Pixar is in quite a fascinating spot at the moment and even for the better part of the last 15 years! Even when delivering a handful of quality and/or downright excellent films over that time period, they’ve always seemed to be in a position to prove themselves with ever new entry they’ve released since the 2010s rolled around. It doesn’t matter that they put out Inside Out, Coco,Soul, and Turning Red during that time because Cars 2, Brave, The Good Dinosaur, and Lightyear all exist as well. This mindset especially takes center stage whenever they put out a sequel that is not Toy Story related (and even then, the last few they put out in Toy Story 4 and Lightyear got plenty of folks barking). Despite the majority of them turning out to be a success from both a critical and financial standpoint (Finding Dory, The Incredibles 2, and Toy Story 4), they always tend to get heavily scrutinized for either not being as good as the original or just for the pure fact that they even exist at all. This thought process going into each non-original Pixar installment is very infuriating to me.
I understand in this day and age where people have more of an eye of what’s going on from behind the scenes then ever before and the corporate politics that come into play are as incredibly obvious as they come but at the end of the day, you have to judge each film as their own thing and not based on how much you detest the creativity black hole in Hollywood. I bring this up because for all the good that there is to be found in Inside Out 2, I can only imagine we will see those exact counter arguments against it that you would not find for other sequels made by other animated studios.
As for the movie itself, it’s about as good of a sequel to the original Inside Out as you can get, and in some ways is even better than the first one. It still does it’s job in taking the series to the next level, where we follow Riley taking the next steps into her life, not only becoming a teenager but being more aware of the world that surrounds here. It still has that same heart, it still has that same music, and it still has the same emotions but it is also has the same form of creativity that the very best of Pixar films have. If the original Inside Out is one that resonated the most with children, then Inside Out 2 is one that I can see resonating with teenagers and adults. Even if I slightly prefer the first one, the sequel is more than a worthy companion piece to it that should not be dismissed in any way, shape, or form.
Premise: Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale) and Disgust (Liza Lapira) have been running a successful operation by all accounts. However, when Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adele Exarchopoulos), and Embarrassment (Paul Walter Hauser) shows up, they aren’t sure how to feel.
Even if you take into the account of the numerous amount of sequels that Pixar has made for the past 15 years, I’ve argued that Inside Out was the first Pixar film outside of Toy Story that had more than enough material to justify making multiple sequels out of here. Mostly because, just like with the Toy Story sequels, Inside Out 2 seems most interested in taking the characters to the next step on their journey along with continuing the themes involving growing up, getting older, and finding your place in the world along the way. Those themes ring true to not just the story with Joy and her fellow emotion companions but also to Riley herself.
While Joy and the emotions of old and new that come into play do have a main significant role in the film, the main beating heart reigns with Riley. Not that it wasn’t the case in the first movie but here, we clearly see that Riley is now in the part of her life where she must gain controls of her emotions instead of letting the emotions control her. As she is now hitting the age of a teenager, she has now become more aware of the imperfect and flawed world around her. She loves hockey and her friends but if she can’t make the right choices, then there’s a chance that neither one of those factors can happen. It’s only when finding control of her emotions where Riley can determine the outcome of whether or not she can make the new hockey team, and still connect with friends of old and new. Whereas the first Inside Out saw the original emotions due the heavy lifting for Riley because she was still at the age where she didn’t know any better, Inside Out 2 shows the character having to learn to keep the original and new emotions in check, and having to do so at the most crucial part of her life.
That makes the arc that Joy goes through be a perfect counterpart to Riley’s own growth. Much like with Woody in Toy Story 2, Joy must come to terms with the fact that she can’t control Riley, no matter how hard she tries. As you get older and get more experience in the real world, it gets harder to stay positive and optimistic because you are now more aware of the consequences that you can go through when things don’t work out. And this usually always come during a time where you must develop your own self conscious and have better control of your emotions. Even if she can’t make Riley into what she wants her to be, Joy must do everything she can to be there for Riley whenever her own kid needs her. It’s parallels like these that help make Inside Out 2 stand out as a really affective and worthwhile sequel.
It’s not just Joy that gets the spotlight but the other emotions get their time to shine as well. This time around, it sees the original group of emotions with Joy, Sadness, Fear, Anger, and Disgust go on this adventure together as they must get back up to the tower to stop Anxiety, Envy, Embarrassment, and Ennui from controlling Riley. Each one of them get their own standout moments and it’s interesting to see them all develop different emotions within them the way that Joy was able to in the original Inside Out and even now.
And of course, you got to mention the new players in Anxiety, Envy, Embarrassment, and Ennui. Anxiety is definitely the biggest standout as the leader of the group and taking matters into her own hands. Much like with the way the first film portrays Sadness, I respect the fact that the film doesn’t look to portray Anxiety as a villain but more as an antagonist. She’s not trying to do everything because she’s evil but because she thinks that is the right thing to do, even if her methods are rather flawed. Envy is cuter than a bag of kittens, Embarrassment is able to get his own G.O.A.T. moment as perhaps the most relatable of the new emotions, and Ennui is just the perfect description of Generation Z always on their phones in a nutshell.
The voice cast from top to bottom is stellar all around! Amy Poehler brings just as much joy (no pun intended), charm, and energy as she did in the first film, the new additions of Maya Hawke & Ayo Edebiri as Anxiety and Envy are such an absolute blast as well, and even if the (unfortunate) departing of Bill Hader as Fear and the (fortunate) departing of Mindy Kailing as Disgust is noticeable, both Tony Hale and Liza Lapira fit into the roles rather well, with Lapira in particular standing out much better than Kailing. Also, a big shoutout to Adele Exarchopoulos as Ennui. And Ron Funches as Bloofy. And Yong Yea as Lance Slashblade. And pretty much anyone else I didn’t mention. Moving on!
The animation is as breathtakingly beautiful as you would expect for a Disney film in 2024, the expansion of Riley’s mind is explored as well as it can be, the music is as soothing as before, and while there’s not quite a sad bit on par with Bing-Bong or a funny bit on par with “GIRL ALERT!”, the film does provide enough unique beats of emotion and comedy of it’s own that it more than makes up for it. The standout sequence in particular is one that I imagine will be the main talking point of this movie and the moment that I imagine the folks behind Pixar took inspiration from Uncut Gems. I’m sure Adam Sandler would be proud of that.
The nine-year long awaited sequel to Pixar’s surprise hit in 2015 is as every bit of affective, earnest, and heartful as it’s predecessor. This is arguably the first Pixar sequel not related to Toy Story that seems to have more on it’s mind to justify it’s own existence other than branding and merchandising. Going from seeing Riley as a youth moving to San Francisco to a teenager looking to make it into the high school hockey team with the popular girls, this sequel takes the logical next step into showcasing the inner turmoil of taking the next step to puberty with anxiety, envy, ennui, and embarrassment entering the picture, portrayed perfectly by newcomers Maya Hawke, Ayo Edebiri, Adele Exarchopoulos, and Paul Walter Hauser. There are nits to be picked such as having a familiar plot and structure as the original and a wrap-up that perhaps is a bit too squeaky clean by Pixar standards but as a whole, Inside Out 2 is able to act greatly as a natural continuation and expansion of the first movie’s story and themes.
As much as plenty of folks have been down on Pixar as of late with it’s abundance of sequels, I sure hope that Inside Out 2 is good enough for them that they can let it all slide and appreciate the film the way it was suppose to be appreciate. I can only hope these same folks get their butts in theaters around this time next year for Elio and whatever original film that is slated to come out in March 2026. Only then will they have a right to complain! But for me, after two films this great, I would welcome a third film with open arms!
Bring on Inside Out 3 if you may! (Oh and please bring Lance Slashblade in Kingdom Hearts 4!)
Here it is! It took a lot of time and effort from me but I’m ready to share my ranking of all Pixar films from worst to best! Everyone tends to have their own opinion of what constitutes as the very best and worst work form this company! Even so, there’s no denying that this is a company that has a huge impact on the way we all view animation and even cinema in general! If someone claims there has never been one Pixar movie that left a lasting impression on, they are lying through their teeth! To put it simply, they are one of the very best to ever make movies! Now that Inside Out 2 is now out in theaters, let’s rank all 28 movies they have released thus far!
28.) The Good Dinosaur
The worst Pixar film is probably one you either forget exist or were never even aware of it’s existence. The troubled production that The Good Dinosaur faced during the development of it is as clear as daylight onscreen. It’s got a neat and exciting premise (Dinosaurs never becoming extinct and living among human beings!) that it does nothing with. It’s got wonderful animation but there’s no creativity to do it whatsoever. It’s got a story about a relationship between a young mute boy and a dinosaur that is told in the most dull and predictable way imaginable. And that’s not even going into the inconsistent tone, shockingly poor voice work (The kid’s voice for the dinosaur just doesn’t fit whatsoever!), and even a scene where the kid and a dinosaur are basically… high on drugs. (Yes, really!) It’s certainly more watchable than other bad animated films out there and there’s a few moments when the visuals are allowed to do the talking that are effective, but The Good Dinosaur is a dull, mediocre, and plain forgettable mess. I guess that says something when Pixar’s worst film is one that no one remembers.
Here is probably the first Pixar film that pretty much everyone agreed was bad. No one was really clamoring for a Cars 2, not even fans of the original Cars, but considering this was John Lasseter’s (a name that just about everyone wants to forget by now) passion project along with one of Disney’s most successful toy brand, there just had to be a sequel somehow. This time around, Mater is put to the forefront and it doesn’t work for the same reason that most comic relief characters don’t work then they are given the spotlight, they just don’t work as their own character. You also have a bizarre premise surrounding spies and espionage, an overly complicated plot, and an incoherent narrative that it makes you forget that first film was literally about a race car learning humbleness. At least it still looks good with nice new locations added and some entertaining action scenes but those aren’t anywhere good enough to justify this sequel’s existence. While I can conceive that Cars 2 is slightly overhated, it’s also not a film that is deserving of being defended in any way.
25.) Lightyear
For what is suppose to be Andy’s favorite film is actually the most mid and run-of-the-mill Buzz Lightyear film you could possibly imagine. It’s ironic that this is the first Pixar film in the post-covid/Disney Plus era to be released in theaters and yet Lightyear feels like the only one that was strictly made for Disney Plus. The first 2/3rd’s play out as the most conventional space adventure ever that leads to a third act that contains one of the dumbest plot twists in Disney history. It’s so bizarre seeing Pixar spent so much of the Toy Story films building Buzz’s legacy and history as a space ranger only to just toss that aside completely for his feature film. Not even the excellent animation and the awesome sidekick in Socks could make this space opera even remotely appealing. Lightyear should have been a slam dunk for Pixar but instead, it’s far in a way their most safe and obligated film that they’ve ever released. If you want to see a proper Buzz Lightyear film, just pop in Buzz Lightyear of Star Command: The Adventure Begins and call it day.
24.) Onward
This might certainly be a hot take but I found Onward to be quite lackluster. It has a fascinating premise with an emphasis on Dungeons & Dragons along with a very recognizable cast of celebrities that seems like they are having fun in their roles. Unfortunately, the execution of the picture left plenty to be desired. The world of Onward feels rather half-baked with little that is explained or flesh out on how it all works, completely lacking the compelling setting that Zootopia had, the relationship between the two brothers feels more irritating than engaging, and having nearly the whole film be about two kids resurrecting their dead dad’s lower body/crotch is beyond weird. Even if the ending, which many people claim makes the film, left me underwhelmed as it felt like nothing was accomplished for the main character by the end. I know this film has work well for others but it didn’t work for me whatsoever. Sorry, guys!
23.) A Bug’s Life
Here we have the film that takes the crown for being the most generally “okay” Pixar film that they have ever released. What makes it all the more ironic that this came out just around the time that DreamWorks’s Antz did, which would also take the crown for being the most generally “okay” DreamWorks film that they have ever released. How is the story? It’s okay! How are the characters? They’re okay! How is the animation? It was okay for the time! How is the sound? It’s okay! How is the main villain? He’s….actually pretty awesome and probably one of the best Pixar villains ever, and also happens to be voiced by a real life villain himself! No, I will not mention him by name! There’s not much to say about A Bug’s Life other than what I’ve been saying throughout. It’s just okay!
22.) Incredibles 2
Everyone and their mother had been waiting years for an Incredibles 2! With the original being one of the greatest superhero films ever made, everyone wanted to see more adventures with this super family! And after a 14-year long wait, we got a sequel that is aggressively…..just fine! There’s plenty of things to like about it! The animation is great, the action sequences are a lot of fun, it’s quite funny throughout, each character get a moment or two to shine, Michael Giacchino’s score is on point, and it was cool to see Elastic Girl get more of the stoplight this time around. Unfortunately, all the good things that are presented are hindered by a weak narrative with a plot and themes that has been done a million times before in other superhero films with nothing new added to it. It also has probably the most predictable plot twist in animation history with the main villain of the Screenslayer, who pails EMBARSSINGLY to Syndrome! For those that just want to spend more time with the characters from the original, you will likely be satisfied. However, for everyone else, you will likely be underwhelmed. To put it simply, Incredibles 2 is too late…14 years too late!
21.) Monster’s University
I don’t know how many people in the world were clamoring for a Monsters Inc. prequel that put focus on Mike and Sully’s early days in college but we got exactly that in 2013 with Monsters University. This is similar to Lightyear, where the first two acts plays out as predictable and straightforward as you could imagine with a third act that’s literally the exact opposite of that with a wild turn that either makes or breaks the film. Whereas Lightyear‘s third act completely broke the movie beyond repair, Monster University‘s third act makes the whole movie worth it, with a heart hitting message about how not everything is set in stone for everybody and there are other options for you out there if you are unable to follow the traditional path. While everything before then is enjoyable enough, the final 30 minutes of Monsters University saves the entire movie of being another useless prequel. I still would have liked to see a sequel of Boo all grown up though.
20.) Finding Dory
Here’s another solid “good enough” B movie to an A++ predecessor! While Dory was a beloved character in the original Finding Nemo, there was the question of whether or not she would be good enough to carry her own film considering she was the comic relief of that movie! Thankfully, unlike Mater, Dory has an engaging story of her own, where she looks to find her long lost parents while fighting her short term memory crisis. There’s too much nods and winks to the original with a climax that’s a bit too ridiculous for what it’s worth, Finding Dory manages to exceed quite while when it comes to laughs, character drama, and even emotion. Keep swimming indeed Dory!
19.) Cars
There are plenty of folks that decried the original Cars when it came out in 2006 because it was no Toy Story or Finding Nemo. However, when looking at the film for what it’s trying to be, it’s actually a sweet, moving, and nostalgic road trip movie that acts as a great tribute for Route 66. There’s also a nice story here where Lightning McQueen learns the value of life and there’s more to it than just winning a race. Plus, you are lying if you claim that Doc Hudson isn’t a great character and the ending wasn’t brave and heartwarming. It’s world of cars may not make the most logical sense and does come across as a more kid friendly version of Doc Hollywood, but Cars is still an enjoyable film that doesn’t deserve the scorn it’s gotten over the years. While it’s far from the best Pixar film, this is certainly one of the ones I’ve felt the most nostalgia for. Also, R.I.P. to the great Paul Newman!
18.) Cars 3
I never would have thought the most unnecessary of the Pixar sequels to come out in the 2010s was actually one of the better ones. In a area of legacy themed sequels, Cars 3 is able to stand out uniquely on it’s own. Much like Top Gun: Maverick, it’s able to have it’s cake and eat it too with a film that shows that Lightning still has it in him to compete with the younger, modern racers while also being able to teach a younger, modern racer in the meantime. The animation and racing sequences have never been better, Lightning McQueen is at his absolute best here, Cruz is a nice new addition to the series, and the way it ties back to the legacy of Doc Ock is very well done. Jackson Storm himself is a pretty bland villain and there’s too many “old” jabs at Lightning but for what it’s worth, Cars 3 makes for the best Cars film in the series and a fitting way to wrap up the trilogy.
17.) Luca
If there’s one film out there that I would describe as being the perfect “summer” movie, look no further than Luca. It’s a delightful and relaxing film about two best friends as human beings trying to spend their summer outside of their own comfort zone as actual fish. If you ever wanted to see a Pixar film in the style of traditional Studio Ghibli movies but in 3D, this is basically what you get. The first 20 minutes or so aren’t great, but once the kids get up to the surface, it’s a really fun time and makes for a perfect way to take time out of the summer heat.
16.) Elemental
Perhaps it’s because things have slowly changed for me in my life than it was when I saw this film back in June but I definitely believe Elemental will stand the test of time as being an absolute gem of Pixar’s library. Maybe not the very best but definitely one that plenty will find to be another worthy addition to their library. It’s looks gorgeous, it’s very charming, the characters are engaging, the music is beautiful, and even the similar themes it tackles are done very well and might even stand out greater than other Disney and Pixar films that have done it to some people. I’m sure glad this film was able to stand strong at the box office as this might be an encouraging sign for Pixar’s future in movie theaters. I might have not enjoyed The Good Dinosaur but director Peter Sohn was able to win me over in Round Two with Elemental. If you haven’t checked it out yet, I highly recommend it.
15.) Toy Story 4
Everyone was worried about a Toy Story 4 and for good reason. After the perfect way that Toy Story 3 wrapped up, where exactly was there left to good? As it turns out, that’s exactly what Toy Story 4 is about and why it’s able to succeed despite the worst possible circumstances. It’s an interesting experiment of how to continue on with your new story after your previous story basically ended. The real key trick here it doesn’t so much functions as a “true” finale to Toy Story but more as an epilogue. You also got some great new characters, Bo Peep’s welcome return, and an ending that wraps up Woody’s story very well. I could have done without the “inner voice” jokes with Buzz tho. Toy Story 4 was like the equivalent of watching a friend perform a very dangerous stunt after they claimed they were done doing them a long time ago. And while you are glad they were able to stick the landing well, you would rather they don’t do it again. (Yet, for some reason, they are! UGH!)
14.) Monsters Inc
Talk about a film that’s able to take a familiar idea but executing it in a way that makes it feel fresh and new. Monsters Inc. is able to exceed greatly on that front thanks to an exciting world in Monstropolis, some incredibly inventive set pieces (especially the end sequence with the doors), two very likable leads in Mike and Sully, and of course, a strong central relationship between the monsters and a little human girl that is Boo. I don’t care much for the main villain and don’t recall remembering much about the other side characters but Monsters Inc. is still a very enjoyable watch that holds up strongly to this very day.
13.) Turning Red
One of Pixar’s most divisive films to date is also one of their most important ones they’ve ever released. I can’t recall a film in the Pixar library that is has open and honest with itself as Turning Red. It take risks and tackles subject matter that at least 99% of other animation studios are probably afraid of tackling for a supposed kids film, it has a strong thematical and emotional core that holds the whole thing together near perfectly, and has animation that serves it’s purpose and executed in all of the intent and purpose imaginable. This is a wonderfully, lovable movie about an awfully, cringe-able time period that we all have or will have to go through. There are definitely some things you can criticize (The mother is way too much of a Karen for my liking!), but Turning Red is certainly a film that anyone that has gone through that awkward stage of their lives can get something out of. Just a shame this movie is remembered not for it’s overall quality but for resurrecting 9/11 memes! Thanks Mr. Enter! Thanks!
12.) Wall-E
There seems to be two sides to Wall-E: those that thought the film was absolute perfection from beginning to end or those that adored the first half but only liked the second half. I would say I’m part of the later category. The first half to Wall-E offers some of the best visual storytelling I’ve seen in any film, daring to go almost complete silences and let the animation do all the talking. Then comes the second half that while good is slightly underwhelming considering how more conventional it feels compared to the first half. Thankfully, Wall-E is arguably the most lovable robot in all of action and his relationship with Eve is incredibly engaging. The film perfectly encapsulates innocence, purity, and hope in a dying world. If it was able to stick to that silent storytelling the whole way through, it probably would have made it’s way to the top ten!
11.) Inside Out 2
The nine-year long awaited sequel might fall just shy of it’s predecessor (along with the top 10 of this list) but that shouldn’t discredit Inside Out 2 as being a really affective and worthwhile sequel. This is arguably the first Pixar sequel not related to Toy Story that seems to have more on it’s mind to justify it’s own existence other than branding and merchandising. Going from seeing Riley as a youth moving to San Francisco to a teenager looking to make it into the high school hockey team with the popular girls, this sequel takes the logical next step into showcasing the inner turmoil of taking the next step to puberty with anxiety, envy, ennui, and embarrassment entering the picture, portrayed perfectly by newcomers Maya Hawke, Ayo Edebiri, Adele Exarchopoulos, and Paul Walter Hauser. While it’s still able to delivers the laughs, thrills, and emotional beats of the original, there’s not quite a moment that is as tear-jerking as Bing-Bong or as laugh out loud as “GIRL! GIRL GIRL!”. Even if that in of itself prevents it from topping the original and cranking the top 10 list, Inside Out 2 is able to act greatly as a natural continuation and expansion of the first movie’s story and themes. Bring on Inside Out 3 if you may! (Oh and please bring Lance Slashblade in Kingdom Hearts 4!)
10.) Toy Story
Not only the one that started it all for Pixar but the one that started the trend of 3D animation! The idea of toys coming to life when the kids are not around is executed to absolute perfection with a cast of characters that are all iconic in their own ways. Woody and Buzz makes for possibly the very best characters in Pixar history, the script is airtight, it’s paced marvelously, and there’s just not a dull moment to be found here. The overall formula of these movies have become more noticeable throughout the years and there are parts of the animation that don’t hold up but none of that can take away the amazing accomplishment that was the original Toy Story. The fact this is only #10 on the list is just more of a showcase of the amount of fantastic films that Pixar has made.
9.) Ratatouille
I can’t help but feel like this is the most overlooked Pixar film to date! In a sea of Pixar masterpieces, this one tends to get lost in the shuffle. Ratatouille might be the most thematically rich and inspiring film in Pixar’s library, showing how anyone has their own talent no matter who they are or where they came from. Patton Oswalt is perfect as the lovable rat that is Remy, the whole supporting cast of characters are great, and who can forget the pitch-perfect speech at the very end which is an absolute all-timer. It does suffer a bit from the main of character of Linguini being arguably the least interesting character in the film but his chemistry with Remy is so spot on and the film around him is so great that it really doesn’t matter. This is a food porn film at it’s absolute finest!
8.) Up
If we are judging strictly on the opening of this film alone, this would probably be #1. Up has the most perfect first ten minutes of any film that I’ve ever seen, perfectly showcasing the origins of Carl as a young kid to an adult along with being the love of his life that was Ellie. Just like Wall-E, it goes from that silent form of storytelling to something a bit more conventional. However, the rest of the film is done so well that it really doesn’t matter. Carl’s arc of moving on from his past to enjoying the rest of his life while he can is incredibly well done, the side characters such as Russell and the dogs are a lot of fun, and Kevin might just be the funniest animal side character in animation history. Even if you take away the opening, Up is still excellent and is worthy of praise.
7.) Coco
This is one that has only gotten better in age, especially in the wake of my grandma’s passing (RIP, Grandma!). Not only is Coco a perfect representation of Mexican culture, especially with the traditional holiday of Day of the Dead, but it makes for a perfect human story of a flawed family that love each other despite their beliefs and traditions wearing them down. The animation is some of the very best ever put to film, the family dynamics are great, the world of the afterlife is brilliantly realized, and it has perhaps the most emotionally draining final act in Pixar history! Even the incredibly obvious bad guy reveal that has been redundant now can’t bring it down because of how it connects perfectly to the themes of the film involving the cons of pursuing greatness. While there are comparisons to be had with The Book of Life, Coco strands strongly as it’s own thing and as another home run for Pixar.
6.) The Incredibles
I don’t know how it took until five films for Pixar to make a film with actual human characters but they finally did that with The Incredibles. Even in an era where superhero films have dominated pop culture, The Incredibles still stands out as being among the very best that the subgenre has offered. The characters and themes are all ones that feels completely timeless even nearly two decades later, the action and set pieces are absolutely fantastic, every member of the super family gets their own moment to shine, and how can anyone not love the main bad guy of Syndrome. It also has the funniest Pixar short ever with Jack Jack Attack! There’s not a lot I can say about The Incredibles that hasn’t been said by everyone else already. It’s just awesome!
5.) Soul
This make for possibly the most human and relatable film that Pixar has ever made! Soul goes into great depth in showcasing the meaning of life and why it’s worth living to the fullest. You aren’t going to last forever and there will be a day where you suddenly die like Joe does. Until that time comes, make sure your life was one that was wroth living. Jamie Fox is perfect as Joe and as perfect chemistry with Tina Fey as 22, the ideas are executed in the most creative ways imaginable, the animation is incredibly impressive, it’s extremely funny throughout, and the message of finding satisfaction in your life is one that anyone can relate to no matter what age they are! If you need a film that can lift your spirits, help recognizes the talent that you have, and shows why life is indeed worth living, look no further than Soul!
4.) Finding Nemo
If there’s a film that perfectly captures every parent’s worst nightmare of losing their own child, it’s Finding Nemo! What might seem like a simple story of a father trying to find his son is able to be told in the best way possible! That is thanks to incredible world building that’s full of side characters who are all memorable no matter their screentime and perfectly exploring the ins and outs of the deadly deep blue sea. You also got a great emotional core with Marlin and Nemo, a perfect counterpart with Dory, and a hard hitting message of never taking the ones you love for granted and it’s better to be safe then sorry. No matter how many times I watch Finding Nemo, it always manages to be fresh and exciting all the same! If that’s not the best compliment to give a film, then I don’t know what is!
3.) Toy Story 2
Toy Story 2 is wildly considered to be one of the greatest sequels ever made and I have to agree 100%! It takes everything people loved about the first movie and expands upon them in every single way. With even more memorable characters, stellar animation, hard hitting emotion, incredible soundtrack, and timely themes anyone at any age can relate to, Toy Story 2 is one of the sequels that manages to be as good if not better than the original. Also, the opening with Buzz Lightyear might legit be the best opening for any movie ever! I love this film when I was a young kid watching this film on repeat on my VHS and I still love it to this day! It’s so hard to believe that this was the film that nearly broke Pixar because by the end, it only made them stronger.
2.) Inside Out
People were starting to doubt Pixar before this film came out with a handful of films that ranged from fine to aggressive mediocre for the past five years, but then Inside Out came out in 2015 and blew everyone away! This is an example of a film that takes an idea and does everything it possibly can with it. It showcases how negative emotions can be just as important as positive emotions and how to keep them all in check along with learning how to adjust to a brand new setting. The animation is beautiful, creative, and imaginative, each character is fully realized and engaging, the humor is great, the score is mesmerizing, the voice cast is prefect, and the emotional moments hit as hard as you could possibly imagine. While it’s not quite my favorite Pixar film, there’s a strong argument to be made that Inside Out is objectively the very best Pixar film!
1.) Toy Story 3
While I can concede that Inside Out is probably the best Pixar film, there is no other Pixar film that I would rather rewatch than Toy Story 3. There is just no other Pixar film that hit me, moved me, entertained me, and satisfied me more than Toy Story 3. Acting as a perfect culmination of the entire Toy Story franchise up to this point, Toy Story 3 is a perfect showcase of what happens when the kids grow up and are ready to move on to other things. It’s all about learning to let go of the past and embracing the future while also never forgetting the fond memories that got you were you are now. It’s able to be the funniest, darkest, and most emotional of all the Toy Story movies, the stakes are at their highest and feels the most personal, it has perhaps the best villain in all of Pixar with Lotso, and who can forget the final sequence that made grown men bawl like a baby! Yes, it’s a shame that Disney and Pixar didn’t stop the series here, but taking at it’s own thing, being an impactful film about growing up and evolution, Toy Story 3 is Pixar, animation, and cinema at it’s absolute finest!
It has been announced that Pixar will be laying off 14% of current employees due to Disney’s cost-cutting measures. This will be the biggest restructuring in Pixar’s history. Even after undergoing similar layoffs last year, which included Galyn Susman, the woman who helped keep Toy Story 2 at bay during production, yet another restructure is occurring at the offices of Pixar. Never mind the fact that last year’s Elemental was able to squeeze a profit after it’s incredibly strong legs or that Inside Out 2 is set to have the biggest opening weekend at the box office in 2024 so far! Neither one of those elements were enough to continue letting talented animators get the hammer!
Unfortunately, this has not been the only layoffs in recent memory within the animation industry. Back in March, shortly after Kung Fu Panda 4 had a strong opening weekend at the box office, DreamWorks had announced massive layoffs with their company as well. Even more so than the ones with Pixars, DreamWorks confirmed that many departments were cut in half and the creative staff on movies were to be reduced at least up to 50%. Yes, around HALF of the creative staff at DreamWorks were laid off a few months ago. Never mind the fact that Kung Fu Panda 4 had a solid opening weekend at the box office and has managed to gross over 530 million worldwide, becoming the second highest grossing Kung Fu Panda sequel domestically and even outgrossing the previous Kung Fu Panda installment. Not to mention, the lower 85 million dollar budget that certainly allowed for higher revenue that perhaps any other Kung Fu Panda movie to date. None of that was enough to save DreamWorks from being forced to clean house and restructure their entire company.
There are multiple reasons why this is all occurring to not only within the animation industry but nearly all forms of entertainment in general. Mediums underperforming or tanking at the box office and/or sales, bloated budgets that makes return outcome nearly impossible, rushed development cycles which artists are constantly overworked and crunched for times, etc.. However, I do think the #1 reason behind all of this has to do with the higher ups of these studios. In the cases I just mentioned, Disney and Universal.
If you have been seeing how technology is becoming more advanced by the day, you likely are familiar with the way A.I. has been playing a bigger role now than before. With artificial intelligence features such as ChatGPT becoming more common in every day use, it’s clear that studios are looking to have that be more incorporated to the way entertainment is made now. Not for the sake of quality but for the sake of quantity. Companies want A.I. to play a big role now because it will save them extra bucks in not having to hire more animators or artists. That way, more and more money can be made that can light their own pockets and NOT be spend on actual content themselves.
Many people find it blasphemy that big studios and companies are still trying to convert A.I. into their products at the expense of actual human beings after going through at least two major strikes because of that push. However, it just doesn’t matter in the eyes of the higher ups. They don’t know how to shortened the budgets of their content that doesn’t involve laying off a good portion of their employees. They just think A.I. is the big answer to all of their problems. Not because they want to experiment on different ways to make new forms of entertainment but because that will save them a few extra pennies. It’s about as greedy, corporate, and cynical as they come.
All of those reasons and more is why whenever the contract inevitably expires this year between the Animation Guide and the Alliance of Motion Picture and Television Producers (AMPTP), a strike is going to 100% occur. It’s not a WANT per se but an absolute NEED for both sides, if the future of animation is to thrive in the best way it can. Companies need to learn that they can NOT take animators for granted and needs them to provide quality entertainment.
Even if you take out the constant push for A.I., the animation industry has been infamous with it’s troubled production with films in recent memory. You have Across the Spider-Verse which had animators being treated extremely poorly by Phil Lord, causing hundreds of animators to leave the project. You have Kung Fu Panda 4 which had plenty of back and forth between the creatives and being rushed out of door during the multiple strikes to get out by spring. And do I even need to bring up the development history surrounding Frozen 2, which had a Disney Plus documentary in which the people who made it unironically state that they were overworked, crunched, and was basically making the whole movie up as they went along. And I can only imagine the stories we will be hearing about Moana 2, the Disney Plus series turned movie, during the holiday season this year?
Working in the animation industry or any entertainment industry is certainly hard and requires you to be working a TON to get each project out on time. But it should never come at the cost of someone’s mental health, insanity, or skills as a human being. You might be able to get away with that once or twice but to have EVERY production in animation going this way is a big no-no. That’s how you wind up with something like Megamind 2, that was litter with animation errors that became noticeable to anyone once the very first trailer dropped. Not only is the poor treatment for animators along with this constant push for A.I. to take over is affecting the work-life balance of animators but also the quality of animated motion pictures. And once you got so many of those poor quality animated films in a row, eventually people will catch on and your movies will end up bombing at the box office. Just ask Disney with Wish!
Yes, there has been plenty of great animated work as of late, regardless of their production history, but more times than not, these rushed developments cycles, harsh treatment of animators, and wanted to replace them with robots is causing major harm to the animation industry. At some point, you as an animator has to put your foot down and stand up to the studio saying “No! You will just not tolerate any longer! Treat us with the respect we deserve or we go on strike!” While it’s unlikely that will occur on it’s own, the soon-to-be expired contract between the Animation Guide and the AMPTP will certainly make the voices of animators be heard. And there is not better time for them to start speaking up than now!
Just like how actors and writers had every right to go on strike last year, animators deserve that very right! With big companies performing layoffs within the industry in the hopes of avoiding a strike, that is only going to throw more fuel into the fire. Laying off hundreds to thousands of animators in the hopes of giving those extra bucks to those that deserve it is NOT the answer! Replacing those animators with robots is NOT the answer! Putting the animators through hell with every single animation production is also NOT the answer! The only answer is to give them the proper care, treatment, and respect that they deserve to deliver the best quality creative product that they can!
It’s only then that animators may not have to strike. However, in this case and under THESE circumstances right now, they have more than earn their right to do so once they get the chance!
Adam's Blog 