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The Wild Robot (2024) Movie Review- DreamWorks’s Odyssey

AdamLeave a comment

DreamWorks Animation has had quite a history and reputation throughout it’s existence. They are probably the most hit-and-miss major animation studio out there. Whenever they have a hit, it’s up there with among the best animated features out there, rivaling the very best of other big animation studios out there such as Disney, Pixar, and Studio Ghibli. Whenever they have a miss, it’s down there with some of the very worst animated features out there, rivaling the very worst of infamous animation studios such as Sony Animation (the Spider-Verse movies and the original Cloudy with a Chance of Meatballs aside) and Illumination (the Super Mario Bros Movie and the original Despicable Me aside). Regardless of what you think of DreamWorks personally, they are certainly…..an interesting company to say the least.

However, things are changing MASSIVELY for the company with the release of The Wild Robot. It’s set to be the final film to be animated entirely in-house by DreamWorks, with every future animated release moving forward being operated heavily with outside animation studios. They also got an animation legend in Chris Sanders to helm this picture, the man who directed animated classics such as Lilo & Stitch and How To Train Your Dragon and has writing credits for many beloved Disney classics from the 90s such as The Lion King, Beauty and the Beast, Aladdin, and Mulan. Putting those two important, distinct factors side-by-side, you would think that DreamWorks and everyone involved with The Wild Robot will want to end this wild, uneven in-house run of theirs with an absolute bang! Well, I’m proud to claim that they did all of that and more!

The Wild Robot is my favorite film of the year and is easily one of the best DreamWorks films ever made. It represents the pinnacle of DreamWorks Animation, delivering one last final triumph before they have to rely on other tools and resources for the immediate future. The animation is jaw droppingly gorgeous, the characters are all engaging, endearing, and wonderful to follow, the voice cast is all terrific with everyone being 100% committed to their role, the musical score is mesmerizing and carries the film on it’s own on several occasions, and the way it tackles the themes surrounding survival, parenthood, kindness, purpose, and coexistence is nothing short of marvelous. If you are looking for an animated film that is manages to cross that fine line between being fun and entertaining for kids and smart and engaging for adults, look no further than with DreamWorks’s latest masterwork, The Wild Robot.

Plot Synopsis: We find a robot known as ROZZUM Unit 7134 (Lupita Nyong’o), A.K.A. Roz, that has been abandoned on a deserted island full of wild animals, with no memory of who she is or where she came from. These wild animals don’t take too kindly to Roz’s arrival, believing her to be some sort of monster that was sent to exterminate them. As she learns to adapt to the wilderness with these other estranged animals that don’t seem to like her or even each other, Roz finds herself having to take care for a little gosling (Boone Storme), due to the death of his parents, which Roz may or may not have been responsible for. All the while she casually meets a mischievous red fox named Fink (Pedro Pascal), who, despite his sneaky and snarky attitude, helps the two of them with their battle of nature vs nurture among the other animal presence on the island.

Roz makes it her mission and purpose to be the mother of this goose, which is named Brightbill (Kit Connor), and raise him to be one with the other birds before she can return to where she originated from. However, the more that Roz spends time on the island with her batch of furry friends, family, and foes, the more she begins to realize she might just be more than just a soulless mindless A.I. robot that she was initially programmed to be. It’s then Roz must decide where her true home lies! In the wild forest with the animals or back with Universal Dynamics, the production company where she was created from?!

On the surface, you can probably guess all the impressive achievement that The Wild Robot is able to accomplish! Yes, the animation is BEYOND gorgeous with perfect artwork, character models, and texture to boost! Yes, there is plenty of funny gags and emotional beats that both kids and adults will react the way they are intended to! Yes, the voice cast and score is incredibly strong and should get numerous nominations for every award show out there! And yes, they manage to make another film about A.I. but never EVER feeling like it was written by one! But the most impressive achievement of The Wild Robot for me is how complex, multilayered and thematically packed it is for a story that, if we are being honest, has been told many times before!

There definitely are story elements throughout The Wild Robot that contains DNA of earlier animated pictures such as The Iron Giant, Fly Away Home, Ice Age, Wall-E, and even Chris Sanders’s own How To Train Your Dragon. However, it’s these themes and layers that The Wild Robot presents that helps make this story stand out as it’s own unique thing. So much so that it feels like we are seeing this story being told for the first time ever despite it being told several times before. Instead of borrowing plot elements from other beloved animated films and doing nothing else with it, it’s CONSTNATLY throwing curveballs at you with the way it goes about these traditional tropes and story beats. This is makes certain predictable story beats actually feel unpredictable in the way that it’s actually done and told throughout the film. This is something that Sanders himself did greatly in How To Train Your Dragon and he perhaps has done it even better here with The Wild Robot.

The Wild Robot is a story of many things! This is a story about the means of natural survival in an estranged, nurtured wilderness. This is a story about discovering our own purpose while helping others discover theirs along the way. This is a story about technology and animals co-existing with one another in a more futuristic Earth. This is a story about how the pros of A.I. can outweighs the cons of A.I. if we allow it. This is a story about unexpected parenthood and how your child grows up fast right before your eyes. This is a story about the needs to come together in a time of crisis or else all will be lost. And at it’s heart, this is a story about the odyssey that DreamWorks Animation has created throughout it’s history and how it will never be the same after this movie.

There’s not a single theme here that feels half baked or put together, there’s not a single setup that doesn’t have a proper payoff, there’s not a single plot thread that doesn’t have a connective tissue, and there’s not a single character arc that gets lost in the shuffle. It’s able to juggle so much while somehow not managing to feel disjointed or loose. Regardless of what overall story arc you like the most, you should no doubt be satisfied with the way that specific arc wraps up by the end. Even if at times I did question a story direction or two, it later on answered it in a satisfying and logical away that it wiped out any mild concerns. The amount of plates is able to spend in the air at once and how many hoops it dares to jump through is able to make the film stand out in ways that it had no business of doing so. This is animation and multilayered storytelling at it’s finest and The Wild Robot might just be the next prime example for that.

For as much development that Roz herself is giving throughout the film, it simply wouldn’t work without the excellent vocal performance from Lupita Nyong’o herself. She is able to evaluate every sequence of the film where she is required to. It’s that perfect sense of optimism and joy she brings on display that bring that extra two dimensions to the character, especially when Roz becomes more human and less mechanical as the film progresses. You just know the exact moments when Roz is still in her “A.I.” form as she was initially programmed and the moments where she grows beyond that while living among the wilderness with the other animals. All of that is thanks to Lupita Nyong’o, that is able to provide heart and soul to a character that by designed is not suppose to have a heart and soul, at least until she actually does. If the Academy Awards didn’t have a such a hate boner for animated films, I could definitely see her be nominated for Best Actress come next Spring.

The rest of the voice cast is genuinely terrific as well. Pedro Pascal brings plenty of energy and levity to the character of Fink, a fox that believes himself to be selfish at the start but then becomes more selfless as he evolves with Roz, Brightbill, and the others. Kit Connor as Brightbill is able to share the beating heart of the story with Nyong’o’s Roz, a young goose who, like Roz herself, is trying to adapt with the others as someone more “special”. Boone Strome also does good as the younger, more joyful version of Brightbill. Catherine O’Hara fits well in her role as Pinktail, the mother figure that Roz needs to learn to fit into in order to complete her mission. Bill Nighy as Longneck and Ving Rhames work well as the wise elder goose and falcon who helps Roz teach Brightbill how to fly high in the sky. Stephanie Hsu’s Vontra is incredibly suited as basically the closest thing that this film has to a main antagonist, even if she really only plays a major factor in the third act. And while Mark Hamill and Matt Berry’s characters of Thorn and Paddler aren’t in the film nearly as much as you would expect with big name actors, they blend together just well and even unrecognizably with the rest of the cast whenever they appear on screen.

There’s not enough great things you can say about the animation in The Wild Robot. It is purely stunning and a treat for the eyes from the beginning to the very end. There are so many beautifully done sequences that will take your breath away from both a visual and emotional standpoint, so many frame shots that you will want hung on the wall in your room, and so much imagery that adds to the pure visual and layered storytelling on display. Sanders has gone on record that he took inspiration from traditional Disney classics and the works of Hayao Miyazaki and he’s able to find that perfect balance to make the animation stand out in it’s own, unique form. Even in an age where just about every animated movie looks good, The Wild Robot shows that there is still plenty of room for animation to grow and push unexpected boundaries. This proves once again why animation is a medium that needs to be taken more seriously. You could not tell a story this good without the stellar animation to back it up every step of the way.

And of course, a special shoutout has to go to the composer Kris Bowers. The Wild Robot has one of the best scores of any film this year and perhaps any animated film in recent memory. It’s able to fit the tone and mood of every single scene, managing to find the right tune that perfectly captures the emotion that the characters and audience are suppose to feel at every given moment. In some ways, the score kinda feels like a character of it’s own, being able to fit right in with Roz, Brightbill, Fink, and the others, as they learn to grow and adapt into something of their own. That is about the best possible compliment you can give a film score and Bowers certainly earns it with his tremendous work here.

For a film where at least 99% of it’s cast is not human, The Wild Robot manages to be the most human feeling film I’ve seen in 2024. That one glimmer of joy and optimism in a world that is filled with sadness and despair. It’s one of those rare films that manages to be about everything but also is able to make room for everything at the same time. Just like with any movie I give a 4 out of 4 star rating to (Yes, that is the rating I’m giving this film!), there are definitely nits you can pick such as certain side characters being too sidelined and the pacing feeling a bit too breakneck at points, but the journey that The Wild Robot takes you will make everything feel completely whole by the end of it.

The most bittersweet part of The Wild Robot is how the overall arc of Roz can be seen as the direction DreamWorks plans to take moving forward. Even when being controlled by a mechanical and soulless corporation like Universal that is taking advantage of them for one distinct purpose (A.K.A. making money) and nothing more, there will still be a heart and soul DreamWorks will find within themselves that will make them continue to stand out in ways that go beyond what Disney, Pixar, Sony, or Illumination are capable off. The lows will still remain but the highs will make it all worth it by the end.

Thank you to all the folks at DreamWorks who worked in-house for the company and I hope the very best awaits you in the future!

Other comments:

  • I STRONGLY recommend staying through the credits. Not only because there is in fact a post credits scene but as a dedication to all the hardworking folks at DreamWorks, as they will now be outsourced by other animation studios overseas. It would mean the world to the animators and artists that worked on this masterpiece!

  • I’m relieved how we can have an animated kids film in 2024 that actually makes jokes about death and isn’t afraid to have characters say “kill” all the time.

  • This feels like the kind of animated film that I would watch with my brother and mom during the summer theater kids/family marathon that would always play at my theaters. I’m sure this film will be replaying CONSTANTLY throughout the next several summers!

  • Lupita Nyong’o has probably the most soothing voice ever!

  • We seriously need to talk more about Chris Sanders and all the amazing things he has contributed to animation. He has been responsible for several of our favorite Disney and DreamWorks movies since we were a child. The man just deserves more respect!

  • Also, one random fact, did you know that Chris Sanders also does the voice of Stitch as well? That is just……remarkable!

A Quiet Place: Day One (2024) Movie Review- The Batman: Arkham Origins Of The Quiet Place Franchise (Yes, that’s a compliment!)

AdamLeave a comment

It might seem hyperbole to describe A Quiet Place as a franchise as basically being the Batman: Arkham series of the horror movie genre thus far. You have A Quiet Place and A Quiet Place: Part II playing the roles of Arkham Asylum and Arkham City, working near perfectly as back-to-back stories that helps evaluate the genre of entertainment it is a part of while staying true to what it does best. And if that pattern continues, we can basically count on A Quiet Place: Part III (scheduled for release next year) as being the Arkham Knight of the series, a technically impressive and well made final (?) entry that bites off more than it can chew and relying on shaking foundations and underwhelming reveals to get itself to the finish line in one piece. Which will likely be followed a near decade later with Death Angels: Kill The Human Race, which involves the monsters wiping out the rest of humanity, including all the characters we’ve followed in the previous films, giving them the most underwhelming send-offs and death scenes imaginable. In the meantime, we now have what can basically be considered the Arkham Origins of A Quiet Place franchise with A Quiet Place: Day One, a prequel that will likely be seen as the black sheep of the series and more of the same but still has an engaging enough narrative that it can stand on it’s own two feet, even if you haven’t gotten into the series thus far.

It still provides the same amount of thrills, scares, and set pieces as the previous two films, it still is treated with the same amount of love and care in terms of pure craftmanship, and Lupita Nyong’o and Joseph Quinn are both so engaging on screen that you will actually not find yourself missing Emily Blunt and her children on screen. However, it still can’t escape the whole feeling of “been there, done that” and the central story is something that I don’t believe was needed to fit into the unique, post apocalyptic world that is A Quiet Place. The good old Big Mac still tastes good but you might be craving for something more and healthier, such as a delicious steak from here on out.

Premise: When New York City comes under attack from an alien invasion, a woman (Lupita Nyong’o) and other survivors (Joseph Quinn) try to find a way to safety. They soon learn that they must remain absolutely silent as the mysterious creatures are drawn to the slightest sound.

The one thing that is absolutely clear about A Quiet Place: Day One is that it’s not so much interested in being an origin story that tries to fill in the blanks and answer questions that no one really needed to be answered but tell it’s own tale that just so happens to be set in A Quiet Place universe and just so happens to take place before the events of the first two films outside of the opening prologue to Part Two. Those that are hoping for answers about who the Death Angels are, where they came from, and why is it that sound is their true vision will surely be disappointed. What we have instead is the most human and character driven story told in this world with a young woman named Sam, a terminally ill cancer patient that is finally getting a chance to explore the world for the first time in forever that just so happens to be the day where all hell broke lose and the monsters invaded hurt. And when she gets that freedom to explore the world, she doesn’t care about figuring how what just happened and who these monsters are. All Sam cares about is getting some pizza, and she will act by any means necessary to get it.

On one hand, it does feel refreshing to have a prequel story that isn’t interested in acting as a Wikipedia page summary and wants to just stand on it’s own while providing a different experience from prior entries in it’s franchise. And it also helps prevent them screwing up the lore with the monsters and make the universe feel much more smaller and contrived than before (*cough* Alien: Covenant). However, that does create the big question as to why this prequel even needs to exist or if it adds anything to the series. And unless you count there being two new heads getting focused and a new location in New York City, A Quiet Place: Day One never really answers that question other than to make some extra money.

What makes this all forgiven is that the new characters we follow are just as engaging as the characters we’ve followed in the first two films. Sam, played wonderfully by Lupita Nyong’o, is just a woman that is wanting to enjoy the outside fresh air in any way she can now that she is free, even if that happens to be on the day where monsters take over the world. Eric, also played wonderfully by Joseph Quinn, is someone that just wants to survive but also wants someone to be along side them on the way as he finds a safe place. You have Djimon Hounsou’s Henn, the only returning character from the previous films, that is doing everything in his power to keep the remaining human race alive. Alex Wolf shows up as a fun assistant to Sam for a limited period of screentime. Oh, and you also have an incredibly awesome Cat, who unironically makes the smartest and most logical choices out of any character in the series thus far. Even as someone that’s starting to keep tired of kitty cats showing up in every movie, I certainly liked this one.

The scares and thrills are still impressive here, easily containing the biggest set pieces of the series so far, which is crazy considering this is suppose to be a prequel. Even if setting it in New York City does make it comparable to other typical disaster flicks out there, Day One is still able to make most of these moments, providing unique tension and suspense whenever are characters are just roaming through the streets to get from one location to the next. There’s nothing here that quite tops the stepping on a nail or stepping into a bear trap moment but there’s enough of a body count and gruesome deaths to provide the tension when it needs to.

If it seems like this review is shorter than usual, that’s because there’s not much to say here that can’t already been said about the previous two films. We still have a story at it’s center about the human race trying to survive against deadly monsters that are attracted to sound while trying to live their life to the fullest in the remaining time that they had. It’s just that this time around we are starting to get the sense that this series is beginning to run out of tricks in providing a new and unique experience for A Quiet Place. The majority of what works about the previous films still work here but this feels like the first installment that you have done without the Quiet Place gimmick slapped onto it. Also, as said before, those that are looking for answers about the Death Angels themselves will likely be severely underwhelming as the film has no interest in answering those kind of questions.

Even so, the scares and thrills are still effective and Lupita Nyong’o and Joseph Quinn are both super compelling on-screen, with both of their characters undergoing satisfying arcs throughout, that it more than makes up for any potential short comings. If you look at it as it’s own thing, A Quiet Place: Day One is an intense and enjoyable sci-fi horror flick. But looking at it’s at another installment in this franchise, that at this point needs justifiable creative reasons to acknowledge it’s existences, it’s a showcase that this series is beginning to run on fumes and should be given a proper wrap-up soon before it wears out it’s welcome completely.

Bring on A Quiet Place: Part III and even A Quiet Place: The Road Ahead, the new video game that just got announced! But, perhaps don’t bring on anything more after that!

Other comments:

  • If done right, A Quiet Place: The Road Ahead can be the best and most satisfying IP licensed game since Alien: Isolation!

  • I also remembered there’s a scene in the film where a character is forced to carry the cat while swimming but the cat doesn’t scratch them or anything. That might be the least sensitive cat I’ve ever seen! I love it!

  • Also, NO, I did NOT get the Batman: Arkham comparison from Jeremy Jahns in his review. I already had that in the back of my mind before seeing his review. I promise! It was just bad timing, okay!