Best Movies of 2023- Updated List

Just as I promised at the beginning of the year, I’m going to give you all an updated list of my favorite movies from last year. I didn’t catch up on as many movies as year’s past but I did find a few new entries along with finding more appreciations towards other ones to justify making an updated list. Unlike before, I’m going to go with my top 15 favorites movies of 2023 as oppose to just top 10 and I’m not including any honorable mentions as I just want to go straight to the list. If you go back to my list in December, you will know what my honorable mentions are and which ones may have even found a spot on this updated list.

Nevertheless, let’s get right down to it!

15.) Air

Air isn’t may not reach the levels of other films of it’s kind such as Moneyball but it’s good enough to stand on it’s own as a well-done biopic with a sharp script, great performances, and spot-on directing from Ben Affleck to make it worthwhile. It can’t quite escape it’s surface level feeling and certainly could have done with an actual appearance of Michael Jordan himself but it’s able to give anyone that is interested in this movie exactly what they want and expect with no interest in deceiving expectations whatsoever.

14.) Evil Dead Rises

Who would’ve thought that 40 years after the original Evil Dead that the series would still have plenty of juice left in it? Evil Dead Rise is able to continue the franchise momentum in pushing itself forward to new territory while still sticking to the roots of what Evil Dead stands for. Here we see mum Ellie getting possessed by the spirits with her sister and children in the fight for their survivals! The characters themselves are engaging, the kills still deliver in fresh and exciting ways, and the creativity that the series is known for is still on display! Even if it’s not quite the very best movie in the franchise, Evil Dead Rise still succeeds greatly at reintroducing Evil Dead to a new generation. Five movies in and it doesn’t seem like Evil Dead is losing momentum anytime soon, making for perhaps the best (or at least most consistent) horror movie franchise out there!

13.) Nimona

Disney’s trash turned out to be Netflix’s treasure with this animated fantasy adventure in Nimona. A movie made for kids that pulls no punches and will likely find a bigger audience with teens and young adults due to the film’s own subject matter and mature themes that come to play. It’s beautifully animated, incredibly engaging, has messages and representation that feels genuine, stellar voice work from Chloe Grace Moretz and Eugene Lee Yang, and Nimona herself is one of the most generally lovable protagonists in recent memory, managing to being the right kind of an “obnoxious” character. If this truly is Blue Sky Studio’s last film they ever do, not only is it grateful that they got to see their final work in a complete form but they were able to save their best film for last in the form of Nimona! Disney will certainly regret letting this film get away from them!

12.) Barbie

The highest grossing film of the year was also one of the year’s best! What easily could have been a by-the-numbers flick for little girls that would have been better off going straight to streaming, Greta Gerwig decides to go beyond that and craft a film about traditional gender roles, identity, and why there should be a proper balance between the matriarchy and patriarchy. Barbie is as clever, funny, and creative as you could expected given the talent involved, with Margot Robbie and Ryan Gosling being a match made in heaven as Barbie and Ken respectively. The world-building is as strong as it could possibly be with a movie surrounding a toy brand that everyone is aware off, each cast member are clearly having the time of their lives, the soundtrack is one you are likely gonna have stuck in your head as soon as you leave the theater, and it feels so refreshing to see a new summer blockbuster that seems to have to same love and passion it does from both in front and behind the camera. It doesn’t all work 100% and there will certainly be plenty of folks that will take issue with the way it handles it’s themes and messages but for the most part, Greta Gerwig is able to make lightning strike a third time in a row and has made herself a new name to look out for. If you’re a woman, you probably already saw this movie and love it. And heck, even if you are a man, watch it yourself and you’ll probably have a good time as well!

11.) Teenage Mutant Ninja Turtles: Mutant Mayhem

Of all the feature films that have we have gotten so far involving the TMNT brand, Teenage Mutant Ninja Turtles: Mutant Mayhem is probably the movie that has gotten the most things right, aside from the 1990 original. While the animation and art style does take obvious inspiration from Spider-Man: Into the Spider-Verse, it’s able to learn the right lessons from it by creating exciting set pieces and inventive visual storytelling. It looks amazing, the turtles themselves are all well-utilized, bounce off each other perfectly and actually FEEL like teenagers, the story feels fresh yet faithful to the turtles themselves, the score is absolutely killer, the action is a lot of fun to sit through, and it’s able to exist in it’s own sandbox as being the kind of thing that can stand proudly on it’s own two feet along with being among the best of what the Teenage Mutant Ninja Turtles have offered throughout their history. While I won’t go as far to say that it’s a perfect film in it’s own rights, it’s certainly a perfect TMNT film and one that will likely be the one to get a new generation into this successful running franchise. And if the next film and the new 2D series that’s in the works is as good as Mutant Mayhem, then this next wave of TMNT fans will have plenty to be spoiled by!

10.) Talk To Me

No horror film this year was able to impact me and hit me harder than Talk To Me. This is a thrilling and frightening tale about a group of friends led by Sophie Wilde’s Mia that uses an embalmed hand as a way to talk to the dead, taking the cast on a wild journey that makes them connect to spirits in ways they would never imagine and will soon learn to regret. It’s able to take it’s genius horror premise and does just about everything you possibly can with it, creating haunting visuals and imagery that is guarantee to stick with plenty of horror fans alike. The story is gripping, the set pieces are incredibly inventive, the scares are absolutely heart-racing, the tension is felt in every second of the runtime, and the visuals metaphors still live rent free in my head to this day. A24 is certainly not the most mainstream friendly studio out there but when they deliver, they deliver HARD! So hard that even the mainstream audience that give their films a F ranking on CinemaScore have to appreciate it! Talk To Me doesn’t just stand as my favorite horror film of the year but I wouldn’t be surprised if I was able to make room for it on my favorite films of the year period. Just superb entertainment all around!

9.) Killers of the Flower Moon

Killers of the Flower Moon is once again another winner from the great Martin Scorsese. It’s an exceptionally well crafted and brilliantly acted picture that goes to show why Martin might just be the best when it comes to making these kind of period pieces. It’s as every bit of gripping, emotional, and impeccable as you heard, the 3.5 hour longtime while excessive is put to good use, and it’s another reminder why films like this are worth experiencing on the biggest of screens possible. And Lily Gladstone MORE than deserves that Oscar for Best Supporting Actress! I don’t know where this ranks among his very best but it’s certainly a film that will leave an impact on you, one way or the other. As we reach Scorsese’s final chapter of his 80-year old life, this plays out as the proper beginning of the end of one of our finest filmmakers who has ever lived. Because of that, it’s best to enjoy Scorsese pictures as much as we can while the man is still breathing! Let’s do that and STOP asking the man of his opinions on Marvel movies! Please and thank you!

8.) Guardians of the Galaxy Vol. 3

Guardians of the Galaxy Vol. 3 is able to successfully hit all the beats it needs to give fans and audiences a very satisfying ending to it’s trilogy of what is perhaps the Marvel Cinematic Universe’s most surprising and consistently great franchise, along with showing how Marvel can still find ways to deliver quality entertainment, even when it might seem like they’ve reached their limits. It’s able to be funny, dark, sad, engaging, and deliver the highest and most personal stakes of all the three Guardians films that helps make it stand out as possibly the very best in trilogy. I don’t think there was a scene that was as heartbreaking as Rocket watching his friends die right in front of him or as thrilling when the Guardians got together for that one kick-ass action scene with No Sleep ‘Til Brooklyn playing. I don’t know what the future holds for the MCU or what awaits for the team members that are still around to fight galactic wars but in the case of this movie, I don’t really care. All Guardians of the Galaxy Vol. 3 needed to do for me was to deliver a conclusion that felt definite, right and satisfying all the same. And on those terms, it was no doubt able to deliver a famously huge third (Pun entirely intended!) I’m glad James Gunn was able to end his run with Marvel on a high note and leave me awaiting his future with DC. A fitting farewell to these lovable a-holes!

7.) The Holdovers

While I certainly enjoyed The Holdovers on my first viewing, it VASTLY improved on me on my second viewing. So much so that this isn’t just one of the best films of the nominations, it’s one of the best films of 2023 period! This is a beautiful and heartfelt Christmas drama filled with engaging and lived in characters, a tremendous screenplay, spot-on direction, and great performances from the entire cast. As great as Cillian Murphy was in Oppenheimer, I wouldn’t be surprised to see Paul Giamatti pull up the upset and take home the Oscar for best actor himself. Anything to see him spotted again at a fast food restaurant with an reward in his hand. In all seriousness, The Holdovers is a genuinely excellent film that will resonate with you the more you think about it and watch it. It’s not just a film you will feel eager to watch every Christmas, but also one to watch for someone that don’t feel loved or appreciated enough in their regular lives. To those people, I can see this film feeling like one big warm hug, which is the best possible feeling for one to have during the holidays.

6.) Past Lives

Past Lives makes for a beautiful and touching tale about two friends, separated as children, being reunited as they confront destiny, their love for one another, and the choices they have made throughout the entire life. It’s a deep exploration of the connections we have with ourselves and the ones we care about along with our struggles that helps us define who we are. It’s about two dear friends that went their separate ways but might have an urge to try to relief the good old days in the here and now. It’s perfectly directed, beautifully acted, thematically relevant, emotionally engaging, and uses it’s slow-burn pacing to it’s absolute full potential. It’s a film where it’s ideas within the narrative are executed about as perfect as it could get. Even in an age where certain folks seem to decry the idea of films having important messages, Past Lives is a reminder why we need films like that, films that teaches us the true meaning of life and why we shouldn’t take or the ones we love for granted. If this is not a least nominated for Best Picture, then the Academy Awards can simply suck it. Give Greta Lee the Oscar right now!

5.) John Wick: Chapter 4

John Wick: Chapter 4 is an exceptional achievement of not just the John Wick franchise but for the action genre in general. Not since The Raid movies has there been a series of action films that dares to go as big, bold, and as over-the-top as this film does. Yes, the action has never been better choregraphed and executed than it has been here. Yes, the cinematography and pure scope have never looked and felt better than it does here. Yes, just about every noteworthy person in the cast get a moment to shine and scenes that stand out so well you can’t wait until someone uploads them to YouTube. Yes, the near three-hour runtime does not feel daunting in any way. Working perfectly as John Wick himself getting pushed beyond his reasonable measures along with director Chad Stahelski and crew of pushing themselves to make the most unbelievable and badass film imaginable. Even if Chapter 4 does bring a logical stopping point to John Wick’s story, it leaves plenty of room of other characters in the series to have their stories to continue if anyone wants to go that route. I’m not one that likes to claim when a movie is “perfect” but when it comes to John Wick: Chapter 4 and is able to deliver the goods with an absolute bullet point, it’s hard to bring up any flaws that bring the experience down. 

4.) Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse shows that the Spider-Verse could in fact make lightning strike twice! Everyone involved with the making of this movie wanted to take everything to the next level without holding anything back and they are able to exceed greatly with a sequel that manages to be as good as Into the Spider-Verse and in some ways, even better. The animation might be the very best I’ve ever seen in any film, the entire cast is perfect with everyone feeling like they are absolutely in LOVE with their roles, Miles and Gwen are some of the most best, engaging, and most layered protagonists in any comic book film, the themes and morals of the story still resonate and fits the core elements of Spider-Man perfectly, and there’s plenty of well earned fan service throughout that never gets in the way of the main central storyline. There has not been a film this year I’ve rewatched more than Across the Spider-Verse and I will certainly continue to do so in the future. While it does end on an obvious cliffhanger, it will no doubt make anyone excited to see how they will wrap up the story in the third and final installment. This is the kind of film that not only proves that superhero films are still important (even after the year the subgenre as had) but animation is as important as well! Bring on Beyond the Spider-Verse!

Also, to Phil Lord, Chris Miller, and the those at Sony Animation, PLEASE treat your animators right this time! Don’t put them through hell like you did with Across the Spider-Verse

3.) Oppenheimer

Oppenheimer is yet another masterfully made and directed film by the great Christopher Nolan himself, perhaps his biggest cinematic achievement to date. It’s able to tell exactly the kind of sprawling epic story that it aspires to be by acting as a character study first and a biopic second of the infamous man of J. Robert Oppenheimer himself. Every single member of it’s highly recognizable cast is able to completely disappear into their roles and captured their performances perfectly (RDJ better get that Oscar!), it does a great job of exploring the man of J. Robert Oppenheimer (played perfectly by Cillian Murphy) as not just “the destroyer of worlds” but as an impactful flawed man himself, the three hour runtime is put to near perfect use, the score is absolutely riveting and will haunt you in the best of ways, and is able to deliver fully on the theater experience in ways that no other filmmaker than Nolan can do. Even if this is Nolan going for his Oscar, he’s able to do it in such a perfect and organic way that it feels more earnest than forced (Take notes, Alejandro González Iñárritu!). While it’s not quite my favorite film from Nolan (Inception and The Dark Knight will always be very hard to top for me!), this might just be his most important one to date, showcasing why Christopher Nolan will always be a name to attract a mass audience! Speaking as someone that was underwhelmed by Dunkirk and TenetOppenheimer is a glorious return to form for Christopher Nolan and one of the best films of 2023!

2.) The Iron Claw

Talk about a film that will hit you hard in all of the places you don’t want it to and earning every single bit of it! The Iron Claw is a powerful, devastating, and tragic true story about a group of brothers who go through hell and back together. This works as both a heartbreaking family drama and an energetic sports film, with director Sean Durkin being able to find the perfect balance of these two distinct elements. The wrestling scenes are very well directed and choregraphed while never being afraid to being brutal and unhinged as they were in real life. It’s able to tell the story of the Von Erich brothers while not 100% accurate (which was intentional according to Von Erich themselves), is still able to remain translate those events of what took place between the tragic outcomes of this family as about as respectfully as you possibly could. Beautifully directed, beautifully written, and beautifully acted (Zac Efron impresses me with each passing day!), The Iron Claw is one of the best films of 2023 and one that I’m glad I was able to catch before making this updated list. I’m gonna go and cry some more!

1.) Godzilla: Minus One

Perhaps the most surprisingly film to come out in 2023. Who would’ve thought that after so many different Godzilla incarnations over several decades that the character and brand can still find new ways to craft great motion pictures? Godzilla: Minus One not only makes for an instant kaiju movie classic but it’s perhaps the best the character has been on screen since 1954 original. It’s able to pull off that perfect balance of offering exciting Godzilla action and a compelling story with human characters you actually care about, the aspects that many recent Godzilla films have failed SPECTACULARLY at! Even when Godzilla isn’t on screen, you don’t mind as much because of how compelling our main human lead is in Ryunosuke Kamiki’s Kōichi Shikishima. The visual effects are excellent, the sound design is off the charts, and the third act is so tense that it will have you on the edge of your seat. I have a few nitpicks that keeps this from being higher on the list (mostly the detour between the end of the second act and beginning of the climax that dragged for me) but this is DAMN good cinema regardless of those gripes! Between this film, the Monarch: Legacy of Monsters series, and the upcoming Godzilla x Kong: The New Empire movie next year, Godzilla fans have a LOT to look forward to in the future!

Ghostbusters: Frozen Empire (2024) & Godzilla X Kong: The New Empire (2024) Mini-Reviews

Here we go! Time for another mini-reviews with the two most recent big movies that just so happens to have the word “Empire” in their titles for some reason!

These two movies are two similar beasts but with one being executed way better than the other. The main reason for that is that one is at least well aware how silly and dumb it really is while the other thinks it’s telling a deep and dark story when it’s really not. The former movie I’m referring to is Godzilla X Kong: The New Empire while the latter is Ghostbusters: Frozen Empire.

To start off with the newest Ghostbusters movie, are we ready to basically come to a conscious that Ghostbusters really didn’t need to be a franchise?! I’m not just talking about the iffy to inconsistent quality of the movies with only a banger animated show and IP licensed video game to speak highly off. It’s more of the fact that it seems as though Hollywood and even the “dedicated” fanbase of Ghostbusters seems to have forgotten whole hardly what made the original Ghostbusters work in the first place.

The reason the original Ghostbusters work is that it embraces it’s silly and bizarre premise fully and made for a funny mix of comedy/horror with a great cast to boost. It was about as well executed as it could have been that basically anything following that was just always going to look inferior by comparison. Ghostbusters II tried capturing that same lightning in a bottle and failed miserably. Ghostbusters (2016) came closer with its leading ladies having excellent chemistry with one another but fell apart towards the end with forced cameos and gags, a needless CGI heavy battle and one of the lamest bad guys in recent memory. Despite the lacking results of those two films, they were at least more than well aware that the strengths of Ghostbusters came from it’s compelling cast and sense of humor throughout.

Then came 2021’s Ghostbusters: Afterlife. While having a very talented cast and a solid first act to the picture, it got weighed down entirely by its overreliance of fan service and taking the material far too seriously than it should have been. It’s almost as if you made a higher budgeted episode of Stranger Things but just added Ghostbusters elements to it. It felt so off that it’s hard to imagine the iconic Ghostbusters song being played in that exact same universe.

While by no means an awful or unwatchable film, Afterlife seems like a far cry for certain fans out there that refuse to let go of their favorite child’s properties as adults and believe Ghostbusters was always meant to be taken as serious as the goddamn Batman. However, it did at least have a beating heart of it’s own and still felt bittersweet to have the whole film being in the hands of the son of Ivan Reitman himself, Jason Reitman.

Now enter Ghostbusters: Frozen Empire, a film that takes all those elements that fell flat about it’s predecessor and increases it TEN FOLD! You got a tone that’s even more jarring and out of place than before, you have so many different characters and plot points that the film has no idea what to do with, the callbacks and references to the original are even more awkward and forced, and even the actual Frozen Empire that the title would suggest really doesn’t play a role until the last third of the movie.

The cast of old and new do the best with what they have, with Paul Rudd, Mckenna Grace, and Dan Aykroyd being the main standouts. And even if every scene with the original Ghostbusters looks as though it was shot as a commercial, they all still feel passionate about playing their iconic characters and will likely delight longtime fans of this franchise. Not to mention, Kumail Ali Nanjiani and Patton Oswalt are always welcome to see no matter what they are in. Thank goodness for this cast because if it weren’t for them, there would be very little to recommend about Ghostbusters: Afterlife.

Maybe I’m just overly harsh because I’ve never been a diehard fan of Ghostbusters nor do I have really nostalgia towards it. Plus, maybe I still have PTSD over the INSUFFERABLE discourse of Ghostbusters (2016) (which is better than this movie, btw)! However, I think even die hard fans will have to admit that it might be time to let this franchise rest on the big screen. There’s plenty of different Ghostbusters medium that anyone can refer to as the definite Ghostbusters follow-up to the 1984 original. Whether it’s Ghostbusters II, the 2009 video game, 2016, Afterlife, and that The Real Ghostbusters animated series, I think the world has had their fill on this franchise.

Ghostbusters: Frozen Empire might be to date the worst movie in the franchise because it seems to completely forget what made Ghostbusters special in the first place. It’s not the ghostbusting, it’s not the lore, it’s not the nostalgia bait, and it’s CERTAINLY not the dark and gritty tone! It’s that special spark of an iconic cast of characters, it’s the right mix of horror and comedy, and it’s that perfect execution of its perfectly unique premise. No amount of expansion of lore or trying to repeat the same dance over and over again is going to replicate that. And unless Jason Reitman and company realize that and inspire to make another movie that captures that entirely, then perhaps it’s time to stop with the ghostbusting and let the legends live on in grace!

Now, for Godzilla X Kong: The New Empire! There are many negative points that I just mentioned with Ghostbusters: Frozen Empire that can be applied to this. It has a plot that is nonsensical and overstuffed, it has human characters that are thinly written, it has plenty of sequences made to revoke the nostalgia for monster fans, and it perhaps takes itself more seriously than it should. However, Godzilla X Kong doesn’t work in spite of those glaring flaws, it works BECAUSE of them and is able to make the very best of them!

Yes, the story is just an excuse to get all the monsters in action but it’s able to deliver them when it counts the most and in just the right spots! Yes, the human characters are thinly written but they are carried by a likable and charismatic pair of actors that are able to make the best of them (Please put Dan Stevens in more stuff!)! Yes, there are plenty of callbacks and references but it all feels earn and feels evaluate the experience rather than hinder it. Yes, there are times where it tries to be emotional but it never goes too far with it to the point where it’s completely somber. To put it simply, Godzilla X Kong: The New Empire is able to make the best of these traditional tropes, even if it doesn’t break or evolve them in anyway!

The action with the monsters connected to Godzilla and King Kong is awesome, especially with a final showdown that plays like the Captain America: Civil War of kaiju movies! The VFX and special effects are mostly impressive, with all the monsters looking completely buyable with not much shots that will take you out of the experience completely. There are some solid moments of visual storytelling with King Kong and his tribe, even if there are certain dramatic beats that feel too obvious and don’t ring home as much as say the new Planet of the Apes reboot. And even their characters are quite thin, the cast do make the best work with what they have and help make the human drama and moments salvageable and sometimes even making them land.

If there is one weak spot, it’s that there are times where Godzilla feels like an afterthought in his own movie despite being the first name in the title of the movie. Godzilla is gone for long stretches of the second act while most of the focus is on Kong interacting with his own kind. It makes me wish we could have had similar scenes with Godzilla visiting his kind or seeing that certain point of view with her but that focus is never really a thing. It’s almost as if Adam Wingard wanted to make another King Kong movie and then another Godzilla vs King Kong movie but Warner Bros wouldn’t let him so he had no choice but to mesh those two films together.

And while I am someone that enjoys a handful of these recent monster verse movies, they aren’t really movies I go back to a ton, only catching up on them whenever it’s on television. I mostly only remember my theater experiences with them and not much else. Heck, I couldn’t tell you what happened in Godzilla vs Kong aside from the title characters brawling if I tried.

Also, in case you are wondering, it is not on the same level as Godzilla: Minus One but I don’t think that it’s trying to be. Minus One was trying to be a smart, human driven story of how society can recover after being affected by a deadly war with a new threat starting to emerge. It’s the kind of movie that even if you took Godzilla how of the picture, it would still work entirely. It was one of the few Godzilla movies that you could describe as being smart and deep but it also had a function brain in its head, knowing when to let the human drama play off along with delivering the stellar Godzilla action when it counts.

Godzilla X Kong: The New Empire doesn’t try to be like Godzilla: Minus One. It doesn’t try to have a point to make or a message to deliver, it wants to deliver exactly on the “kids playing with monster figures” mindset and it succeeds completely. Whereas Godzilla: Minus One felt like a movie trying to win awards, Godzilla X Kong: The New Empire is a movie trying to sell tickets to dying movie theaters. It’s okay to enjoy a well made, cooked, and nutritious steak meal while also enjoying a delicious, messy Big Mac meal every once in a while.

While Godzilla X Kong: The New Empire doesn’t do much other than what it’s overall title suggests, it still does make for a fun time at the movies and a movie that is worthy of a discount price on a Tuesday. The action is cool, the special effects are a treat for the eyes, the cast are a lot of fun, and that final monster showdown brawl is certainly going to be one for the ages for monster fans everywhere. I could have used with more Godzilla in a movie and maybe a better attempt at breaking some of these common tropes with movies movie but for what it’s worth, Godzilla X Kong: The New Empire is simply a good enough monster movie that I enjoyed watching. Take of that as you will!