to see how that entry stacks up with the previous two entries in this unique horror franchise.

It does feel odd how this series in particular has turned into a franchise of it’s own kind. Because when looking at it’s own premise, it doesn’t seem like it’s one that has potential to expand into it’s own franchise. Sure, maybe a sequel or two would be fine but more than that, it’s quite stretching thin. Even so, we’ve gotten three films thus far with a fourth one on the way for next year along with a new video game that looks like it could be A Quiet Place‘s version of Alien: Isolation. I don’t know how long they plan to ride this train out but if they can keep crafting installments that are as well made, acted, and engaging as they are, then I’m sure it will be able to get away from it.

Nevertheless, it’s time to rank all three A Quiet Place films thus far from worst to best. This will undoubtedly be my shortest list to date because of only three films to talk about but let’s rank them anyway because why not.

3.) A Quiet Place: Day One

The weakest A Quiet Place to date is unfortunately the newest one that just came out, even if it’s still pretty darn good in it’s own right. Three films in and this is when we are starting to get the feeling of fatigue of seeing the same monsters slaughtering everything it can in sight and only the ones that remain the most quiet will serve. There is also a much more character driven and human story at center than it’s predecessors while certainly compelling, feels like it could have done without the Quiet Place gimmick slapped onto it. Also, those that are looking for answers about how the monsters go to earth will be very disappointed.

Even so, the scares and thrills of the previous films still work here and Lupita Nyong’o and Joseph Quinn are both super compelling on-screen, with both of their characters undergoing satisfying arcs throughout. And as most people have been saying, the cat steals the show in every scene that it’s in. If you look at it as it’s own thing, it’s an intense and enjoyable sci-fi horror flick but as yet another installment in this franchise, A Quiet Place: Day One is a showcase that this series is beginning to run on fumes and should be given a proper wrap-up soon before it wears out it’s welcome completely.

2.) A Quiet Place

The original A Quiet Place has to be one of the most unique and surprising horror films in recent memory. It’s able to use it’s premise of sound-heavy monsters who roam the world as a mean to craft a story of the means of surviving when the human race is on the verge of extinction and what lengths can a parent goes through to protect their children. John Krasinski proves himself to be a tour de for even more behind the camera as he is in front of the camera, alongside the amazing Emily Blunt, A.K.A. his wife, and young stars Millicent Simmonds and Noah Jupe.

Sure, there are moments where you do have to suspense your disbelief on the family being able to survive for as long as it has and certain choices they make during certain moments but when a movie is this well made, acted, and directed, it’s easy to overlook these flaws. The fact it’s able to tell a genuine and heartfelt tale despite having very minimum dialogue and relying on it’s visuals and hand language is the real master stroke here. Aided by Oscar-calibar editing, a mesmerizing score, and a haunting and captivating atmosphere, A Quiet Place is a horror film for the ages and is one that is most certainly worth a look for any fan of the genere.

1.) A Quiet Place: Part II

The best film in the franchise to date is A Quiet Place: Part II. This is a horror sequel that manages to be just as good, if not better, than it’s predecessor and is one of the better horror sequels in recent memory. It shows that there is still more to explore within this world with just as much suspense, insanity, and brutal kills as the original! This one sees the family split up as they get out of their comfort zone to discover who else is left on the other side of the word and whether or not they can bring an end to this universe ruled by blind alien monsters!

A Quiet Place: Part II manages to continue the story in a very organic way and sets the tables well for an absolute banger of a third part finale! Even if it takes a few more years to come out or if we never get a third film at all, it works just when watching it back-to-back with the original making it feel like an absolutely complete experience on it’s own! Providing the best use of scares, thrills, brutal kills along with having the best direction and performances of all three movies, A Quiet Place: Part II is the best Quiet Place film to date and one of the best horror sequels out there!

Ranking The Pixar Movies

Here it is! It took a lot of time and effort from me but I’m ready to share my ranking of all Pixar films from worst to best! Everyone tends to have their own opinion of what constitutes as the very best and worst work form this company! Even so, there’s no denying that this is a company that has a huge impact on the way we all view animation and even cinema in general! If someone claims there has never been one Pixar movie that left a lasting impression on, they are lying through their teeth! To put it simply, they are one of the very best to ever make movies! Now that Inside Out 2 is now out in theaters, let’s rank all 28 movies they have released thus far!

28.) The Good Dinosaur

The worst Pixar film is probably one you either forget exist or were never even aware of it’s existence. The troubled production that The Good Dinosaur faced during the development of it is as clear as daylight onscreen. It’s got a neat and exciting premise (Dinosaurs never becoming extinct and living among human beings!) that it does nothing with. It’s got wonderful animation but there’s no creativity to do it whatsoever. It’s got a story about a relationship between a young mute boy and a dinosaur that is told in the most dull and predictable way imaginable. And that’s not even going into the inconsistent tone, shockingly poor voice work (The kid’s voice for the dinosaur just doesn’t fit whatsoever!), and even a scene where the kid and a dinosaur are basically… high on drugs. (Yes, really!) It’s certainly more watchable than other bad animated films out there and there’s a few moments when the visuals are allowed to do the talking that are effective, but The Good Dinosaur is a dull, mediocre, and plain forgettable mess. I guess that says something when Pixar’s worst film is one that no one remembers.

27.) Brave

Pixar had finally shown a big crack in the armor with Cars 2 a year prior and their next film, Brave didn’t really do much to win back audience’s trust. Much like The Good Dinosaur, it’s just a confused mess with ideas you’ve seen many times before and done many times better in other films. Take every cliché you’ve seen done in every other Disney princess movie and every other “nature” Disney movie, use those cliches in the most half-baked way possible, thrown in some family and relationship dynamics that feels unbelievable forced, and put all of that in a blender and you get Brave. It’s well-animated and it was sure nice to see Pixar finally make a film with a female protagonist but all of that is put to waste in this lackluster bore fest. Brave may not be quite the worst Pixar film ever made, as it does at least feel more like a coherent vision than The Good Dinosaur, but this is the one Pixar film I will always feels the least compelled to rewatch.

26.) Cars 2

Here is probably the first Pixar film that pretty much everyone agreed was bad. No one was really clamoring for a Cars 2, not even fans of the original Cars, but considering this was John Lasseter’s (a name that just about everyone wants to forget by now) passion project along with one of Disney’s most successful toy brand, there just had to be a sequel somehow. This time around, Mater is put to the forefront and it doesn’t work for the same reason that most comic relief characters don’t work then they are given the spotlight, they just don’t work as their own character. You also have a bizarre premise surrounding spies and espionage, an overly complicated plot, and an incoherent narrative that it makes you forget that first film was literally about a race car learning humbleness. At least it still looks good with nice new locations added and some entertaining action scenes but those aren’t anywhere good enough to justify this sequel’s existence. While I can conceive that Cars 2 is slightly overhated, it’s also not a film that is deserving of being defended in any way.

25.) Lightyear

For what is suppose to be Andy’s favorite film is actually the most mid and run-of-the-mill Buzz Lightyear film you could possibly imagine. It’s ironic that this is the first Pixar film in the post-covid/Disney Plus era to be released in theaters and yet Lightyear feels like the only one that was strictly made for Disney Plus. The first 2/3rd’s play out as the most conventional space adventure ever that leads to a third act that contains one of the dumbest plot twists in Disney history. It’s so bizarre seeing Pixar spent so much of the Toy Story films building Buzz’s legacy and history as a space ranger only to just toss that aside completely for his feature film. Not even the excellent animation and the awesome sidekick in Socks could make this space opera even remotely appealing. Lightyear should have been a slam dunk for Pixar but instead, it’s far in a way their most safe and obligated film that they’ve ever released. If you want to see a proper Buzz Lightyear film, just pop in Buzz Lightyear of Star Command: The Adventure Begins and call it day.

24.) Onward

This might certainly be a hot take but I found Onward to be quite lackluster. It has a fascinating premise with an emphasis on Dungeons & Dragons along with a very recognizable cast of celebrities that seems like they are having fun in their roles. Unfortunately, the execution of the picture left plenty to be desired. The world of Onward feels rather half-baked with little that is explained or flesh out on how it all works, completely lacking the compelling setting that Zootopia had, the relationship between the two brothers feels more irritating than engaging, and having nearly the whole film be about two kids resurrecting their dead dad’s lower body/crotch is beyond weird. Even if the ending, which many people claim makes the film, left me underwhelmed as it felt like nothing was accomplished for the main character by the end. I know this film has work well for others but it didn’t work for me whatsoever. Sorry, guys!

23.) A Bug’s Life

Here we have the film that takes the crown for being the most generally “okay” Pixar film that they have ever released. What makes it all the more ironic that this came out just around the time that DreamWorks’s Antz did, which would also take the crown for being the most generally “okay” DreamWorks film that they have ever released. How is the story? It’s okay! How are the characters? They’re okay! How is the animation? It was okay for the time! How is the sound? It’s okay! How is the main villain? He’s….actually pretty awesome and probably one of the best Pixar villains ever, and also happens to be voiced by a real life villain himself! No, I will not mention him by name! There’s not much to say about A Bug’s Life other than what I’ve been saying throughout. It’s just okay!

22.) Incredibles 2

Everyone and their mother had been waiting years for an Incredibles 2! With the original being one of the greatest superhero films ever made, everyone wanted to see more adventures with this super family! And after a 14-year long wait, we got a sequel that is aggressively…..just fine! There’s plenty of things to like about it! The animation is great, the action sequences are a lot of fun, it’s quite funny throughout, each character get a moment or two to shine, Michael Giacchino’s score is on point, and it was cool to see Elastic Girl get more of the stoplight this time around. Unfortunately, all the good things that are presented are hindered by a weak narrative with a plot and themes that has been done a million times before in other superhero films with nothing new added to it. It also has probably the most predictable plot twist in animation history with the main villain of the Screenslayer, who pails EMBARSSINGLY to Syndrome! For those that just want to spend more time with the characters from the original, you will likely be satisfied. However, for everyone else, you will likely be underwhelmed. To put it simply, Incredibles 2 is too late…14 years too late!

21.) Monster’s University

I don’t know how many people in the world were clamoring for a Monsters Inc. prequel that put focus on Mike and Sully’s early days in college but we got exactly that in 2013 with Monsters University. This is similar to Lightyear, where the first two acts plays out as predictable and straightforward as you could imagine with a third act that’s literally the exact opposite of that with a wild turn that either makes or breaks the film. Whereas Lightyear‘s third act completely broke the movie beyond repair, Monster University‘s third act makes the whole movie worth it, with a heart hitting message about how not everything is set in stone for everybody and there are other options for you out there if you are unable to follow the traditional path. While everything before then is enjoyable enough, the final 30 minutes of Monsters University saves the entire movie of being another useless prequel. I still would have liked to see a sequel of Boo all grown up though.

20.) Finding Dory

Here’s another solid “good enough” B movie to an A++ predecessor! While Dory was a beloved character in the original Finding Nemo, there was the question of whether or not she would be good enough to carry her own film considering she was the comic relief of that movie! Thankfully, unlike Mater, Dory has an engaging story of her own, where she looks to find her long lost parents while fighting her short term memory crisis. There’s too much nods and winks to the original with a climax that’s a bit too ridiculous for what it’s worth, Finding Dory manages to exceed quite while when it comes to laughs, character drama, and even emotion. Keep swimming indeed Dory!

19.) Cars

There are plenty of folks that decried the original Cars when it came out in 2006 because it was no Toy Story or Finding Nemo. However, when looking at the film for what it’s trying to be, it’s actually a sweet, moving, and nostalgic road trip movie that acts as a great tribute for Route 66. There’s also a nice story here where Lightning McQueen learns the value of life and there’s more to it than just winning a race. Plus, you are lying if you claim that Doc Hudson isn’t a great character and the ending wasn’t brave and heartwarming. It’s world of cars may not make the most logical sense and does come across as a more kid friendly version of Doc Hollywood, but Cars is still an enjoyable film that doesn’t deserve the scorn it’s gotten over the years. While it’s far from the best Pixar film, this is certainly one of the ones I’ve felt the most nostalgia for. Also, R.I.P. to the great Paul Newman!

18.) Cars 3

I never would have thought the most unnecessary of the Pixar sequels to come out in the 2010s was actually one of the better ones. In a area of legacy themed sequels, Cars 3 is able to stand out uniquely on it’s own. Much like Top Gun: Maverick, it’s able to have it’s cake and eat it too with a film that shows that Lightning still has it in him to compete with the younger, modern racers while also being able to teach a younger, modern racer in the meantime. The animation and racing sequences have never been better, Lightning McQueen is at his absolute best here, Cruz is a nice new addition to the series, and the way it ties back to the legacy of Doc Ock is very well done. Jackson Storm himself is a pretty bland villain and there’s too many “old” jabs at Lightning but for what it’s worth, Cars 3 makes for the best Cars film in the series and a fitting way to wrap up the trilogy.

17.) Luca

If there’s one film out there that I would describe as being the perfect “summer” movie, look no further than Luca. It’s a delightful and relaxing film about two best friends as human beings trying to spend their summer outside of their own comfort zone as actual fish. If you ever wanted to see a Pixar film in the style of traditional Studio Ghibli movies but in 3D, this is basically what you get. The first 20 minutes or so aren’t great, but once the kids get up to the surface, it’s a really fun time and makes for a perfect way to take time out of the summer heat.

16.) Elemental

Perhaps it’s because things have slowly changed for me in my life than it was when I saw this film back in June but I definitely believe Elemental will stand the test of time as being an absolute gem of Pixar’s library. Maybe not the very best but definitely one that plenty will find to be another worthy addition to their library. It’s looks gorgeous, it’s very charming, the characters are engaging, the music is beautiful, and even the similar themes it tackles are done very well and might even stand out greater than other Disney and Pixar films that have done it to some people. I’m sure glad this film was able to stand strong at the box office as this might be an encouraging sign for Pixar’s future in movie theaters. I might have not enjoyed The Good Dinosaur but director Peter Sohn was able to win me over in Round Two with Elemental. If you haven’t checked it out yet, I highly recommend it.

15.) Toy Story 4

Everyone was worried about a Toy Story 4 and for good reason. After the perfect way that Toy Story 3 wrapped up, where exactly was there left to good? As it turns out, that’s exactly what Toy Story 4 is about and why it’s able to succeed despite the worst possible circumstances. It’s an interesting experiment of how to continue on with your new story after your previous story basically ended. The real key trick here it doesn’t so much functions as a “true” finale to Toy Story but more as an epilogue. You also got some great new characters, Bo Peep’s welcome return, and an ending that wraps up Woody’s story very well. I could have done without the “inner voice” jokes with Buzz tho. Toy Story 4 was like the equivalent of watching a friend perform a very dangerous stunt after they claimed they were done doing them a long time ago. And while you are glad they were able to stick the landing well, you would rather they don’t do it again. (Yet, for some reason, they are! UGH!)

14.) Monsters Inc

Talk about a film that’s able to take a familiar idea but executing it in a way that makes it feel fresh and new. Monsters Inc. is able to exceed greatly on that front thanks to an exciting world in Monstropolis, some incredibly inventive set pieces (especially the end sequence with the doors), two very likable leads in Mike and Sully, and of course, a strong central relationship between the monsters and a little human girl that is Boo. I don’t care much for the main villain and don’t recall remembering much about the other side characters but Monsters Inc. is still a very enjoyable watch that holds up strongly to this very day.

13.) Turning Red

One of Pixar’s most divisive films to date is also one of their most important ones they’ve ever released. I can’t recall a film in the Pixar library that is has open and honest with itself as Turning Red. It take risks and tackles subject matter that at least 99% of other animation studios are probably afraid of tackling for a supposed kids film, it has a strong thematical and emotional core that holds the whole thing together near perfectly, and has animation that serves it’s purpose and executed in all of the intent and purpose imaginable. This is a wonderfully, lovable movie about an awfully, cringe-able time period that we all have or will have to go through. There are definitely some things you can criticize (The mother is way too much of a Karen for my liking!), but Turning Red is certainly a film that anyone that has gone through that awkward stage of their lives can get something out of. Just a shame this movie is remembered not for it’s overall quality but for resurrecting 9/11 memes! Thanks Mr. Enter! Thanks!

12.) Wall-E

There seems to be two sides to Wall-E: those that thought the film was absolute perfection from beginning to end or those that adored the first half but only liked the second half. I would say I’m part of the later category. The first half to Wall-E offers some of the best visual storytelling I’ve seen in any film, daring to go almost complete silences and let the animation do all the talking. Then comes the second half that while good is slightly underwhelming considering how more conventional it feels compared to the first half. Thankfully, Wall-E is arguably the most lovable robot in all of action and his relationship with Eve is incredibly engaging. The film perfectly encapsulates innocence, purity, and hope in a dying world. If it was able to stick to that silent storytelling the whole way through, it probably would have made it’s way to the top ten!

11.) Inside Out 2

The nine-year long awaited sequel might fall just shy of it’s predecessor (along with the top 10 of this list) but that shouldn’t discredit Inside Out 2 as being a really affective and worthwhile sequel. This is arguably the first Pixar sequel not related to Toy Story that seems to have more on it’s mind to justify it’s own existence other than branding and merchandising. Going from seeing Riley as a youth moving to San Francisco to a teenager looking to make it into the high school hockey team with the popular girls, this sequel takes the logical next step into showcasing the inner turmoil of taking the next step to puberty with anxiety, envy, ennui, and embarrassment entering the picture, portrayed perfectly by newcomers Maya Hawke, Ayo Edebiri, Adele Exarchopoulos, and Paul Walter Hauser. While it’s still able to delivers the laughs, thrills, and emotional beats of the original, there’s not quite a moment that is as tear-jerking as Bing-Bong or as laugh out loud as “GIRL! GIRL GIRL!”. Even if that in of itself prevents it from topping the original and cranking the top 10 list, Inside Out 2 is able to act greatly as a natural continuation and expansion of the first movie’s story and themes. Bring on Inside Out 3 if you may! (Oh and please bring Lance Slashblade in Kingdom Hearts 4!)

10.) Toy Story

Not only the one that started it all for Pixar but the one that started the trend of 3D animation! The idea of toys coming to life when the kids are not around is executed to absolute perfection with a cast of characters that are all iconic in their own ways. Woody and Buzz makes for possibly the very best characters in Pixar history, the script is airtight, it’s paced marvelously, and there’s just not a dull moment to be found here. The overall formula of these movies have become more noticeable throughout the years and there are parts of the animation that don’t hold up but none of that can take away the amazing accomplishment that was the original Toy Story. The fact this is only #10 on the list is just more of a showcase of the amount of fantastic films that Pixar has made.

9.) Ratatouille

I can’t help but feel like this is the most overlooked Pixar film to date! In a sea of Pixar masterpieces, this one tends to get lost in the shuffle. Ratatouille might be the most thematically rich and inspiring film in Pixar’s library, showing how anyone has their own talent no matter who they are or where they came from. Patton Oswalt is perfect as the lovable rat that is Remy, the whole supporting cast of characters are great, and who can forget the pitch-perfect speech at the very end which is an absolute all-timer. It does suffer a bit from the main of character of Linguini being arguably the least interesting character in the film but his chemistry with Remy is so spot on and the film around him is so great that it really doesn’t matter. This is a food porn film at it’s absolute finest!

8.) Up

If we are judging strictly on the opening of this film alone, this would probably be #1. Up has the most perfect first ten minutes of any film that I’ve ever seen, perfectly showcasing the origins of Carl as a young kid to an adult along with being the love of his life that was Ellie. Just like Wall-E, it goes from that silent form of storytelling to something a bit more conventional. However, the rest of the film is done so well that it really doesn’t matter. Carl’s arc of moving on from his past to enjoying the rest of his life while he can is incredibly well done, the side characters such as Russell and the dogs are a lot of fun, and Kevin might just be the funniest animal side character in animation history. Even if you take away the opening, Up is still excellent and is worthy of praise.

7.) Coco

This is one that has only gotten better in age, especially in the wake of my grandma’s passing (RIP, Grandma!). Not only is Coco a perfect representation of Mexican culture, especially with the traditional holiday of Day of the Dead, but it makes for a perfect human story of a flawed family that love each other despite their beliefs and traditions wearing them down. The animation is some of the very best ever put to film, the family dynamics are great, the world of the afterlife is brilliantly realized, and it has perhaps the most emotionally draining final act in Pixar history! Even the incredibly obvious bad guy reveal that has been redundant now can’t bring it down because of how it connects perfectly to the themes of the film involving the cons of pursuing greatness. While there are comparisons to be had with The Book of Life, Coco strands strongly as it’s own thing and as another home run for Pixar.

6.) The Incredibles

I don’t know how it took until five films for Pixar to make a film with actual human characters but they finally did that with The Incredibles. Even in an era where superhero films have dominated pop culture, The Incredibles still stands out as being among the very best that the subgenre has offered. The characters and themes are all ones that feels completely timeless even nearly two decades later, the action and set pieces are absolutely fantastic, every member of the super family gets their own moment to shine, and how can anyone not love the main bad guy of Syndrome. It also has the funniest Pixar short ever with Jack Jack Attack! There’s not a lot I can say about The Incredibles that hasn’t been said by everyone else already. It’s just awesome!

5.) Soul

This make for possibly the most human and relatable film that Pixar has ever made! Soul goes into great depth in showcasing the meaning of life and why it’s worth living to the fullest. You aren’t going to last forever and there will be a day where you suddenly die like Joe does. Until that time comes, make sure your life was one that was wroth living. Jamie Fox is perfect as Joe and as perfect chemistry with Tina Fey as 22, the ideas are executed in the most creative ways imaginable, the animation is incredibly impressive, it’s extremely funny throughout, and the message of finding satisfaction in your life is one that anyone can relate to no matter what age they are! If you need a film that can lift your spirits, help recognizes the talent that you have, and shows why life is indeed worth living, look no further than Soul!

4.) Finding Nemo

If there’s a film that perfectly captures every parent’s worst nightmare of losing their own child, it’s Finding Nemo! What might seem like a simple story of a father trying to find his son is able to be told in the best way possible! That is thanks to incredible world building that’s full of side characters who are all memorable no matter their screentime and perfectly exploring the ins and outs of the deadly deep blue sea. You also got a great emotional core with Marlin and Nemo, a perfect counterpart with Dory, and a hard hitting message of never taking the ones you love for granted and it’s better to be safe then sorry. No matter how many times I watch Finding Nemo, it always manages to be fresh and exciting all the same! If that’s not the best compliment to give a film, then I don’t know what is!

3.) Toy Story 2

Toy Story 2 is wildly considered to be one of the greatest sequels ever made and I have to agree 100%! It takes everything people loved about the first movie and expands upon them in every single way. With even more memorable characters, stellar animation, hard hitting emotion, incredible soundtrack, and timely themes anyone at any age can relate to, Toy Story 2 is one of the sequels that manages to be as good if not better than the original. Also, the opening with Buzz Lightyear might legit be the best opening for any movie ever! I love this film when I was a young kid watching this film on repeat on my VHS and I still love it to this day! It’s so hard to believe that this was the film that nearly broke Pixar because by the end, it only made them stronger.

2.) Inside Out

People were starting to doubt Pixar before this film came out with a handful of films that ranged from fine to aggressive mediocre for the past five years, but then Inside Out came out in 2015 and blew everyone away! This is an example of a film that takes an idea and does everything it possibly can with it. It showcases how negative emotions can be just as important as positive emotions and how to keep them all in check along with learning how to adjust to a brand new setting. The animation is beautiful, creative, and imaginative, each character is fully realized and engaging, the humor is great, the score is mesmerizing, the voice cast is prefect, and the emotional moments hit as hard as you could possibly imagine. While it’s not quite my favorite Pixar film, there’s a strong argument to be made that Inside Out is objectively the very best Pixar film!

1.) Toy Story 3

While I can concede that Inside Out is probably the best Pixar film, there is no other Pixar film that I would rather rewatch than Toy Story 3. There is just no other Pixar film that hit me, moved me, entertained me, and satisfied me more than Toy Story 3. Acting as a perfect culmination of the entire Toy Story franchise up to this point, Toy Story 3 is a perfect showcase of what happens when the kids grow up and are ready to move on to other things. It’s all about learning to let go of the past and embracing the future while also never forgetting the fond memories that got you were you are now. It’s able to be the funniest, darkest, and most emotional of all the Toy Story movies, the stakes are at their highest and feels the most personal, it has perhaps the best villain in all of Pixar with Lotso, and who can forget the final sequence that made grown men bawl like a baby! Yes, it’s a shame that Disney and Pixar didn’t stop the series here, but taking at it’s own thing, being an impactful film about growing up and evolution, Toy Story 3 is Pixar, animation, and cinema at it’s absolute finest!

Ranking The Films of Denis Villeneuve

This weekend saw the release of one of the most highly anticipated movies of the year with Dune: Part Two, directed by the one and only Denis Villeneuve. With that film expecting to be the biggest hit of 2024 thus far, what better time than any to rank all 11 films that have come from the great Villeneuve himself.

Denis Villeneuve is an interesting name when it comes to well known modern filmmakers. While he may not be as big of a household name such as Steven Spielberg or Christopher Nolan, he still does seem to be common favorite among film lovers, as he seems to always nail it when given the most pressure to do so. Even there are those that don’t care for his work or are currently high rolling at comments he’s made involving the push for longer films and film dialogue being devalued, they have to respect all the man has been able to accomplish thus far in his career.

With Dune: Part Two now out in theaters, the man has directed 11 motion pictures thus far. It’s time to take a look back at each one and see how each one ranks among the other. This is my best to worst ranking of the films directed by Denis Villeneuve!

11.) August 32nd on Earth

Denis Villeneuve’s weakest film thus far just so happens to be his very first one. There is a compelling and moving story hidden somewhere within August 32nd on Earth, a story about how times flies by quicker than one would expect and we will just never accomplish all the things we want to do throughout our lifetime. However, you can tell this is when Villeneuve was still trying to get his foot through the door and let his voice be realized on screen. The journey the characters are going through can’t quite match up with the overall scope of it along with not being able to stick the landing. It’s no disaster by any means but this is when the man’s unique filmmaking techniques had yet to be ironed out. That being said, you know you have gone to places when your worst film is the very first one that you have made.

10.) Maelstorm

Well, here’s the movie that’s about the most WTF thing imaginable when saying it out loud. We follow a young business woman named Bibianne who kills a fishmonger in a accident, disposes of the body, and then proceed to fall in love with the dead man’s soon. Oh, and it also happens to be narrated by a talking fish. Even when describing the main premise, Maelström is actually a simple pyschological thriller and has that mix of suspense and black comedy that not many of Villeneuve’s movies have. There are times where those two tones clash with one another but it’s worth a watch for yourself just to see if you are able to get into what it possibly the craziest thing that Villeneuve has ever done. I’m sure the narrating fish would approve.

9.) Polytechnique

Here’s the one Denis Villeneuve film that is based off a true story. Polytechinque dives into the 1989 massacre of students at Montreal’s Ecole Polytechinque, which saw the death of 14 women. Villenueve’s attempt to tell this tragic and haunting tale through three different points of views is ambitious but is lead to mixed results. While putting the spotlight on topics surrounding women’s trouble roles in society and reckoning with violence is admirable and done relatively well, the black-and-white visual style leaves the film feeling much flatter than most of Villeneuve’s films. Although, considering we are still having controversial debates surrounding the subject matter of this film literally 35 years later is deeply sad on the real world’s part. Even so, Polytechinque is able to set the stages for Villeneuve’s best French-language film, Incendies, later on down the road, which helps make this feel like a nice beginning of the end of his run with French-language films.

8.) Enemy

Here’s the film that is most remembered for it’s absolute effed up ending. We see Jake Gyllenhaal playing two different characters named Adam and Anthony, with the two becoming intertwined in each other’s lives and at literal war within themselves. Enemy acts as far in a way the most ambiguous film in Denis Villeneuve’s library, offering more questions than answers as to what version that Jake Gyllenhall is suppose to be the real person in the story. And of course, who can forget that ending which definitely left plenty of viewers tangled in webs, quite literally. I still can’t 100% say if Enemy works the way it was intended but it certainly kept me thinking all the way through which I imagine was it’s true goal. I’m sure Spider-Man would be proud with this one!

7.) Sicario

Here’s the film that saw Thanos and the Wolfman needing the help of Mary Poppins to fight Mexican drug cartels. In all seriousness, Sicario is a rock solid film that makes for probably the one film in Denis Villeneuve’s filmography thus far that can be seen as a straight up action film. The entire cast is fantastic here with the notable standouts including Benedict del Toro being completely terrifying as Alejandro Gillick, Jon Bernthal being as brutal and intense here as he is as the Punisher, Josh Brolin being reliably good as Matt, and Emily Blunt standing strongly as the lead and lone female presence of the picture. Credit also has to go to the masterful editing, gorgeous cinematography, and action sequences that are among the best of Villeneuve’s career. It’s rather inconsistently paced and the story itself is among the most conventional of Villeneuve’s films but Sicario is still damn good regardless. The fact this is in the middle-of-the-pack in this rankings says more about this director’s impressive track record than it does to devalue the true quality of this film.

6.) Dune: Part One

The first chapter of Villeneuve’s sci-fi adaptations of Frank Herbert’s work of Dune is a remarkable and impressive visual achievement that was made for the big screen. With it’s enormous scale, diverse cast, and world building like we haven’t seen before in recent memory, this sci-fi epic is just ready to insert itself into every book of “movies you must watch before you die” imaginable! Even after how impressive Part Two delivers, Dune: Part One still can’t help of getting too wrap up of being the first part of a story with pacing that feels a tad too slow and the overall feeling of the best still having yet to come. Even so, Dune is still able to accomplish feeling like a modern day Star Wars the way is has been hyped up to be and is practically destined to become the next big sci-fi epic that Hollywood will desperately try to copy and replicate with iffy results.

5.) Incendies

Among the last of the foreign released films in Villeneuve’s rose gallery, Incendies is still more than welcome in being the top five on this list. This is the film that pulls absolutely zero punches whatsoever and doesn’t shy away from the harsh realism of society. You think everything is going to be alright for one moment and then the rug will be pulled right from under your feet. Villeneuve is able to continue that bleak and complex storytelling that he is well known for along with providing what is hands down the best twist out of any of the films he’s done. Even once you know what it is, it will still be on your mind days after seeing it. Big credit also has to go to Melissa Desormeaux-Poulin with her emotionally powerful performance that helps carry the film. Even with all of his other dark and moody films on display, I don’t think there is a film that Denis Villeneuve has made that has haunt me the way Incendies did.

4.) Blade Runner 2049

I don’t think there is a sequel that seemed like the definition of a bad idea than Blade Runner. The original was a sci-fi epic that was way ahead of it’s time and had multiple different ending that did not demand a follow-up. However, Villeneuve makes what seemed like a near impossible task seem easy as Blade Runner 2049 acts as a more than worthy companion piece to the original Blade Runner. It’s able to expand upon it’s ideas and concepts of the original surrounding identity and purpose while showcasing some of the most impressive visuals and cinematography ever put to film. Ryan Gosling is able to carry the film completely as Officer K and Harrison Ford’s return as Rick Deckard is perhaps even more satisfying than his return as Han Solo and Indiana Jones. Also, Ana De Armas might be objectively the most beautiful woman on the planet! I could have done with a shorter length and without Jared Leto’s presence whatsoever, but Blade Runner 2049 is still a great case of a dangerous stunt being performed perfectly. Even if Denis Villeneuve ultimately regrets taking the mantle from Ridley Scott’s original cult classic, this is still an example of a legacy sequel done right and he should have nothing to be ashamed about the end results of this whatsoever.

3.) Prisoners

For many film fans out there, this was likely their first exposure to Denis Villeneuve. Prisoners is a dark, bleak and depressing look on child abduction and parents facing their absolute worst fear of losing their only children. Hugh Jackman and Jake Gyllenhal give incredible performances here, Roger Deakin’s cinematography is absolutely impeccable, and the mystery behind who kidnap their children is able to keep you guessing and have you on the edge of your seat the entire way through. Btw, NO, the ending is NOT ambiguous and should be common knowledge that it got resolved! Even with a runtime of two hours and thirty three minutes, Prisoners makes for an incredibly intense and gripping thriller that will have viewers understand the bleak reality of parents not always being there for their kids and the lengths they will go through to save them. This was admittedly my first Denis Villeneuve film that I watched and man, what an introduction that was!

2.) Dune: Part Two

If Dune: Part One acted as Villeneuve setting the training wheels on his bike in motion, Dune: Part Two sees him being able to successfully take those training wheels off and pushed that bike down the hill with good graces. Nearly all that set up that amounted in Part One has immensely satisfying pay offs in Part Two. The action and set pieces are taking to a whole new level, every single member of it’s talented, stacked cast get their own moment to shine, the cinematography is absolutely jaw dropping and makes the IMAX experience 100% worth it, and it’s able to push all the right buttons on making a perfect sequel, instantly comparable to the likes of The Empire Strikes Back, The Two Towers, and The Dark Knight. This is an instant sci-fi classic that will likely go down as one of the best cinematic experiences that I along with others will have all throughout 2024. Even if it’s not quite my favorite film of Villeneuve, Dune: Part Two will likely go on to be his most successful film to date and one that shall get the attention of the remaining moviegoing audience that aren’t yet familiar with his name.

1.) Arrival

It’s quite fascinating how Villeneuve’s recent comments about how he encourages longer films nowadays and doesn’t encourage dialogue in films when perhaps his best film to date is Arrival, a film that’s not only a slim 116 minutes long but is the best film about language that I’ve ever seen. Despite those odd comments, this still remains one of the best, riveting, complex, and most emotionally satisfying sci-fi films I’ve seen in the past decade. A film that at it’s heart is not only about language and communication but also about the whole world coming together to prevent the worst possible outcome between the human race and extraterrestrial intelligence and encouraging only the best one imaginable. Amy Adams gives an absolutely powerhouse performance alongside her fellow cast members, Denis Villeneuve’s direction has never been better than it has been here, it’s exploration of communication and how to respond to other alien species is fantastic, and it has one of the most beautiful scores for a film I’ve ever heard. Plus, if you don’t get a little misty eyed by the end, you are a robot. Brilliantly directed, written, and acted, Arrival is Denis Villeneuve’s best film to date and one of the best sci-fi films I’ve ever seen period.