Tag: horror

A Quiet Place: Day One (2024) Movie Review- The Batman: Arkham Origins Of The Quiet Place Franchise (Yes, that’s a compliment!)

AdamLeave a comment

It might seem hyperbole to describe A Quiet Place as a franchise as basically being the Batman: Arkham series of the horror movie genre thus far. You have A Quiet Place and A Quiet Place: Part II playing the roles of Arkham Asylum and Arkham City, working near perfectly as back-to-back stories that helps evaluate the genre of entertainment it is a part of while staying true to what it does best. And if that pattern continues, we can basically count on A Quiet Place: Part III (scheduled for release next year) as being the Arkham Knight of the series, a technically impressive and well made final (?) entry that bites off more than it can chew and relying on shaking foundations and underwhelming reveals to get itself to the finish line in one piece. Which will likely be followed a near decade later with Death Angels: Kill The Human Race, which involves the monsters wiping out the rest of humanity, including all the characters we’ve followed in the previous films, giving them the most underwhelming send-offs and death scenes imaginable. In the meantime, we now have what can basically be considered the Arkham Origins of A Quiet Place franchise with A Quiet Place: Day One, a prequel that will likely be seen as the black sheep of the series and more of the same but still has an engaging enough narrative that it can stand on it’s own two feet, even if you haven’t gotten into the series thus far.

It still provides the same amount of thrills, scares, and set pieces as the previous two films, it still is treated with the same amount of love and care in terms of pure craftmanship, and Lupita Nyong’o and Joseph Quinn are both so engaging on screen that you will actually not find yourself missing Emily Blunt and her children on screen. However, it still can’t escape the whole feeling of “been there, done that” and the central story is something that I don’t believe was needed to fit into the unique, post apocalyptic world that is A Quiet Place. The good old Big Mac still tastes good but you might be craving for something more and healthier, such as a delicious steak from here on out.

Premise: When New York City comes under attack from an alien invasion, a woman (Lupita Nyong’o) and other survivors (Joseph Quinn) try to find a way to safety. They soon learn that they must remain absolutely silent as the mysterious creatures are drawn to the slightest sound.

The one thing that is absolutely clear about A Quiet Place: Day One is that it’s not so much interested in being an origin story that tries to fill in the blanks and answer questions that no one really needed to be answered but tell it’s own tale that just so happens to be set in A Quiet Place universe and just so happens to take place before the events of the first two films outside of the opening prologue to Part Two. Those that are hoping for answers about who the Death Angels are, where they came from, and why is it that sound is their true vision will surely be disappointed. What we have instead is the most human and character driven story told in this world with a young woman named Sam, a terminally ill cancer patient that is finally getting a chance to explore the world for the first time in forever that just so happens to be the day where all hell broke lose and the monsters invaded hurt. And when she gets that freedom to explore the world, she doesn’t care about figuring how what just happened and who these monsters are. All Sam cares about is getting some pizza, and she will act by any means necessary to get it.

On one hand, it does feel refreshing to have a prequel story that isn’t interested in acting as a Wikipedia page summary and wants to just stand on it’s own while providing a different experience from prior entries in it’s franchise. And it also helps prevent them screwing up the lore with the monsters and make the universe feel much more smaller and contrived than before (*cough* Alien: Covenant). However, that does create the big question as to why this prequel even needs to exist or if it adds anything to the series. And unless you count there being two new heads getting focused and a new location in New York City, A Quiet Place: Day One never really answers that question other than to make some extra money.

What makes this all forgiven is that the new characters we follow are just as engaging as the characters we’ve followed in the first two films. Sam, played wonderfully by Lupita Nyong’o, is just a woman that is wanting to enjoy the outside fresh air in any way she can now that she is free, even if that happens to be on the day where monsters take over the world. Eric, also played wonderfully by Joseph Quinn, is someone that just wants to survive but also wants someone to be along side them on the way as he finds a safe place. You have Djimon Hounsou’s Henn, the only returning character from the previous films, that is doing everything in his power to keep the remaining human race alive. Alex Wolf shows up as a fun assistant to Sam for a limited period of screentime. Oh, and you also have an incredibly awesome Cat, who unironically makes the smartest and most logical choices out of any character in the series thus far. Even as someone that’s starting to keep tired of kitty cats showing up in every movie, I certainly liked this one.

The scares and thrills are still impressive here, easily containing the biggest set pieces of the series so far, which is crazy considering this is suppose to be a prequel. Even if setting it in New York City does make it comparable to other typical disaster flicks out there, Day One is still able to make most of these moments, providing unique tension and suspense whenever are characters are just roaming through the streets to get from one location to the next. There’s nothing here that quite tops the stepping on a nail or stepping into a bear trap moment but there’s enough of a body count and gruesome deaths to provide the tension when it needs to.

If it seems like this review is shorter than usual, that’s because there’s not much to say here that can’t already been said about the previous two films. We still have a story at it’s center about the human race trying to survive against deadly monsters that are attracted to sound while trying to live their life to the fullest in the remaining time that they had. It’s just that this time around we are starting to get the sense that this series is beginning to run out of tricks in providing a new and unique experience for A Quiet Place. The majority of what works about the previous films still work here but this feels like the first installment that you have done without the Quiet Place gimmick slapped onto it. Also, as said before, those that are looking for answers about the Death Angels themselves will likely be severely underwhelming as the film has no interest in answering those kind of questions.

Even so, the scares and thrills are still effective and Lupita Nyong’o and Joseph Quinn are both super compelling on-screen, with both of their characters undergoing satisfying arcs throughout, that it more than makes up for any potential short comings. If you look at it as it’s own thing, A Quiet Place: Day One is an intense and enjoyable sci-fi horror flick. But looking at it’s at another installment in this franchise, that at this point needs justifiable creative reasons to acknowledge it’s existences, it’s a showcase that this series is beginning to run on fumes and should be given a proper wrap-up soon before it wears out it’s welcome completely.

Bring on A Quiet Place: Part III and even A Quiet Place: The Road Ahead, the new video game that just got announced! But, perhaps don’t bring on anything more after that!

Other comments:

  • If done right, A Quiet Place: The Road Ahead can be the best and most satisfying IP licensed game since Alien: Isolation!

  • I also remembered there’s a scene in the film where a character is forced to carry the cat while swimming but the cat doesn’t scratch them or anything. That might be the least sensitive cat I’ve ever seen! I love it!

  • Also, NO, I did NOT get the Batman: Arkham comparison from Jeremy Jahns in his review. I already had that in the back of my mind before seeing his review. I promise! It was just bad timing, okay!

Ranking The Quiet Place Franchise

AdamLeave a comment

A new entry for A Quiet Place has just released in theaters with A Quiet Place: Day One. Because of that, it’s time to see how that entry stacks up with the previous two entries in this unique horror franchise.

It does feel odd how this series in particular has turned into a franchise of it’s own kind. Because when looking at it’s own premise, it doesn’t seem like it’s one that has potential to expand into it’s own franchise. Sure, maybe a sequel or two would be fine but more than that, it’s quite stretching thin. Even so, we’ve gotten three films thus far with a fourth one on the way for next year along with a new video game that looks like it could be A Quiet Place‘s version of Alien: Isolation. I don’t know how long they plan to ride this train out but if they can keep crafting installments that are as well made, acted, and engaging as they are, then I’m sure it will be able to get away from it.

Nevertheless, it’s time to rank all three A Quiet Place films thus far from worst to best. This will undoubtedly be my shortest list to date because of only three films to talk about but let’s rank them anyway because why not.

3.) A Quiet Place: Day One

The weakest A Quiet Place to date is unfortunately the newest one that just came out, even if it’s still pretty darn good in it’s own right. Three films in and this is when we are starting to get the feeling of fatigue of seeing the same monsters slaughtering everything it can in sight and only the ones that remain the most quiet will serve. There is also a much more character driven and human story at center than it’s predecessors while certainly compelling, feels like it could have done without the Quiet Place gimmick slapped onto it. Also, those that are looking for answers about how the monsters go to earth will be very disappointed.

Even so, the scares and thrills of the previous films still work here and Lupita Nyong’o and Joseph Quinn are both super compelling on-screen, with both of their characters undergoing satisfying arcs throughout. And as most people have been saying, the cat steals the show in every scene that it’s in. If you look at it as it’s own thing, it’s an intense and enjoyable sci-fi horror flick but as yet another installment in this franchise, A Quiet Place: Day One is a showcase that this series is beginning to run on fumes and should be given a proper wrap-up soon before it wears out it’s welcome completely.

2.) A Quiet Place

The original A Quiet Place has to be one of the most unique and surprising horror films in recent memory. It’s able to use it’s premise of sound-heavy monsters who roam the world as a mean to craft a story of the means of surviving when the human race is on the verge of extinction and what lengths can a parent goes through to protect their children. John Krasinski proves himself to be a tour de for even more behind the camera as he is in front of the camera, alongside the amazing Emily Blunt, A.K.A. his wife, and young stars Millicent Simmonds and Noah Jupe.

Sure, there are moments where you do have to suspense your disbelief on the family being able to survive for as long as it has and certain choices they make during certain moments but when a movie is this well made, acted, and directed, it’s easy to overlook these flaws. The fact it’s able to tell a genuine and heartfelt tale despite having very minimum dialogue and relying on it’s visuals and hand language is the real master stroke here. Aided by Oscar-calibar editing, a mesmerizing score, and a haunting and captivating atmosphere, A Quiet Place is a horror film for the ages and is one that is most certainly worth a look for any fan of the genere.

1.) A Quiet Place: Part II

The best film in the franchise to date is A Quiet Place: Part II. This is a horror sequel that manages to be just as good, if not better, than it’s predecessor and is one of the better horror sequels in recent memory. It shows that there is still more to explore within this world with just as much suspense, insanity, and brutal kills as the original! This one sees the family split up as they get out of their comfort zone to discover who else is left on the other side of the word and whether or not they can bring an end to this universe ruled by blind alien monsters!

A Quiet Place: Part II manages to continue the story in a very organic way and sets the tables well for an absolute banger of a third part finale! Even if it takes a few more years to come out or if we never get a third film at all, it works just when watching it back-to-back with the original making it feel like an absolutely complete experience on it’s own! Providing the best use of scares, thrills, brutal kills along with having the best direction and performances of all three movies, A Quiet Place: Part II is the best Quiet Place film to date and one of the best horror sequels out there!

Abigail (2024) Movie Review- Justice For Melissa Barrera

AdamLeave a comment

Last year, Melissa Barrera was betrayed. Following the success of her standout performances in Scream (2022) and VI, the producers of those films decided to cut ties with her for having the audacity to voice her support for a dying Palestine. They can claim that it technically wasn’t “firing” because her contract was set to expire all they want but that was a cowardly move made by the studios. Even so, Melissa Barrera did remain working with Radio Silence, the company behind those last two Scream movies along with the excellent Ready or Not. Here she plays a character that by in large resembles the situation that Barrera has found herself dealing with in real life. She committed certain screw ups that got where she is now and is fighting for her life to get back to making things right. While that is mostly largely coincidental, Abigail could not have been a better follow up for Mrs. Barrera and Radio Silence if they tried.

It’s able to get an insanely talented cast and crew and put them front and center to make one of the best vampire movies in recent memory. It’s full of wit, charm, blood bath kills, and is completely bonkers from beginning to end. It made take a while for all the pieces to be put into place and those that watched the trailers might see some of the big reveals coming from a mile away but nevertheless, Abigail is proof that Radio Silence is the next consistent horror movie studio to watch out for and this film will definitely be up there as one of the best horror movies that 2024 will have to offer.

Premise: A group of would-be criminals (Melissa Barrera, Dan Stevens, Kathryn Newton, Will Catlett, Kevin Durand, and Angus Cloud) kidnaps the 12-year-old daughter (Alisha Weir) of a powerful underworld figure (???). Holding her for ransom in an isolated mansion, their plan starts to unravel when they discover their young captive is actually a bloodthirsty vampire.

(I don’t want to reveal too much more considering the trailers had already given away a good chunk of the plot. Once again, if you haven’t seen the trailers yet and are looking forward to the movie, I would recommend to NOT watch them before seeing the movie.)

It may seem tiring to call films “self aware” nowadays, especially since that seems to be the norm for a film trying to be as “critic proof” as possible and would allow for it’s own “get out of jail” free card. However, Abigail remains the best kind of self aware. Not just because it wants to subvert the vampire genre that it’s a part of but it wants to embrace it with opening arms. It’s not so much interest in reinventing the wheels but more of putting both hands firmly on the wheel and taking viewers into directions that they may or may not expect. The main reason Abigail is able to get away with being self aware because it fully embraces the wit, camp, and gore that you come to expect from a vampire movie and a Radio Silence movie up to this point.

It does take a little while to get going however. Because it has quite an ensembled cast, it takes it’s time to get them all characterized with clear cut motivations and backstories as to who each individual is and why they got themselves into the matter that they are in. And of course, they have to establish who exactly Abagail is, even if most of the marketing as already done so, before the ball gets rolling. These sequences are made for the absolute better not just because it makes all the pay offs worth it but also for just how insanely likable the cast is.

Melissa Barrera is even better here than she is in the last two Scream movies combined, practically evaluating her status as a true iconic final girl and one that can carry any horror movie that she is a part off. Dan Stevens steals every scene he is in even harder than he did in Godzilla X Kong, somehow able to make his character likable and hilarious despite basically playing an absolute a-hole. Kathryn Newton is just as good here as she was in Freaky and Lisa Frankenstein, Angus Cloud (May he RIP!) and Kevin Durand gets some of the best laughs in the movie, and while not quite in the movie as much as I would like, Giancarlo Esposito is always a delight to see on screen.

Despite how strong the other cast members are, the real star of this show is no other than Abigail herself in young Alisha Weir. She slays every scene that she’s in and makes for the perfect centerpiece for this movie. She’s able to be fun, sympathetic, and terrifying all at the same time, making her presence feel noticed throughout the entire runtime of the film. Whether it’s for strictly horror or other movies, this young girl should have a bright future ahead of her.

As you would expect for a horror slasher and a straight up vampire flick, it more than delivers on all the kills here. Once things are set in place, Abagail becomes an absolute blood bath in the best and most gruesome ways possible. There’s plenty of thrilling and convincing kills that will give horror fans their craving, it’s able to play in it’s own B movie camp to near perfection, and the demented death scenes feel as satisfying as it does gruesome. Even if the film does commit to it’s campy and comedic undertone, it also commits greatly to it’s kills and thrills as well.

If there is any glaring weakness outside of the bit overlong set-up and the trailers spoiling the big reveals, it’s that perhaps it goes too far by the end with it’s over-the-top ness. It wouldn’t be quite as noticeable as the rest of the movie if it wasn’t for the fact that it tries to throw one or two more twists and emotional beats towards the end. It’s hard to explain without spoilers but the final deathmatch comes across as being stretched just in the hopes of not feeling too short or anti climatic with it’s last minute reveals.

Even so, in a year that has been quite underwhelming for cinema thus far, Abigail does feel like a refreshing change of pace for not just the horror genre but films in general. It’s able to meet the expectations it sets out too because it know every single trope of it’s genre it wants to commit to and manages to execute them all in the best way possible. It may not be revolutionary but it does everything it possibly can to make for a satisfying experience. The cast is great, the kills are brutal, the scares all work, and even if you are able to see the reveals coming from a mile away, you’ll be fascinated to see how well they are all done.

I can only hope this movie does well enough that it not only allows Radio Silence to keep making these kind of movies but it also puts Melissa Barrera on the map as a gal to watch out for in movies. Don’t let the Scream producers win here folks! Go support Abagail for not just a very fun time but also for our girl Melissa!

#JusticeForMelissaBarrera

And once again, Rest in Peace to the great Angus Cloud!

Night Swim (2024) Early Movie Review- A January Horror Movie At It’s Finest

AdamLeave a comment

It’s become cliche to say that a movie released in January sucks. After all, January is pretty much considering the dumpster month of movies. A time where the kids are back in school and the awards contenders are able to hit that end of the year deadline in some areas to qualify for the Oscars. However, in recent memory, there has been a solid number of released films released around this time that were actually not bad or had at least some version of quality. 2016 had Kung Fu Panda 3. 2017 had Split. 2018 (at least in America) had Paddington 2. 2020 (before the pandemic) had Bad Boys For Life. 2022 had Scream. And just last year, 2023 had M3GAN. None of these films were necessarily masterpieces (except for Paddington 2) but they did at least start their respective year on a decent enough note that got folks interested to see what the rest of the year had in stores. If there is a January movie in 2024 that would do exactly that, it’s CERTAINLY not going to be Night Swim. Despite Blumhouse being able to surprise folks with M3GAN last year, they can not make that same lighting strike twice here.

Premise: Forced into early retirement by a degenerative illness, former baseball player Ray Waller (Wyatt Russell) moves into a new house with his wife (Kerry Condon) and two children (Gavin Warren, Amelie Hoeferle). He hopes that the backyard swimming pool will be fun for the kids and provide physical therapy for himself. However, a dark secret from the home’s past soon unleashes a malevolent force that drags the family into the depths of inescapable terror.

The most blatant problem with Night Swim is how it can’t seem to figure out what kind of film it wants to commit the most too. You would believe based off the premise of a pool monster who preys on those that dare take a late night swim would put the majority of the focus on building tension and creating inventive scares that will get under your skin during and after the movie ends. However, it also wants to be a deep thematic movie about learning to accept a new stage in your life when you can no longer go back to the prior one and the overall meaning of sacrifice for the ones you love. Night Swim tries to do both stories at the same time but it’s done in the most half baked way imaginable.

The overall lore and mythology of who exactly this pool demon is are painfully underdeveloped. It’s never clear as to who this monster is, why it does what it does, or even how it’s been allowed to thrive in this pool for so long. Even when we get to the part where the original victim of this monster dive into the backstory of their prior encounter with the demon, it just makes thing even more complicated and confusing than it already is. It seems like it wants that pool to come across as some sort of drug, where the father and son become too addicted to it to the point where they are starting to lose who they are, but it’s never clear as to why it’s suppose to help those that swim into the pool. At best, it might heal Ray Waller of his disease sooner rather than later so he can go back to playing baseball but even then, aside from one scene where they go to the hospital for checks, that never gets addressed again and the movie goes on to the next nonsensical thing. It’s not a good thing when the first thing I ask myself when the movie was over is like, “Why don’t the family just NOT swim in the pool?!” There, problem solved!

The human drama with Ray and his disease is probably the most engaging subplot but it honestly feels like it should have made for it’s own movie rather than this one. A story about Ray having to choose to embrace his new life fighting this new disease only with his family or working his way through his illness to become a ball player could make for an interesting flick but not for a horror one. It’s the two conflicting tones of wanting to be a human drama and an intense horror thriller that makes Night Swim feels at odds with itself. This is all the more apparent in the final reel which the main character makes a move that’s suppose to tie into the overall theme the movie has been flirting with throughout the runtime but because of the other things it had to focus on, it comes across as anti-climatic and (the more that you think about it) incredibly stupid. It should have decided if it wanted to be a personal character driven drama or a straight up scary flick, not both at the same time.

When it comes to the scares themselves, some of them are decent but there is nothing here that will make your skin crawl shortly after the film ends. Most of it only works when it happens in the moment and there’s no creative visual imagery that will be living in your head rent free. The rest of the scares are poorly shot, lighted, and edited where I could barely see what was happening on screen. The perfect example are the scenes towards the end where the mother and son goes into the pool to confront the demon and it felt like the filmmakers had the desire to hid as much as possible for whatever reason. I don’t know if it had to do with the lack of a big budget, the proper rating, or that the director doesn’t have much major film experience but for those coming for the scares, you will likely feel ripped off as well.

Acting wise, while far from the worst performances you will see in an January movie, there’s nothing that stands out from the cast. Wyatt Russell is the most entertaining one here but feels too comedic for this role, almost feeling like he would fit better in a Jordan Peele horror movie rather than this one. Even during the scenes where he supposedly turns evil, it’s hard to buy his sudden turn because of him keeping that same form of charisma that he did in his good form. The rest of the performances from the cast are passable at best but nothing to write home about, giving that exact feeling of only being in it for a quick paycheck.

Night Swim is a perfect example of why horror movies or movies in general released in January get a bad rep. It’s a confused mess that has no idea what kind of film it wants to be. The tone is all over the place, the scares aren’t effective, the lore and mythology surrounding the monster and haunted pool don’t add up, and the ending the more I think on it might just be one of the dumbest endings to a film in recent memory. It might be technically “watchable” and might find an audience for those that have a soft spot for these trashy January horror flicks but it’s definitely not something I can recommend you should go out of your way to see. If anything, you are better off just watching the short film that this is based off of. I may not have seen it myself but I’m willing to bet it’s better than whatever the feature film was.

Move over Bambino and Billy Goat, the newest baseball related curse has arrived in the form of Night Swim!