Tag: inside-out-2

Inside Out 2 (2024) Movie Review- Emotional Boogaloo

AdamLeave a comment

Pixar is in quite a fascinating spot at the moment and even for the better part of the last 15 years! Even when delivering a handful of quality and/or downright excellent films over that time period, they’ve always seemed to be in a position to prove themselves with ever new entry they’ve released since the 2010s rolled around. It doesn’t matter that they put out Inside Out, Coco, Soul, and Turning Red during that time because Cars 2, Brave, The Good Dinosaur, and Lightyear all exist as well. This mindset especially takes center stage whenever they put out a sequel that is not Toy Story related (and even then, the last few they put out in Toy Story 4 and Lightyear got plenty of folks barking). Despite the majority of them turning out to be a success from both a critical and financial standpoint (Finding Dory, The Incredibles 2, and Toy Story 4), they always tend to get heavily scrutinized for either not being as good as the original or just for the pure fact that they even exist at all. This thought process going into each non-original Pixar installment is very infuriating to me.

I understand in this day and age where people have more of an eye of what’s going on from behind the scenes then ever before and the corporate politics that come into play are as incredibly obvious as they come but at the end of the day, you have to judge each film as their own thing and not based on how much you detest the creativity black hole in Hollywood. I bring this up because for all the good that there is to be found in Inside Out 2, I can only imagine we will see those exact counter arguments against it that you would not find for other sequels made by other animated studios.

As for the movie itself, it’s about as good of a sequel to the original Inside Out as you can get, and in some ways is even better than the first one. It still does it’s job in taking the series to the next level, where we follow Riley taking the next steps into her life, not only becoming a teenager but being more aware of the world that surrounds here. It still has that same heart, it still has that same music, and it still has the same emotions but it is also has the same form of creativity that the very best of Pixar films have. If the original Inside Out is one that resonated the most with children, then Inside Out 2 is one that I can see resonating with teenagers and adults. Even if I slightly prefer the first one, the sequel is more than a worthy companion piece to it that should not be dismissed in any way, shape, or form.

Premise: Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Tony Hale) and Disgust (Liza Lapira) have been running a successful operation by all accounts. However, when Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adele Exarchopoulos), and Embarrassment (Paul Walter Hauser) shows up, they aren’t sure how to feel.

Even if you take into the account of the numerous amount of sequels that Pixar has made for the past 15 years, I’ve argued that Inside Out was the first Pixar film outside of Toy Story that had more than enough material to justify making multiple sequels out of here. Mostly because, just like with the Toy Story sequels, Inside Out 2 seems most interested in taking the characters to the next step on their journey along with continuing the themes involving growing up, getting older, and finding your place in the world along the way. Those themes ring true to not just the story with Joy and her fellow emotion companions but also to Riley herself.

While Joy and the emotions of old and new that come into play do have a main significant role in the film, the main beating heart reigns with Riley. Not that it wasn’t the case in the first movie but here, we clearly see that Riley is now in the part of her life where she must gain controls of her emotions instead of letting the emotions control her. As she is now hitting the age of a teenager, she has now become more aware of the imperfect and flawed world around her. She loves hockey and her friends but if she can’t make the right choices, then there’s a chance that neither one of those factors can happen. It’s only when finding control of her emotions where Riley can determine the outcome of whether or not she can make the new hockey team, and still connect with friends of old and new. Whereas the first Inside Out saw the original emotions due the heavy lifting for Riley because she was still at the age where she didn’t know any better, Inside Out 2 shows the character having to learn to keep the original and new emotions in check, and having to do so at the most crucial part of her life.

That makes the arc that Joy goes through be a perfect counterpart to Riley’s own growth. Much like with Woody in Toy Story 2, Joy must come to terms with the fact that she can’t control Riley, no matter how hard she tries. As you get older and get more experience in the real world, it gets harder to stay positive and optimistic because you are now more aware of the consequences that you can go through when things don’t work out. And this usually always come during a time where you must develop your own self conscious and have better control of your emotions. Even if she can’t make Riley into what she wants her to be, Joy must do everything she can to be there for Riley whenever her own kid needs her. It’s parallels like these that help make Inside Out 2 stand out as a really affective and worthwhile sequel.

It’s not just Joy that gets the spotlight but the other emotions get their time to shine as well. This time around, it sees the original group of emotions with Joy, Sadness, Fear, Anger, and Disgust go on this adventure together as they must get back up to the tower to stop Anxiety, Envy, Embarrassment, and Ennui from controlling Riley. Each one of them get their own standout moments and it’s interesting to see them all develop different emotions within them the way that Joy was able to in the original Inside Out and even now.

And of course, you got to mention the new players in Anxiety, Envy, Embarrassment, and Ennui. Anxiety is definitely the biggest standout as the leader of the group and taking matters into her own hands. Much like with the way the first film portrays Sadness, I respect the fact that the film doesn’t look to portray Anxiety as a villain but more as an antagonist. She’s not trying to do everything because she’s evil but because she thinks that is the right thing to do, even if her methods are rather flawed. Envy is cuter than a bag of kittens, Embarrassment is able to get his own G.O.A.T. moment as perhaps the most relatable of the new emotions, and Ennui is just the perfect description of Generation Z always on their phones in a nutshell.

The voice cast from top to bottom is stellar all around! Amy Poehler brings just as much joy (no pun intended), charm, and energy as she did in the first film, the new additions of Maya Hawke & Ayo Edebiri as Anxiety and Envy are such an absolute blast as well, and even if the (unfortunate) departing of Bill Hader as Fear and the (fortunate) departing of Mindy Kailing as Disgust is noticeable, both Tony Hale and Liza Lapira fit into the roles rather well, with Lapira in particular standing out much better than Kailing. Also, a big shoutout to Adele Exarchopoulos as Ennui. And Ron Funches as Bloofy. And Yong Yea as Lance Slashblade. And pretty much anyone else I didn’t mention. Moving on!

The animation is as breathtakingly beautiful as you would expect for a Disney film in 2024, the expansion of Riley’s mind is explored as well as it can be, the music is as soothing as before, and while there’s not quite a sad bit on par with Bing-Bong or a funny bit on par with “GIRL ALERT!”, the film does provide enough unique beats of emotion and comedy of it’s own that it more than makes up for it. The standout sequence in particular is one that I imagine will be the main talking point of this movie and the moment that I imagine the folks behind Pixar took inspiration from Uncut Gems. I’m sure Adam Sandler would be proud of that.

The nine-year long awaited sequel to Pixar’s surprise hit in 2015 is as every bit of affective, earnest, and heartful as it’s predecessor. This is arguably the first Pixar sequel not related to Toy Story that seems to have more on it’s mind to justify it’s own existence other than branding and merchandising. Going from seeing Riley as a youth moving to San Francisco to a teenager looking to make it into the high school hockey team with the popular girls, this sequel takes the logical next step into showcasing the inner turmoil of taking the next step to puberty with anxiety, envy, ennui, and embarrassment entering the picture, portrayed perfectly by newcomers Maya Hawke, Ayo Edebiri, Adele Exarchopoulos, and Paul Walter Hauser. There are nits to be picked such as having a familiar plot and structure as the original and a wrap-up that perhaps is a bit too squeaky clean by Pixar standards but as a whole, Inside Out 2 is able to act greatly as a natural continuation and expansion of the first movie’s story and themes.

As much as plenty of folks have been down on Pixar as of late with it’s abundance of sequels, I sure hope that Inside Out 2 is good enough for them that they can let it all slide and appreciate the film the way it was suppose to be appreciate. I can only hope these same folks get their butts in theaters around this time next year for Elio and whatever original film that is slated to come out in March 2026. Only then will they have a right to complain! But for me, after two films this great, I would welcome a third film with open arms!

Bring on Inside Out 3 if you may! (Oh and please bring Lance Slashblade in Kingdom Hearts 4!)

Why Animators Need To Go On Strike

AdamLeave a comment

It has been announced that Pixar will be laying off 14% of current employees due to Disney’s cost-cutting measures. This will be the biggest restructuring in Pixar’s history. Even after undergoing similar layoffs last year, which included Galyn Susman, the woman who helped keep Toy Story 2 at bay during production, yet another restructure is occurring at the offices of Pixar. Never mind the fact that last year’s Elemental was able to squeeze a profit after it’s incredibly strong legs or that Inside Out 2 is set to have the biggest opening weekend at the box office in 2024 so far! Neither one of those elements were enough to continue letting talented animators get the hammer!

Unfortunately, this has not been the only layoffs in recent memory within the animation industry. Back in March, shortly after Kung Fu Panda 4 had a strong opening weekend at the box office, DreamWorks had announced massive layoffs with their company as well. Even more so than the ones with Pixars, DreamWorks confirmed that many departments were cut in half and the creative staff on movies were to be reduced at least up to 50%. Yes, around HALF of the creative staff at DreamWorks were laid off a few months ago. Never mind the fact that Kung Fu Panda 4 had a solid opening weekend at the box office and has managed to gross over 530 million worldwide, becoming the second highest grossing Kung Fu Panda sequel domestically and even outgrossing the previous Kung Fu Panda installment. Not to mention, the lower 85 million dollar budget that certainly allowed for higher revenue that perhaps any other Kung Fu Panda movie to date. None of that was enough to save DreamWorks from being forced to clean house and restructure their entire company.

There are multiple reasons why this is all occurring to not only within the animation industry but nearly all forms of entertainment in general. Mediums underperforming or tanking at the box office and/or sales, bloated budgets that makes return outcome nearly impossible, rushed development cycles which artists are constantly overworked and crunched for times, etc.. However, I do think the #1 reason behind all of this has to do with the higher ups of these studios. In the cases I just mentioned, Disney and Universal.

If you have been seeing how technology is becoming more advanced by the day, you likely are familiar with the way A.I. has been playing a bigger role now than before. With artificial intelligence features such as ChatGPT becoming more common in every day use, it’s clear that studios are looking to have that be more incorporated to the way entertainment is made now. Not for the sake of quality but for the sake of quantity. Companies want A.I. to play a big role now because it will save them extra bucks in not having to hire more animators or artists. That way, more and more money can be made that can light their own pockets and NOT be spend on actual content themselves.

Many people find it blasphemy that big studios and companies are still trying to convert A.I. into their products at the expense of actual human beings after going through at least two major strikes because of that push. However, it just doesn’t matter in the eyes of the higher ups. They don’t know how to shortened the budgets of their content that doesn’t involve laying off a good portion of their employees. They just think A.I. is the big answer to all of their problems. Not because they want to experiment on different ways to make new forms of entertainment but because that will save them a few extra pennies. It’s about as greedy, corporate, and cynical as they come.

All of those reasons and more is why whenever the contract inevitably expires this year between the Animation Guide and the Alliance of Motion Picture and Television Producers (AMPTP), a strike is going to 100% occur. It’s not a WANT per se but an absolute NEED for both sides, if the future of animation is to thrive in the best way it can. Companies need to learn that they can NOT take animators for granted and needs them to provide quality entertainment.

Even if you take out the constant push for A.I., the animation industry has been infamous with it’s troubled production with films in recent memory. You have Across the Spider-Verse which had animators being treated extremely poorly by Phil Lord, causing hundreds of animators to leave the project. You have Kung Fu Panda 4 which had plenty of back and forth between the creatives and being rushed out of door during the multiple strikes to get out by spring. And do I even need to bring up the development history surrounding Frozen 2, which had a Disney Plus documentary in which the people who made it unironically state that they were overworked, crunched, and was basically making the whole movie up as they went along. And I can only imagine the stories we will be hearing about Moana 2, the Disney Plus series turned movie, during the holiday season this year?

Working in the animation industry or any entertainment industry is certainly hard and requires you to be working a TON to get each project out on time. But it should never come at the cost of someone’s mental health, insanity, or skills as a human being. You might be able to get away with that once or twice but to have EVERY production in animation going this way is a big no-no. That’s how you wind up with something like Megamind 2, that was litter with animation errors that became noticeable to anyone once the very first trailer dropped. Not only is the poor treatment for animators along with this constant push for A.I. to take over is affecting the work-life balance of animators but also the quality of animated motion pictures. And once you got so many of those poor quality animated films in a row, eventually people will catch on and your movies will end up bombing at the box office. Just ask Disney with Wish!

Yes, there has been plenty of great animated work as of late, regardless of their production history, but more times than not, these rushed developments cycles, harsh treatment of animators, and wanted to replace them with robots is causing major harm to the animation industry. At some point, you as an animator has to put your foot down and stand up to the studio saying “No! You will just not tolerate any longer! Treat us with the respect we deserve or we go on strike!” While it’s unlikely that will occur on it’s own, the soon-to-be expired contract between the Animation Guide and the AMPTP will certainly make the voices of animators be heard. And there is not better time for them to start speaking up than now!

Just like how actors and writers had every right to go on strike last year, animators deserve that very right! With big companies performing layoffs within the industry in the hopes of avoiding a strike, that is only going to throw more fuel into the fire. Laying off hundreds to thousands of animators in the hopes of giving those extra bucks to those that deserve it is NOT the answer! Replacing those animators with robots is NOT the answer! Putting the animators through hell with every single animation production is also NOT the answer! The only answer is to give them the proper care, treatment, and respect that they deserve to deliver the best quality creative product that they can!

It’s only then that animators may not have to strike. However, in this case and under THESE circumstances right now, they have more than earn their right to do so once they get the chance!

Top 10 Biggest Summer Movies- Box Office Predictions

AdamLeave a comment

It’s now officially May which means it’s now officially summer movie season! The time of the year where the big blockbusters of the year are front and center in movie theaters everywhere now that the kids are out of school! Because of that, I figure I’d so something that I’ve yet to do on this blog, do a list of what I believe will be the top highest grossing films of the summer!

2023 was an absolute DISASTER at the box office during the summer time! That is largely due to the massive budgets from the majority of the big movies that came out that year along with just the overall inconsistent-to-poor quality of those big movies. And considering the fact there will likely be no Barbenheimer to save the summer, 2024 will likely be just as challenging for summer movies!

Even so, I think the 2024 summer movie season will give a big indication as to whether or not Hollywood is still recovering from the post-covid era of struggling to get people’s butts into theater seats or will this be the beginning of a resurrection for summer movies! We can only cross our fingers and hope for the best!

And considering I’ve been seeing multiple people put their own predictions of the top 10 biggest summer movies in terms of profit, why not throw my own hat in the ring and do my own list of this?! Keep in mind, these are the movies that I believe will be the highest grossing of the summer, not the ones that I desperately want to be at the very top. If that were the case, then Furiosa would at least be in the top 3 and Despicable Me 4 would be dead last on this list. This is list is not a matter of anticipating or movies I think will be objective the best, this is a list of the movies that I believe will be the most to least successful in terms of the top 10 movies of the summer.

Also, this is a ranking based on box office numbers worldwide and NOT domestic. That list would be harder and more complicated for me to judge. This is how I feel the box office numbers will hold for each film WORLDWIDE. Could I be dead wrong on every single one of these? Absolutely! But hey, it’s fun to be able to make predictions, right?!

Time to jump right in and put my predictions on what I believe will be the top 10 highest grossing films of the summer!

10.) Furiosa

Release Date: May 24th

Box Office Projection: $350 Million

Reason: I have all the faith in the world that George Miller will deliver with this film but I’m just not sure it’s one that most general audience will be interested in. Despite the massive praise that Mad Max: Fury Road got back in 2015, it only made a little over 380 million dollars worldwide, with a net loss somewhere between $20-$40 million. And considering this is basically a prequel spin-off surrounding a character from Fury Road but played by a completely different actress and with no Mad Max to be found in the marketing, that doesn’t inspire much confidence for Furiosa to top or even match that. I love to be proven wrong and the cult following of Fury Road will show up to this one but I wouldn’t be surprised if this ends up being the most frustrating Hollywood flop since last year Mission Impossible: Dead Reckoning, especially with the rumored film budget being over 200 million dollars! Hopefully this prevails and we get more Mad Max films from George Miller with the time we still have with him!

9.) Bad Boys Ride or Die

Release Date: June 7th

Box Office Projection: $400 Million

Reason: This is likely the summer movie I’m the most curious to see how it performs. This is a sequel to a movie that was one of the last solid hits to come out before covid hit. If it’s able to hit all the right beats just like Bad Boys For Life did, then I can see this doing similar numbers to that and perhaps even top it. The only big question is whether or not everyone has forgiven Will Smith for slapping Chris Rock on stage yet?

8.) The Fall Guy

Release Date: May 3rd

Box Office Projection: $425 Million

Reason: The first big movie of the summer is set to arrive tomorrow and I think this will largely benefit from being that first big movie of the summer. It also helps that it’s an awfully good over-the-top action flick that puts the spotlight on stunt doubles. If the word of mouth is good enough this weekend, I can definitely see this being a genuine crowd pleaser and may even make more folks demand that the Academy act a stunt category to the Oscars. I seem to be higher on this movie than most folks that I’ve seen but I think The Fall Guy will do more than fine and dandy at the box office.

7.) A Quiet Place: Day One

Release Date: June 28th

Box Office Projection: 450 Million

Reason: Coming after the first two terrific installments, this is the one main horror franchise that has left the audience more intrigued to see what happens next. The only potential downside is that this acts as a prequel to those first two films with a completely different cast and director. The big looming questions is whether or not audiences love A Quiet Place for it’s memorable characters and recognizable actors or for it’s genuine scares, set pieces, and world building. If the quality for Day One is in the same ballpark as those first two Quiet Place movies, then I can certainly see it being in the same ballpark as the first two films in terms of box office results.

6.) If

Release Date: May 17th

Box Office Projection: $475 Million

Reason: There are two main factors here that will make If a good hit at the box office. First, it will be the biggest family friendly movie to come out in May (give or take The Garfield Movie) and will have enough time to stand out as that until Inside Out 2 and Despicable Me 4 come out. Secondly, it has the star power duo of Ryan Reynolds and John Krasinski. Those two factors alone are almost certain guarantee that this movie will do bank once it comes out in the next two weeks. It likely won’t be the biggest movie of the summer starring Mr. Blake Lively but it will definitely help for him to have a summer to remember.

5.) Kingdom of the Planet of the Apes

Release Date: May 10th

Box Office Projection: $500 Million

Reason: The next big summer entry is set to come out in theaters next month and looks as if it will be as visually delighting and narratively compelling as it’s rebooted predecessors. Disney has been doing everything in their power to promote this film by showing off the elements that folks loved the most about the previous three films. That in of itself will guarantee a strong first weekend, especially since it’s avoiding Memorial Day competition with Furiosa and The Garfield Movie. Just like with A Quiet Place: Day One, the biggest challenge that Kingdom of the Planet of the Apes will have to overcome is make people just as invested in this new cast and crew as they were with the previous ones. If it does that, then this will likely be in the top 5 movies of the summer.

4.) Twisters

Release Date: July 19th

Box Office Projection: $600 Million

Reason: It might be a bold claim on the surface to predict this one making 600 million and being one of the biggest movies of the summer but hear me out. The original Twisters is adored by many, it has the star power of Glen Powell, coming off his great work in Top Gun: Maverick, and everyone just loves a good disaster flick. The trailers have been doing it’s best to sell audiences on exactly what they want to see out of a disaster movie and that alone will likely get plenty of folks into the theaters. I could be dead wrong in claiming this but even if this does get bad reviews, I don’t see that scaring away audiences because this is the definition of a “critic proof” movie. By that note, this will likely be the most successful “critic proof” movie since The Super Mario Bros Movie. Hopefully, the discourse over the Rotten Tomato score won’t be as insufferable.

3.) Inside Out 2

Release Date: June 14th

Box Office Projection: $750 Million

Reason: Disney has been in quite a slump as of late with their theatrically released films, especially in terms of animation. Despite all the flops released last year, Elemental had some staying power and made just enough to be guaranteed a profit, making that and Guardians of the Galaxy Vol. 3 the only Disney movies to NOT be considered a financial disappointment. And considering this is a sequel to one of the most beloved Pixar films in recent memory, Inside Out 2 will be able to do some of the best numbers with Disney Animation since 2019, especially if the reviews are stellar. The recent track record alone might prevent it from reaching the same success as the first one but if it delivers, Inside Out 2 should be able to be the most successful theatrically released Pixar film since Toy Story 4 and possibly even the most successful theatrically released Disney film overall since Frozen 2.

2.) Deadpool & Wolverine

Release Date: July 26th

Box Office Projection: $900 Million

Reason: Many folks have claimed this will be a guarantee billion dollar hit but I think everyone needs to come back to reality for a moment. After many big movies underperformed last year, including two MCU installments, we might need to pump the breaks on such bold claims. As much as Deadpool & Wolverine is one of the most anticipated movies of the year and will likely be one of the biggest movies of the summer, that’s won’t guarantee 7 digits as prior big Marvel movies did. The R-rating alone (A reminder that there has been only ONE film to ever make a billion dollars!) along with the inconsistent quality of recent Marvel movies/shows will likely prevent it from reaching that billion dollar mark, with audiences still needing more consistent quality Marvel flicks to be fully won back. The promise of seeing Huge Jackman as Wolverine once again in yellow spandex, the buddy-cop routine with him and Ryan Reynolds’ Deadpool, and the absolute guarantee of multiple easter eggs, cameos, and fan service will make Deadpool & Wolverine one of the biggest movies of the summer almost certainly. When it comes to if it will be the first Marvel movie since Spider-Man: No Way Home to make a billion dollars, that more than remains to be seen in my eyes.

1.) Despicable Me 4

Release Date: July 3rd

Box Office Projection: $1.1 Billion

Reason: I don’t understand the appeal of these movies and I likely never will but one thing is certain though, this franchise certainly has an audience. Coming off a third entry that made a billion dollars and a second Minions movie that almost made a billion dollars, there is no reason to believe that Despicable Me 4 won’t be in that exact same territory in terms of box office success. Whether you like or hate them, Illumination Animation certainly knows how to get kids and families to theaters with their films and this will certainly be no exception. As I said before, the quality of any of these films is irrelevant and I highly doubt any kind of negative reviews will impact the box office results here. If I had to pick one big movie that is the saftest bet to make a billion dollars and be the highest grossing movie of the summer, it would be Despicable Me 4. I wish that was not the case but hey, there are plenty of folks out there that do. So, what do I now?

Other notes:

As for the other movies that got let off the list!

  • The Garfield Movie nearly came close to topping Furiosa the 10th spot but unless it’s able to make noise at Memorial Day, I can see this being shipped to digital really quickly. It might do enough for a profit but not Hotel Transylvania and Spider-Verse numbers.

  • Alien: Romulus looks like a return to traditional roots for the series in the form of Prey but it will likely have to pay for the sins of Prometheus and Alien: Covenant (Damn you, Ridley Scott!).

  • The Bikeriders seems fun but won’t leave much impact until it hits streaming service like it originally was suppose to.

  • Horizon: An American Saga could likely come and go depending on it’s quality.

  • And if the trailers for Borderlands is anything to go by, this will likely be one of the biggest bombs of the summer. Why, Eli Roth?! Just why?!

Most Anticipated Movies of 2024

AdamLeave a comment

2023 is now officially over which mean it’s now time to roll into 2024! And what better way to kick off the early part of January then to share what new films I’m looking forward to the most in 2014.

I’ll be straight up honest with you, there’s not very many films that I’m over the moon excited to see this year. If anything, there’s not so much movies I’m excited for and more movies that I’m CURIOUS for. When viewing the 2024 movie release slate as a whole, you can definitely tell it’s been largely affected by the multiple strikes that took place throughout the course of 2023, causing many film releases to be paused or delayed entirely. Because of that there’s so many films set to come out this year as we speak that we literally know NOTHING about. Perhaps there will be smaller films under my radar or even brand new big films that I have ZERO excitement for will win me over but for now, I’m going into 2024 with pretty pedestrian expectations for what it will bring us in terms of films.

That being said, I still do have ten movies this year that I do have interest in and more likely will check them out around the time that they release.

FYI, I will NOT be including Dune: Part Two on this list because that was already on last year’s list. Considering that only got move backed due to the writers strike along with the fact that was on my list from last year, I don’t need to remind you again that I am legit excited for that movie.

First off, I have a five honorable mentions.

Honorable Mentions:

  • Argylle

We see Matthew Vaughn returning to the spy action genre once again with a stacked cast and an original premise that will hopefully bring a good spin on the genre as we know it. Hopefully, Vaughn is able to recapture that lightning in a bottle he did with Kingsman: The Secret Service and avoid the trappings that brought down Kingsman: The Golden Circle.

  • Ballerina

With The Continental acting as the first spin-off series in the John Wick universe, Ballerina will act as the first spin-off film set in the John Wick universe, taking place between Chapter Two and Three. It will star Ana De Armas as a ballerina named Rooney, a character from Chapter 3 but has been recast, seeking revenge by hunting down the murder of her family. If done well, this has potential to expand upon the John Wick franchise in interesting ways, even without it’s titled main character. And if you saw her brief cameo in No Time To Die, you would know that Ms. Armas is more than capable of handling an action role.

  • Borderlands

After returning to his roots last year with Thanksgiving, Eli Roth is taking his next step a year later with the newest video game film adaption in Borderlands. Even with the increase in quality over the years, video game adaptions are still something to be very cautious over. Even so, there’s a lot of notable names in the cast here with Cate Blanchett, Kevin Hart, Jack Black, and Jamie Lee Curtis and Eli Roth is the master at making over-the-top bloody gore fests. With the correct rating, this could at worst be a relatively fun time and make for perhaps the goriest video game movie we’ve ever seen!

  • Joker: Folie à Deux

This is one that I’m more CURIOUS about than EXCITED. Even as someone that enjoyed the first Joker but wasn’t jumping off the roof over it, I don’t think it was a film that warranted a sequel. But because the first one made a billion dollars, we see Todd Phillips returning for a follow-up which will see the origin of Harley Quinn played by Lady Gaga and is said to have a more “musical” vibe to it. I have no clue if this will work or not but no doubt I will be there day one to see how this whole thing will play out. This is a bold strategy, let’s see if it pays off!

  • Nosferatu

More than just his cameos in Spongebob Squarepants, Nosfreatu will be a modern remake of the 1922 original starring Bill Skarsgard himself with Robert Eggers (The Lighthouse, The Northman) taking directing duties. Eggers has been a director that has just entered my radar and I’m profoundly interested to see if he can pull off a high quality remake of a film that is now over 100 years old.

Now, here we go with the main top three!

10.) The Fall Guy

The summer movie season of 2024 is not kicking off with yet another Marvel superhero movie but with a fresh action thriller with The Fall Guy, acting as an adaption of the 1980s tv series. We get to see Ryan Gosling acting as a daredevil stuntman that becomes a reluctant investigator to save his ex-girlfriend’s film. David Leitch has easily grown accustomed to the action genre with his work on John Wick, Atomic Blonde, Deadpool 2, Hobbs & Shaw, and Bullet Train and he looks to continue that even further with The Fall Guy. Even if it’s technically not an “original” film, this looks like it will be a nice change of pace for summer blockbusters and shown it’s more than just an overreliance on superhero or franchise installments.

9.) Kung Fu Panda 4

There are plenty of reasons to be skeptical about a Kung Fu Panda 4. It’s rare to see three straight franchise films in a row to be as consistently good as they are (even if Kung Fu Panda 3 was a step down from the first two) and it’s even rarer for a fourth film to top or even match that level of quality. However, if there’s one thing you should learn by now when it comes to Kung Fu Panda, it’s to NEVER judge a book by it’s cover. Here we will see Po accepting his new role as the Spiritual Leader of the Valley of Peace while passing on the role of the Dragon Warrior to someone else. With a new set of characters such as Zhen (Awkwafina), Han (Ke Huy Quan), and the brand new antagonist the Chameleon (Viola Davis) along with old familiar foes set to return such as Tai Lung (Ian McShane), Kung Fu Panda 4 looks to act as a culmination of the entire Kung Fu Panda series up to this point. Just please make sure the Furious Five come back in some way, shape, or form!

8.) Godzilla x Kong: The New Empire

Maybe this is recent bias, but after being on cloud nine with Godzilla: Minus One, I can’t help but be more excited for some more action with the King of Monsters. This looks set to be a rematch between Godzilla and King Kong himself, with the two facing a new global threat that will challenge their very existence and the survival of the human race. Based off the marketing and trailers we’ve seen thus far, Adam Wingard seems dead set on promising a gorgeous, action-packed spectacle featuring the two titled characters that everyone is looking to see along with perhaps something more than that. While it will be hard to top Minus One, Godzilla x Kong: The New Empire is certain to be a genuine crowd pleaser that will be able to expand the brand of these two beloved monsters, allowing their legacies to expand even further.

7.) A Quiet Place: Day One

After two excellent entries in this latest horror franchise, A Quiet Place: Day One will act as a spin-off prequel, showcasing the earlier days of when the worldlike apocalypse in this universe occurred that whipped off the majority of the human population. With Michael Sarnoski taking over for directing duties over John Krasinski, he will look to provide new and inventive ways to deliver clever scares and unique set pieces along with expanding upon the mythology of this franchise even further. I never would have guessed a horror series that has quite a paper-thin premise on paper could get me excited for multiple entries but if they can keep delivering films that are this well made, acted, and engaging, then I will happily take more of them.

6.) Inside Out 2

There is a strong argument to be made that the original Inside Out was objectively the very best Pixar film ever made. It was an animated film that did everything it could with it’s special premise and delivered a stellar motion picture about emotions and feelings and the importance of every notable one of them. With the first film tackling the days of little Riley as a young girl, the second film looks to take a step even further and show Riley going through her days as a teenager. With the new emotion of anxiety and a few others entering this film, we are likely to get a deep dive into the mindset of a young teenage girl going through her own personal struggles. As much as people have been overly critical with the amount of sequels that Pixar has developed over the years, Inside Out 2 is one that has more than enough material on paper to justify it’s existence. If they can make this work, I’ll take more sequels as there is plenty of stories to tell with the entire concept of these movies.

5.) Mickey 17

This is not necessarily one that I know most about or what the actual title of Mickey 17 is suppose to mean. However, there’s one name attached to this project that’s more than enough to me excited for this film to come out. That being no other than the director of Bong Joon-ho. Acting as a follow-up to his Oscar-winning masterpiece of Parasite (*insert angry incel anti-woke fanboy*), Mickey 17 will act as an adaption based off the 2022 novel Mickey 7 and will star the current Batman himself in Robert Pattinson. Would Mickey 17 be this high on the list or even on the list at well if it weren’t for the cast and crew behind this? Probably not. But sometimes, that is more than enough to convince you that it will be worth checking out or at least be a worthwhile quality piece of art.

4.) Deadpool 3

Acting as the only cinematic entry to be released in the Marvel Cinematic Universe, Deadpool 3 will be looking to add the humor, charm, and violence that made the first two movies so good and be able to deliver them in new, satisfying ways. With Hugh Jackman coming out of retirement as Wolverine (in the classic Wolverine suit at long LAST) along with potential other well-known X-Men characters joining the party with longtime actors reprising their roles, I wouldn’t be surprised if Deadpool 3 ends up being to Deadpool what No Way Home was to Spider-Man in acting as a celebration of prior Marvel movies. If done well, this can serve as a delicious appetizer and gets everyone excited for the next main course that will be the upcoming Avengers movies, most notably Secret Wars. Oh, and I wouldn’t be surprised to see Taylor Swift have a role in some way. After all, you gotta get that few extra bucks from the Swifties.

3.) Furiosa: A Mad Max Saga

Approaching the 10 year anniversary of the action movie masterwork that was Mad Max: Fury Road (can’t believe it’s ALREADY been nine years), George Miller returns once again to this post-apocalyptic world which he helped created but with a prequel that puts the spotlight on the latest action heroine icon from Fury Road in Imperator Furiosa, played this time around by Anya Taylor Joy. With this being reported to be in the works for several years now, this is clearly a passion project for Miller himself and wants to give everything he has to do it. While it does look more CGI-ish compared to Fury Road, if Furiosa is able to at least capture a quarter of the magic that 2015 game changer did with it’s stunts, action, visual storytelling, and emotional depth, then it may just continue the Mad Max franchise even further, with hope that the long in development installment, Mad Max: The Wasteland, might see the light of day. Even so, I’m just at least happy to be able to spend more time in this universe.

2.) Kingdom of the Planet of the Apes

In an age where most newest installments in long-running franchises are uneven and inconsistent in terms of quality, who would’ve guess that it’s the recent run of Planet of the Apes movies that is ahead of the curve in that regard. Coming off a hugely successful three-movie run with Rupert Wyatt and Matt Reeves that told the complete story of Caesar, the baton has been passed to Wes Ball for Kingdom of the Planet of the Apes. Set 300 years after the events of War for the Planet of the Apes, ape civilizations have emerged higher than ever while the human population is now at it’s absolute lowest, with the focus now on a young ape named Noa and a young human girl named Mae. If the quality of the first three rebooted ape movies is anything to go by, I would expect Kingdom of the Planet of the Apes is to be yet another amazing accomplishment with motion capture and visual storytelling along with getting one step closer to the events of the original 1968 Planet of the Apes where it’s completely ape dominated. Between this and Furiosa, Memorial Day weekend is sure to be one strong weekend for films.

1.) Sonic the Hedgehog 3

Do I expect this to be the best movie of 2024? No! Is there a strong chance that this will likely be the worst of the anticipated films I’ve mentioned? Yes! But at the same time, I can’t help but have my mind set on Sonic the Hedgehog 3 more than any other upcoming movie this year. Maybe it’s due to the fact that the prior two Sonic the Hedgehog movies were honestly more or less the Sonic movies I’ve always dreamed off as a kid but Sonic 3 has a chance to not just set a new standard for video game movies but possibly make Sonic popular than he ever has been before. With it set to introduce fan-favorite character Shadow the Hedgehog, possible well known Sonic characters such as Amy Rose and Rouge the Bat might get thrown into the mix, seeing how the Sonic lore is more expanded upon, and even just seeing how the main trio grow as characters, Sonic 3 just seems set to be an absolute blast for Sonic fans, video game fans, and everyday moviegoers alike. We might not know the exact plot synopsis quite yet or even who is going to be cast as Shadow the Hedgehog. However, the build up and anticipation to it’s holiday release of Sonic the Hedgehog 3 is what I’m looking forward to the most throughout the majority of 2024. I don’t expect this to win an Oscar or even be my absolute favorite of the year, but the inner child in me is what make Sonic the Hedgehog 3 my most anticipated film of the year!

As for other big movies coming out this year:

  • I saw Night Swim early. It kinda stinks and is pretty much the exact definition of a January horror movie. Don’t expect another pleasant surprise like M3GAN from it.
  • There’s another Mean Girls coming out that acts as more of a musical than an actual remake. Hopefully, it’s not another Mean Girls 2.
  • Madame Web seems set to be a Madame Webbing time (Did I do that right?).
  • Love Lies Bleeding looks like it will be every Sapphics wet dream.
  • Ghostbusters: Frozen Empire was another holdover from 2023 but from the trailers, it looks like yet another reminder about how Hollywood has completely forgot what made Ghostbusters special.
  • Rebel Moon: Part Two might fix the flaws of Part One but either Netflix needs to learn how to properly release their feature films or Zack Snyder needs to learn how to release a proper film in it’s actual cut released for theaters and streaming.
  • There’s a new Universal monster movie set to star Melissa Barrera, the actress who just got fired from Scream due to voicing her support from Palestine. That alone is enough for me to show my support!
  • Alex Garland’s Civil War seems set to be the most controversial film of 2024 in both the best and worst ways possible. Just please let this be closer in quality to Ex Machina and Annihilation and NOT Men.
  • There’s another Strangers film coming with The Strangers: Chapter 1 for fans of that series. I’m not really one of them.
  • An animated Garfield film is also coming on Memorial Day alongside Kingdom of the Planet of the Apes and Furiosa. It looks cute but why does Chris Pratt got to be in every animated movie nowadays?
  • Bad Boys 4 might still be a thing this year, assuming the whole world has gotten covered Will Smith’s Oscar slap.
  • Despicable Me 4 is happening because….I guess the kids still love minions.
  • Twisters is an upcoming disaster film with the director of Minari. That could be good.
  • M. Night Shyamalan has another movie set with Trap. And even his daughter has a new movie as well. Let’s see how those turn out!
  • Horizon: An American Saga is getting Chapters 1 and 2 in the same year directed by Kevin Costner no less. Could be interesting!
  • Alien, Lord of the Rings, and The Karate Kid are getting new films this year believe it or not but we literally know NOTHING about them whatsoever.
  • Gladiator and Beetlejuice are getting sequels….for some reason.
  • Kraven the Hunter movie is still a thing….for some reason. Marvel’s Spider-Man 2 game pretty much already has that beat by a mile.
  • Transformers One could be yet another surprisingly enjoyable or just okay Transformers movie that will likely underperform at the box office because the world is still recovering from Bayformers or even misses it.
  • Wolfs is the next film from prior Spider-Man director, Jon Watts. We’ll see how that goes.
  • Saw XI and Smile 2 are coming because of how successful the last Saw and first Smile was.
  • Venom 3 will likely be another film which will help Sony continue to destroy the last remaining will that superhero movies still have. At least Tom Hardy will still be run, right?
  • Red One is an upcoming Christmas adventure with The Rock and Chris Evans because….of course.
  • Wicked: Part One will be a newest musical fantasy adaption that I may check out if the reviews are good enough.
  • And of course, Disney is releasing Mufasa: The Lion King, which will likely be another bad or underwhelming Disney live-action remake that pales in comparison to the original. Barry Jenkins is WAY too talented of a director for this!