SpongeBob SquarePants (Seasons 14-15) Perspective- The Other “Awkward” Era

Well, here it is! At long last, we have come to the end of the yearly long marathon of SpongeBob SquarePants. I don’t think there was a more fitting way for me to celebrate 25 years of SpongeBob SquarePants by going back to experience all the highs, lows, and nautical nonsense that this show has provided over the course of 15 seasons and 4 movies! While there were plenty of bumps along the way, I can’t deny that this has been an incredibly fun and nostalgic ride that I do not regret taking whatsoever! To wrap up the year of SpongeBob SquarePants, it’s time to check into how the show is doing now with Season 14 and what we have gotten so far with Season 15.

If you saw my Seasons 12 and 13 perspective, you would know I believe that was a sign that the show was really starting to run on fumes. After Seasons 9-11 gave hope that a potential SpongeBob renaissance was on the way, these two seasons basically squandered it, giving the impression that the creative team have really started to run out of ideas on the show. It also didn’t help that Nickelodeon was still forcing multiple SpongeBob spin-off shows and movies that no one asked for. Despite SpongeBob’s Big Birthday Bash acting as a worthy celebration of 20 years of SpongeBob and a logical endpoint for the series, Nick kept the show going after that because the brand still seems to be going strong in terms of sales and merchandise. Because of that, we now have Seasons 14 and 15.

These are two seasons that basically acted as the beginning of the post-Stephen Hillenburg era of SpongeBob SquarePants. While the previous two seasons still had the remains of the late great Hillenburg attached to it, these seasons likely did not have that same fortune. Because of that, Nick and the other creators attached to this current era of SpongeBob SquarePants are officially on their own when it comes to what remains of this show. Even if this new era manages to work out, it will always miss that special spark that Stephen brought to the show from the beginning.

For what we have right now with these two seasons, it’s……better I guess. Unlike the past couple of seasons, there at least seems to be a bit of restraint when it comes to how wacky and over-the-top the animation and gags are, the plots are more easy to follow, and it’s still able to keep that solid lighthearted spirit that SpongeBob has always been known for. However, it still can’t escape that sense of familiarity with the majority of the premises for these episodes and does show that Mr. Hillenburg no longer has any creative involvement in it. Even then, for a show that’s been going on for over 25 years now and it’s currently on it’s 15th season, this is probably as good as it’s going to get for the remainder of the show’s run.

Season 14:

The big thing I noticed about Season 14 as it seems to act as bit of a reaction to the responses that the previous seasons has got. The animation is much more restrained, only being as wacky and over-the-top when the plot or gags actually demand for it. The plots for each episode feel much better thought out with a certain end goal in mind and not just a bunch of random nonsense and bits to pad the runtime. There is even a bit more care given to the characterization of the characters along with finding justifiable reasons for bringing back previously well known supporting characters.

The main problem relies in the sense of familiarity and fatigue. The majority of the premises behind the majority of the episodes has already been covered or contains traditional SpongeBob beats that you know by heart at this point. This is likely because of the fact that the show has gone on for over two and a half decades now. Because of that, they have squeezed nearly every single idea they could possibly come up with out and they now basically have no choice but to inherit old ones while doing them in new and different ways.

That’s not to say it does the majority of them bad. If anything, I was quite surprised how I was able to get in to each episode and find some genuine enjoyment out of it. I enjoyed seeing another superhero based episode where the gang had to stop the Dirty Bubble and seeing Mr. Krabs trying to impress Mrs. Puffs and seeing SpongeBob and Plankton try to become close friends (or in this case, brothers). The problem is that I’ve already seen these ideas being presented in other episodes. The repackage food might still tasted good but it’s still the same repackage food regardless.

There also seems to be a bigger emphasis on connecting the main show to certain spin-offs. This is mainly the case with the episodes Kreepaway Kamp and Sandy’s Country Christmas. Kreepaway Kamp ties to the controversial Kamp Koral spin-off, which sees the SpongeBob characters returning to Kamp Koral for a reunion. Sandy’s Country Christmas ties into the controversial Sandy Cheeks movie that came out this year, with Sandy’s family playing a role in saving Christmas for their daughter. For as much as I despised the spin-offs they are based on, they did surprisingly work quite well for me as individual half-hour specials. It makes me wish those spin-offs were even half as enjoyable as those two episodes were. I just hate how Nickelodeon is using this business method as a means to try to create an incredibly forced SpongeBob cinematic universe because…….of course.

Oh, and there was even a special of SpongeBob’s take on Snow White, titled Snow Yellow and the Seven Jellies. (*insert joke about how this is a better Snow White remake than the actual Snow White remake coming next year*).

If my overview of Season 14 is coming across as more negative than it deserves, it mostly because there’s not much here that hasn’t been done in many other SpongeBob medium. It does fix certain issues that folks had with the previous few seasons, the episodes themselves are enjoyable to watch, and they do at least seems to have a hit a comfort zone that works for Nickelodeon and the overall brand of SpongeBob. However, it’s service level quality for the season and the sense of familiarity really makes this season lack the re-watch value that the better SpongeBob seasons had. Because of that, it makes you wonder how exactly SpongeBob can evolve on it’s own with it’s creator no longer there to guide him.

Season 15:

It’s really hard to talk much about Season 15 because it only got started this year and has only consisted of FIVE (!) episodes thus far. However, it has been confirmed that this was originally meant to be part of Season 14 but got split into a 15th season to keep the number of episodes per season on a consistent base without making a new season feel too bloated. In a way, Season 15 basically acts as Season 14 2.0.

For the most part, I see this keeping up on that same consistent path but with a few hints of what a new era of SpongeBob could be like. It mostly consists of a solid mix between the classic SpongeBob from Seasons 1-3, to the middle age SpongeBob of Seasons 4-5, and the “reassurance” age SpongeBob from Seasons 9-11. With each new episode, I see it’s trying to walk that incredibly tight line in the hopes that it’s able to strike a balance while finding room for it’s own identity. Will it work? I don’t know. But like the last “awkward” era of SpongeBob, I see the seasonings for a much broader plant to grow.

Aside from that, there’s not much to talk about with Season 15 that I haven’t already said with Season 14. Again, it’s too early and is currently not even halfway through the season. But if I were to predicted the outcome for the rest of the season, I imagine it will be like Season 14 but a tad more creative.

Although, please less Sammy Suckerfish in the near future please! Don’t pull a Bubble Bass or Rube Goldfish with him!

In Conclusion:

Similar to Seasons 4 and 5, SpongeBob SquarePants now finds himself in yet another awkward era. An era that likely acts as another transition from one era of SpongeBob to the next. While there are definitely improvements from the prior seasons and does show the seasonings for another potential resurrection run for the yellow sponge, it’s quite difficult to get as optimistic as last time due to Stephen Hillenburg no longer being able to play a part for the show’s future. But once again, this is a series that has gone on for over two decades now and is now on it’s 15th (!) season and just passed 300 episodes total (That’s not even counting the segments!). When putting those factors in mind, the fact this show continues to be watchable and even enjoyable is about as much of a miracle as it comes.

Even so, after 25 years later, SpongeBob SquarePants continues to thrive and doesn’t look to be slowing down anytime soon. It still stands as one of the most beloved and evolving animated shows that has ever been made, successfully growing from generation to generation among children and millennials. Regardless of one era you fall in with the show that may you get into it, there has always seems to be something special with this yellow sponge and his friends that has just resonated with so many people over the years.

Regardless of what the future may hold for Nickelodeon as a whole now that Paramount doesn’t see them as a high priority anymore, I have no doubt that SpongeBob will continue on with plenty of new content with 2025 and beyond. After all, we got the remainder of Season 15, a new movie that is subtitled The Search for SquarePants which is set to come out in December 2025 along with a new SpongeBob game developed by THQ Nordotic, the studio behind Battle for Bikini Bottom- Rehydrated and The Cosmic Shake. Even if this year long retrospective/perspective is over, there will still be plenty more of SpongeBob yet to come.

Final Words

But, yeah! That officially does it for the SpongeBob SquarePants marathon! I once again give a special thanks to everyone that joined me along this incredible ride! SpongeBob has already held a special place in my heart since I was a child and he’s a character that is incredibly important to me. This is a series that has taught us all about the importance of being positive, optimistic, and finding a sense of reliability in ourselves and the ones we care about. Even after now becoming an adult, this character will always be one I look up to and strive to be like.

No matter what the future holds for the yellow sponge, I do hope for the very best!

Once again, thank you to everyone that joined me for this marathon!

Have a Happy New Year!

SpongeBob SquarePants (Seasons 12-13) Retrospective: The “Other” Bad Era

Well, I guess good things can’t last forever……again. If my reviews on Sponge on the Run and the Sandy Cheeks movie is any indication, you could probably guess that I don’t have very positive thoughts about the current era of SpongeBob SquarePants we are currently in. Or at least with Seasons 12 and 13. While Season 14 and onwards remains to be seen (with that being the final piece of this retrospective/perspective), it feels like we are in the era where it seems like the young sponge we all know and love has officially flamed out.

There are of course many reasons as to why SpongeBob SquarePants has fell into the same trappings he did between Seasons 6 and 8. From Nickelodeon once again milking as much SpongeBob content and merchandise as possible in order to keep itself afloat to unfortunate passing of Stephen Hillenburg to the show just more than wearing out it’s welcome, SpongeBob has officially entered another bad era. The only slight glimmer hidden within these two seasons is a handful of standout episodes that was likely still in production before we all lost Stephen.

What’s most interesting is how this “other bad” era of SpongeBob is ENTIRELY different reasons than the original “bad” era. Seasons 6 through 8 suffered mostly from ill-conceived writing, the characters being unrecognizable from their original self, and way too much gross out humor that is disgusting to watch and cringe inducing to see characters suffered through it. When it comes to Seasons 12, 13, and (perhaps) 14, the main issues in lies in the fact that it’s just…..complete and utter nonsense.

There is little to no coherent storylines, random gags constantly happen out of nowhere just because, there is so much “fan service” and easter eggs that just exists for fans to point their fingers at the screen Leonardo DiCaprio style, and the animation has gotten so ham-fisted and over-the-top you could swear half of the crew was on cocaine while animating it. It may not fall under the mean-spirited tone and unpleasant characterization that the middle seasons did but it still can’t shake the feeling that everyone has run out of ideas for the show and are now just throwing whatever at the walls to see what sticks. Even in the worst episodes of the original “bad” era, you could at least understand the well intended point the writers were trying to make here. Here, I could barely tell you what exactly they were trying to get across with the majority of the episodes.

Let’s dive a bit deeper into these two seasons!

Season 12

I will say, between the two seasons, Season 12 is definitely the better one in quality. After all, this was the last season which Hillenburg was involved in before his unfortunate passing. And there are sprinkles of his influence throughout the season. This includes episodes such as Plankton’s Intern, Dream Hopers, The Krusty Bucket, and The Ghost of Plankton. Of course, there is also the very special episode, designed to celebrate over 20 years of SpongeBob SquarePants, known as SpongeBob’s Big Birthday Blowout, that basically acted as an anti-thesis of the controversial 10th anniversary episode known as Truth or Square. These were all episodes that were able to follow the strengths of the previous three seasons without going too far in the other unintended direction to make for a nice transaction phase after the middle seasons. Unfortunately, the rest of the season in not able to keep up that consistent level of quality.

Episodes such as Jolly Lodgers, Boss For a Day, The Nitwitting, Hiccup Plague, Who R Zoo, and Sandy’s Nutty Neices were all factors into the decline of this modern era of SpongeBob we are living in. It’s takes an idea that might make for a decent short at BEST and then stretches it out for as long as it can with uncanny animation, repetitive gags, and chunks of filler just to justify the episode being at least 11 minutes long. The plot barely has any coherent follow through, you get so much returning characters from the original three seasons that they don’t know what to do with, and it just seems to lack the heart and passion that the best SpongeBob episodes and seasons have.

And there was even an episode called Kwarantined Krab, which (NO JOKE) revolved around a pandemic that hit Bikini Bottom. It was originally meant to air in 2020 but due to the real life Covid-19 pandemic, it was pushed by Nickelodeon to 2022, right around the time where everything was starting to get under control. The episode would not be included as part of the Season 12 DVD box set and was taken down temporarily on Paramount Plus. I couldn’t find out if this episode was made before COVID hit or during it but that was just…..unfortunate timing.

And that is one thing that can basically be said about Season 12 as a whole, unfortunate timing. From coming off the highs of Season 11 to Hillenburg’s passing, it could not have come out at a worse time and the quality of it certainly didn’t help in aiding it. Even so, this season isn’t so bad compared to Season 13!

Season 13

It’s hard to say for certain if this is the worst season of SpongeBob SquarePants or the one that did the most damage to the franchise but no doubt, but this was no doubt the one that showed just how much this series is running on fumes. Not only did it suffer easily the worst tv ratings of any season (barely able to reach 500K an episode), but this is the season that suffered from having the lowest amount of creativity thus far.

To be honest, I could just copy and paste almost everything I said about Season 12 and that’s what you get here, except there is much more bad here. It’s all just so random, so all over the place, and just not SpongeBob. This season doesn’t so much feel like it was written and animated by an A.I. but more of a simulated conveyor belt. At best, this season is full of episodes you can watch with a headset while playing a game and makes for decent background noise. At worst, it’s just completely generic and utter nonsense.

One episode in particular that is the perfect example of the modern era of SpongeBob in a nutshell is FUN-Believable. It’s an episode that has no plot, clumsy animation, overlong and unfunny gags, returning fan favorite characters from the original three seasons that it has no idea what to do with, and just dials into complete nautical nonsense (no pun intended). The worst part of it all is that I couldn’t tell you what the title, FUN-Believable, is suppose to represent in this episode. Nothing that occurs in this episode felt fun or believable to me and not even the characters in the episode. If I can’t tell you what it means, then there’s a good chance that the creators of that episode couldn’t either.

I would say more but that’s the best description I got for Season 13. It’s basically Season 12 but on steroids, with much more of the bad and much less of the good. Are there a handful of gem episodes scattered throughout? Sure! Is it anywhere near enough to save this season and other “bad” era of SpongeBob? Absolutely not!

In Conclusion

While Seasons 12 and 13 of SpongeBob SquarePants are far from the worst things that I’ve ever seen, it really does represents the show on it’s very last legs. The clever ideas that the show has had for years in regards to it’s humor, characters, world building, and meaningful messages are barely to be seen here. It’s now nothing about utter nonsense, unearned fan service, and tons of filler that’s good enough to justify an episode being 11 minutes long. While it does seem like the current writers understand why fans didn’t like the middle seasons of the show, what they DON’T understand is why fans liked the original seasons and the era in between Hello Bikini Bottom and SpongeBob’s Big Birthday Blowout. Aside from a handful of enjoyable episodes and a solid anniversary special that could be seen as the true epilogue of the series outside of the first movie, it’s sad to confirm that SpongeBob has entered another bad era.

Unfortunately, unlike the last bad era he was in, Nick can’t rely on Stephen Hillenburg to help get them out of their slump again. It’s only a handful of creators that were there from the beginning such as Tim Hill, Derek Drymon, Mr. Lawrence, and Aaron Springer that can do everything in their power to return this series to a new good era. While Hill failed miserably with Sponge on the Run, Drymon, Lawrence, and Springer are currently working on new SpongeBob movies such as Plankton and Search for SquarePants to hopefully provide some sort of spark left to this franchise.

Despite the recent decline in quality and television ratings, it doesn’t seem like Nickelodeon plans on ending the show anytime soon. The merchandise is still going strong, the spin-off series in Kamp Koral and The Patrick Star Show have expanded the brand even further, and this is basically all that Nickelodeon has left to thrive on or else they will basically be dead. No amount of Paw Patrol, Fairly OddParents reboots, or constant tv re-runs of the Sonic movies will be able to save them this time! Unless the folks that work on SpongeBob now are able to find some sort of creative spark in spite of Nickelodeon’s constant micromanagement, it’s hard to imagine another successful era on par with the original three seasons and Seasons 9-11.

However, there is at least one episode from this era that I genuinely believe could have worked as both a proper ending and even epilogue to SpongeBob SquarePants as a whole. That one episode of course is SpongeBob’s Big Birthday Blowout! And I will talk all about why next month!

Next Month: Why SpongeBob’s Big Birthday Blowout Should Have Been The Ending of SpongeBob SquarePants

Also, HAPPY HALLOWEEN!!!!!!!