Pixar is in quite a fascinating spot at the moment and even for the better part of the last 15 years! Even when delivering a handful of quality and/or downright excellent films over that time period, they’ve always seemed to be in a position to prove themselves with ever new entry they’ve released since the 2010s rolled around. It doesn’t matter that they put out Inside Out, Coco,Soul, and Turning Red during that time because Cars 2, Brave, The Good Dinosaur, and Lightyear all exist as well. This mindset especially takes center stage whenever they put out a sequel that is not Toy Story related (and even then, the last few they put out in Toy Story 4 and Lightyear got plenty of folks barking). Despite the majority of them turning out to be a success from both a critical and financial standpoint (Finding Dory, The Incredibles 2, and Toy Story 4), they always tend to get heavily scrutinized for either not being as good as the original or just for the pure fact that they even exist at all. This thought process going into each non-original Pixar installment is very infuriating to me.
I understand in this day and age where people have more of an eye of what’s going on from behind the scenes then ever before and the corporate politics that come into play are as incredibly obvious as they come but at the end of the day, you have to judge each film as their own thing and not based on how much you detest the creativity black hole in Hollywood. I bring this up because for all the good that there is to be found in Inside Out 2, I can only imagine we will see those exact counter arguments against it that you would not find for other sequels made by other animated studios.
As for the movie itself, it’s about as good of a sequel to the original Inside Out as you can get, and in some ways is even better than the first one. It still does it’s job in taking the series to the next level, where we follow Riley taking the next steps into her life, not only becoming a teenager but being more aware of the world that surrounds here. It still has that same heart, it still has that same music, and it still has the same emotions but it is also has the same form of creativity that the very best of Pixar films have. If the original Inside Out is one that resonated the most with children, then Inside Out 2 is one that I can see resonating with teenagers and adults. Even if I slightly prefer the first one, the sequel is more than a worthy companion piece to it that should not be dismissed in any way, shape, or form.
Premise: Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale) and Disgust (Liza Lapira) have been running a successful operation by all accounts. However, when Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adele Exarchopoulos), and Embarrassment (Paul Walter Hauser) shows up, they aren’t sure how to feel.
Even if you take into the account of the numerous amount of sequels that Pixar has made for the past 15 years, I’ve argued that Inside Out was the first Pixar film outside of Toy Story that had more than enough material to justify making multiple sequels out of here. Mostly because, just like with the Toy Story sequels, Inside Out 2 seems most interested in taking the characters to the next step on their journey along with continuing the themes involving growing up, getting older, and finding your place in the world along the way. Those themes ring true to not just the story with Joy and her fellow emotion companions but also to Riley herself.
While Joy and the emotions of old and new that come into play do have a main significant role in the film, the main beating heart reigns with Riley. Not that it wasn’t the case in the first movie but here, we clearly see that Riley is now in the part of her life where she must gain controls of her emotions instead of letting the emotions control her. As she is now hitting the age of a teenager, she has now become more aware of the imperfect and flawed world around her. She loves hockey and her friends but if she can’t make the right choices, then there’s a chance that neither one of those factors can happen. It’s only when finding control of her emotions where Riley can determine the outcome of whether or not she can make the new hockey team, and still connect with friends of old and new. Whereas the first Inside Out saw the original emotions due the heavy lifting for Riley because she was still at the age where she didn’t know any better, Inside Out 2 shows the character having to learn to keep the original and new emotions in check, and having to do so at the most crucial part of her life.
That makes the arc that Joy goes through be a perfect counterpart to Riley’s own growth. Much like with Woody in Toy Story 2, Joy must come to terms with the fact that she can’t control Riley, no matter how hard she tries. As you get older and get more experience in the real world, it gets harder to stay positive and optimistic because you are now more aware of the consequences that you can go through when things don’t work out. And this usually always come during a time where you must develop your own self conscious and have better control of your emotions. Even if she can’t make Riley into what she wants her to be, Joy must do everything she can to be there for Riley whenever her own kid needs her. It’s parallels like these that help make Inside Out 2 stand out as a really affective and worthwhile sequel.
It’s not just Joy that gets the spotlight but the other emotions get their time to shine as well. This time around, it sees the original group of emotions with Joy, Sadness, Fear, Anger, and Disgust go on this adventure together as they must get back up to the tower to stop Anxiety, Envy, Embarrassment, and Ennui from controlling Riley. Each one of them get their own standout moments and it’s interesting to see them all develop different emotions within them the way that Joy was able to in the original Inside Out and even now.
And of course, you got to mention the new players in Anxiety, Envy, Embarrassment, and Ennui. Anxiety is definitely the biggest standout as the leader of the group and taking matters into her own hands. Much like with the way the first film portrays Sadness, I respect the fact that the film doesn’t look to portray Anxiety as a villain but more as an antagonist. She’s not trying to do everything because she’s evil but because she thinks that is the right thing to do, even if her methods are rather flawed. Envy is cuter than a bag of kittens, Embarrassment is able to get his own G.O.A.T. moment as perhaps the most relatable of the new emotions, and Ennui is just the perfect description of Generation Z always on their phones in a nutshell.
The voice cast from top to bottom is stellar all around! Amy Poehler brings just as much joy (no pun intended), charm, and energy as she did in the first film, the new additions of Maya Hawke & Ayo Edebiri as Anxiety and Envy are such an absolute blast as well, and even if the (unfortunate) departing of Bill Hader as Fear and the (fortunate) departing of Mindy Kailing as Disgust is noticeable, both Tony Hale and Liza Lapira fit into the roles rather well, with Lapira in particular standing out much better than Kailing. Also, a big shoutout to Adele Exarchopoulos as Ennui. And Ron Funches as Bloofy. And Yong Yea as Lance Slashblade. And pretty much anyone else I didn’t mention. Moving on!
The animation is as breathtakingly beautiful as you would expect for a Disney film in 2024, the expansion of Riley’s mind is explored as well as it can be, the music is as soothing as before, and while there’s not quite a sad bit on par with Bing-Bong or a funny bit on par with “GIRL ALERT!”, the film does provide enough unique beats of emotion and comedy of it’s own that it more than makes up for it. The standout sequence in particular is one that I imagine will be the main talking point of this movie and the moment that I imagine the folks behind Pixar took inspiration from Uncut Gems. I’m sure Adam Sandler would be proud of that.
The nine-year long awaited sequel to Pixar’s surprise hit in 2015 is as every bit of affective, earnest, and heartful as it’s predecessor. This is arguably the first Pixar sequel not related to Toy Story that seems to have more on it’s mind to justify it’s own existence other than branding and merchandising. Going from seeing Riley as a youth moving to San Francisco to a teenager looking to make it into the high school hockey team with the popular girls, this sequel takes the logical next step into showcasing the inner turmoil of taking the next step to puberty with anxiety, envy, ennui, and embarrassment entering the picture, portrayed perfectly by newcomers Maya Hawke, Ayo Edebiri, Adele Exarchopoulos, and Paul Walter Hauser. There are nits to be picked such as having a familiar plot and structure as the original and a wrap-up that perhaps is a bit too squeaky clean by Pixar standards but as a whole, Inside Out 2 is able to act greatly as a natural continuation and expansion of the first movie’s story and themes.
As much as plenty of folks have been down on Pixar as of late with it’s abundance of sequels, I sure hope that Inside Out 2 is good enough for them that they can let it all slide and appreciate the film the way it was suppose to be appreciate. I can only hope these same folks get their butts in theaters around this time next year for Elio and whatever original film that is slated to come out in March 2026. Only then will they have a right to complain! But for me, after two films this great, I would welcome a third film with open arms!
Bring on Inside Out 3 if you may! (Oh and please bring Lance Slashblade in Kingdom Hearts 4!)
It’s been ten years since 2014! Let that sink in for a moment! TEN YEARS SINCE FREAKING 2014! I got nothing else to add than that!
In all seriousness, when looking back on 2014, I can never stop to think about just how much amazing films that came out of that year. No matter what genre of movies you like, there was something for you about everybody! Action, drama, comedy, horror, suspense, thriller, and also some superhero stuff! I would go as far to say that 2014 was the best year for films since I’ve been alive. Yeah, it was THAT good!
And maybe it was just me but I also can’t help but feel like this was the last “tolerable” year when it came to discourse surrounding films and entertainment! Before it was all about what’s woke and what’s not and something something something “cultural war”, the conversation surrounding film was more on what the medium itself was about and NOT the politics behind it all, both from a studio standpoint and social/cultural standpoints! Yes, we did unfortunately get a sneak preview with what was to come for the next decade with the infamous geek culture movement that was GamersGate but at the time, it was easy to ignore that and just judge films for what they actually are!
And if I were to judge 2014 in film form, I don’t think you could get much better than this! There were bangers after bangers scattered throughout the entire year, from a promising spring to a knockout summer movie season to a worthy Oscar season. There were so many great films to come out in 2014 that I couldn’t narrow it down to just 10 or 15 movies! No, I had to go with 20 of them, TWENTY! And there were also ten other honorable mentions that I couldn’t squeeze but desperately wish I could! That should give you an indication of just how incredible 2014 was for movies!
Let’s not waste anymore time and dive straight into this list! Starting off with my TEN honorable mentions!
Honorable Mentions:
Enemy
The Theory of Everything
22 Jump Street
A Most Violent Year
Locke
The Boxtrolls
The Drop
The Imitation Game
The Fault In Our Stars
Frank
That’s right! Not a single one of those was able to crack my top 20! You starting to see why I keep saying that 2014 was an AMAZING year for films! Anyways, now my top 20!
20.) The Babadook
Starting off the list is was my favorite horror film to come out in 2014 with The Babadook! Jennifer Kent is able to start her directing tenure with a bang with with this creepy and terrifying thriller, acting as perhaps the scariest film at the time since Sinister. The performances from Essie Davis and Noah Wiseman are stellar, the atmosphere is as haunting as it could get, and the Babadook itself is one of the more scary antagonists in recent horror movie history. It’s not quite a film that I go back to rewatch often but it’s undoubtedly a must watch for any fan of horror there!
19.) Fury
One of the most compelling war flicks in recent memory, David Ayer is able to deliver a film about the horrors of war and the atrocities that come with it for those that are involved in it. Despite all the stellar things about this film such as the intense action sequences, great cinematography, and spot-on direction, it’s the performances from the cast members such as Brad Pitt, Shia Labeouf, Jon Bernthal, Logan Lerman, and Michael Douglas that is able to evaluate the picture even further to make it stand out as well as it does. It may not break any new boundaries for war films and there is a near half hour long detour that could have been trimmed down from time but aside from that, Fury is a damn solid war flick.
18.) Life Itself
Back in 2013, we lost one of the best and most respected film critics in the industry with Roger Ebert. One year later, we were able to get a great documentary that did this great man justice in Life Itself. A beautiful and emotional dive into this iconic movie review, showing his incredible legacy in a powerfully moving narrative among other critics and filmmakers out there. He was a film critic that earned the respect from every one around him and this documentary gives a great showcase as to why. RIP Roger Ebert! Cinema would never be the same without you! Two thumbs up!
17.) The Grand Budapest Hotel
While Wes Anderson can be a hit or miss filmmaker for me, he was able to hit big time here with The Grand Budapest Hotel! Anderson’s style is able to fit perfectly throughout this film, delivering his most striking visuals to date alongside an uncommonly fast-paced and engaging story. The cast members are all on top form here, the script is witty and full of charm, the production value is absolutely outstanding, and there’s even a very engaging and moving narrative at center, making everything matter more in the grand scheme of things. I do imagine most Wes Anderson fans would have this rank much higher on this list but The Grand Budapest Hotel is still more than worthy of landing a spot among the top 20 best films of 2014.
16.) Selma
If you’re looking for perhaps the most personal film of the year where you can hear the director’s voice throughout the entire picture, Selma would likely take the cake as the best of the year in that regard. This is a film where you can feel the weight of every scene, line, & moment that Ava DuVernay shows on screen. This is the kind of biopic that likely has and will be shown in schools so that generations never forget the message, spirit, power, and importance of the man that is Dr. Martin Luther King. It may not be the most comfortable watch but Selma is undeniably one of the most important watches of 2014.
15.) Snowpiercer
Captain America: The Winter Soldier was not the only 2014 film that had Chris Evans being a badass, that honor also is shared with Snowpiercer, directed by the brilliant mind of Bong Joon-ho. It’s a film that is able to exceed at being an action flick, a sci-fi epic, and a post-apocalyptic film all at that exact same time without losing any sort of cohesion. Filled with awesome set pieces, a memorable ensemble cast, and plot twists thrown at you at every turn, there is not a second of Snowpiercer that isn’t remotely entertaining or engaging. Even if the third act left a little bit to be desired, this is still a damn exciting ride that you should not miss! Just stay away from the tv series!
14.) Interstellar
What might be Christopher Nolan’s most ambitious film to date, Interstellar makes for one of the most interesting and intriguing sci-fi films of the 21st century. The film goes into great lengths about mankind’s place in the universe and what we are willing to achieve for the survival of the human race. The effects are a feast for the eyes, it’s superbly acted, the emotional core between Cooper and his daughter is very well done, and the first two acts is able to execute it’s themes to near perfection. It’s only the bumpy as hell ending and the way a certain subplot gets completely handwave by the conclusion that prevents this from being up there with Nolan’s very best. Even if it’s not able to stick the landing as well as it could have, Interstellar makes for one engaging ride that is worth experiencing at least one time.
13.) John Wick
Before the sequels would go even bigger, bolder, lore-heavy, and dive into traditional world building, John Wick was largely a smaller-scale self contained story about a hitman coming out of retirement to avenge the death of his dog, the last piece of his late wife that remained. It may be a rather straightforward and simplistic motivation but that’s all that’s needed. Because what matters most is that we get to see Keanu Reeves kicking ass once again and become even more of a badass than he ever did in The Matrix films. With elements such as the glorified action, awesome stunts, superb lighting and cinematography, an excellent supporting cast full of recognizable talent that all get their moment to shine, and of course, the awesome Keanu Reeves delivering cheesy one-liners in a direct but cool way. While some might take issues with the simplistic plotting /characterization along with needing to tolerate corny puns and having to suspend your disbelief, anyone else that is able to accept the tropes that have become common with action movies while also wanting something fresh and new should think John Wick is right up their alley. It’s one of those movies that is able to deliver exactly what you would ever want in an action movie and even more.
12.) How To Train Your Dragon 2
Fulfilling it’s role as the dark middle chapter of DreamWorks’s most critically acclaimed film series, How To Train Your Dragon 2 is a strong example as to why they can be counted on to deliver strong middle chapters for stories when they count the most. Taking the next level in terms of animation and technical achievements, this sequel is able to exceed for the same reasons that the very best sequels out there are able to do. It takes the characters to the next step of their development by putting them on a journey which makes them challenges who they are and why they do what they do. The voice work is also particularly strong here, especially with Cate Blanchett acting as Hiccup’s long lost mother. Not to mention, the surprising fate with one of the characters stands as one of the most bold moves that any DreamWorks film has every made. While the antagonist himself is a weak line and it lacks the freshness and novelty the first film had, How To Train Your Dragon 2 is still a very impressive animated sequel that is worthy of praise.
11.) Nightcrawler
One of the most gripping and unique thrillers to come out in 2014, Nightcrawler makes for one of the most fascinating character studies in recent memory! This is a film where the main character is basically an antagonist but he’s so interesting and menacing on screen that you just get engaged whenever he is on screen regardless. It’s a nice deep look into the inner meanings of being a reporter and the lengths one will go to in order to get the news and footage that they need. Jake Gyllenhaal is exceptionally excellent here, perfectly balancing the charisma and chaotic nature of it’s character. Complemented by dark and striking visuals, a strong supporting cast, and a rather haunting atmosphere, Nightcrawler delivers greatly as a unique, intense thriller! The fact it falls just shy out of the top 10 is criminal but that’s only because of how genuinely great these next ten films are!
10.) Captain America: The Winter Soldier
If Captain America: The First Avenger was a perfect period piece flick, then Captain America: The Winter Soldier was a perfect flick for the modern times. Not only a very well done espionage thriller with plenty of thrilling action, character development, and important subject matter, but it managed to make certain characters more interesting and badass than ever before. Captain America became cool to like in this one, Black Widow was more interesting and developed this time around (along with having the best hairstyle here), Nick Fury actually gets to do something here than just try to motivate the Avengers through pep talk, and man does Winter Soldier make for an intense and threatening presence whenever he is one screen. This was the Russo Brothers first film in the MCU and they were able to make one hell of a first impression! Captain America: The Winter Soldier was an absolute game changer for the MCU when it came out back in 2014 and it still remains one of their very best films to date!
9.) Edge of Tomorrow
Perhaps the most surprising summer blockbuster of the year, Edge of Tomorrow (or Live. Die. Repeat as it was later changed to….I think) was significantly better than it had any right to be! This is a time loop film that is able to do everything it possibly can with it’s Groundhog Day-like premise! It’s able to be action packed, entertaining, funny, well-acted, perfectly paced and be able to surprise you at basically every turn! Although Tom Cruise shows he’s still able to be a convincing action star outside of Mission Impossible, it’s Emily Blunt as Rita Vrataski that steals the show entirely, fondly earning the name the Full Metal Bitch! Yes, it’s a shame this film didn’t do that well at the box office (likely due to the film’s rather lackluster campaign) but that doesn’t change the fact that this is an absurdly great and clever sci-fi action thriller that is MORE than worthy of your time!
8.) Gone Girl
Even when you think that David Fincher has run out of ways to tell compelling stories, he proves us all wrong with Gone Girl. This works near perfectly as not just a faithful adaption of the novel which it is based on but it also works as terrific social commentary on the politics surrounding media and the consequences of coming to a general consensus without having all of the information. Ben Affleck might be damn good here but Rosamund Pike is absolutely INCREDIBLE here, giving perhaps the best performance out of any actress this year. With a fantastic script, great cinematography, an engaging cast, and a narrative that will keep you intrigue and guessing throughout, Gone Girl is a fantastic thriller and one of the very best films to come for the great David Fincher.
7.) X-Men: Days of Future Past
While there’s definitely a strong argument to be made that Logan is objectively the best X-Men film ever made, Days of Future Past is by far my absolute favorite “team-up” X-Men film in the series. From the superb character development to the amazing action set pieces (The Quicksilver scene is still an all-timer!) to the warm, dark tone to the resonate themes to the inventiveness of the time travel storytelling to the inspired score, this is basically everything you can ask for in an X-Men film or in basically any superhero movie in general. But the one thing I believe is most important to take away from Days of Future Past is how just because you are course-correcting your franchise does not mean the overall product has to suffer because of it. I can’t really recall any movie in recent memory that was able to be a kind of course-correcting movie without feeling the need to sacrifice it’s own quality for a brighter future. As curious as I am with how the Marvel Cinematic Universe handles the X-Men property from now on, I can’t imagine them topping this film or craft something as creative and inventive as this, at least in terms of live-action (X-Men 97 is MAGNIFICENT btw!)
6.) Birdman
The film that won Best Picture at the Oscars may not quite be the very best film that I saw in 2014 but in many ways, it’s pretty damn close! Birdman remains one of the most unique and original films in recent memory, giving a great insight into a legendary actor passed his prime, how film critics observe film, and the way that Hollywood operates in chasing successful trends. The one-shot gimmick is unique and never wears out it’s welcome, the screenplay is excellent, the narrative is engaging, the cinematography is more than Oscar-caliber, and the performances from Michael Keaton, Emma Stone, and Edward Norton is among the very best in all three of their careers. Even if it does have a tad sense of smugness throughout, almost as if director Alejandro Gonzalez Inarritu is shouting his frustrations at the way superhero flicks are taking over anything, Birdman is an extremely impressive cinematic achievement that it’s too hard to care about any potential shortcomings.
5.) Dawn Of The Planet Of The Apes
If you want a textbook example on how to do a proper summer movie blockbuster, thiswould be exactly what you find in that dictionary. Released in a loaded 2014 movie season that was serving constant bangers, Dawn of the Planet of the Apes was able to stand greatly among them. This is a layered, three-dimensional, and at times unpredictable film that is able to tell a cautionary tale about the roles that two different species play and every single one of them looking for the best possible outcome for themselves. Instead of going with a conventional “apes good, human bad” approach, Dawn instead shows the pros and cons of both the humans and apes, highlighting the gray area that is consuming both sides, as the two sides are trying to make for the best possible future for themselves in the worst possible times. We also can’t forget the spectacular visuals and motion capture of the apes that has never been better than it has been here, great action, perfect tension throughout, and one of the coolest and underrated villains in recent memory in Koba, played perfectly by Toby Kebbell. Perfectly paced, perfectly written, perfectly directed, and perfectly acted (Give Andy Serkis an Oscar already!), Dawn of the Planet of the Apes is blockbusters at it’s absolute finest, giving me all hope that we are still capable of making great franchise installments.
4.) The Lego Movie
One of the most genuinely surprising films in recent memory, The LEGO Movie was able to defy any logical odds and become an instant classic! This is a movie where you have the LEGO people be actual characters who get development, it’s own unique animation style, tons of exciting and inventive set pieces, incredibly funny and original jokes, poking fun at movie cliches, subverting expectations at every turn, and has a heartfelt message that can appeal to both kids and adults that have played with LEGOS at some point in their lives. Phil Lord and Chris Miller were able to fully realize their vision when sitting comfortably in the director’s chair and used this premise to create this magnificent animated picture. While I’m sure the movie was able to help sell tons of LEGO sets the way that stockholders hoped it would, The LEGO Movie was able to be something much more than simply be a movie exist to sell toys, even if that was intention with stockholders. It showed that just because you’re a brand doesn’t mean you have to sacrifice the artistic integrity and creativity to make something special.
3.) The Raid 2
You wanna talk about an action filmmaking TRIUMPH, that would be The Raid 2! Gareth Evans is able to take everything that made the original Raid so good and crank it up to ELEVEN here! The action is constantly non-stop, throwing one amazing fight at you after another with constant blood and carnage throughout, the shock value is off the charts, every single frame and set piece feel expertly crafted, the pacing is absolute rapid fire, and even the story and characters are quite engaging, helping make every fight scene that more gripping and suspenseful. I don’t think I have ever seen an action film with better fight sequences, more convincing stunts, and more superb fight choreography than this! There is nothing here that feels half assed, restricted, or unconvincing! Even if nothing that happened in this movie happened in real life, it will FEEL like that when you are watching The Raid 2! There’s been a lot of great action films out there but when it comes to the pure action itself, I don’t think I’ve seen a film that delivers that any better than The Raid 2!
2.) Guardians of the Galaxy
While this may not be technically the best directed, acted, or written MCU movie, I don’t think there’s any other MCU movie I would rather rewatch than the original Guardians of the Galaxy. It’s incredible how a movie with this different of concept and characters and play barley over two hours yet it still feels like the complete package. Every member of the Guardians of the Galaxy is instantly iconic and lovable, with the big standouts being Chris Pratt as Peter Quill/Star-Lord, Bradley Cooper as Rocket Raccoon, and Dave Bautista as Drax the Destroyer, the story is familiar but also refreshing with it’s own unique identity to it, the action scenes are well-crafted, it’s incredibly funny as hell, the score is kick-ass, and there’s some hard hitting emotions that feel just right. Even the one-note villain of Ronan the Accuser, is actually quite functional in his own way as being the space equivalent of Hitler. There are definitely Marvel movies that are better made and might be better objectively but you’d be hard pressed to find one that’s as fresh, surprising, and flat-out more entertaining than Guardians of the Galaxy! This is a film I can watch time and time again and NEVER be bored with!
1.) Whiplash
There are rare times when films feel more like than just films but feel like experiences! I don’t think I can think of a more fitting example of that than Whiplash! There was no film in 2014 that was able to enthrall me, challenge me, have me on the edge of my seat, or keep me engaged than Whiplash! This is not just a film about music but it’s about pushing yourself beyond measures to be the best version of yourself you can possibly me. It’s about the lengths you will go to accomplish your dream goals and what you are willing to sacrifice along the way! It’s about a professor trying to get the very best out of his student in ways that are unconventional and absolutely anxiety inducing! Best of all, Whiplash is about filmmaking at it’s finest! Damien Chazelle’s directing is spot-on, Miles Teller turns in the best performance of his career, J.K. Simmons’s Terence Fletcher is one of the best film antagonists in recent memory, the screenplay is as air tight as they come, the score and editing is sublime, not a single moment feel wasted, and the third act is one of the best and most satisfying climaxes of any film I have ever seen! When it comes to all the films I saw in 2014, there is not that stuck with me the most and had me appreciating the more I thought about it than Whiplash! An absolute masterpiece on every level and legit one of the best films I’ve ever seen period!
If there’s one thing that stuck with me throughout my viewing of Kung Fu Panda 4, it’s how the movie kept reminding me why the initial idea of Kung Fu Panda was mocked to begin with. That premise alone gives the indication that a panda voiced by Jack Black learning kung fu would basically play out as just being a typical slapstick comedy with dumbed down humor made for the littlest of kids, paint-by-numbers storytelling, and the most predictable reveals and morals imaginable. However, the greatest thing about the Kung Fu Panda movies up to this point is how it takes those “judging a book by it’s cover” expectations and cleverly subverted it into something better, smarter, and greater than it had any right to be. While I’m sure there were intentions of that for this latest installment with the Skaddoshinator (I promise that is the only time I will say that!), Kung Fu Panda 4 is basically the exact kind of movie we thought we were getting from this series from the very beginning.
The idea of a Kung Panda 4 was certainly not one that felt necessary but there were plenty of ways that another entry could work. While Kung Fu Panda 3 did bring a satisfying conclusion to Po arc’s in becoming the Dragon Warrior that he had always dreamed of, there was never a feeling throughout the third movie that it was the absolute endgame for the series. A third movie could be a fine stopping point but there was definitely another train coming along the way if anyone wanted to take it. And DreamWorks decided to take that train with Kung Fu Panda 4. I only wish they found an actual reason to want to hop aboard it.
Premise: Time has passed since Kung Fu Panda 3 and Po (Jack Black) finds himself on his last remaining days as The Dragon Warrior. Shifu (Dustin Hoffman) is ready to promote his panda apprentice to being the Spiritual Leader of the Valley of Peace, the highest ranking of all kung fu mastery. Before he does that, Po must choose a worthy successor to take the mantle of The Dragon Warrior.
However, a new deadly foe has emerged with a new shapeshifting sorceress known as The Chameleon (Viola Davis). The Chameleon is someone that has had her own ambitions of wanting to learn kung fu but never got the proper respect to be able to learn it. Because of that, she wants to take matters into her own hands and copy the kung fu from other notable warriors in the series rose gallery such as Tai Lung (Ian Mcshane), Shen, and Kai to become the kung fu warrior she has always inspired to be.
With the Furious Five not being available due to going on their own personal missions and Shifu supposedly aging, it’s up to Po to stop The Chameleon. However, he can’t find the sinister lizard without the aid of a wanted fox thief named Zhen (Awkwafina), who supposedly knows The Chameleon’s location and promises Po she can lead him right to her front door. Po and Zhen go on a journey together to put the new villain out of commission, where the former comes to the realization this might be his final adventure with The Dragon Warrior title and the latter wondering what side she’s actually fighting for.
Oh, and also Po’s two dads, Mr. Ping (James Hong) and Li Shan (Bryan Cranston), follow their son without him knowing because they are so worried that their son, who had already beaten the biggest named opponents out there up to this point, can’t handle a fight against this newest opponent for some reason.
When reading through that plot synopsis, it basically gives you the indication of where Kung Fu Panda 4 head is at every step of the way. Yes, Po has to learn to take his next step in life. Yes, he realizes he has a lot in common with his new wolf companion and new lizard foe than he initially thought. Yes, he has to learn the true meaning of change. And yes, who Po chooses to be the next Dragon Warrior is obvious the moment that character arrives on screen. However, whereas prior Kung Fu Panda movies were able to take familiar stories and add enough layers to it to make them stand out as fresh and unique tales, the plot of Kung Fu Panda 4 can be read like a book that you predict the expected beats five to ten pages in advance.
As I stated in the plot summary, The Furious Five are nowhere to be seen throughout the main film. Yes, there is an explanation given of their absence in an (admittedly) nice 2D animated sequence and they do show up right when the credits start to roll, but they have no presence in the story whatsoever. Whether this was because they wanted to put the spotlight on the new characters or the fact that the studios couldn’t afford to have Angelina Jolie, Seth Rogen, and crew return due to the film’s shockingly low budget is beyond me but fans who were hoping to see them in action in this one will be severely disappointed.
The newest player this time around is Zhen, played by Awkwafina. On paper, this casting make sense. The crew clearly wanted to hire a celebrity actress that has the same range of comedic chops as Jack Black provides to the titled panda himself. However, the reason why Jack Black has always been perfect as the character is how he is able to perfectly mirror the appearance of a fat comedic panda while still nailing the dramatic beats when needed.
Zhen doesn’t have that same gesture as she is just as feisty, parkour, and can handle herself in action as much as Po or even Tigress can. She basically plays out exactly how other characters voiced by Awkwafina have with nothing new added. She is yet another side character that’s snarky, wise-cracking, and might just have a heart of gold underneath. It’s not that the character herself is inherently bad but she’s not interesting enough to warrant having other characters being purposely written out just to make room for her. Zhen is mostly just your average “grey” character and doesn’t offer much to the Kung Fu Panda universe that other better characters in the series haven’t provided.
The main villain of The Chameleon does feel like more fitting character in concept but still feels like wasted potential. While she certainly has a resemblance to Kung Fu Panda 3‘s antagonist with Kai, with gaining the abilities of other notable kung fu warriors, her whole parallel with Po is the one aspect that Kung Fu Panda 4 provides that feels new and refreshing. Both of these characters were underestimated by society due solely to their appearances but went on to accomplish greater things. Whereas Po went on to become the greatest hero, The Chameleon went on to become the greatest villain. The perfect good guy/bad guy dynamic is right here and could be possibly the most compelling one in the series to date if enough time and care was given into it.
Unfortunately, just like with the most interesting ideas in the film, it doesn’t have much interest in exploring it. This matter is just addressed in a dialogue exchange or two and never is given much focus on beyond that. The character herself basically comes across as an excuse to revive other notable bad guys in the series in the hopes that would get more butt in seats.
It’s also strange how The Chameleon claims to have been denied of learning kung fu due to being “too small” despite one of the Furious Five members being Mantis, A.K.A. a literal grasshopper! I guess kung fu warriors are just as racist towards lizards as pandas.
When it comes to the returning antagonists of the series, Tai Lung is the only one that gets enough screen time to warrant being considered an actual role in the story. And by that, I mean he gets a decent action sequence and a couple of laughs and that’s basically it.
The other notable ones are just there for the sake of continuity and nostalgia, with Ian McShane the only one reprising his role. Not to mention, the scenes where Po is witnessing all of his foes in the same place but Tai Lung is the ONLY one that actually speaks is LAUGHABLY noticeable!
I don’t know if this was yet again done due to a lower budget or there was suppose to be an actual arc for Po’s first foe early on in development (which there really isn’t) but those who were hoping that the villains would get the Spider-Man: No Way Home treatment are destined for disappointment as well.
Perhaps the biggest disappointment of Kung Fu Panda 4 is the way it handles the humor. If you are someone that felt that Kung Fu Panda 3 went too far with its slapstick humor, it’s unfortunately just like that here but even worse. There’s too many jokes that feel extremely forced and are just not funny at all. Too much of the humor feels like it’s only there to keep the toddlers entertained and not because it works in the heat of the moment for the characters. Yes, all of the Kung Fu Panda movies have plenty of humor but they always felt perfectly timed and made sense for the characters without feeling out of place.
With Kung Fu Panda 4, the jokes are nonstop and feel like they are only there because the writers couldn’t figure out how to keep the main story engaging so they just threw in some random jokes in the hopes that it would be good enough to push the whole thing forward. It’s like the worst kind of humor in Marvel movies increased ten fold. There’s only so many times where you can hear Po say skadoosh without it getting tiring real quick.
To gain to the more positive side, the animation is quite breathtaking, which is all the more impressive considering the film’s 85 million dollar budget. Everything looks bright and colorful, able to expand on the same art style from the previous three films while being able to modify it for this to be far in a way the best looking Kung Fu Panda film to date. All the locations of new and old are beautiful to look at, especially the scene with Po in the valley of peace. Even the distractingly out of place models for all the new characters (which feel like they came straight out of Zootopia) can’t take away from this film being a visual treat for the eye.
The action scenes themselves are as dynamic as you would hope for in a Kung Fu Panda movie. It still has that sense of choreography, rhythm, and pace that has always made the fight sequences in this series stand out as well as they do. I enjoyed some of the earlier bits of Po guarding the valley of peace along with the scenes involving him and Zhen fighting together or against each other. While I can’t think of a set piece here that holds a candle to the best ones in the previous three films such as the fights with Tai Lung and Shen or the one between Po and Shifu, along with wanting more lasting action in the climax, they do deliver when it counts the most.
The voice cast is able to do the best with what they have. Jack Black is as perfect here as Po as he always has been, clearly bringing so much love and passion to our favorite panda. Viola Davis gives a great and menacing voice performance as The Chameleon, making the character stand out more than the script will actually allow her. It’s neat to see Ke Huy Quan get a voice over role here for a character that feels like a mix between his characters from Loki and Everything Everywhere All At Once. Dustin Hoffman has shown age as much as the character of Shifu himself (Then again, the man is 86 years old!) but still fits the role like a glove all the same. Ian McShane seems excited to be back as Tai Lung, even if his role isn’t as big as I hoped it would be. Even James Hong and Bryan Cranston are able to get moments to shine in the film’s few funny moments as the two fathers of Po. And as I said before, Awkwafina as Zhen plays out exactly as you would expect a character voiced by Awkwafina to play out, so take that as you will.
I imagine there will be plenty of people reading this review that think I’m being too harsh and overly critical of a movie clearly designed for children. If you think that, that’s completely fine but Kung Fu Panda to me has always been much better than that.
The series’ greatest trick in the past was having you thinking it would play out like your stereotypical “critic proof” movies for kids but when you watch the movies themselves, there is something much more than that. Kung Fu Panda 4 feels more in line with what the series was originally thought of as being on the surface level, almost as if it was made by Illumination than DreamWorks.
For those that come to these movies for the action and some laughs, you might get your money’s worth. It’s competently made with solid animation, fight scenes, and voice work throughout but the clever storytelling and engaging resonate themes are just not there this time around.
There are moments where it feels like it’s going to get there and makes this stand proudly with the other three films but it instead chooses to take the quick and easy path every step of the way, which is not how the series was up to this point. It’s odd how for a movie that claims to be about change, it does very little of that to its overall status quo.
I don’t know if it had to do with a supposed rushed development, lower budget, or running out of creative gas but Kung Fu Panda 4 feels like it was only made to keep the franchise brand going and not because anyone had a unique enough story to tell for it.
If the series continues to stick to it’s initial six-movie arc plan that DreamWorks envisioned back in 2010, then they better find a way to spice things up for parts five and six if they want anything after Kung Fu Panda 3 to be worthy of existing.
As an animated film for kids, it’s passable at best. As a Kung Fu Panda movie, there’s just not enough skadoosh this time around.
Other comments:
Yes, Jack Black’s version of Baby One More Time is awesome and the biggest standout of the entire soundtrack.
There is actually a scene in the movie where Bryan Cranston has a little Walter White in him as Po’s biological father.
Who in a million years would have thought that Puss in Boots: The Last Wish would be by far the best DreamWorks sequel in recent memory and NOT Megamind 2 or Kung Panda 4?
Yes, I watched Megamind 2. It’s probably the most pointless sequel I’ve ever watched!
Oh and Mr. Beast makes a voice cameo in this one! That’s cool I guess!
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