Tag: kung-fu-panda-4

Why Animators Need To Go On Strike

AdamLeave a comment

It has been announced that Pixar will be laying off 14% of current employees due to Disney’s cost-cutting measures. This will be the biggest restructuring in Pixar’s history. Even after undergoing similar layoffs last year, which included Galyn Susman, the woman who helped keep Toy Story 2 at bay during production, yet another restructure is occurring at the offices of Pixar. Never mind the fact that last year’s Elemental was able to squeeze a profit after it’s incredibly strong legs or that Inside Out 2 is set to have the biggest opening weekend at the box office in 2024 so far! Neither one of those elements were enough to continue letting talented animators get the hammer!

Unfortunately, this has not been the only layoffs in recent memory within the animation industry. Back in March, shortly after Kung Fu Panda 4 had a strong opening weekend at the box office, DreamWorks had announced massive layoffs with their company as well. Even more so than the ones with Pixars, DreamWorks confirmed that many departments were cut in half and the creative staff on movies were to be reduced at least up to 50%. Yes, around HALF of the creative staff at DreamWorks were laid off a few months ago. Never mind the fact that Kung Fu Panda 4 had a solid opening weekend at the box office and has managed to gross over 530 million worldwide, becoming the second highest grossing Kung Fu Panda sequel domestically and even outgrossing the previous Kung Fu Panda installment. Not to mention, the lower 85 million dollar budget that certainly allowed for higher revenue that perhaps any other Kung Fu Panda movie to date. None of that was enough to save DreamWorks from being forced to clean house and restructure their entire company.

There are multiple reasons why this is all occurring to not only within the animation industry but nearly all forms of entertainment in general. Mediums underperforming or tanking at the box office and/or sales, bloated budgets that makes return outcome nearly impossible, rushed development cycles which artists are constantly overworked and crunched for times, etc.. However, I do think the #1 reason behind all of this has to do with the higher ups of these studios. In the cases I just mentioned, Disney and Universal.

If you have been seeing how technology is becoming more advanced by the day, you likely are familiar with the way A.I. has been playing a bigger role now than before. With artificial intelligence features such as ChatGPT becoming more common in every day use, it’s clear that studios are looking to have that be more incorporated to the way entertainment is made now. Not for the sake of quality but for the sake of quantity. Companies want A.I. to play a big role now because it will save them extra bucks in not having to hire more animators or artists. That way, more and more money can be made that can light their own pockets and NOT be spend on actual content themselves.

Many people find it blasphemy that big studios and companies are still trying to convert A.I. into their products at the expense of actual human beings after going through at least two major strikes because of that push. However, it just doesn’t matter in the eyes of the higher ups. They don’t know how to shortened the budgets of their content that doesn’t involve laying off a good portion of their employees. They just think A.I. is the big answer to all of their problems. Not because they want to experiment on different ways to make new forms of entertainment but because that will save them a few extra pennies. It’s about as greedy, corporate, and cynical as they come.

All of those reasons and more is why whenever the contract inevitably expires this year between the Animation Guide and the Alliance of Motion Picture and Television Producers (AMPTP), a strike is going to 100% occur. It’s not a WANT per se but an absolute NEED for both sides, if the future of animation is to thrive in the best way it can. Companies need to learn that they can NOT take animators for granted and needs them to provide quality entertainment.

Even if you take out the constant push for A.I., the animation industry has been infamous with it’s troubled production with films in recent memory. You have Across the Spider-Verse which had animators being treated extremely poorly by Phil Lord, causing hundreds of animators to leave the project. You have Kung Fu Panda 4 which had plenty of back and forth between the creatives and being rushed out of door during the multiple strikes to get out by spring. And do I even need to bring up the development history surrounding Frozen 2, which had a Disney Plus documentary in which the people who made it unironically state that they were overworked, crunched, and was basically making the whole movie up as they went along. And I can only imagine the stories we will be hearing about Moana 2, the Disney Plus series turned movie, during the holiday season this year?

Working in the animation industry or any entertainment industry is certainly hard and requires you to be working a TON to get each project out on time. But it should never come at the cost of someone’s mental health, insanity, or skills as a human being. You might be able to get away with that once or twice but to have EVERY production in animation going this way is a big no-no. That’s how you wind up with something like Megamind 2, that was litter with animation errors that became noticeable to anyone once the very first trailer dropped. Not only is the poor treatment for animators along with this constant push for A.I. to take over is affecting the work-life balance of animators but also the quality of animated motion pictures. And once you got so many of those poor quality animated films in a row, eventually people will catch on and your movies will end up bombing at the box office. Just ask Disney with Wish!

Yes, there has been plenty of great animated work as of late, regardless of their production history, but more times than not, these rushed developments cycles, harsh treatment of animators, and wanted to replace them with robots is causing major harm to the animation industry. At some point, you as an animator has to put your foot down and stand up to the studio saying “No! You will just not tolerate any longer! Treat us with the respect we deserve or we go on strike!” While it’s unlikely that will occur on it’s own, the soon-to-be expired contract between the Animation Guide and the AMPTP will certainly make the voices of animators be heard. And there is not better time for them to start speaking up than now!

Just like how actors and writers had every right to go on strike last year, animators deserve that very right! With big companies performing layoffs within the industry in the hopes of avoiding a strike, that is only going to throw more fuel into the fire. Laying off hundreds to thousands of animators in the hopes of giving those extra bucks to those that deserve it is NOT the answer! Replacing those animators with robots is NOT the answer! Putting the animators through hell with every single animation production is also NOT the answer! The only answer is to give them the proper care, treatment, and respect that they deserve to deliver the best quality creative product that they can!

It’s only then that animators may not have to strike. However, in this case and under THESE circumstances right now, they have more than earn their right to do so once they get the chance!

Studio Meddling Has Gotten Out of Control

AdamLeave a comment

Kung Fu Panda 4 released earlier this month worldwide for DreamWorks Animation and has just passed $300 million worldwide, projecting to earn somewhere between $550 and $600 million worldwide on a $85 million budget. If those projections turn out true, this will undoubtedly turn a profit for DreamWorks and could potentially see a Kung Fu Panda 5 being greenlighted sometime soon. And considering how little marketing the film have with only main trailer being released, that’s quite impressive.

However, the response the film has gotten to those who actually watched it has been quite all over the place. Although the film’s reception from critics and mainstream audience seems to be generally positive, it has gotten a very mixed response from the fans of the franchise. Some saw Kung Fu Panda 4 as another solid entry to the series while others, such as yours truly, found it very underwhelming.

Most of the criticism of Kung Fu Panda 4 mostly revolved around elements that fans felt didn’t fit with what the Kung Fu Panda franchise normally stands for. Things such as feeling too inconsequential, relying too much on watered down humor, introducing characters and plot points that are barely explored, fan favorite characters such as Tai Lung and The Furious Five being sidelined or written out, and not pushing the series forward in any meaningful way. When watching the film, it’s easy to get the impressions that it felt like a mix mash of multiple different visions crammed into one, leaving the end product feeling rushed and unfocused as a result. And if a recent Q&A section with Stephanie Ma Stine is anything to go by, those impressions would turn out to be true.

In case anyone doesn’t know, Stephanie Ma Stine is the co-director of Kung Fu Panda 4. She’s co-directed the latest entry with Po alongside Mike Mitchell, who previously did Shrek Forever After and Trolls for DreamWorks. Stephanie is not a big name in the animation industry but has worked as a story artist on several things in that field such as the Big Hero 6 series, She-Ra and the Princesses of Power series, How To Train Your Dragon: The Hidden World, and Raya and the Last Dragon. Kung Fu Panda 4 happens to be her first credited directorial debut and perhaps the biggest project she has ever worked on. However, if you were to go by comments she said in her Q&A through Discord, you would be hard pressed to believe she was meant to be a co-director when it feels like she was anything but that.

I will leave links below to a video that showcased the full review on Discord along with notes taking from those that participated in that Q&A but I will go over some of the main points that Stephanie mentioned when answering questions from fans on Discord and how it goes into what this piece will be about.

So, if you watch that video or read through the talking points from @RickDaSquirrel that I just posted, it seems like Kung Fu Panda 4 went through quite a messy production. From the film’s lower budget to choosing a proper direction to conflicting with the overall tone of the story to constant changes in the script to multiple ideas that were suggested but scrapped completely. All of that and more might explain why it took eight years for DreamWorks to release a fourth installment for one of their top pole franchises. However, the main thing that has stuck to fans of the series was how shockingly ignored Stephanie Ma Stine’s role was in production despite being credited as the co-director.

If we are going by her own words, it seems like she brought a number of ideas to the table for Kung Fu Panda 4 along with wanting to go with a direction that likely would have aligned more of what folks wanted for the latest entry of Kung Fu Panda. These includes things such as Master Shifu having a much bigger role, Tai Lung’s return feeling more welcome, adding more emotion and weight to the story, the new characters of Zhen and The Chameleon being fleshed out more, and the most noteworthy component, wanting to reign closer to the quality of Kung Fu Panda 1 and Kung Fu Panda 2, often regarded as the two best films in the series. However, none of those things came to pass because poor Stephanie was dismissed as a “nobody” by the crew, despite being credited as the co-director of Kung Fu Panda 4.

Instead the movie that we got in theaters more aligned with what other co-director Mike Mitchell was wanting for the film. He was given complete creative freedom by DreamWorks and because of that, he chose to go in a more comedic direction for the picture and put the majority of the focus on the jokes and gags. So much so that Jack Black even referred to him as the “comedy guy”.

He also initially was against the idea of providing backstories to the new characters of Zhen and The Chameleon, with early versions including ZERO backstories for their characters whatsoever. Aside from possibly wanting to bring back The Furious Five in a big role (with the Q&A suggestion that there is a push for DreamWorks to make a spin-off with them), Kung Fu Panda 4 seems to be much more of the movie that Mike Mitchell wanted to make rather than Stephanie Ma Stine.

To make this clear, I do NOT think what Stephanie said in her Q&A session was meant to be a hit on Mike Mitchell himself. I’m sure she enjoyed working with him and isn’t trying to put the full blame on him for fans that were disappointed in Kung Fu Panda 4. She was likely just trying to go into detail on the full process of making a film and the obstacles that everyone working on the film has to overcome throughout development in order to make it to the finish line right on time. She just wanted to be honest and share her experience working on Kung Fu Panda 4. While I’m sure I and many others appreciated that honesty from Stephanie, I believe that painted quite a picture on how movies are being made nowadays and how much of that development can be pointed at the studio executives.

Am I the only one who finds it crazy how despite being credited as a co-director, it seems as though the development for Kung Fu Panda 4 was completely one-sided with the film largely being 90% of Mike Mitchell’s vision and like 10% of Stephanie Ma Stine’s vision? You would think with a co-director duo, it would at least be a 50/50, with both sides coming together to find a way to make both of their visions jell together properly. When it comes to Kung Fu Panda 4, that didn’t’ seem to be the case whatsoever, feeling more like Stephanie Ma Stine took a backseat in the director’s chair to warming it for Mike Mitchell exactly.

I don’t know if this is because Mike Mitchell is a veteran director with a ton of experience in the animation industry, making him someone that the crew felt more compelled to listen to rather than a much less experienced Stephanie Ma Stine. I don’t know if it’s just because DreamWorks wanted to prove how diverse they are to everybody by giving a woman like Stephanie Ma Stine credit as co-director, despite her mostly being anything but that during development. I don’t know if it had to do with Stephanie not standing up for herself enough and/or Mike just not having her back enough. All I know is that even being credited as director of said film does NOT guarantee you releasing the film you actually wanted to make for the studio.

It’s just bizarre to me how not even literal directors of films nowadays can admit that the film that is being shown all around the world was really their actual film. Even when you are a directing duo or group, it’s largely just one person that is taking charge. Even when you are a solo director, it’s largely just the studio that decides what kind of film they want to make. This is not only the case with Kung Fu Panda 4 but with how most franchise installments are being made nowadays. So much so that it’s become progressively harder and harder to put the full blame of a failed product on a director when it’s likely the studio that is more at fault here. As much as fans who were disappointed in Kung Fu Panda 4 are putting the blame on Mike Mitchell, there’s likely a chance that not even he was happy with some of the end results of the movie himself.

Perhaps he wanted The Furious Five to play an actual role in the story, much like how he wants to make a Furious Five spin-off. Perhaps he wanted to bring back not just Tai Lung but also other notable foes such as Shen and Kai and have all three of them play a big role in the story and give them the Spider-Man: No Way Home treatment. Perhaps he wanted a bigger budget that would allow for those story elements to actually be a thing. Unfortunately, those are the kind of decisions that is not up to him as a director but the studios of DreamWorks themselves. After all, they are the ones in charge of the budget and they are the ones to give the thumbs up on whether or not a finished film is even remotely releasable. When taking all those factors into considerations, can you always blame the director for when a big film turns out bad or the studio that told them that the big finished film is perfectly fine and it’s good for release?

If there’s one thing that is a miracle about Kung Fu Panda 4, it’s that it somehow didn’t turn up worse than it actually was. While I gave it a two out of four stars in my review, there were plenty of redeemable qualities to it such as the nice animation, solid fight scenes, and a commendable voice cast all around. Unfortunately, it was the script and direction that brought down the entire movie, the two elements which seems to be the biggest problem with development. The fact that was a struggle practically put this movie in peril from day one.

The reason I felt compelled to make this piece is to give viewers the heads up next time a big film comes out that turns out to be disappointing for you. Don’t just put the full blame on the directors of the picture but more point the fingers at the studio who gave them permission to release the film the way that they intended. With Kung Fu Panda 4, you would assume that the project was both Mike Mitchell and Stephanie Ma Stine at the same time but it really wasn’t. It was either fully Mike Mitchell’s baby or fully DreamWorks’ baby but it really didn’t seem to be Stephanie Ma Stine’s baby.

While I’m sure she steered up controversy that she really didn’t intend to, I do thank Stephane Ma Stine for taking the time during her Q&A session to explain the process of making Kung Fu Panda 4. I think it gave plenty of folks good insight to making a film and how it’s not always about what you want your film to be but what everyone else around you wants it to be as well. Even if it’s not entirely what you want, it’s still a business at the end of the day.

I really hope that if a Kung Fu Panda 5 does happen, that Stephanie Ma Stine is giving much more control next time around along with bringing back Jennifer Yuh Nelson, story head of Kung Fu Panda, director of Kung Fu Panda 2, and co-director of Kung Fu Panda 3. I strongly believe if those two ladies are giving the shot to work together on the next one and are able to let their ideas blossom, it could be another triumph in the Kung Fu Panda franchise, up there with the first two films.

Even so, I do wish the very best for Stephanie Ma Stine and the other animators at DreamWorks who were recently laid off from the company. I do hope that the studio meddling of KP4 and recent staffing cuts doesn’t stop any of them for wanting to pursue greater talents and I strongly hope they are given better chances to display their talents in the future.

Ranking The Kung Fu Panda Movies

AdamLeave a comment

Kung Fu Panda 4 is now out in theaters and because of that, it’s time to rank all four films in the Kung Fu Panda franchise.

This is a franchise that has always had a special place in my heart. I remember watching the original Kung Fu Panda in theaters and being utterly blown away about how good it was. It really gave you the notion as to why you shouldn’t judge a movie so harshly based off the premise alone. And while this franchise might have a different variation of quality in terms of movies and television shows, that core message still reigns true to this day.

I already did a marathon of the first three Kung Fu Panda movies and a review for Kung Fu Panda 4. I’ll put links to those at the end of the piece. But for now, here are my ranking of the four Kung Fu Panda movies we have gotten thus far.

4.) Kung Fu Panda 4

The worst Kung Fu Panda is unfortunately the one that just came out in theaters. Kung Fu Panda 4 feels like the kind of movie that people were expecting the original Kung Fu Panda to be before seeing it. Relying way too much on water down humor, barebone storytelling, and the most predictable outcomes for the characters imaginable, Kung Fu Panda 4 is a sign that perhaps that this franchise may have ran out of creative gas. Also, The Furious Five being written out to make room for the new player in Zhen certainly doesn’t help either.

For those that come to these movies for the action and some laughs, you might get your money’s worth. It’s competently made with great animation, enjoyable fight scenes, and solid voice work throughout but the clever storytelling and engaging resonate themes that have been a staple for this series is just not there this time around. There are moments where it feels like it’s going to get there and makes this stand proudly with the other three films but it instead chooses to take the quick and easy path every step of the way, which is not how the series was up to this point. It’s odd how for a movie that claims to be about change, Kung Fu Panda 4 does very little of that to the overall narrative of the franchise.

3.) Kung Fu Panda 3

Kung Fu Panda 3 is a film that is easy to dismiss when looking at it on the surface. From its familiar plot beats to its toned down humor, it almost feels as if it’s falling into the traps that the franchise has avoided up to this point. However, with seeing how Po’s journey concludes by the end of the movie and at the end of this trilogy, there is something to chew upon greatly here. It really feels like Po has fully 100% lived up to the Dragon Warrior name, just as Oogway hoped he would the moment he chose him.

Yeah, it’s a step down from the first two movies but I mean that in a respectful way. It still has the same heart and resonate themes that the first two movies have and it’s ultimately cool to see where Po basically was given birth at. Kung Fu Panda 3 is to the first three Kung Fu Panda movies what Return of the Jedi is to the original Star Wars trilogy, a solid B+ wrap-up/follow-up to its A++ predecessors. If this was the true ending to this series, it would certainly not be as definite as other series finales but it would have been satisfying all the same.

2.) Kung Fu Panda

If there is one movie out there that is basically the textbook definition of “Don’t judge a book by it’s cover!”, that would be Kung Fu Panda. On paper, this sounds like the dumbest idea ever. A big fat panda voiced by Jack Black learning Kung Fu?! That feels like an idea that came from the same person that thought The Emoji Movie would be a great hit! However, once the movie came out during the summer of 2008, we all could not have been wrong about Kung Fu Panda. This is a movie that is greater, smarter, and more interesting than it has any right to be.

It’s able to use that “Don’t judge a book by it’s cover” mindset that not only acts what most folks thought of Kung Fu Panda when watching it but use that as the central theme throughout the film. And it’s that theme that makes for the perfect way to tell the story of the main character of Po, the titled panda that learns kung fu. We also got terrific animation, superb fight sequences, a wonderful supporting cast of characters, a riveting musical score and amazing character development all the way through. It’s those exact reasons and much more that makes Kung Fu Panda as good as it is and one that stands strongly as one of DreamWork’s absolute best.

1.) Kung Fu Panda 2

Was there every any doubt? Kung Fu Panda 2 is not only as good as the original Kung Fu Panda, it’s even better. It does EVERYTHING you want a sequel to do. It takes the characters into exciting and new directions, it expands upon it’s story and lore in the most logically way possible, the action and animation are taken to the next level, the villain of Lord Shen is given more focus and is used perfectly, and it’s able to act as the best possible next step for the journey of Po as oppose to do just retreating steps from his first go around. Also, the scene where Po discovers inner peace is the series true definite moment up to this point!

As much as folks were doubtful that the first film could work at all given it’s bizarre premise, I believe there was even more doubt that a sequel could work in any way, shape, or form. Clearly the first movie have to be a magical fluke and there’s no way DreamWorks could make lightning strike twice, right?! Right?! Welp, you would be wrong once again! Kung Fu Panda 2 is not only the best Kung Fu Panda movie thus far but it’s arguably the best DreamWorks movie to date and possibly one of the best film sequels ever made period. It’s so good that there’s a good argument to be made that this is where the series officially peaked.

There’s my list. Feel free to share me yours!

And here are links to my Kung Fu Panda retrospectives and reviews!

Kung Fu Panda 4 (2024) Movie Review- Not Enough Skadoosh

Adam1 Comment

If there’s one thing that stuck with me throughout my viewing of Kung Fu Panda 4, it’s how the movie kept reminding me why the initial idea of Kung Fu Panda was mocked to begin with. That premise alone gives the indication that a panda voiced by Jack Black learning kung fu would basically play out as just being a typical slapstick comedy with dumbed down humor made for the littlest of kids, paint-by-numbers storytelling, and the most predictable reveals and morals imaginable. However, the greatest thing about the Kung Fu Panda movies up to this point is how it takes those “judging a book by it’s cover” expectations and cleverly subverted it into something better, smarter, and greater than it had any right to be. While I’m sure there were intentions of that for this latest installment with the Skaddoshinator (I promise that is the only time I will say that!), Kung Fu Panda 4 is basically the exact kind of movie we thought we were getting from this series from the very beginning.

The idea of a Kung Panda 4 was certainly not one that felt necessary but there were plenty of ways that another entry could work. While Kung Fu Panda 3 did bring a satisfying conclusion to Po arc’s in becoming the Dragon Warrior that he had always dreamed of, there was never a feeling throughout the third movie that it was the absolute endgame for the series. A third movie could be a fine stopping point but there was definitely another train coming along the way if anyone wanted to take it. And DreamWorks decided to take that train with Kung Fu Panda 4. I only wish they found an actual reason to want to hop aboard it.

Premise: Time has passed since Kung Fu Panda 3 and Po (Jack Black) finds himself on his last remaining days as The Dragon Warrior. Shifu (Dustin Hoffman) is ready to promote his panda apprentice to being the Spiritual Leader of the Valley of Peace, the highest ranking of all kung fu mastery. Before he does that, Po must choose a worthy successor to take the mantle of The Dragon Warrior.

However, a new deadly foe has emerged with a new shapeshifting sorceress known as The Chameleon (Viola Davis). The Chameleon is someone that has had her own ambitions of wanting to learn kung fu but never got the proper respect to be able to learn it. Because of that, she wants to take matters into her own hands and copy the kung fu from other notable warriors in the series rose gallery such as Tai Lung (Ian Mcshane), Shen, and Kai to become the kung fu warrior she has always inspired to be.

With the Furious Five not being available due to going on their own personal missions and Shifu supposedly aging, it’s up to Po to stop The Chameleon. However, he can’t find the sinister lizard without the aid of a wanted fox thief named Zhen (Awkwafina), who supposedly knows The Chameleon’s location and promises Po she can lead him right to her front door. Po and Zhen go on a journey together to put the new villain out of commission, where the former comes to the realization this might be his final adventure with The Dragon Warrior title and the latter wondering what side she’s actually fighting for.

Oh, and also Po’s two dads, Mr. Ping (James Hong) and Li Shan (Bryan Cranston), follow their son without him knowing because they are so worried that their son, who had already beaten the biggest named opponents out there up to this point, can’t handle a fight against this newest opponent for some reason.

When reading through that plot synopsis, it basically gives you the indication of where Kung Fu Panda 4 head is at every step of the way. Yes, Po has to learn to take his next step in life. Yes, he realizes he has a lot in common with his new wolf companion and new lizard foe than he initially thought. Yes, he has to learn the true meaning of change. And yes, who Po chooses to be the next Dragon Warrior is obvious the moment that character arrives on screen. However, whereas prior Kung Fu Panda movies were able to take familiar stories and add enough layers to it to make them stand out as fresh and unique tales, the plot of Kung Fu Panda 4 can be read like a book that you predict the expected beats five to ten pages in advance.

As I stated in the plot summary, The Furious Five are nowhere to be seen throughout the main film. Yes, there is an explanation given of their absence in an (admittedly) nice 2D animated sequence and they do show up right when the credits start to roll, but they have no presence in the story whatsoever. Whether this was because they wanted to put the spotlight on the new characters or the fact that the studios couldn’t afford to have Angelina Jolie, Seth Rogen, and crew return due to the film’s shockingly low budget is beyond me but fans who were hoping to see them in action in this one will be severely disappointed.

The newest player this time around is Zhen, played by Awkwafina. On paper, this casting make sense. The crew clearly wanted to hire a celebrity actress that has the same range of comedic chops as Jack Black provides to the titled panda himself. However, the reason why Jack Black has always been perfect as the character is how he is able to perfectly mirror the appearance of a fat comedic panda while still nailing the dramatic beats when needed.

Zhen doesn’t have that same gesture as she is just as feisty, parkour, and can handle herself in action as much as Po or even Tigress can. She basically plays out exactly how other characters voiced by Awkwafina have with nothing new added. She is yet another side character that’s snarky, wise-cracking, and might just have a heart of gold underneath. It’s not that the character herself is inherently bad but she’s not interesting enough to warrant having other characters being purposely written out just to make room for her. Zhen is mostly just your average “grey” character and doesn’t offer much to the Kung Fu Panda universe that other better characters in the series haven’t provided.

The main villain of The Chameleon does feel like more fitting character in concept but still feels like wasted potential. While she certainly has a resemblance to Kung Fu Panda 3‘s antagonist with Kai, with gaining the abilities of other notable kung fu warriors, her whole parallel with Po is the one aspect that Kung Fu Panda 4 provides that feels new and refreshing. Both of these characters were underestimated by society due solely to their appearances but went on to accomplish greater things. Whereas Po went on to become the greatest hero, The Chameleon went on to become the greatest villain. The perfect good guy/bad guy dynamic is right here and could be possibly the most compelling one in the series to date if enough time and care was given into it.

Unfortunately, just like with the most interesting ideas in the film, it doesn’t have much interest in exploring it. This matter is just addressed in a dialogue exchange or two and never is given much focus on beyond that. The character herself basically comes across as an excuse to revive other notable bad guys in the series in the hopes that would get more butt in seats.

It’s also strange how The Chameleon claims to have been denied of learning kung fu due to being “too small” despite one of the Furious Five members being Mantis, A.K.A. a literal grasshopper! I guess kung fu warriors are just as racist towards lizards as pandas.

When it comes to the returning antagonists of the series, Tai Lung is the only one that gets enough screen time to warrant being considered an actual role in the story. And by that, I mean he gets a decent action sequence and a couple of laughs and that’s basically it.

The other notable ones are just there for the sake of continuity and nostalgia, with Ian McShane the only one reprising his role. Not to mention, the scenes where Po is witnessing all of his foes in the same place but Tai Lung is the ONLY one that actually speaks is LAUGHABLY noticeable!

I don’t know if this was yet again done due to a lower budget or there was suppose to be an actual arc for Po’s first foe early on in development (which there really isn’t) but those who were hoping that the villains would get the Spider-Man: No Way Home treatment are destined for disappointment as well.

Perhaps the biggest disappointment of Kung Fu Panda 4 is the way it handles the humor. If you are someone that felt that Kung Fu Panda 3 went too far with its slapstick humor, it’s unfortunately just like that here but even worse. There’s too many jokes that feel extremely forced and are just not funny at all. Too much of the humor feels like it’s only there to keep the toddlers entertained and not because it works in the heat of the moment for the characters. Yes, all of the Kung Fu Panda movies have plenty of humor but they always felt perfectly timed and made sense for the characters without feeling out of place.

With Kung Fu Panda 4, the jokes are nonstop and feel like they are only there because the writers couldn’t figure out how to keep the main story engaging so they just threw in some random jokes in the hopes that it would be good enough to push the whole thing forward. It’s like the worst kind of humor in Marvel movies increased ten fold. There’s only so many times where you can hear Po say skadoosh without it getting tiring real quick.

To gain to the more positive side, the animation is quite breathtaking, which is all the more impressive considering the film’s 85 million dollar budget. Everything looks bright and colorful, able to expand on the same art style from the previous three films while being able to modify it for this to be far in a way the best looking Kung Fu Panda film to date. All the locations of new and old are beautiful to look at, especially the scene with Po in the valley of peace. Even the distractingly out of place models for all the new characters (which feel like they came straight out of Zootopia) can’t take away from this film being a visual treat for the eye.

The action scenes themselves are as dynamic as you would hope for in a Kung Fu Panda movie. It still has that sense of choreography, rhythm, and pace that has always made the fight sequences in this series stand out as well as they do. I enjoyed some of the earlier bits of Po guarding the valley of peace along with the scenes involving him and Zhen fighting together or against each other. While I can’t think of a set piece here that holds a candle to the best ones in the previous three films such as the fights with Tai Lung and Shen or the one between Po and Shifu, along with wanting more lasting action in the climax, they do deliver when it counts the most.

The voice cast is able to do the best with what they have. Jack Black is as perfect here as Po as he always has been, clearly bringing so much love and passion to our favorite panda. Viola Davis gives a great and menacing voice performance as The Chameleon, making the character stand out more than the script will actually allow her. It’s neat to see Ke Huy Quan get a voice over role here for a character that feels like a mix between his characters from Loki and Everything Everywhere All At Once. Dustin Hoffman has shown age as much as the character of Shifu himself (Then again, the man is 86 years old!) but still fits the role like a glove all the same. Ian McShane seems excited to be back as Tai Lung, even if his role isn’t as big as I hoped it would be. Even James Hong and Bryan Cranston are able to get moments to shine in the film’s few funny moments as the two fathers of Po. And as I said before, Awkwafina as Zhen plays out exactly as you would expect a character voiced by Awkwafina to play out, so take that as you will.

I imagine there will be plenty of people reading this review that think I’m being too harsh and overly critical of a movie clearly designed for children. If you think that, that’s completely fine but Kung Fu Panda to me has always been much better than that.

The series’ greatest trick in the past was having you thinking it would play out like your stereotypical “critic proof” movies for kids but when you watch the movies themselves, there is something much more than that. Kung Fu Panda 4 feels more in line with what the series was originally thought of as being on the surface level, almost as if it was made by Illumination than DreamWorks.

For those that come to these movies for the action and some laughs, you might get your money’s worth. It’s competently made with solid animation, fight scenes, and voice work throughout but the clever storytelling and engaging resonate themes are just not there this time around.

There are moments where it feels like it’s going to get there and makes this stand proudly with the other three films but it instead chooses to take the quick and easy path every step of the way, which is not how the series was up to this point. It’s odd how for a movie that claims to be about change, it does very little of that to its overall status quo.

I don’t know if it had to do with a supposed rushed development, lower budget, or running out of creative gas but Kung Fu Panda 4 feels like it was only made to keep the franchise brand going and not because anyone had a unique enough story to tell for it.

If the series continues to stick to it’s initial six-movie arc plan that DreamWorks envisioned back in 2010, then they better find a way to spice things up for parts five and six if they want anything after Kung Fu Panda 3 to be worthy of existing.

As an animated film for kids, it’s passable at best. As a Kung Fu Panda movie, there’s just not enough skadoosh this time around.

Other comments:

  • Yes, Jack Black’s version of Baby One More Time is awesome and the biggest standout of the entire soundtrack.

  • There is actually a scene in the movie where Bryan Cranston has a little Walter White in him as Po’s biological father.

  • Who in a million years would have thought that Puss in Boots: The Last Wish would be by far the best DreamWorks sequel in recent memory and NOT Megamind 2 or Kung Panda 4?

  • Yes, I watched Megamind 2. It’s probably the most pointless sequel I’ve ever watched!

  • Oh and Mr. Beast makes a voice cameo in this one! That’s cool I guess!

  • Also, Po’s dads are so gay! Just saying!

Most Anticipated Movies of 2024

AdamLeave a comment

2023 is now officially over which mean it’s now time to roll into 2024! And what better way to kick off the early part of January then to share what new films I’m looking forward to the most in 2014.

I’ll be straight up honest with you, there’s not very many films that I’m over the moon excited to see this year. If anything, there’s not so much movies I’m excited for and more movies that I’m CURIOUS for. When viewing the 2024 movie release slate as a whole, you can definitely tell it’s been largely affected by the multiple strikes that took place throughout the course of 2023, causing many film releases to be paused or delayed entirely. Because of that there’s so many films set to come out this year as we speak that we literally know NOTHING about. Perhaps there will be smaller films under my radar or even brand new big films that I have ZERO excitement for will win me over but for now, I’m going into 2024 with pretty pedestrian expectations for what it will bring us in terms of films.

That being said, I still do have ten movies this year that I do have interest in and more likely will check them out around the time that they release.

FYI, I will NOT be including Dune: Part Two on this list because that was already on last year’s list. Considering that only got move backed due to the writers strike along with the fact that was on my list from last year, I don’t need to remind you again that I am legit excited for that movie.

First off, I have a five honorable mentions.

Honorable Mentions:

  • Argylle

We see Matthew Vaughn returning to the spy action genre once again with a stacked cast and an original premise that will hopefully bring a good spin on the genre as we know it. Hopefully, Vaughn is able to recapture that lightning in a bottle he did with Kingsman: The Secret Service and avoid the trappings that brought down Kingsman: The Golden Circle.

  • Ballerina

With The Continental acting as the first spin-off series in the John Wick universe, Ballerina will act as the first spin-off film set in the John Wick universe, taking place between Chapter Two and Three. It will star Ana De Armas as a ballerina named Rooney, a character from Chapter 3 but has been recast, seeking revenge by hunting down the murder of her family. If done well, this has potential to expand upon the John Wick franchise in interesting ways, even without it’s titled main character. And if you saw her brief cameo in No Time To Die, you would know that Ms. Armas is more than capable of handling an action role.

  • Borderlands

After returning to his roots last year with Thanksgiving, Eli Roth is taking his next step a year later with the newest video game film adaption in Borderlands. Even with the increase in quality over the years, video game adaptions are still something to be very cautious over. Even so, there’s a lot of notable names in the cast here with Cate Blanchett, Kevin Hart, Jack Black, and Jamie Lee Curtis and Eli Roth is the master at making over-the-top bloody gore fests. With the correct rating, this could at worst be a relatively fun time and make for perhaps the goriest video game movie we’ve ever seen!

  • Joker: Folie à Deux

This is one that I’m more CURIOUS about than EXCITED. Even as someone that enjoyed the first Joker but wasn’t jumping off the roof over it, I don’t think it was a film that warranted a sequel. But because the first one made a billion dollars, we see Todd Phillips returning for a follow-up which will see the origin of Harley Quinn played by Lady Gaga and is said to have a more “musical” vibe to it. I have no clue if this will work or not but no doubt I will be there day one to see how this whole thing will play out. This is a bold strategy, let’s see if it pays off!

  • Nosferatu

More than just his cameos in Spongebob Squarepants, Nosfreatu will be a modern remake of the 1922 original starring Bill Skarsgard himself with Robert Eggers (The Lighthouse, The Northman) taking directing duties. Eggers has been a director that has just entered my radar and I’m profoundly interested to see if he can pull off a high quality remake of a film that is now over 100 years old.

Now, here we go with the main top three!

10.) The Fall Guy

The summer movie season of 2024 is not kicking off with yet another Marvel superhero movie but with a fresh action thriller with The Fall Guy, acting as an adaption of the 1980s tv series. We get to see Ryan Gosling acting as a daredevil stuntman that becomes a reluctant investigator to save his ex-girlfriend’s film. David Leitch has easily grown accustomed to the action genre with his work on John Wick, Atomic Blonde, Deadpool 2, Hobbs & Shaw, and Bullet Train and he looks to continue that even further with The Fall Guy. Even if it’s technically not an “original” film, this looks like it will be a nice change of pace for summer blockbusters and shown it’s more than just an overreliance on superhero or franchise installments.

9.) Kung Fu Panda 4

There are plenty of reasons to be skeptical about a Kung Fu Panda 4. It’s rare to see three straight franchise films in a row to be as consistently good as they are (even if Kung Fu Panda 3 was a step down from the first two) and it’s even rarer for a fourth film to top or even match that level of quality. However, if there’s one thing you should learn by now when it comes to Kung Fu Panda, it’s to NEVER judge a book by it’s cover. Here we will see Po accepting his new role as the Spiritual Leader of the Valley of Peace while passing on the role of the Dragon Warrior to someone else. With a new set of characters such as Zhen (Awkwafina), Han (Ke Huy Quan), and the brand new antagonist the Chameleon (Viola Davis) along with old familiar foes set to return such as Tai Lung (Ian McShane), Kung Fu Panda 4 looks to act as a culmination of the entire Kung Fu Panda series up to this point. Just please make sure the Furious Five come back in some way, shape, or form!

8.) Godzilla x Kong: The New Empire

Maybe this is recent bias, but after being on cloud nine with Godzilla: Minus One, I can’t help but be more excited for some more action with the King of Monsters. This looks set to be a rematch between Godzilla and King Kong himself, with the two facing a new global threat that will challenge their very existence and the survival of the human race. Based off the marketing and trailers we’ve seen thus far, Adam Wingard seems dead set on promising a gorgeous, action-packed spectacle featuring the two titled characters that everyone is looking to see along with perhaps something more than that. While it will be hard to top Minus One, Godzilla x Kong: The New Empire is certain to be a genuine crowd pleaser that will be able to expand the brand of these two beloved monsters, allowing their legacies to expand even further.

7.) A Quiet Place: Day One

After two excellent entries in this latest horror franchise, A Quiet Place: Day One will act as a spin-off prequel, showcasing the earlier days of when the worldlike apocalypse in this universe occurred that whipped off the majority of the human population. With Michael Sarnoski taking over for directing duties over John Krasinski, he will look to provide new and inventive ways to deliver clever scares and unique set pieces along with expanding upon the mythology of this franchise even further. I never would have guessed a horror series that has quite a paper-thin premise on paper could get me excited for multiple entries but if they can keep delivering films that are this well made, acted, and engaging, then I will happily take more of them.

6.) Inside Out 2

There is a strong argument to be made that the original Inside Out was objectively the very best Pixar film ever made. It was an animated film that did everything it could with it’s special premise and delivered a stellar motion picture about emotions and feelings and the importance of every notable one of them. With the first film tackling the days of little Riley as a young girl, the second film looks to take a step even further and show Riley going through her days as a teenager. With the new emotion of anxiety and a few others entering this film, we are likely to get a deep dive into the mindset of a young teenage girl going through her own personal struggles. As much as people have been overly critical with the amount of sequels that Pixar has developed over the years, Inside Out 2 is one that has more than enough material on paper to justify it’s existence. If they can make this work, I’ll take more sequels as there is plenty of stories to tell with the entire concept of these movies.

5.) Mickey 17

This is not necessarily one that I know most about or what the actual title of Mickey 17 is suppose to mean. However, there’s one name attached to this project that’s more than enough to me excited for this film to come out. That being no other than the director of Bong Joon-ho. Acting as a follow-up to his Oscar-winning masterpiece of Parasite (*insert angry incel anti-woke fanboy*), Mickey 17 will act as an adaption based off the 2022 novel Mickey 7 and will star the current Batman himself in Robert Pattinson. Would Mickey 17 be this high on the list or even on the list at well if it weren’t for the cast and crew behind this? Probably not. But sometimes, that is more than enough to convince you that it will be worth checking out or at least be a worthwhile quality piece of art.

4.) Deadpool 3

Acting as the only cinematic entry to be released in the Marvel Cinematic Universe, Deadpool 3 will be looking to add the humor, charm, and violence that made the first two movies so good and be able to deliver them in new, satisfying ways. With Hugh Jackman coming out of retirement as Wolverine (in the classic Wolverine suit at long LAST) along with potential other well-known X-Men characters joining the party with longtime actors reprising their roles, I wouldn’t be surprised if Deadpool 3 ends up being to Deadpool what No Way Home was to Spider-Man in acting as a celebration of prior Marvel movies. If done well, this can serve as a delicious appetizer and gets everyone excited for the next main course that will be the upcoming Avengers movies, most notably Secret Wars. Oh, and I wouldn’t be surprised to see Taylor Swift have a role in some way. After all, you gotta get that few extra bucks from the Swifties.

3.) Furiosa: A Mad Max Saga

Approaching the 10 year anniversary of the action movie masterwork that was Mad Max: Fury Road (can’t believe it’s ALREADY been nine years), George Miller returns once again to this post-apocalyptic world which he helped created but with a prequel that puts the spotlight on the latest action heroine icon from Fury Road in Imperator Furiosa, played this time around by Anya Taylor Joy. With this being reported to be in the works for several years now, this is clearly a passion project for Miller himself and wants to give everything he has to do it. While it does look more CGI-ish compared to Fury Road, if Furiosa is able to at least capture a quarter of the magic that 2015 game changer did with it’s stunts, action, visual storytelling, and emotional depth, then it may just continue the Mad Max franchise even further, with hope that the long in development installment, Mad Max: The Wasteland, might see the light of day. Even so, I’m just at least happy to be able to spend more time in this universe.

2.) Kingdom of the Planet of the Apes

In an age where most newest installments in long-running franchises are uneven and inconsistent in terms of quality, who would’ve guess that it’s the recent run of Planet of the Apes movies that is ahead of the curve in that regard. Coming off a hugely successful three-movie run with Rupert Wyatt and Matt Reeves that told the complete story of Caesar, the baton has been passed to Wes Ball for Kingdom of the Planet of the Apes. Set 300 years after the events of War for the Planet of the Apes, ape civilizations have emerged higher than ever while the human population is now at it’s absolute lowest, with the focus now on a young ape named Noa and a young human girl named Mae. If the quality of the first three rebooted ape movies is anything to go by, I would expect Kingdom of the Planet of the Apes is to be yet another amazing accomplishment with motion capture and visual storytelling along with getting one step closer to the events of the original 1968 Planet of the Apes where it’s completely ape dominated. Between this and Furiosa, Memorial Day weekend is sure to be one strong weekend for films.

1.) Sonic the Hedgehog 3

Do I expect this to be the best movie of 2024? No! Is there a strong chance that this will likely be the worst of the anticipated films I’ve mentioned? Yes! But at the same time, I can’t help but have my mind set on Sonic the Hedgehog 3 more than any other upcoming movie this year. Maybe it’s due to the fact that the prior two Sonic the Hedgehog movies were honestly more or less the Sonic movies I’ve always dreamed off as a kid but Sonic 3 has a chance to not just set a new standard for video game movies but possibly make Sonic popular than he ever has been before. With it set to introduce fan-favorite character Shadow the Hedgehog, possible well known Sonic characters such as Amy Rose and Rouge the Bat might get thrown into the mix, seeing how the Sonic lore is more expanded upon, and even just seeing how the main trio grow as characters, Sonic 3 just seems set to be an absolute blast for Sonic fans, video game fans, and everyday moviegoers alike. We might not know the exact plot synopsis quite yet or even who is going to be cast as Shadow the Hedgehog. However, the build up and anticipation to it’s holiday release of Sonic the Hedgehog 3 is what I’m looking forward to the most throughout the majority of 2024. I don’t expect this to win an Oscar or even be my absolute favorite of the year, but the inner child in me is what make Sonic the Hedgehog 3 my most anticipated film of the year!

As for other big movies coming out this year:

  • I saw Night Swim early. It kinda stinks and is pretty much the exact definition of a January horror movie. Don’t expect another pleasant surprise like M3GAN from it.
  • There’s another Mean Girls coming out that acts as more of a musical than an actual remake. Hopefully, it’s not another Mean Girls 2.
  • Madame Web seems set to be a Madame Webbing time (Did I do that right?).
  • Love Lies Bleeding looks like it will be every Sapphics wet dream.
  • Ghostbusters: Frozen Empire was another holdover from 2023 but from the trailers, it looks like yet another reminder about how Hollywood has completely forgot what made Ghostbusters special.
  • Rebel Moon: Part Two might fix the flaws of Part One but either Netflix needs to learn how to properly release their feature films or Zack Snyder needs to learn how to release a proper film in it’s actual cut released for theaters and streaming.
  • There’s a new Universal monster movie set to star Melissa Barrera, the actress who just got fired from Scream due to voicing her support from Palestine. That alone is enough for me to show my support!
  • Alex Garland’s Civil War seems set to be the most controversial film of 2024 in both the best and worst ways possible. Just please let this be closer in quality to Ex Machina and Annihilation and NOT Men.
  • There’s another Strangers film coming with The Strangers: Chapter 1 for fans of that series. I’m not really one of them.
  • An animated Garfield film is also coming on Memorial Day alongside Kingdom of the Planet of the Apes and Furiosa. It looks cute but why does Chris Pratt got to be in every animated movie nowadays?
  • Bad Boys 4 might still be a thing this year, assuming the whole world has gotten covered Will Smith’s Oscar slap.
  • Despicable Me 4 is happening because….I guess the kids still love minions.
  • Twisters is an upcoming disaster film with the director of Minari. That could be good.
  • M. Night Shyamalan has another movie set with Trap. And even his daughter has a new movie as well. Let’s see how those turn out!
  • Horizon: An American Saga is getting Chapters 1 and 2 in the same year directed by Kevin Costner no less. Could be interesting!
  • Alien, Lord of the Rings, and The Karate Kid are getting new films this year believe it or not but we literally know NOTHING about them whatsoever.
  • Gladiator and Beetlejuice are getting sequels….for some reason.
  • Kraven the Hunter movie is still a thing….for some reason. Marvel’s Spider-Man 2 game pretty much already has that beat by a mile.
  • Transformers One could be yet another surprisingly enjoyable or just okay Transformers movie that will likely underperform at the box office because the world is still recovering from Bayformers or even misses it.
  • Wolfs is the next film from prior Spider-Man director, Jon Watts. We’ll see how that goes.
  • Saw XI and Smile 2 are coming because of how successful the last Saw and first Smile was.
  • Venom 3 will likely be another film which will help Sony continue to destroy the last remaining will that superhero movies still have. At least Tom Hardy will still be run, right?
  • Red One is an upcoming Christmas adventure with The Rock and Chris Evans because….of course.
  • Wicked: Part One will be a newest musical fantasy adaption that I may check out if the reviews are good enough.
  • And of course, Disney is releasing Mufasa: The Lion King, which will likely be another bad or underwhelming Disney live-action remake that pales in comparison to the original. Barry Jenkins is WAY too talented of a director for this!